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Lee, Jerry; et al
Band Leaders Magazine September 1944 Number 12 - Capt. Glenn Miller Cover
Mount Morris Illinois: Comic Corporation of America. Good. 1944. First Edition. Single Issue Magazine. This wonderful WWII-era publication offered pictures and stories of the top flight band leaders of the day with this issue featuring a cover photo of Capt. Glenn Miller Army Air Forces. "His civilian band Glenn Miller and his Orchestra was one of the most popular and successful bands of the 20th century and the big band era." - Wikipedia. Articles and photos include: Kay Kyser Eddie Heywood article entitled "Invitation to Genius" Ray Sinatra Another Sinatra Success! Ginny Simms Sammy Kaye Vincent Lopez Frankie Carle Zutty Singleton major article entitled "I Grew Up With Jazz" Carlos Molina Leo Reisman Bill Baldwin Lani McIntyre Richard Himber Phil Spitalny Eddie Condon - "The Voice of Jazz" Freddy Martin Perry Como - "Singing Sensation" Sidney Catlett Victoria Cordova Duke Ellington Vaughan Monroe his life story in pictures Jerry Wald Spike Jones. 66 pages. Dozens of black and white photos. Tight and unmarked with moderate wear. A sound vintage example of this marvelous memento of the big band era. ; 4to . Comic Corporation of America unknown
Referentie van de boekhandelaar : 759j1748
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Lee, Philip Yung
English - Chinese Hymnal
1955. Hardcover. Fair. Publisher: Philip Yung Lee 1955 FAIR HB corners/ends of spine wear frayed binding tight text clean. hardcover
Referentie van de boekhandelaar : 006706
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Lee, Ronny; Masone, Pat
Rhythm and Blues Guitar
USA: Sam Fox Publishing Co. Inc. 1962. Book. Good. Paperback. First Edition. 4to - over 9¾" - 12" tall. 48 pages. Begins with brief instruction followed by guitar sheet music for twenty-one songs including: The Creep; Shuffle Blues; Little Momma Blues; Rubber Legs; Evil Woman; Black and Blues; Weary Blues; Big John; Freight Train; and many more. Includes photo and biographical details of the authors. Unmarked with average wear. A sound vintage copy. Sam Fox Publishing Co., Inc. Paperback
Referentie van de boekhandelaar : 563H3840
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Lee, William F.
Nature of Music, the
Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 160 pages.
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Leechburch, P.C.:
`t Lied van moeder (Chanson de mère) Viool-solo [met pianobegeleiding]
Stimmen (1, 7 S.). Kl. Randschaden. Boris Lensky gewidmet.
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Leechburch, P.C.:
Max v. Gelder-Marsch. De vliegende Hollander. Für Piano
5 p. Gr.-4°.
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Leeds, Joshua
Sonic Alchemy: Conversations with Leading Sound Practitioners
Very nice book with no creasing to covers or spine, no marking of any kind to text/interior. 300 pages, book appears new. Book explains the principles of resonance, entrainment, binaural beat frequencies and the ground-breaking work of Dr. Alfred Tomatis. Interviews with Vickie Dodd, Robert Gass, Jonathan Goldman, Janalea Hoffman, Arthur Hull, Michael Jones, Tom Kenyon, Therese Schroeder-Sheker, Fred Schwartz, Molly Scott, Michael Stevens, Jeffrey Thompson,
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Leeflang, A.:
Six nouvelles sonatines pour le piano-forte. Oeuvre 22. Reprint
7 S. 4°. Nachdruck der Ausgabe Plattner, Rotterdam.
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Leeflang, A.:
Six sonatines pour le piano-forté. Oeuvre [handschr.:] 12me
7 S. Staubfleckig. Randschäden. Gr.-4°. Gestochen.
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Leeflang, A.:
Sonate pour le piano forte avec accompagnement d`un violon ad libitum. Oeuvre VIII Nro. 1
Klavierstimme. 5 S. Gestochen. RISM LL 1398 I, 2.
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Leeflang, A.:
Sonate pour le piano forte avec accompagnement d`un violon ad libitum. Oeuvre VIII Nro. I
Klavierstimme. 6 S. Gestochen. RISM LL 1398 I, 2.
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Leeflang, A.:
Trois Sonates pour le piano forte avec accompagnement d`un violon ad libitum. Oeuvre [handschr.: 16] No. [I]
Stimmen. Gestochen. 8, 1 S. Gr. 4°. Verlagsangabe mit Resten vom Aufkleber überklebt. RISM LL 1398 I, 3: nur 1 Expl. (inkomplett).
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Leela Omchery, D.O. Bhalla
The Immortals of Indian Music [Hardcover]
The Title 'The Immortals of Indian Music written/authored/edited by Leela Omchery, D.O. Bhalla', published in the year 2012. The ISBN 9788121204569 is assigned to the Hardcover version of this title. This book has total of pp. 240 (Pages). The publisher of this title is Gyan Publishing House. This Book is in English. The subject of this book is MUSIC / THEATRE / Art. Size of the book is 14.34 x 22.59 cms Vol:-
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Leenders, B. u. B. Meyer-Rähnitz, B. (Hrsg.)
Der Phonographische Ernst Busch. Eine Discographie seiner Sprach- u. Gesangsaufnahmen.
Dresden, Albis International Bibliophilen Verlag, 2005. 4°. 278, 5 S. OLwd. Neuwertig.
Referentie van de boekhandelaar : 181437
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Leendertz, Frida:
[Musikmanuskript d. Zt.] Naar `t warme land / woorden van Agatha Snellen / muziek van Frida Leendertz
1 S. 33 x 25 cm. Verso: Een schilderijtje (A. Lambrechts-Vos).
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Lees, Eugene (ed)
Down Beat Jazz Record Reviews Volume IV
Chicago IL USA: Maher Publications 1960. Soft cover. Very Good . 8vo - over 7¾" - 9¾" tall. Billings Robert J. 210pp. Illustrations by Robert J. Billings. Adverts. Illustrated wrapper is clean showing light handling sunning to spine. Binding is sound. Octavo: 217 x 141mm. <br/> <br/> Maher Publications paperback
Referentie van de boekhandelaar : 047009
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Lees, Gene
Oscar Peterson: The Will to Swing
Riverside New Jersey U.S.A.: Prima Publishing. Very Good in Very Good dust jacket. 1990. First Printing. Hardcover. 1559580372 . Signed and inscribed by Oscar Peterson upon front free endpaper. "For the millions who know and love the music of Oscar Peterson here's the definitive biography by his friend and former Down Beat editor Gene Lees." - dust jacket. "Oscar Peterson 1925-2007 was a Canadian jazz pianist and composer. As a virtuoso who is considered to be one of the greatest jazz pianists of all time Peterson released more than 200 recordings won eight Grammy Awards as well as a lifetime achievement award from the Recording Academy" - Wikipedia. 294 p. Black and white photographic plates. Clean and bright with negligible wear. Occasional underlining in blue ink. Dust jacket now in glossy new archival-grade protection. A lovely signed example.; 8vo - over 7¾" - 9¾" tall; MUSICIANS PIANISTS BIOGRAPHY AUTOBIOGRAPHY COMPOSERS Signed and Inscribed By Oscar Peterson Jazz Pianists Canada Canadian Performers; Signed by Authors . Prima Publishing hardcover
Referentie van de boekhandelaar : 815a2005 ISBN : 1559580372 9781559580373
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Leest, Ant. M. van:
Churchill marsch voor piano. Op. 142
3 p. 4°.
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Leest, Ant. M. van:
Irene marsch voor piano. Op. 93
3 p. 4°.
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Leest, Ant. M. van:
Margriet marsch voor piano. Op. 171
3 p. 4°.
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Leeuw, Ton de:
Cinq études pour le piano
9 S. OU. Erstausgabe.
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Leeuw, Ton de:
Cinq études pour le piano
9 S. 4°. OU. Bleistift-Eintragungen.
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Leeuw, Ton de:
Missa brevis. Gemischter Chor
Partitur. 11 S. 8°. OU.
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Leeuw, Ton de:
Mouvements rétrogrades pour orchestre. Zomer 1957
Studienpartitur. ii, 44 S. 8°.
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Leeuw, Ton de:
Strijkkwartet
Partitur (12 S.). OPp. Bibliotheks-(Leih-)Exemplar mit Zetteln u. Stempeln. Erstausgabe der Partitur.
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Leeuwarden:
[Tekstboek] Zangen ter gelegenheid der plegtige viering van het vijfentwintigjarig bestaan van het Departement Leeuwarden, der Maatschappij tot Nut van `t Algemeen. Den dertigsten van Hooimaand 1817
16 p. 8°.
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Leeuwen, Simon:
Caprice mélancolique solo pour violon
Stimmen. 1, 8 S. Gr. 4°. OU leicht fransig. Mit eigenh. Widmung des Komponisten. Omslagillustration.
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Lefcowitz, Eric
The Monkees tale
Paperback purple quarto. 103 pages : illustrations, portraits c ; 27 cm Contents: Evolution -- The first season -- The second season -- Heads -- Tails -- Aftermath -- David Jones -- Michael Nesmith -- Michael Dolenz -- Peter Tork. || Rock musicians -- United States -- Biography. Popular music -- History and criticism.
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LEFEBVRE Léon
NOTES POUR SERVIR A L'HISTOIRE DE LA MUSIQUE A LILLE
Les ménestrels et joueurs d'instruments sermentés du XIV au XVIII siècles. Format moyen, couverture souple.14 pages. Jaiuni mais bon état. Une expédition par Mondial Relay vous sera proposée 1906
Referentie van de boekhandelaar : 17257
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Lefebvre, Constance-Caroline (Faure, Caroline), opera singer (1828-1905).
Autograph letter signed "Caroline Faure". N. p., "1er février".
8vo. 1 p. on bifolium. To a M. Glandaz, possibly the lawyer Sigismond Glandaz, informing him that he need not visit her husband, the baritone, composer and art collector Jean-Baptiste Faure, as he still has to "arrange everything" with Mr de Benoît and will in turn visit Glandaz on Monday: "Mon mari vous prie de ne pas prendre la peine de passer chez lui. Il doit s'occuper aujourd'hui de Monsieur de Bénoît [?], arranger tout avec lui, et lundi il ira chez vous pour vous rendre compte du résultat de ses démarches [...]". - Traces of folds. Some browning to the borders and traces of former mounting.
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Lefebvre, Constance-Caroline (Faure, Caroline), opera singer (1828-1905).
Autograph letter signed ("Caroline Faure"). N. p., "Mardi 9 Octobre" [1861].
8vo. 1 p. To an unnamed friend, offering him a box at the Paris Opera for the debut of her husband, the baritone, composer and art collector Jean-Baptiste Faure, which the recipient had promised to attend: "C’est vendredi prochain que mon mari début à l’Opéra. Vous nous avez promis d’assister à cette première représentation et j’espère que vous voudrez bien accepter une loge, peut-être un peu modeste, mais la meilleure que nous ayons pu obtenir [...]". - Constance-Caroline Levebvre and her equally famous stage partner Jean-Baptiste Faure (1830-1914) had married in 1859. Jean-Baptiste celebrated his successful debut at the Paris Opera with Józef Michal Poniatowski’s "Pierre de Médicis" in October 1861. - Traces of folds and former mounting. With a minor tear and insignificant foxing.
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Leffler-Burckard, Martha, Sopranistin (1865-1954).
Ms. Sentenz mit eigenhändiger U. ("Martha"), eh. Zusatz und eh. Korrekturen. O. O. u. D.
1 S. Folio (223:282 mm). Albumblatt mit montierter Visitenkarte (106:68 mm), aufgezogen auf einen Bogen Pergamentpapier (ca. 330:344 mm). "Bayreuth! Ein Aufatmen. Ein Hochgefuehl! Nicht nur ein von der Saison bescherter Hoehepunkt, nicht nur eine Auffuehrungsfolge, die vorueberrauscht. Bayreuth! Das Erlebnis einer Festspielgemeinde - einer zu festlichem Spiel verbundenen Kunstgemeinde, Kunstfamilie, in welcher Meister, Verkoerperer und Zuhoerer zu einem Unnennbaren verschmelzen, das einmalig ist und doch immer wiederkehrt. Tempelweihestimmung, Laeuterung, Sammlung, Entspannung. Kunst! Es ist schwer fuer den schaffenden Kuenstler, der solche Hoehepunkte mitschaffend erleben durfte, in dem Gewirr heutiger Uebersteigerungen den Weg zu einer neuen Musik zu finden [...]". - Geschrieben als Beitrag für die von Friedrich Koslowsky im Berliner Eigenbrödler-Verlag herausgegebene Faksimile-Anthologie "Deutschlands Köpfe der Gegenwart über Deutschlands Zukunft" (1928). Koslowsky 371.
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Lefkowitch, Henry
IDISHE UN HEBREISHE LIDER: FOLKS UN NATSIONALE
Original Boards. 8vo. 47 pages. 23 cm. First edition. Words in romanized Yiddish or Hebrew; also printed as text in Hebrew characters and in romanization. Cover title = Yiddishe gesangen. Henry Lefkowitch was a composer and publisher of Jewish music. He operated the Metro Music Company. He had studied composition with Ernest Bloch and wrote many Jewish art songs and some liturgical music. Her served as a conductor and founded two symphony orchestras that were later absorbed into other groups. He was Secretary of the Society of Jewish Composers. He had been a guest conductor at the Canotrs' Assembly of America and lectured on music on the radio and also conducted at Cooper Union. Subjects: Songs, Yiddish. Songs, Hebrew. Folk-songs, Yiddish. OCLC lists 13 copies. Light soiling to boards, otherwise clean and fresh. Very good condition. (MUSIC-2-23)
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LEFLON Jean
Henri Hardouin et la musique du chapitre de Reims au XVIIIème siècle
in 8 demi-chagrin Terre de sienne brûlée à nerfs et à coins titre doré.Faux-titre,III,un portrait attribué à Perseval, 123 pages,1 pages de table des matières,5 illustrations photos,sur 6 annoncées.(il manque,d’origine,La Collégiale) Non rogné.Librairie Matot Reims 1933,un envoi manuscrit en date du 17 juillet 1939 Les deux plats de couverture sont conservés.Très bon état
Referentie van de boekhandelaar : 5624
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LEFLON Jean
Henri Hardouin et La Musique Du Chapitre De Reims Au XVIIIe Siècle
Reims Matot 1933 In-8 123 + 3 ff
Referentie van de boekhandelaar : 23166
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Lefèvre André
Pourquoi toutes ces chansons ? - Collection ouvrages de poche n°36
Librairie Charpentier. 1965. In-12. Broché. Etat d'usage, Couv. légèrement pliée, Dos satisfaisant, Papier jauni. 187 pages - plats et dos insolés. . . . Classification Dewey : 780-Musique
Referentie van de boekhandelaar : R160211020
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Lefèvre Jean Xavier; Conti O. (cur.)
Metodo per clarinetto. Vol. 1
brossura
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Lefèvre.
60 esercizi scelti dal metodo per Clarinetto. ( Giampieri ) .
<br/> TITOLO: 60 esercizi scelti dal metodo per Clarinetto. (Giampieri). <br/> AUTORE: Lefèvre.<br/> EDITORE: Ricordi Ed.<br/> DATA ED.: 1981,<br/> COLLANA: E.R.1784.<br/>
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Lefébre, L.J.:
3 Lieder für eine Singstimme mit Begleitung des Piano-Forte. Op. 17
8 gest. S. Titelbl. lose. Titelbl. eingerissen. Fräulein A.M.C. Koning gewidmet. Mit hübscher Titelvignette (Haus Kernheim). Texte von Goethe, Seiffardt.
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Lefébre, L.J.:
Nederlandsche scherpschutters marsch voor piano. Op. 9. Nieuwe uitgave
5 S. Gr. 4°.Gestochen. Kl. Rückenschaden. Leicht randfleckig. Titelvignette.
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Lefébure-wely
Les cloches du monastère nocturne - fantaisies pour le piano à quatre mains
Léon crus 15 pages in4. Sans date. Broché. 15 pages.
Referentie van de boekhandelaar : 276999
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Lefébure-Wély, Louis James Alfred, French organist and composer (1817-1869).
2 autograph letters signed. N. p., 19 April 1842 and n. y.
8vo. Together 2½ pp. The dated letter, written to an unnamed friend, was sent with tickets to a concert that the recipient had promised to attend: "Je viens vous rappeler la promesse que vous m'avez faite d'assister à mon concert, permettez moi donc de vous prier d'accepter quelques billets que je me fais un grand plaisir de vous offrir [...]". - The second letter to an unnamed female recipient, probably Lefébure-Wély's mother or another close relative, is humorously introduced as the "orthography of a student of the École des frères after 4 years, 4 months, 4 days, 4 hours, and 17 minutes of assiduous work" and continues in an imaginary phonetic French with an invitation to lunch: "Madam, je çuis onteu devoufer dégeuner aucito çamedit, met sais de votref aute, vous me gâté ci facileman qu’œuf se la me cèmble trait bon hé qu’œuf jàbus e. brefe [...]". A small ink drawing of a barrel organ near the bottom of the second page completes this charming document from Lefébure-Wély's youth. - Louis James Alfred Lefébure-Wély assisted his father as the organist of Saint-Roch in Paris from the age of 8. When he was 14 his father died, and he succeeded him as official organist of Saint-Roch. In 1832 he entered the Paris Conservatoire, studying organ and composition. As a performer, Lefébure-Wély played a major role in the development of the French symphonic organ style and was rated above eminent contemporaries including César Franck. - Dated letter somewhat brittle, with foxing and several tears. Both letters with traces of former mounting.
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Lega Alessio
Nella corte dell'Arbat. Le canzoni di Bulat Okud?ava. Con CD-Audio
ill., br. Padre della canzone d'autore russa, Bulat Okud?ava forma con Vladimir Vysockij e Aleksandr Gali? la triade sacra dei "bardi", i "poeti con la chitarra" che riannodarono con ballate essenziali il filo della speranza nel cosiddetto periodo della stagnazione (1960-1985). Le sue canzoni sono un patrimonio di poesia che affonda melodicamente nel ricco folklore georgiano e armeno (le terre del padre di Bulat, fucilato durante il terrore staliniano, e della madre inghiottita dal Gulag) e linguisticamente nel gergo popolare degli abitanti dell'Arbat, il quartiere-mondo di Mosca paradigma della vita, della guerra e dell'arte. Alessio Lega fa rivivere in italiano la magia e l'incanto di questi piccoli miracoli espressivi che, affidati a melodie semplici ma irresistibili ed annodati attorno a storie minime, riflettono le tensioni e le speranze di un intero popolo come accade soltanto nei capolavori della letteratura mondiale e della grande canzone d'autore. Alessio Lega è riuscito a rendere in italiano non soltanto il senso delle poesie canzoni di Bulat Okud?ava ma, soprattutto, lo spirito che le ha caratterizzate nel tempo. (Gian Piero Piretto)
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Lega Alessio
Sotto il pavé la spiaggia. Con CD Audio
br. Sedici versioni italiane completamente inedite di canzoni francofone composte tra il 1950 e 2000. Ballate, rock progressive, venature sperimentali, riconversione acustiche, improvvisazione sinfonica ed esplosioni punk, questo il risultato degli arrangiamenti innovativi dei Mokacyclope. Il booklet costituisce la traduzione parallela in immagini delle singole canzoni, attraverso 30 tavole appositamente create da Lorenzo Sartori che illustrano lo svolgersi dell'intero disco. Un affresco sonoro con cui I musicisti hanno accordato l'urgenza sonora di questi classici all'urgenza dei nostri anni.
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Lega Antonio
L'uomo che ride - Dramma lirico in tre atti - Musica di A. Pedrollo
in 16° br. pp.68
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LEGA Antonio -
La "Pskovitana" alla Scala.
Milano, 1912, estratto con copertina posticcia muta, pp. 359/363 con ill. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
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LEGA Antonio -
La "Pskovitana" alla Scala.
Milano, 1912, estratto cop. muta pp. 359/363 con ill. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo, completo in se, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perché ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “extract” or “excerpt” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
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LEGA Antonio -
Oberon alla Scala.
Milano, 1913, estratto con copertina posticcia muta, pp. 81/85 con ill. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
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Lega Antonio, Zanella Amilcare (musica)
La Sulamita Tre versioni liriche di Antonio Lega. Musica di Amilcare Zanella
<p>18,5 cm, br. originale, p. 40. A penna alla pagina dei personaggi: "Pesaro 1° agosto 1926, Teatro Rossini quattro nomi degli interpreti a fianco dei personaggi". Alone ai margini.</p>
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LEGA DI MIGLIORAMENTO PER GLI ARTISTI DI OPERETTE ..
Regolamento interno per le compagnie.
Opuscolo In-8°, leg. in bross. edit., pp. 20. Parzialmente aperto il dorso, con piccole mancanze alla bross. ed altre marginali tracce d'uso.
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