‎Musique‎

‎HIGGINS DICK (1938-1998)‎

‎Piano Sonata #2 / Graphis #192‎

‎1982 New York, Printed Editions, 1982, 305x228mm, 4 feuilles de mylar imprimées de couleurs différentes, libres sous couverture imprimée.(103803)‎

书商的参考编号 : 103803

‎HIGGINS DICK (1938-1998)‎

‎Ten Ways of Looking at a Bird for violin and harpsichord‎

‎1982 New York, Printed Editions, 1981, 278x215mm, 16p., agrafé sous couverture imprimée.(103801)‎

书商的参考编号 : 103801

‎Higgins, Dick‎

‎Piano Sonata #2. (Graphis #192).‎

‎New York., Printed Editions., 1982. 28 x 22 cm. 4 transparente Folien. OKarton-Mappe., 67066AB First printing. Umschlag etwas nachgediunkelt, sonst sehr gutes Exemplar.‎

‎Enthält neben einem erläuternden Text auf der hinteren Innenseiten des Umschlages vier transparente Kunststofffolien mit verschieden farbigen Siegnalzeichnungen in Siebdruck. Von Dick Higgins auf dem Titelblatt handschriftlich signiert.‎

书商的参考编号 : 67066AB

‎Higgins, Dick‎

‎sonata for prepared piano. 1982.‎

‎Barrytown, NY., printed editions., 1982. 35 x 28 cm. 8 unpaginierte S. OKarton., 66982AB Sehr gutes Exemplar.‎

‎Mit einer Einführung und vier ganzseitig wiedergegebenen Themen von Zeichnungen auf Notenblättern.‎

书商的参考编号 : 66982AB

‎Higgs John‎

‎Complotto! Caos, magia e musica house‎

‎br. "A noi non resta che lo spettacolo, ed è proprio all'interno di questo spettacolo che è da ricercare una qualsivoglia risposta al perché i KFL hanno bruciato un milione di sterline. È u approccio che per questa storia sembra particolarmente appropriato, perché nel caso dei KFL i criteri enciclopedici e accademici non ci rivelerebbero nulla di quanto cerchiamo. Drummond e Cauty vagarono alla cieca nell'oscurità delle loro storie servendosi di qualunque cosa gli paresse utile, e pertant sarà quello l'atteggiamento che seguiremo anche noi. Il nostro è un tentativo di cogliere lo spirito di quegli eventi, e l'unico modo in cui possiamo farlo è rievocandoli a nostra volta. Questa è, insomma, una storia di cui gli stessi personaggi non sapevano di fare parte." (dal prologo)‎

‎Hijmans, Bram:‎

‎De gouden sleutel of het monster van Felicion. Operette voor de jeugd in drie bedrijven. tekst en muziek van Bram Hijmans‎

‎Pianouittreksel. 32 p. 4°. Or. omslag.‎

‎Hiller. – Stierli:‎

‎Biographie von Johann Adam Hiller.‎

‎Zürich, Mahler und Weber, 1848. Gr.-8°. 11 S. Mit einer lithogr. Porträt. Orig.-Heft (leicht fleckig und lichtrandig). = "36. Neujahrsblatt (Neujahrsgeschenk an die Zürcherische Jugend sic.) von der allgemeinen Musik-Gesellschaft in Zürich auf das Jahr 1848".‎

‎Rohr 862. - Ausser Porträttafel durchgehend stockfleckig.‎

书商的参考编号 : 27494AB

‎Hiller, Johann Adam (1728-1804):‎

‎Dt. Komponist.‎

‎O.J. (ca. 1780). Kupferstich (ovales Brustbild im Profil) von Liebe nach Heinrich Füger. Bildgrösse: 7 x 6 cm. Blattgrösse: 8,5 x 7 cm.‎

‎Füger, Heinrich (1751-1818): Oesterr. Maler. - Blattrand beschnitten, leicht gebräunt.‎

书商的参考编号 : 1279AG

‎Hildegard Van de Velde‎

‎KEYBOARD INSTRUMENTS Virginals, harpsichords and organs in paintings of the 16th and 17th centuries.‎

‎Antwerp, BAI, 2022 Hardcover, 280 x 210 mm, 176 pages, throughout illustraties, ENG edition, *new. ISBN 9789085868293.‎

‎Paintings featuring harpsichords, virginals and organs offer us a glimpse of gorgeous interiors, amorous scenes and finely-dressed ladies - and the occasional young man too - at the keyboard. Keyboard instruments can also be the key to decoding an allegory, myth or hidden message in a painting. Other exhibits include painted harpsichord and virginal lids as well as original instruments. Loans from the National Gallery in London, the Rijksmuseum in Amsterdam, the Suermondt-Ludwigmuseum in Aachen and many other museums and collectors offer a delight for eyes and ears. The music room at the Snyders&Rockox House evokes the Jewish-Portuguese Duarte family, who came to Antwerp in the 16th century to flee the Inquisition. They were drawn by the commercial opportunities offered by the city, where they lived in a patrician residence on the Meir, the most important street. Besides an exceptional collection of paintings by leading Italian and above all Flemish masters, from Titian and Tintoretto to Quinten Massys, Peter Paul Rubens and Anthony Van Dyck, the family also owned five harpsichords and virginals. Duarte did not have to look far to find them, as Antwerp was one of the leading centres for the construction of these instruments and two if not more important harpsichord builders belonged to the businessman's circle of acquaintances. The first references to harpsichord builders in Antwerp date from the beginning of the 16th century. It was between 1560 and 1660, however, that the city was known as the undisputed world capital of harpsichord production. Every year, Antwerp workshops turned out hundreds of harpsichords and virginals. Contemporaries praised the instruments for the richness of their sound and their reliability. The members of the Ruckers-Couchet family were especially renowned for their exceptionally high-quality instruments. Hans Ruckers, his sons Joannes and Andreas and his grandson Joannes Couchet did for instrument-making what Peter Paul Rubens was doing for painting and Christophe Plantin for printing. The Ruckers-Couchet family was not alone: names like Marten van der Biest, Joos Karest, Cornelis and Simon Hagaerts, Joris Britsen and many others also stood for excellent quality. Antwerp harpsichords and virginals did not only sell very well locally, they were sought-after throughout Europe and even far beyond until well into the eighteenth century. A substantial proportion of Antwerp's harpsichord output, like that of its paintings and ornamental furniture, was destined for the international market. The city also developed a strong tradition in the building of domestic and church organs. Dozens of organ builders were active in the 16th century alone, including the Moors and Brebos families. The Ruckers-Couchet family worked with organs too: Joannes Ruckers, for instance, was responsible for a while for maintaining the organ at Antwerp Cathedral. The rise of the Antwerp keyboard builders was accompanied by a flourishing music printing industry (Antwerp was not the first or the only centre of music publication, but it was certainly one of the most important) and an emerging bourgeois culture in which music too played a part. The original instruments are a lasting testimony to musical life in Antwerp, as are the paintings that explore them as their subject matter. Frans Floris, Jacob Jordaens, Maerten de Vos, de familie Francken, Jan Miense Molenaer, Jan Steen, Gerard Dou, Gabri l Metsu en Jacob Ochtervelt‎

书商的参考编号 : 57941

‎Hilger Michel Bordes Gilbert‎

‎La mort attendra‎

‎BELFOND 2016 231 pages 14x22 4x2 6cm. 2016. Broché. 231 pages.‎

‎Comme neuf - ouvrage issu de destockage jamais lu mais pouvant présenter d'infimes marques de stockage et/ou de manipulation - expédié soigneusement dans emballage adapté‎

书商的参考编号 : 500104018

‎HILDESHEIMER, Wolfgang - MOZART‎

‎Mozart.‎

‎Coll. "Agora" n° 56, Paris, éd. Presses Pocket, 1990, in-12, cartonnage souple, couv. portrait en coul. de Mozart éd., 368 pp., quelques reproductions de gravures et de partitions en noir, chronologie, index des œuvres citées, index des noms, Un livre qui va vous permettre de comprendre le génie de Mozart. Un incontournable ! Très bon état‎

书商的参考编号 : 71608

‎HILDESHEIMER (Wolfgang).‎

‎Mozart.‎

‎Lattès, coll. "Musiques et Musiciens" 1986 1 vol. relié in-8, cartonnage sous jaquette de l'éditeur, 363 pp., index. Très bon état, très frais.‎

书商的参考编号 : 62088 ???????? : 56

‎HILDESHEIMER‎

‎Wolfgang Amadeus Mozart‎

‎Jean Claude Lattès 1990 In-8 broché. 360 pages. Très bon état d’occasion.‎

‎Un éclairage inconnu, passionnant. Un livre essentiel à lire pour tous ceux qui ignorent ou s’intéressent follement à Mozart. Très bon état d’occasion‎

书商的参考编号 : 2700

‎HILAIRE Georges.‎

‎INITIATION FLAMENCA. FLAMENCO EN FRANCE. XXI CONGRES D'ART FLAMENCO (PARIS 20-26 SEPT. 93).‎

‎Papel cuché.‎

‎Hilbert, Bob; et al‎

‎IAJRC International Association of Jazz Record Collectors Journal Winter 1992 Volume 25 No. 1 - Cover Photo of Phil Napoleon and his Silver Cornet‎

‎New York: IAJRC. Good. 1992. First Edition. Single Issue Magazine. Features: Long Live The Emperor! - Memoires of Phil Napoleon - major article with black and white reproductions of many wonderful archival photos; Lt. Jim Europe's "Hell Fighters" - 369th Infantry Jazz Band - 1919; A Memory of Ray Knight; Billie Holiday and Milt Gabler; and more. 80 pages. Unmarked with moderate wear. A sound vintage copy.; 4to . IAJRC unknown‎

书商的参考编号 : 447h6010

‎Hildach, Eugen‎

‎Lenz. Op. 15/5. Ausgabe für Klavier mit überlegter Singstimme / hohe Lage / deutscher Text / nach einem Gedicht von Felix Dahn.‎

‎Magdeburg, Heinrichshofen [H.V. 3475]., (um 1916). 4°. [34 x 27 cm]. 3 Seiten. Kriegsdruck. Einzelausgabe mit Titelporträt. (Mit kleinen Randeinrissen. 5 cm Abriss an Stehkante, ohne Textverlust). - Notentext gut erhalten.‎

‎- Mit eingedruckter Widmung: Der Königl. Sächsischen Hofopernsängerin Fräulein Charlotte Huhn freundschaftlichst gewidmet.‎

书商的参考编号 : 24620AB

‎Hildebrand, Lee‎

‎Bay Area Blues Photographs By Michelle Vignes‎

‎1993. Hardcover. Very Good. Publisher: Pomegranate Communications Inc. 1993 V.Good HB ISBN: 1-56640-595-5 hardcover‎

书商的参考编号 : 008780 ???????? : 1566405955 9781566405959

‎Hildebrand, Lee; et al‎

‎Living Blues - The Magazine of the African American Blues Tradition, #227, October (Oct.) 2013 - Roy Gaines Cover Photo‎

‎80 pages. Features: Roy Gaines; Birdlegg; Willie 'The Touch' Hayes; Lucious Spiller; Shoebox full of Blues; and more. Average wear. Ink stamp on title page. A sound copy. Magazine‎

‎Hildegard Van de Velde‎

‎KEYBOARD INSTRUMENTS Virginals, harpsichords and organs in paintings of the 16th and 17th centuries.‎

‎Hardcover, 280 x 210 mm, 176 pages, throughout illustraties, ENG edition, ISBN 9789085868293. Paintings featuring harpsichords, virginals and organs offer us a glimpse of gorgeous interiors, amorous scenes and finely-dressed ladies - and the occasional young man too - at the keyboard. Keyboard instruments can also be the key to decoding an allegory, myth or hidden message in a painting. Other exhibits include painted harpsichord and virginal lids as well as original instruments. Loans from the National Gallery in London, the Rijksmuseum in Amsterdam, the Suermondt-Ludwigmuseum in Aachen and many other museums and collectors offer a delight for eyes and ears. The music room at the Snyders&Rockox House evokes the Jewish-Portuguese Duarte family, who came to Antwerp in the 16th century to flee the Inquisition. They were drawn by the commercial opportunities offered by the city, where they lived in a patrician residence on the Meir, the most important street. Besides an exceptional collection of paintings by leading Italian and above all Flemish masters, from Titian and Tintoretto to Quinten Massys, Peter Paul Rubens and Anthony Van Dyck, the family also owned five harpsichords and virginals. Duarte did not have to look far to find them, as Antwerp was one of the leading centres for the construction of these instruments and two if not more important harpsichord builders belonged to the businessman's circle of acquaintances. The first references to harpsichord builders in Antwerp date from the beginning of the 16th century. It was between 1560 and 1660, however, that the city was known as the undisputed world capital of harpsichord production. Every year, Antwerp workshops turned out hundreds of harpsichords and virginals. Contemporaries praised the instruments for the richness of their sound and their reliability. The members of the Ruckers-Couchet family were especially renowned for their exceptionally high-quality instruments. Hans Ruckers, his sons Joannes and Andreas and his grandson Joannes Couchet did for instrument-making what Peter Paul Rubens was doing for painting and Christophe Plantin for printing. The Ruckers-Couchet family was not alone: names like Marten van der Biest, Joos Karest, Cornelis and Simon Hagaerts, Joris Britsen and many others also stood for excellent quality. Antwerp harpsichords and virginals did not only sell very well locally, they were sought-after throughout Europe and even far beyond until well into the eighteenth century. A substantial proportion of Antwerp's harpsichord output, like that of its paintings and ornamental furniture, was destined for the international market. The city also developed a strong tradition in the building of domestic and church organs. Dozens of organ builders were active in the 16th century alone, including the Moors and Brebos families. The Ruckers-Couchet family worked with organs too: Joannes Ruckers, for instance, was responsible for a while for maintaining the organ at Antwerp Cathedral. The rise of the Antwerp keyboard builders was accompanied by a flourishing music printing industry (Antwerp was not the first or the only centre of music publication, but it was certainly one of the most important) and an emerging bourgeois culture in which music too played a part. The original instruments are a lasting testimony to musical life in Antwerp, as are the paintings that explore them as their subject matter. Frans Floris, Jacob Jordaens, Maerten de Vos, de familie Francken, Jan Miense Molenaer, Jan Steen, Gerard Dou, Gabriël Metsu en Jacob Ochtervelt‎

‎Hildesheimer , Wolfgang‎

‎Mozart‎

‎Hildesheimer , Wolfgang Mozart. Firenze, Sansoni 1979, cm ill. 21 cm 431 p., 10 carte di tav. Traduzione di Donata Schwendimann Berra (0000000027011)‎

‎Hildesheimer W.‎

‎Mozart. Traduzione di Donata Schwendimann Berra.‎

‎Milani, BUR, 1982, in-16, br. edit., pp. 430, [2]. Con ill. su tavv. f.t.‎

‎Hildesheimer Wolfgang‎

‎Mozart‎

‎Rizzoli 1997, II ed., BUR Supersaggi 116, brossura ill., pp. 430, trad. di Donata Schwendimann Berra, 88-17-11616-5. Il volume è in condizioni più che buone, ordinario ingiallimento delle pagine.‎

‎Hildesheimer Wolfgang‎

‎Mozart‎

‎8vo. leg.ed. sopracop.fig.a col. . Traduz.di Donata Schwendimann Berra. cm.13,5x20, pp.431, 20 tavv.bn.ft. .come nuovo. .‎

‎Hildesheimer Wolfgang‎

‎MOZART(1987)‎

‎In 8', br. ed. pp. 430, volume in ottimo stato, solo bruniture e segni del tempo.‎

‎Hildesheimer,Wolfang.‎

‎Mozart.‎

‎<br/> STATO: USATO, MOLTO BUONO.<br/> TITOLO: Mozart. <br/> AUTORE: Hildesheimer,Wolfang.<br/> CURATORE: Traduz.di Donata Schwendimann Berra.<br/> EDITORE: Sansoni Ed.<br/> DATA ED.: 1979,<br/>‎