New York: Crown Publishers 1979. First Edition; First Printing. Hardcover. Very Good in a Good dust jacket. Small open and closed tears throughout front and rear panel top and bottom edges and corners and spine crown and heel. Sunning on front panel. Creasing on front flap. Foxing on text block edges. Crown Publishers hardcover
Riferimento per il libraio : 310268 ISBN : 0517520370 9780517520376
MIDDLETON PRESS 2005. Hardcover. Like New. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. MIDDLETON PRESS hardcover
Riferimento per il libraio : G190447456XI2N00 ISBN : 190447456X 9781904474562
Presses Universitaires de France. Used - Good. Good condition. French. science chemistry history A copy that has been read but remains intact. May contain markings such as bookplates stamps limited notes and highlighting or a few light stains. Presses Universitaires de France unknown
202 éditions 2015. Paperback. Very Good. Different cover. Edition 2015. Ammareal gives back up to 15% of this item's net price to charity organizations. 202 éditions paperback
Riferimento per il libraio : I-134-057 ISBN : 2955172715 9782955172711
202 éditions. Softcover. Le cinéma de Marguerite Duras 1974-1976 tome 2. La Trilogie Anne-Marie Stretter : La femme du Gange India Song Son nom de Venise dans Ca <br/><br/>Le cinéma de Marguerite Duras 1974-1976 tome 2. La Trilogie Anne-Marie Stretter : La femme du Gange India Song Son nom de Venise dans Ca Maurice Darmon 202 éditions paperback
Riferimento per il libraio : BN321436 ISBN : 2955172715 9782955172711
Établissements Casterman 2026. 3e édition 1922 --- Bon état sous papier de soie intérieur jauni propre ex libris sur la page titre. in8. 2026. Broché. Établissements Casterman unknown
Divione Dijon Dijon: Apud Petrum Palliot 1679. Fine. Apud Petrum Palliot Divione Dijon Dijon 1679 21 x 16 cm broché First edition. Uncommon with copies at the Bibliothèque Nationale de France and at Dijon. In original wrappers the gatherings were probably removed from a book that contained several works. The book is an exegesis of universal chronology based on the work of Father Possini and the Byzantine scholastic Pachymeres who apparently lived in the 11th century. There are several tables containing the cycles of the moon and sun and the corresponding months. At the end of the work two letters in French on Petau's chronological convictions regarding the Greek calendar. Apud Petrum Palliot unknown
Mauritius: T. Esclapon 1919. Fine. T. Esclapon Mauritius 1919 15.2 x 21.3 cm Broché Very scarce first edition of Davids first work dedicated to Léonville lHomme and Edgar Janson cf. Toussaint & Adolphe A. 1411. Spine lacking; copy cockled. T. Esclapon unknown
Praeger Publishers 1972. Very Good. Former library book. No dust jacket. Different cover. Edition 1972. Ammareal gives back up to 15% of this item's net price to charity organizations. Praeger Publishers unknown
New York: The Research Publishing 1933. 8vo. Signs of minor shelf wear. Light creasing. Clipped price corners. Very good. Original Price on Dust Jacket: $2.50 New York: The Research Publishing, 1933. unknown
New York: The Research Pub. Co 1933. Very Good binding/Very Good dust jacket. Some toning to the endpapers but a clean copy with no ownership or other marks in the book. The dustjacket still has the price and is protected with a new mylar cover. Very Good binding / Very Good dust jacket. The Research Pub. Co unknown books
s. l.: S. n. 1938. Fine. S. n. s. l. 6 Février 1938 21.50 x 27.50 cm une page Autograph letter dated and signed by Maurice Denis 20 lines in black ink regarding an article he must provide to a magazine. Folding trace inherent to envelope insertion. The painter profusely thanks his correspondent for the interest shown to him: ""Je vous remercie de suivre avec bienveillance toutes mes ""productions"". Vous accepterez celle-ci - d'ailleurs promise à la vie depuis trop longptemps - et vous lui ferez un sort toujours dans le même sentiment amical."" I thank you for following all my ""productions"" with such kindness. You will accept this one - which has been promised to life for far too long - and you will give it its due always in the same friendly spirit. Maurice Denis explains the content of his article: ""C'est un fragment - ou plutôt deux fragments d'une conférence que j'ai donnée à cercle catholique d'étudiants ""La maison"" rue du Montparnasse. Actualité de Poussin : je vous avais promis quelque chose sur la Rétrospective que je n'ai point fait et finalement c'est cette conférence qui exprime l'essentiel de nos impressions sur la rétrospective."" It is a fragment - or rather two fragments from a lecture I gave to the Catholic students' circle ""La maison"" on rue du Montparnasse. The relevance of Poussin: I had promised you something on the Retrospective which I did not do and finally it is this lecture that expresses the essence of our impressions on the retrospective. S. n. unknown
Rueil-la-Godelière Eure-et-Loir Rueil-la-Godelière 1941. Fine. Rueil-la-Godelière Eure-et-Loir Rueil-la-Godelière 16 Juillet 1941 15.50 x 19.50 cm deux pages sur un double feuillet Autograph letter dated and signed by Maurice de Vlaminck addressed from his house ""la Tourillière"" in Rueil-la-Godelière in Eure-et-Loir to his friend Francis Carco 31 lines in black ink on a double sheet. A central fold inherent to postal delivery light dampstains at head of the double sheet without any damage to the text of the letter. The painter shows himself deeply affected and saddened by his friend's refusal of a project involving them both: ""J'ai l'impression que tu ne dis pas la vérité. Ces raisons que tu invoques pour expliquer ton refus ne sont pas les vraies. Tu as peut être du travail mais cela n'a rien à faire ""je ne suis pas bon"""" ""I have the impression that you are not telling the truth. These reasons you invoke to explain your refusal are not the real ones. You may have work but that has nothing to do with 'I am not good'"" He attempts to reassure Francis Carco convinced that his friend has been misinformed or influenced: ""Je peux t'affirmer que personne ne connait le manuscrit. A mon avis c'est regrettable pour nous deux. Mon cher Carco les gens sont vaches !"" ""I can assure you that no one knows the manuscript. In my opinion it is regrettable for both of us. My dear Carco people are awful!"" Without great resentment he invites him to his house in Eure-et-Loir at ""la Tourillière"": ""Viens donc dîner à la Tourillière. Tu ne perdras pas ta soirée. Enfin avec toute mon amitié mes deux mains. Vlaminck. P.S. Qu'est-ce que tu risques "" ""Do come and dine at la Tourillière. You won't waste your evening. Finally with all my friendship my two hands. Vlaminck. P.S. What do you risk"" but remains deeply troubled by his friend's rejection: ""Cette histoire m'agace. Quant à la pièce je m'en fous ! Mais je voudrais savoir ce qu'il y a derrière ton refus. Ce qu'on a t'a dit !"" ""This whole affair annoys me. As for the play I don't care! But I would like to know what lies behind your refusal. What they told you!"" unknown
Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Octobre 1898 23 x 37.50 cm une feuille Rare original lithograph executed by Maurice Desvallières for L'Estampe Moderne series number 18 published in October 1898. One of 50 deluxe proofs printed on China paper with wide margins publisher's dry stamp depicting a child's profile in lower margin mounted on a sheet of laid paper with the numbered luxury edition stamp on the verso pale marginal foxing. Lithograph inspired by an extract from Agonie by Jean Lombard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential luxury printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but rather to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a fine printing. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie"". The poster originally popular and plastered in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the Art Nouveau style. Imprimerie Champenoispour CH. MassonH. Piazza unknown
DU BLANC MONT BLANC PARIS FRANCE On offer is a small archive of handwritten letters relating to small pox. Letter 1 penned by Maurice Devilliers a citizen of Du Blanc France writes of small pox throughout the district and much more in this tightly written stampless letter with wax seal. Letters 2 and 3 are from the same health officer of the Revolutionary government whose signature is affixed on both letters but not quite legible.G. Good. Folio - over 12" - 15" tall. Manuscript. unknown
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