London: Francis Griffiths 1913. Hardcover. Good. Large 8vo in red cloth gilt spine title top edge gilt. Binding tight and square; light rubbing to the corners spine ends and gutters; offsetting to the prelims. Francis Griffiths hardcover
London: Allan Wingate and the Book Society 1953. Very Good-/Very Good. London: Allan Wingate and the Book Society 1953. First Edition. Octavo; publisher's simulated cloth in pictorial dust jacket by Mervyn Peake retaining original price 10s. 6d. blue topstain; 255pp. Moderate wear to jacket extremities including a few short closed tears tape repaired on verso spine slightly cocked endpapers unevenly foxed ownership ex libris to front pastedown. A Good to Very Good copy overall. Signed by the author on front free endpaper. Allan Wingate and the Book Society unknown
London: Allan Wingate and the Book Society 1953. First edition. Cloth. Fine/Very Good Indeed. 7.5" by 5.5". Mervyn Peake. A first edition copy of this novel from British Labour Party politician journalist and novelist Maurice Edelman with the original dust wrapper designed by Mervyn Peake. The first edition of this work in the publisher's original cloth binding with the original unclipped dust wrapper designed by Mervyn Peake. Maurice Edelman 1911-1975 was a British Labour Party politician journalist and novelist who represented Coventry constituencies for over 30 years. In this novel Edelman explores the conflict between the public persona of a young Minister and his true personality interwoven with political intrigue ambition and frustration. In the publisher's original cloth binding with the original unclipped dust wrapper. Externally cloth is in excellent condition. Spine is slightly cocked. Internally firmly bound. Pages are bright and clean. Dust wrapper is generally smart and bright with light chipping to the head of the backstrip and to the folds. Scattering of spots to the flyleaves. Fine Allan Wingate and the Book Society hardcover
Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Septembre 1897 24 x 33 cm une feuille Rare original lithograph executed by Maurice Eliot for L'Estampe Moderne series number 5 published in September 1897. One of 50 deluxe proofs printed on China paper with wide margins artist's signature and date in the plate publisher's dry stamp representing a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe printing on the verso pale marginal foxing. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful printing. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie"" poster mania. The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the Belle époque style. Imprimerie Champenoispour CH. MassonH. Piazza unknown
Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Septembre 1897 24 x 33 cm une feuille et une serpente Rare original color lithograph executed by Maurice Eliot for L'Estampe Moderne series number 5 published in September 1897. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature and date in the plate publisher's dry stamp representing a child's profile in the lower margin numbered stamp of the deluxe printing on verso; engraving preceded by a tissue guard inscribed with the artist's name title a poem by Armand Sylvestre and a presentation text; and another blank tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed in color on the most prestigious of papers: Japan paper. Thick silky satin and pearlescent it contributes to making each page a work in its own right. Its quality of ink absorption and its affinity with colors also make it the ideal support for these very beautiful lithographs. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie"" poster mania. The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the Belle époque style. Imprimerie Champenoispour CH. MassonH. Piazza unknown
Paris: L. Carteret 1911. Fine. L. Carteret Paris 1911 21.50 x 30 cm broché Edition illustrated with 14 original lithographs by Maurice Eliot and printed in 200 numbered copies on vellum. Our copy contains a triple state of lithographs. Handsome copy. L. Carteret hardcover
New York: Budo International Publishing. Near Fine. 2006. Softcover. 9780974507972 . Inscribed by author on title page. ; 8vo 8" - 9" tall; Signed by Author . Budo International Publishing paperback
Referentie van de boekhandelaar : 15746 ISBN : 0974507970 9780974507972
London: Independent Film Distributors / British Lion 1956. Vintage black-and-white still photograph from the 1956 UK film. <br/><br/>A well-received farce about a couple of dim-witted bookmakers who decide to fix a horse race. <br/><br/>8 x 9.75 inches. Very Good plus withand light stains and creases. Independent Film Distributors / British Lion unknown books
Paris: H.Laurens 1928. Hardcover. Good. both volumes have edge rubbing to spine and volume 1 has owner name and date on pre-title page; otherwise very good clean copies; will require extra shipping ex USA H.Laurens hardcover
Referentie van de boekhandelaar : 103888 ISBN : 9110431837 9789110431836
s. l.: The prairie school press 1964. Fine. The prairie school press s. l. 1964 14 x 21.50 cm reliure de l'éditeur First edition. Publisher's binding in full blue cloth smooth spine complete with dust jacket which has a tear and lack at foot of spine. Autograph inscription signed in English from Maurice English to Georges Charaire. Handsome copy. The prairie school press hardcover
Impr. J. Patissier In-8 24 cm 60pp. Pqte3 L'édition des oeuvres de Marot de 1954 - Antoine Constantin et la Compagnie Constantin-Sabon - Heluyn Dulin bibliophile éditeur de Marot et d'Appian Alexandrin - Qui était Heluyn Dulin - Acte d'association entre Etienne Dolet et Heluyn Dulin unknown
Hardback. New. How are the new electronic technologies transforming business here and abroad - indeed the entire world economy - and what new strategies must business develop to meet the challenges of this transformation hardcover
Referentie van de boekhandelaar : A9780899309699 ISBN : 0899309690 9780899309699
Paris: Maison du bibliophile 1934. Fine. Maison du bibliophile Paris 1934 16.50 x 25.50 cm broché First edition. Inscription from Maurice Escoffier the dedicatee's name has been skillfully erased. Small tears and lacks at foot and head of spine covers very slightly and marginally faded without consequence handsome interior condition. Maison du bibliophile unknown
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