Paris: Lucien Vogel éditeur 1912. Fine. Lucien Vogel éditeur Paris 1912-1913 19 x 24.50 cm une feuille Original color print printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
Paris: Charpentier 1880. Fine. Charpentier Paris 1880 11.50 x 18.50 cm relié First edition one of 10 copies on Hollande paper the only large paper copies. Jansenist red morocco binding by Marius Michel spine in five compartments date to foot marbled endpapers and pastedowns red morocco frame to pastedowns with seven gilt fillets covers preserved all edges gilt. This copy is enriched with two autograph letters by the author of 3 and 2 pages length respectively. A fine copy in a superb binding by Marius Michel. Provenance : collection of Marius Michel with his ex libris pasted onto one of the endpapers. Charpentier unknown
Die wichtigste Stunde - Das Tagebuch für deine Erfolgsroutine WIE NEU <br/><br/>Die wichtigste Stunde - Das Tagebuch für deine Erfolgsroutine WIE NEU unknown
書籍販売業者の参照番号
: BN118213 ISBN : 3982364485 9783982364483
University of South Africa. Unknown. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. University of South Africa unknown
書籍販売業者の参照番号
: G0869812874I4N00 ISBN : 0869812874 9780869812877
Plon-Nourrit & Cie 1896T. hardcover. Good. . original decorated red cloth cover shows minor wear rubbing slight loss on the spine ends and corners. pages are shaken lightly tanned and clean with full color illustrations. Plon-Nourrit & Cie hardcover
Paris: Librairie Gründ 1948. Fine. Librairie Gründ Paris 1948 16.50 x 23.50 cm broché First edition on ordinary paper. Illustrated with 12 plates plus 40 head- and tailpieces. Spine very slightly faded adhesive traces at head and foot of endpapers otherwise a handsome copy. Librairie Gründ unknown
v934 ad pages with diagrams and index. Octavo 8 1/4" x 5 1/4" bound in original publisher's wrappers. Bibliotheca Van der Linde-Niemeijeriana: 4117 First edition.<br /><br />Maurice Kraitchik was a Belgian mathematician and populariser. His main interests were the theory of numbers and recreational mathematics. He wrote several books on number theory during 1922–1930 and after the war and from 1931 to 1939 edited <i>Sphinx</i> a periodical devoted to recreational mathematics. During World War II he emigrated to the United States where he taught a course at the New School for Social Research in New York City on the general topic of "mathematical recreations."<br /><br />This 100-page booklet reprints Kraitchik's articles first published in the chess magazine <i>L'Echiquier </i>in 1926 with extra material on 3-rank boards.<br /><br /><b>Condition:<br /></b><br />Spine chipped away corners bumped and chipped edge wear with some tears front wrapper detached else a good copy of a scare item. Gauthiers-Villars paperback
Paris: Dunod 1966. 246 pp. Hardcover ex library else text clean and binding tight. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Paris: Dunod hardcover
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