‎Musique‎

‎Bernardini Marzolla Ugo‎

‎Sommario di storia della musica‎

‎BERNARDINI MARZOLLA Ugo -‎

‎Sommario di storia della musica. musica.‎

‎Firenze, La Nuova Italia, 1940, 8vo brossura con copertina illustrata, pp.210‎

‎Bernardo Geraci‎

‎Dimmi se mi ami? Fantasia sopra una canzone-Rosina Polka‎

‎spartito in folio in carta pergamenata.Lievissimi segni d'uso e del tempo sui piatti:Ottimo nel complesso‎

‎Bernardo Pasquini‎

‎Bernardo Pasquini 1637-1710. Opere per Tastiera. Vol. VIII. Saggi di Contrappunto (S.b.p.k. Landsberg 214). Regole... per Ben Accompagnare con il Cembalo (Bc, MS. D 138/2), Latina, Il Levante, 2009‎

‎A cura di Armando Carideo. Testo Italiano e Inglese. Latina, 2009; br., pp. 170, ill. b/n. (Tastata. Opere d'intavolatura d'organo e cimbalo. 24).‎

‎Bernardo Pasquini‎

‎Opere per tastiera - vol. VI London,Bl Ms.Add. 31501,I.‎

‎in-4, . pagg. pp. XXVI-84, Edizione critica delle opere di Pasquini a cura di Edoardo Bellotti, sotto la direzione del prof. Armando Carideo. nuovostato di conservazione.‎

‎Bernardo Pasquini‎

‎Opere per tastiera - Vol. VIII - Saggi di contrappunto (S.B.P.K. Landsberg 214), Regole..per ben accompagnare con il Cembalo (Bc,MS.D 138/2).‎

‎, . in-4 (cm30x21), bross.ed., pp XXII-169, testo bilingue italiano/inglese, stato di nuovo a cura di Armando Carideo, isbn 9788895203232 . Prima edizione critica delle opere didattiche, lo studio di queste opere sarà particolarmente utile per i musicisti che vorranno cimentarsi nell'arte dell'improvvisazione con i bassi cifrati dei volumi VI e VII.‎

‎Bernardoni, Virgilio.‎

‎Verso Bohème. Gli abbozzi del libretto negli archivi di Giuseppe Giacosa e Luigi Illica .‎

‎La bohème di Giacomo Puccini nacque da un processo assai eleborato di gestazione del libretto, che comportò redazioni plurime dei testi e varie fasi di selezione e assemblaggio delle parti che lo compongono. Gli archivi di Giuseppe Giacosa e Luigi Illica conservano una parte cospicua degli abbozzi e dei materiali prodotti allo scopo. Di essi si compie per la prima volta un’edizione integrale e si <br/> TITOLO: Verso Bohème. Gli abbozzi del libretto negli archivi di Giuseppe Giacosa e Luigi Illica . <br/> AUTORE: Bernardoni, Virgilio.<br/> EDITORE: Olschki Ed.<br/> DATA ED.: 2008,<br/> COLLANA: Centro studi Giacomo Puccini - Testi e documenti, 1.<br/> EAN: 9788822258397‎

‎Bernet Kempers, K.Ph.:‎

‎Jacobus Clemens non Papa und seine Motetten. Mit einem Notenanhang‎

‎109 + 40 S. Notenanh. Deckel gering beschabt.‎

‎Bernhard Paumgarrtner‎

‎MOZART.‎

‎Un volume (22 cm) di XVIII-538 pagine, con illustrazioni in bn fuori testo. Leggera brunitura ai margini. Brossura editoriale nella collana Saggi. La sovracoperta illustrata è presente, ma è assai danneggiata, con perdite. Per il resto, condizioni buone.‎

‎Bernhard Paumgartner‎

‎Mozart‎

‎Collana Saggi LXII, traduzione di Carlo Pinelli, brossura, formato 16x22, pagine 534, carta ingiallita, buone condizioni - 1439‎

‎Bernhard Paumgartner‎

‎Mozart‎

‎Saggi Einaudi 62<BR>EI10‎

‎Bernhardt, A.:‎

‎Nëerlandsch vlaggen marsch voor piano. Op. 12‎

‎3 p. Titel links met plakbandstrepen. Opgedragen aan Z.K.H. den Prins van Oranje.‎

‎Bernheim, Alfred / Perez, Nissan N. [CURATOR]‎

‎Faces, Facades, and More: The Photographs of Alfred Bernheim [IN ENGLISH AND HEBREW]. [SERIES]: Catalogue no. 344‎

‎IN ENGLISH AND HEBREW. 23x23cm. 29+114 pages. Hardcover with dust jacket. In good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.‎

‎BERNIE, Ben and Walter Hirsch, words by Music by Phil Baker‎

‎Sheet music: Strange Interlude‎

‎New York: Miller Music 1932. Softcover. Very Good. Sheet music. Small quarto wrappers. 5pp. Faint foxing on edges of wrapper very good. Piano ukulele guitar and banjo. Miller Music unknown‎

书商的参考编号 : 468694

‎BERNIERES (Louis de).‎

‎La Mandoline du capitaine Corelli. Traduit de l'anglais.‎

‎in-16, 692 pp., broche, couverture illustree. ETAT NEUF (ISBN:2070302601) [PM-LP3]‎

‎Bernieri Claudio‎

‎Non sparate sul cantautore. Canzoni come pietre, musica sotto tiro‎

‎br. Dal canto politico alla canzone d'autore. Genesi e metamorfosi dei Cantautori. Come le canzoni dei cantautori hanno sostituito il ruolo del romanzo popolare. Il tutto raccontato dalle voci dei protagonisti in una serie di interviste che rappresentano un contributo unico alla storia della musica italiana. Il tutto accompagnato da "I buoni Maestri" un album che raccoglie perle della canzone d'autore più politica reinterpretate appositamente per l'occasione e da "Parole senza musica" un documentario sonoro dove si possono ascoltare le voci tratte dalle interviste originali contenute nel libro. I file sonori sono in download gratuito per chi acquisterà questo libro.‎

‎Bernoulli, E‎

‎Die Choralnotenschrift bei Hymnen u. Sequenzen.‎

‎Leipzig, Breitkopf & Härtel, 1898. M. 14 beilieg. Taf. X, 130 S. Br. M. aufgezogenem OTit. Name a. Tit.‎

书商的参考编号 : 167696

‎Bernoulli, Eduard, Musikwissenschaftler (1867-1927).‎

‎Eigenh. Brief mit U. Leipzig, 19. II. 1900.‎

‎4 SS. 8vo. An einen namentlich nicht genannten Adressaten: "Gestern erhielt ich das Recensionsex. des Quacksalbers und hoffe Ihnen im Lauf der nächsten Tage, jedenfalls dieser Woche eine kurze Besprechung zustellen zu können. Was Herrn Prof. Sauer betrifft so trete ich Ihnen gegenüber selbstverständlich ohne weiteres zurück und bin auch gern bereit, Ihnen das genannte Ex. wieder zuzuschicken, da ich ja von Dr. Benndorf ein anderes erhalten habe. Sollten Sie indes keinen Gebrauch mehr davon machen wollen, so dachte ich daran, das Rec. Ex. einem mir bekannten Zeitungsreferenten zu überlassen. Ueber die gregorianische Melodie bin ich leider nach meinen bisherigen Erfahrungen ausser Stande, Ihnen mehr mitzutheilen als Sie bereits wissen, zumal mir der (böhmische?) Text einstweilen fehlt. Eine Melodiephrase scheint mehr oder weniger paraphrasiert zu sein. Sehr interessant wären mir dagegen, obschon ich in letzter Zeit - bisweilen ungern - andersartige Arbeiten in erste Linie stellen musste, Melodien aus dem 14ten und 15. Jahrhundert resp. die Gelegenheit, die betreffenden Handschriften zu Gesichte zu bekommen […]". - Erstes Blatt gelocht, mit Einrissen. - Nach dem Studium in Leipzig (Promotion 1896) und der Habilitation an der Univ. Zürich 1910 war Bernoulli seit 1921 Prof. der Musikwissenschaft. Er gab 1901 zusammen mit G. Holz und Franz Saran die Jenaer Liederhandschrift mit Übertragung in moderne Notenschrift heraus und verfaßte u.a. Die Choralnotenschrift bei Hymnen und Sequenzen im späteren Mittelalter.‎

‎BERNSTEIN Jane A. editor‎

‎Le Parangon des Chansons. Tiers Livre Contenant XXVI Chansons. Lyons 1538 and Le Parangon des Chansons. Quart Livre Contenant XXII Chansons a Deux at a Troys Parties Lyons 1539‎

‎NY:: Garland Publishing. Near Fine. 1993. Hardcover. 0824031245 . Volume 25 in The Sixteenth-Century Chanson series Chansons from the Atelier of Jacques Moderne. First edition. Near fine in gray cloth. No dust jacket as issued. ; 172 pages . Garland Publishing, hardcover books‎

书商的参考编号 : 38287 ???????? : 0824031245 9780824031244

‎Bernstein H.‎

‎L'Artiglio‎

‎Commedia in 4 atti. Milano. Edizioni Alfa Anno I - n. 1 1932, 8°, pp. 48, con disegni nel testo. Segni del tempo. Bross. Illustrata con foto di Marta Abba.‎

‎BERNSTEIN Kenneth.‎

‎Guida alle capitali della musica.‎

‎In-8°, legatura in cartonato editoriale, pp. 254, con illustrazioni.‎

‎BERNSTEIN Leonard‎

‎The joy of music. Photographies hors-texte. (En anglais).‎

‎Reliure toile de l'éditeur. 305 pages. Cachets. Marques de bibliothèque. Passages soulignés au crayon.‎

‎BERNSTEIN Leonard.‎

‎MAHLER SYMPHONY Nº 7. NEW YORK PHILARMONIC. ESTUCHE CON 2 LP´S VINILO + LIBRETON.‎

‎BERNSTEIN, Robert A, words by, and Warren B Meyers, music by‎

‎Archive: Unpublished Works of Song Writing Duo Robert A. Bernstein and Warren B. Meyers – 1951 to 1952‎

‎No place: unpublished 1952. Unbound. Near Fine. An archive of unpublished sheet music by the song writing duo Robert A. Bernstein and Warren B. Meyers. Consisting of 23 pieces most finished and submitted for copyright but none published. All approximately 9" x 12" some a bit larger most hand printed one piece with a negative photostat copy and one with both a negative and positive photostat copy included many of the hand notated sheets have typewritten text some with handwritten corrections and notes and some sheets are printed on both sides. The pieces only feature a vocal melody and lyrics as that’s the part eligible for copyright only one piece features piano the beginning of a draft for a musical titled Lonely Means for Anyone. Most of the pieces have a paperclip mark at the top some bumping to the corners as to be expected but overall a near fine archive.<br /> <br /> Robert A. Bernstein and Warren B. Meyers appear to have primarily worked together during the 1950s putting on revues and one act musicals within New York City and its environs; shows such as No Bed of Roses 1952 A la Carte 1952 La Donna Della Evening 1952 Improper Channels 1957 and 2x4 1959 all of which seem to have slipped so fully into obscurity that only a few miniscule newspaper clippings remain to confirm that they ever existed. While Bernstein never stumbled upon a hit his biggest recorded credit listing him as a writer for the show Almost Crazy 1955 which ended up suffering from middling to poor reviews Meyers produced an unexpected success in 1967 with his first and seemingly only foray into the book world Who Is That: The Late Late Viewers Guide to the Old Old Movie Players. A heavily illustrated guide to what the preface describes as showcasing "the most frequently seen players categorized by their most frequently played roles." The book was a big hit even getting a write-up in The New York Times who flatteringly wrote that readers would find the book "Near the check-out counter— the place of honor—at your paperback store these days."<br /> <br /> Collected here are 21 titles that have been registered with the Copyright Office two have not but are reported by said office to have not been published. Whether they were never published but performed in one of Bernstein’s and Meyers' shows or whether they simply never graced the ears of an audience in any form we do not know. What we do know is that it makes perfect sense that some of these would not have been published in the 1950s if ever – From the vague but nonetheless present socialism of the song "Capital in Labor" "Harken to the teacher love your fellow creature/never bring him ruin or rue/listen honey tell me who wants money/when the sky is sunny big and blue." To the masochistic internalized sexism of "Bane of My Existence" "He beats me and he hurts me/he cheats me and deserts me/oh he treats me like a slave but he’s my man.†To the off-the-wall problematic lyrics of "If You Incest" which begins with a female patient singing "I used to be aggressive but now I'm just depressive/I used to be inspired but now I'm just tired . Oh doctor get rid of this hex! Is it related to sex" To which the male doctor replies "You mustn't have a fit so it's fun to be a schizo! . It makes you cute and coy-a this charming paranoia" and it only gets worse from there.<br /> <br /> While most of the material is rather standard fare for the trade at the time such as "The Kiss Song" "I'm a dunce for being hooked I kissed you once and I was cooked" a handful of the songs standout as rather outrageous in their lyrical content; including one song that says all you need to know and more with its title alone "When Fanny Fans Her Fanny With A Fancy Spanish Fan." Not only do these songs speak about the blatant sexism that was so prevalent in America at the time but they also speak to both the taboos and trends of the 1950s through lyrics that attempt to break them and mock them. The best example of this being "If You Incest" which can be partially read as a reaction to the contemporary popularity around Freudianism and psychoanalysis; yet also however unwittingly highlights the callous manner in which male doctors treated female psychiatric patients.<br /> <br /> Then there are the more subtle but no less interesting aspects such as a lethargic gender swapping edit to the song "The Only Girl for Me" replacing one pronoun for the other but changing practically nothing else; a song featuring a rebellious Mona Lisa who sings “I want to fight with a knight and be quite a bit unpleasant/want to spit in a fit on some pitiful old peasant/want to mumble and rumble and grumble for a while/but I don’t want to smile my smileâ€; and perhaps the most amusing or saddest moment a song of love and longing titled “Dream of Me†filed for copyright in 1951 revised and filed again in 1952 with the same melody but newly titled “Hopelessly†the lyrics now expressing bitter heartbreak and loneliness.<br /> <br /> We were unable to find any published music by Bernstein and Meyers and very little has been written about them. Whether these songs were performed at the time or not there is one thing for certain they have not been heard for a long time. A fascinating archive of unpublished songs by a little known though somewhat successful song writing duo from the 1950s. A list of each title is available upon request. unpublished unknown‎

书商的参考编号 : 612527

‎BERNSTEIN, Rae (?-?)‎

‎Inscribed Photograph Signed‎

‎This Chicago pianist -- no relation to Leonard -- debuted with the Chicago Symphony Orchestra in January 1928 and proved a popular soloist; her gigs included a stint with the Woman's Symphony Orchestra of Chicago one of the first all-female orchestras in the U.S. IPS Moffett 8" X 10" n.p. 1928 March 20. Near fine. A striking head-and-shoulders closeup in flapperish bobbed hair boldly signed and inscribed in black ink in a light portion at upper left: "To John G. Leiser / With kindest regards / Rae Bernstein / 3/20/28." Quite uncommon. unknown‎

书商的参考编号 : 13919