Psychic Book Club. Undated. Hardcover. Good. . Undated.Boards and spine in good condition.Corners bumped.Hinges and binding firm with no loose pages.Edges foxed/tanned. Text clear with some foxing. Psychic Book Club. hardcover
Psychic Press Ltd 1936-01-01. Hardcover. Very Good. 0x0x0. Spiritualism Bound in publisher's blue boards. Hardcover. Good binding and cover. Clean unmarked pages. Gift inscription on fep. xi 92 pages ; 19 cm Psychic Press Ltd hardcover
Paris: Perrin & Cie 1892. Fine. Perrin & Cie Paris 1892 9 x 15.50 cm relié first edition. Binding half sheepskin pine green smooth back plates guards and contreplats paper moiré preserved covers gilded head contemporary binding signed cold. autograph dedication of the author signed autograph Maurice Barres Francis Chevassu. Light marginal gaps on the first text reached without slip. Nice copy. Perrin & Cie unknown
Paris: Librairie académique Didier 1891. Fine. Librairie académique Didier Paris 1891 9.50 x 15.50 cm broché First edition on ordinary paper with only 16 Japan deluxe copies printed. Bradel binding in half vellum-style canvas smooth spine turquoise morocco title-label with slight marginal scuff marbled paper boards endpapers and pastedowns original wrappers preserved contemporary binding. Handsome copy. Librairie académique Didier hardcover
Paris: Librairie académique Didier 1891. Fine. Librairie académique Didier Paris 1891 9.50 x 15.50 cm broché First edition on ordinary paper; only 16 copies were printed on Japan paper as deluxe copies. A handsome copy. Librairie académique Didier unknown
Paris: Stock 1933. Fine. Stock Paris 1933 12 x 19 cm broché First edition in French one of 130 numbered copies on alfa paper the only deluxe copies with 27 on pur fil. Two small tears at head and foot of spine handsome interior condition. Stock unknown
Paris: Les taches d'encre 1884. Fine. Les taches d'encre Paris Novembre et Décembre 1884 12 x 18 cm 2 volumes brochés First edition of this rare monthly gazette edited by Maurice Barrès. These two copies come from the library of Henri Cellerier who inscribed his name as a gift inscription at the head of the second issue and who was a close collaborator of Charles Maurras. Spines sunned small marginal stains on the first cover of No. 1. Les taches d'encre unknown
Paris: E. Fasquelle 1899. Fine. E. Fasquelle Paris 1899 15.4 x 22.5 cm Broché First edition one of 50 numbered copies on China paper the only copies printed on deluxe paper.A pleasing copy.Illustrated with plates by Louis Dunki. E. Fasquelle unknown
Paris: Emile-Paul 1911. Fine. Emile-Paul Paris 1911 11.50 x 18.50 cm broché First edition on ordinary paper one of the copies specially printed for the author with mention of third thousand on the first cover. Some worming on the first cover and in the margins of some leaves. Signed autograph inscription from Maurice Barrès to the politician Paul Boncour: ""A Paul Boncour pour sa bibliothèque minime son ami."" ""To Paul Boncour for his modest library his friend."" Emile-Paul unknown
Paris: Emile-Paul frères 1911. Fine. Emile-Paul frères Paris 1911 12 x 19 cm broché First edition one of the advance copies from the first printing. Occasional light worming handsome copy. Emile-Paul frères unknown
Paris: Georges Crès et Cie 1912. Fine. Georges Crès et Cie Paris 1912 13 x 19.50 cm relié New edition one of 5 copies printed on China paper deluxe copy after 3 on old Japan paper illustrated with a frontispiece portrait of the author in bistre. Bradel binding in half red morocco smooth Jansenist spine very slightly faded and showing very light scratches blind fillet on marbled paper boards marbled endpapers and pastedowns covers and spine preserved binding signed Ch. Lanoë successeur de P. Ruban. Handsome copy. Georges Crès et Cie hardcover
Paris: Albert Fontemoing 1904. Fine. Albert Fontemoing Paris 1904 13.50 x 20.50 cm relié Edition with some parts in first edition as expanded with an unpublished preface. Half marbled sheep binding smooth spine decorated with gilt cartouche some rubbing to spine top headcap worn down navy blue shagreen title label marbled paper boards beige paper endpapers and pastedowns original wrappers preserved top edge gilt contemporary binding. Precious signed autograph inscription by Maurice Barrès: ""A Léon Daudet son ami. Maurice Barrès."" ""To Léon Daudet his friend. Maurice Barrès."" Albert Fontemoing hardcover
Paris: Perrin & Cie 1889. Fine. Perrin & Cie Paris 1889 12 x 19 cm relié First edition. Paper Bradel binding by Thomas Boichot dark blue title-piece covers and spine preserved ex libris pasted opposite half-title with autograph inscription. Handsome autograph inscription signed by Maurice Barrès to the poet José-Maria de Heredia. A very good copy nicely bound. Perrin & Cie unknown
Australian Council for Educational 1992. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Australian Council for Educational paperback
London: Thomas Nelson & Sons. FINE BINDING. 1st printing n.d. 1913. 381pp. Half green morocco and marbled paper covered boards with gilt bordering raised bands and gilt titles to spine all edges gilt marbled endpapers. VG copy binding square and tight a little rubbing to corners fore edge and spine gilt still bright period ink name to flyleaf internally excellent . Very Good. Hardcover. 1st Edition. 1913. Thomas Nelson & Sons hardcover
UK: Hollis and Carter 1947. 1st Edition 1st Printing. Hardcover. Very Good /Very Good. 8vo - over 7¾ - 9¾" tall. 1st Edition 1947. Presentation inscription from Henry Williamson to his first wife Ida Loetitia Williamson Gipsy The inscription reads - To Gipsy with love from Henry 4th Feb 1948. Nearly twenty years after we met the dear man Maurice Baring in London with Jack Squire. From a large collection of Henry Williamson's and his family's books. Includes a specially commissioned small bookplate affixed inside the book confirming this. The book is very good and bright. Contents good. The wrapper is very good and bright. Odd nicks/small closed tears to edges. More images can be taken upon request. Ref17754 <br/> <br/> Hollis and Carter hardcover
New Haven: Yale University Press 1918. Third Printing. Hard Cover. Very Good binding/Very Good dust jacket. 58pp. The third printing of the American Edition with the publisher's dusjtacket. There is a small star remainder mark stamped at the top corner of the front endpaper. Very Good binding / Very Good dust jacket. Yale University Press unknown books
Londres London 1974. Fine. Londres London 14 avril 1974 13 x 18.10 cm une carte postale Autograph postcard signed by Maurice Béjart addressed to André-Philippe Hersin written in blue ballpoint pen on the verso of a photographic reproduction of Vermeer's painting titled A Lady Standing at a Virginal. ""Before leaving London I think of you. Impossible to reach Paris by telephone at normal hours. I leave tomorrow for Venice. Here the summer season has been a great success. Kiss - Maurice"" Journalist dance critic and editor-in-chief of Les Saisons de la danse Hersin was a great defender of Béjart's choreographic style and devoted laudatory articles to him in his review as well as monographic fascicles on his work. unknown
Venise Venice 1973. Fine. Venise Venice 25 mai 1973 14.80 x 10.40 cm une carte postale Autograph postcard signed by Maurice Béjart addressed to André-Philippe Hersin written in black ink pen on the verso of a color photographic reproduction of the Viale alla Chiesa in Venice on which two monks reading appear. ""Brother Maurice and brother A. Philippe walk while reading the latest issue of Les Saisons de la Croix.! 24 hours in Venice to meet Boulez. Tomorrow Milan. I think of you very much - M."" Journalist dance critic and editor-in-chief of Les Saisons de la danse Hersin was a great defender of Béjart's choreographic style and devoted laudatory articles to him in his review as well as monographic fascicles on his work. unknown
Ravello 1970. Fine. Ravello s. d. ca 1970 14.50 x 10.50 cm une carte postale Signed autograph postcard by Maurice Béjart written in blue ballpoint pen on the verso of a photographic reproduction depicting Villa Rufolo in Ravello on the Amalfi coast. Villa Rufolo was immortalized by Richard Wagner in his ""Parsifal"" as Klingsor's enchanted castle. unknown
Ispahan Isfahan 1974. Fine. Ispahan Isfahan 22 novembre 1974 14.90 x 10.20 cm une carte postale Autograph postcard signed by Maurice Béjart addressed to André-Philippe Hersin on the verso of a photographic reproduction showing the trembling minarets of Isfahan. The choreographer sent this postcard from Iran where he created in 1971 under the patronage of Empress Farah Pahlavi his ballet Golestan The Rose Garden and in 1974 at the Shiraz festival his ballet Mallarmé III to music by Pierre Boulez. It would also be during this period that Béjart is said to have converted to Islam after meeting Dariouche Safvate eminent Kurdish Sufi musician. unknown
Capri 1972. Fine. Capri 20 juillet 1972 10.40 x 15 cm une carte postale Autograph postcard signed by Maurice Béjart from Capri addressed to André-Philippe Hersin then in Avignon for the theatre and dance festival. On the verso a drawing depicting the coat of arms of Sir Galahad. The choreographer sends a warm message to the editor of Saisons de la danse whose latest issue he had just read. Hersin was indeed a great champion of Béjarts choreographic style and devoted laudatory articles to him in his journal as well as monographic booklets on his work. unknown
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