‎Maurice ile‎

‎Maurice LE ROUX‎

‎Claudio Monteverdi‎

‎Paris: Editions du coudrier 1951. Fine. Editions du coudrier Paris 1951 14.50 x 19 cm broché First edition one of 120 numbered copies on Bellegarde laid paper the only deluxe copies. Preface by Roland Manuel. Light scuffs of no consequence to one joint and the boards otherwise a handsome copy. Editions du coudrier hardcover‎

Referenz des Buchhändlers : 58816

‎Maurice FICKELSON‎

‎Une soirée chez Azerbach‎

‎Paris: Grasset 1971. Fine. Grasset Paris 1971 12.50 x 19.50 cm broché First edition one of 24 numbered copies on alfa paper this copy one of 14 hors commerce the only large paper copies. A good copy. Grasset unknown‎

Referenz des Buchhändlers : 55954

‎Maurice LEMAITRE‎

‎Le lettrisme devant Dada et les nécrophages de Dada !‎

‎Paris: Centre de créativité 1967. Fine. Centre de créativité Paris 1967 14.50 x 22.50 cm broché Maurice LEMAÃŽTRE Le Lettrisme devant Dada et les nécrophages de Dada ! Centre de créativité Paris 1967 14.5 x 22.5 cm original wrappers First edition one of 50 numbered copies on Arches paper this one not justified the tirage de tête. Handsome autograph inscription signed by Maurice Lemaître to Eric Losfeld below the justification: “Spécialement réalisé pour Eric Losfeld quinze ans d'amitié sans nuage mais pas grande efficacité specially made for Eric Losfeld fifteen years of uninterrupted friendship but not great efficiency. Lemaître 67.” This copy retains the original drawing by Maurice Lemaître accompanying the 50 copies of the tirage de tête on Arches. A very good and rare copy. Centre de créativité unknown‎

Referenz des Buchhändlers : 56060

‎Maurice BLANCHOT - Robert BRASILLACH‎

‎La grande passion des modérés in Combat n°9 de la première année‎

‎Paris: in Combat 1936. Fine. in Combat Paris novembre 1936 21.50 x 28.50 cm agrafé First and only edition of this pamphlet published in the review Combat directed by Thierry Maulnier. Other contributions: Robert Brasillach La machine à botter les culs Thierry Maulnier Georges Blond. Very rare document witnessing the anti-democratic period of young Maurice Blanchot. Vertical fold inherent to the distribution of this review with tear without loss at foot of same. in Combat unknown‎

Referenz des Buchhändlers : 56073

‎Maurice BARRES‎

‎Colette Baudoche. Histoire d'une jeune fille de Metz‎

‎Paris: Félix Juven 1909. Fine. Félix Juven Paris 1909 12 x 19 cm broché First edition on ordinary paper. A nice copy. Félix Juven unknown‎

Referenz des Buchhändlers : 57447

‎Maurice LEROY‎

‎Remords. Costume de chasse pl.41 La Gazette du Bon ton 1920 n°6‎

‎Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris Juillet 1920 18 x 24 cm une feuille original print in color printed on laid paper signed upper left of the board. Original content produced for the illustration of The Gazette fashionable one of the finest and most influential twentieth century fashion magazines celebrating the talent of creators and artists French burgeoning art deco. Famous fashion magazine founded in 1912 by Lucien Vogel The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920 due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication these luxury publications ""are for bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""good Gazette of tone"" in the fashion dictionary 2016. Printed on fine laid paper they use a typeface created specifically for the magazine by Georges Peignot the Cochin character taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil enhanced color and some outlined in gold or palladium. The adventure began in 1912 when Lucien Vogel man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff John's sister the father of Babar Gazette good tone in which the subtitle is then ""Art fashions and frivolities."" Georges Charensol quotes the editor: ""In 1910 he observed there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists . I was certain of success because no country for fashion can compete with France. """" A great art editor. Lucien Vogel ""in Literary News No. 133 May 1925. The success of the magazine is immediate not only in France but also the US and South America. Originally Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Edward Halouze Alexander Iacovleff Jean Emile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists mostly unknown when Lucien Vogel appealed to them will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette. The boards highlight the dresses and sublime seven artists of the time: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless some of Illustrations contained no real model but only the idea that the illustrator is done in the fashion of the day. Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit it brings together for the first time the great talents of the world of arts literature and fashion and imposed by this alchemy a new image of women slender independent and bold also driven by the new generation of designers Coco Chanel Jean Patou Rochas Marcel . Recovery in 1920 by Condé Montrose Nast Gazette fashionable modeled for the new composition and the aesthetic choices of the ""little dying newspaper"" that Nast had bought a few years ago: the Vogue magazine. Lucien Vogel éditeur hardcover‎

Referenz des Buchhändlers : 57518

‎Maurice SACHS‎

‎Lettres‎

‎Paris: Le Bélier 1968. Fine. Le Bélier Paris 1968 14 x 19 cm broché First edition one of 45 numbered copies on Japan nacré paper the tirage de tête. With a photographic portrait of the author as frontispiece a very good copy. Le Bélier unknown‎

Referenz des Buchhändlers : 56374

‎Maurice TOESCA‎

‎A la grâce de dieu‎

‎Paris: Albin Michel 1955. Fine. Albin Michel Paris 1955 12 x 19 cm broché First edition review copy. Signed autograph Maurice Toesca Louis Pauwels: "". this travel book and what a trip!"" Back slightly insolated. Albin Michel unknown‎

Referenz des Buchhändlers : 57747

‎Maurice RENARD‎

‎La jeune fille du yacht‎

‎Paris: Georges Crès & Cie 1930. Fine. Georges Crès & Cie Paris 1930 12 x 19 cm broché first edition on the current paper. Signed autograph of Maurice Renard Albert John and his wife. A small tear in foot of the back light foxing the backs of boards. Georges Crès & Cie hardcover‎

Referenz des Buchhändlers : 56641

‎Maurice BARRES‎

‎Trois stations de psychothérapie‎

‎Paris: Librairie académique Didier 1891. Fine. Librairie académique Didier Paris 1891 9.50 x 15.50 cm broché First edition on ordinary paper with only 16 Japan deluxe copies printed. Bradel binding in half vellum-style canvas smooth spine turquoise morocco title-label with slight marginal scuff marbled paper boards endpapers and pastedowns original wrappers preserved contemporary binding. Handsome copy. Librairie académique Didier hardcover‎

Referenz des Buchhändlers : 56686

‎(SAINT-JOHN PERSE) - Maurice SAILLET‎

‎Saint-John Perse poète de gloire suivi d'un essai de biographie d'Alexis Léger‎

‎Paris: Mercure de France 1952. Fine. Mercure de France Paris 1952 12 x 19 cm broché Edition on current paper it is printed vellum in 35 leading copies. Signed autograph Maurice Saillet Roger Caillois. Two stuck back tears and gaps in both the top and bottom of the back. Mercure de France hardcover‎

Referenz des Buchhändlers : 57417

‎Maurice CAREME‎

‎Petites légendes‎

‎Paris: Editions du Sablier 1949. Fine. Editions du Sablier Paris 1949 14 x 19 cm broché First edition one of 700 numbered copies on alfa paper the only deluxe copies after 100 on pure thread paper. Handsome copy. Editions du Sablier unknown‎

Referenz des Buchhändlers : 57349

‎Suffern, Maurice Grayle‎

‎Basic Electrical Principles 2nd edition‎

‎McGraw-Hill. 1956. Hardcover. UsedGood. Hardcover; 2nd edition; fading and shelf wear to the cover with bumps to th e spine ends; front board slightly cocked; former owner's name on front end page; a few smudges on bottom page edge; otherwise in good condition with clean text and tight binding. . McGraw-Hill hardcover‎

Referenz des Buchhändlers : 75203

‎Obstfeld, Maurice‎

‎Global Capital Markets: Integration Crisis and Growth Japan-US Center UFJ Bank Monographs on International Financial Markets‎

‎Paperback. Very Good. paperback‎

Referenz des Buchhändlers : GOR007963769 ISBN : 0521671795 9780521671798

‎Maurice SACHS‎

‎Histoire de John Cooper d'Albany‎

‎Paris: Gallimard 1955. Fine. Gallimard Paris 1955 12 x 19 cm broché First edition one of 65 numbered copies on pur fil the only large paper copies. A good copy. Gallimard unknown‎

Referenz des Buchhändlers : 55491

‎Frink, Maurice‎

‎COW COUNTRY CAVALCADE 80 Years of the Wyoming Stock Growers Association‎

‎Denver: Wyoming Stock Growers Assoc 1954. First Edition. Hardcover. Good/Good. Cloth. 243p. Illust. Bumped upper front cover corner but good in dj that is slightly edgeworn and slightly faded. Herd 852 6-guns 776 Dykes HS p79. Uncommon now. Wyoming Stock Growers Assoc hardcover‎

Referenz des Buchhändlers : SHEL1008

‎Maurice LARROUY‎

‎Eaux brûlantes. Croisières équatoriales‎

‎Paris: A. Fayard & Cie 1931. Fine. A. Fayard & Cie Paris 1931 14 x 19.50 cm broché First edition one copy on Alfa paper. Signing autograph Maurice Larrouy below the justification of the draw. Iconography. Back slightly discolored otherwise nice copy. A. Fayard & Cie unknown‎

Referenz des Buchhändlers : 55557

‎Barres, Maurice - Brouet, Auguste (ill.)‎

‎Gréco ou le secret de Tolède. Vingt-trois eaux-fortes originales gravées par Auguste Brouet.‎

‎Paris: Les Editions d'art Devambez 1928. Livre. Illus. by Auguste Brouet. Très bon. En Feuilles. Signé par l'illustrateur. Grand In-4. Paris Les Editions d'art Devambez 1928. 335 x 26 cm grand in-4 4 109 6 pp. - frontispice et 14 planches hors texte d'après Le Gréco 8 larges en-têtes vignette de titre et 7 culs-de-lampe également gravés en feuilles sous couverture blanche rempliée et imprimée chemise et étui. Premier tirage des eaux-fortes de Auguste Brouet. Tirage à 218 exemplaires. Celui-ci l'un des 12 exemplaires sur JAPON à la forme réservés à l'artiste contenant TROIS ETATS eau-forte pure état avec remarque état définitif des 23 eaux-fortes annoncées au titre soit les 15 hors-texte et 8 en-têtes un grand DESSIN ORIGINAL à la mine de plomb signé et une EAU-FORTE supplémentaire en couleurs avec deux états supplémentaires en noir dont le tirage est réservé à ces exemplaires n° H. C. 1. Sans le cuivre annoncé. Parmi les exemplaires sur Japon il fut également tiré 1 exemplaire unique avec dessins bons à tirer et 3 états 20 avec 3 états et 1 dessin 40 avec 2 états. Somptueuse publication effectuée sous la direction artistique de Edouard Chimot. Bel exemplaire. CARTRET IV 60 : "belle publication cotée" ; MONOD 1017. Les Editions d'art Devambez Paperback‎

Referenz des Buchhändlers : 4601

‎Heins, Maurice‎

‎Complex Function Theory‎

‎Academic Press. 1968. Hardcover. UsedVeryGood. Hardcover; Pure and Applied Mathematics A Series of Monographs and Textboo ks Volume 28; light fading light shelf wear to exterior; otherwise in ver y good condition with clean text and tight binding. . Academic Press hardcover‎

Referenz des Buchhändlers : 73125

‎Maurice LEROY‎

‎La Poisson d'argent pl.26 La Gazette du Bon ton 1920 n°4‎

‎Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris Mai 1920 18 x 24 cm une feuille Original color print printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication “was aimed at bibliophiles and fashionable society” Françoise Tétart-Vittu “La Gazette du bon ton” in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff – the sister of Jean creator of Babar – to set up the Gazette du bon ton subtitled at the time: “Art fashion frivolities.” Georges Charensol noted the reasoning of the editor-in-chief: “’In 1910Â’ he observed ‘there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artistsÂ…I was assured of success because when it comes to fashion no country on earth can compete with France.’” “Un grand éditeur dÂ’art. Lucien Vogel” in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustratorÂ’s conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together – for the first time – the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so onÂ… Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that “little dying paper” that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown‎

Referenz des Buchhändlers : 54765

‎Maurice LEROY‎

‎Les Neiges. Costume pour les sports d'hiver en ""agnella"" de Rodier pl.65 La Gazette du Bon ton 1920 n°9‎

‎Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris 1920 18 x 24 cm une feuille Original color print printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication “was aimed at bibliophiles and fashionable society” Françoise Tétart-Vittu “La Gazette du bon ton” in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff – the sister of Jean creator of Babar – to set up the Gazette du bon ton subtitled at the time: “Art fashion frivolities.” Georges Charensol noted the reasoning of the editor-in-chief: “’In 1910Â’ he observed ‘there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artistsÂ…I was assured of success because when it comes to fashion no country on earth can compete with France.’” “Un grand éditeur dÂ’art. Lucien Vogel” in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustratorÂ’s conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together – for the first time – the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so onÂ… Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that “little dying paper” that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown‎

Referenz des Buchhändlers : 54811

‎Sasien, Maurice, Arthur Yaspan, and Lawrence Friedman‎

‎Operations Research: Method and Problems‎

‎John Wiley and Sons. 1967. Hardcover. UsedGood. Hardcover; eleventh printing of a 1959 copyright; fading soiling and shel f wear to exterior; otherwise in good condition with clean text and tight b inding. . John Wiley and Sons hardcover‎

Referenz des Buchhändlers : 72037

‎Maurice Ravel‎

‎Sonatine for Solo Piano Edition Peters‎

‎Paperback. Good. paperback‎

Referenz des Buchhändlers : GOR007621285

‎Maurice BARRES‎

‎Le génie du Rhin‎

‎Paris: Plon 1921. Fine. Plon Paris 1921 12 x 19 cm relié first edition on the current paper. Binding to bradel full percaline almond green smooth back discolored with a floral motif gold double gold tail thread as brown shagreen piece preserved covers modest contemporary binding signed Desnaux. Signed autograph of Charles Maurice Barres of Peslouan. Plon unknown‎

Referenz des Buchhändlers : 54410

‎Maurice Dodd, Dennis Collins‎

‎The Perishers Omnibus 1985‎

‎Mirror Publications 01/01/1985. Paperback. Used; Good. WE SHIP WITHIN 24 HRS FROM LONDON UK 98% OF OUR ORDERS ARE RECEIVED WITHIN 7-10 DAYS. We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books. Mirror Publications paperback‎

Referenz des Buchhändlers : mon0002114404 ISBN : 0859394913 9780859394918