‎Musique‎

‎Lentz, Heinrich Gerhard von (ca.1764-1839):‎

‎Deutscher Organist und Komponist.‎

‎Varsovie, 1822. Lithographie von F. Sonntag (ovales Brustbild). Bildgrösse: 14 x 11,4 cm. Blattgrösse: 27,5 x 19,6 cm.‎

Referenz des Buchhändlers : 1215AG

‎LENZ Edouard.‎

‎Idées sur le pouvoir social et l'influence morale de la musique, exposées a l'Academie de Lausanne par Ed. Lenz, professeur de musique dans cette ville.‎

‎Lausanne, Marc Ducloux & Chez L'auteur, [c. 1841], in-8, br. edit., pp. 86, [2]. Sciolto, privo del dorso e con mancanze marginali alle coperte.‎

‎Lenz, Risto‎

‎Alan Lomax, the South, and the American folk music revival, 1933-1969. American culture ; vol. 16.‎

‎Berlin, Bern, Bruxelles, New York, Oxford, Warszawa, Wien: Peter Lang, 2022. 450 pp., 11 fig. col., 17 fig. b/w. Hardcover, 21 cm.‎

‎A perfect copy. - Summary: Alan Lomax (1915-2002) is arguably the most popular and influential American folk song collector of the 20th century. Pursuing a mission of both preserving and popularizing folk music, Lomax moved between political activism, the scholarly world, and the world of popular culture. Based largely on primary material, the book shows how Lomax?s diverse activities made him an authority in the field of folk music and how he used this power to advocate the cultures of perceived marginalized Americans ? whom he located primarily in the American South. In this approach, however, folk music became an abstract idea onto which notions oscillating between hope and disillusionment, fear and perspective were projected. The author argues that Lomax?s role as a cultural mediator, with a politically motivated approach, helped him to decisively shape the perception and reception of what came to be known as American folk music, from the mid 1930s to the late 1960s. - Contents: 1 American Folklore: Applied versus Pure Research -- 1.1 The Dual Meaning of Folklore -- 1.1.1 Advocating "the Folk" -- 1.1.2 Knowledge and Interpretation -- 1.1.3 Approaching the Irreconcilable -- 1.1.4 "Living Lore" as Contemporary History -- 1.2 The Folklore Approach of Alan Lomax -- 1.2.1 Making Folk Music Available -- 1.1.2 An Appeal for Cultural Equity -- 1.2.3 The Folklife Preservation Act -- 2 The Expert from Below -- 2.1 Lomax and the Publishing Media -- 2.1.1 "Music in Your Own Backyard": Democratizing Knowledge in Folklore -- 2.1.2 Rural America: The Nation's Democratic Backbone -- 2.1.3 Flirting with Cosmopolis: Lomax and Highbrow Culture -- 2.2 Between Advocating and Exploiting -- 2.2.1 Beyond Entertainment: Lead Belly and Henry Truvillion -- 2.2.2 Creating Intimacy: Lomax as the Friend of "the Folk" -- 2.2.3 A Machine for the Voiceless -- 3 Radio and Film -- 3.1 Radio as an Educational Force -- 3.2 The Rural South and the War Effort: Lomax at the Office of War Information -- 3.2.1 Folk Music of America and Back Where I Come From -- 3.2.1.1 Work and Prison Songs of the South -- 3.2.1.2 The Rural Messenger -- 3.3 Educational Film -- 3.3.1 The Integrated South versus the Benighted South -- 3.3.1.1 To Hear Your Banjo Play -- 3.3.1.2 Rainbow Quest -- 3.3.1.3 Ballads, Blues and Bluegrass -- 4 Gender, Race and the Folklorist -- 4.1 Gender- and African American Studies in Folklore Scholarship -- 4.1.1 The Accusation of Cultural Appropriation -- 4.1.2 Gender and Race Bias in History and Folklore Studies -- 4.2 Sidney Robertson -- 4.2.1 A Minor Voice -- 4.2.2 A Clash of Views -- 4.3 Zora Neale Hurston -- 4.3.1 Uniqueness out of Necessity -- 4.3.2 Eatonville Chronicler -- 5 "A Mississippi of Song": Lomax and the Construction of Delta Blues -- 5.1 The Cradle of the Blues?: The Myth of the Delta -- 5.1.1 The Picture and the Mirror: Lomax and the Search for History -- 5.1.2 Urban North or Rural South: The Blues of Big Bill Broonzy -- 5.1.3 "Blues at Midnight": Becoming a People's Artist -- 5.1.3 Meeting Expectations: Broonzy as the Chronicler of the Blues -- 5.1.4 Blues in the Mississippi Night -- 5.1.5 Fiction or History: Lomax and "I Got the Blues" -- 5.1.6 "Three Delta Men": The Blues in the Mississippi Night LPs -- 5.1.7 Lomax and the Use of Oral History -- 5.1.8 The Blues in the Mississippi Night Legacy -- 5.2 The Fisk / Library of Congress Coahoma County Study, 1941-1942 -- 5.2.1 Natchez or Coahoma: Locating the Study -- 5.2.2 The Rediscovered Manuscripts: Lomax and the Fisk Scholars -- 5.2.3 Folk Culture and Popular Culture in Coahoma County -- 5.4.2 Work Song, Levee Song and the Holler -- 5.2.5 Native American Influence on the Blues -- 5.2.6 "Having the Blues": A Very Short Survey -- 5.3 The Individual versus the Community: Lomax and Mississippi Bluesmen -- 5.3.1 Poor Muleskinner or Aspiring Artists: Muddy Waters -- 5.3.2 Emplotting the Narrative: Lomax and the "Royal Lineage" of Blues -- 5.3.3 "Possessed by the Song": Lomax and Son House -- 5.3.4 The Modern Style: David "Honeyboy" Edwards -- 5.4 "They Lost Some of Their Melancholy": Lomax and New Orleans Blues -- 5.4.1 Jelly Roll Morton and the Contamination of the Blues -- 5.4.2 Rural and Urban Blues in the Early Recording Industry -- 5.5 Lomax and the Female Blues -- 5.5.1 Storyville and the Limitations of Blueswomen -- 5.5.2 "They Could Bring it to Church": Lomax and the Struggles of Blueswomen -- 5.6 Lomax and the Mississippi State Penitentiary -- 5.6.1 Negro Prison Songs from the Mississippi State Penitentiary (1958) -- 6 Lomax and the 1960s "Folk Boom" -- 6.1 Reflecting Privilege: The Search for Outsiders -- 6.2 The Driven Generation: The Lucky Few -- 6.2.1 A Story of Black and White -- 6.3 The Newport Folk Festival, 1963 to 1965 -- 6.3.1 Lomax as Newport Board Member -- 6.3.2 The Folk Rediscoveries -- 6.3.3 Devil Got My Woman -- 6.3.4 Mediators of the "Folk Boom" - Rinzler, Shelton, Silber and Lomax -- 6.4 Rediscoveries of Appalachia - Conclusion. ISBN 9783631867723‎

Referenz des Buchhändlers : 1242460

‎Lenzi Massimo‎

‎La natura della convenzione. Per una storia del teatro drammatico russo del Novecento‎

‎In ottime condizioni, spedizione tracciata‎

‎Lenzoni Alfredo‎

‎Fedra. Rapsodia tragica per la musica di Romano Romani‎

‎In-8° piccolo, pp. 54, brossura editoriale arancio con titolo in nero e illustrazione monocroma rossa. Illustrazioni xilografiche n.t. Testo incorniciato da bordura figurata color arancio. Perfetto stato. Dedica autografa del Lenzoni a Domenico Oliva (Torino, 1860-Genova, 1917), noto giornalista (diresse anche il "Corriere della Sera"), uomo politico, critico letterario e librettista (collaborò al libretto della pucciniana "Manon Lescaut"): "A Domenico Oliva con profonda gratitudine Alfredo Lenzoni Torino 11 Marzo 1915". Prima edizione, rara.‎

‎LEO LAURENT‎

‎LA GUITARE PAR L IMAGE‎

‎PAUL BEUSCHER. 1974. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 43 pages illustrées en noir et blanc.. . . . Classification Dewey : 780-Musique‎

‎Classification Dewey : 780-Musique‎

Referenz des Buchhändlers : R200022327

‎Leo Touchet, Vernel Bagneris, Ellis L Marsalis, Jr‎

‎Rejoice When You Die: The New Orleans Jazz Funerals‎

‎Baton Rouge LA: Louisiana State University Press 1998. cloth hard cover in dust jacket. slight small bits of exterior rubbing minor. no other flaws. clean. no text or exterior markings. no bumps tears chips. tight binding.; this copy appears to be signed and inscribed by the photographer. the signature is not legible but it has all of the markings of being his.; largely unpaginated. b/w photos throughout. First Edition /First Printing. Hard Cover. Near Fine Plus/Near Fine Plus. Folio - over 12" - 15" tall. Louisiana State University Press Hardcover‎

Referenz des Buchhändlers : 22480 ISBN : 0807122815 9780807122815

‎Leon Donna. Wagner Nike. Baremboim Daniel‎

‎Wenn Music der Liebe. Nahrung ist, spielt weiter...[With CD-Rom], Müenchen, Schirmer/Mosel Verlag GmbH, 2006‎

‎Photographien von Wilfried Hosl. German Text. Müenchen, 2006; clothbound, pp. 263, b/w and col. plates, cm 23x33. deutsch 3-8296-023 clothbound‎

‎Leon et Marie Escudier‎

‎ETUDES BIOGRAPHIQUES SUR LES CHANTEURS CONTEMPORAINS. Précédées d'une Esquisse sur l'Art du Chant.‎

‎Un volume in 12mo (11x17 cm) di 248 pagine, con 10 ritratti incisi fuori testo di cantanti. Fioriture sparse, una firma di possesso al titolo. Mezza pelle (dei primi 900) con titolo dorato al dorso a nervi. Questa prima edizione è rara e ricercata, e difficile da trovare completa dei 10 ritratti incisi. L'opera è dedicata a Rossini, e molti dei cantanti biografati sono italiani.‎

‎LEON Georges‎

‎Maurice Ravel - L'homme et son oeuvre, catalogue des oeuvres, discographie‎

‎Seghers. Format 13x16 cm. N°11 de la collection "Musiciens de tous les temps". Bon etat.‎

Referenz des Buchhändlers : 45472

‎Leon Vallas‎

‎ACHILLE-CLAUDE DEBUSSY‎

‎A cura di Wanda Lopez. Collana Biblioteca di Cultura Musicale 4, a cura di Giovanni Cavicchioli. Copertina flessibile, con fascetta editoriale, pp 173‎

‎LEON VICTOR ET STEIN LEO.‎

‎LA VEUVE JOYEUSE. OPERETTE EN 3 ACTES.‎

‎CALMANN LEVY.. Non daté.. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos frotté, Intérieur acceptable. 140 pages.. . . . Classification Dewey : 780-Musique‎

‎Version française d'après Henry Meilhac et le livret de Victor Léon et Léo Stein, musique de Franz Lehar. Classification Dewey : 780-Musique‎

Referenz des Buchhändlers : R150020034

‎Leona Lewis‎

‎Leona : Dreams‎

‎No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. ca 95 pages of full page colour photographs plus text on 95pp. The story of singer Leona Lewis who in 2006 was the first woman ever to win X Factor.‎

‎LEONARD BERNSTEIN‎

‎GIOCARE CON LA MUSICA a cura di Jack Gottlieb‎

‎Vol. in -8 quadr. (18 x 21 cm.), brossura editoriale con alette col. avorio con fig. in nero e testo in grigio e rosso sul piatto ant., pp. 389, (3) con numerose illustr. e rigni musicali in nero nel testo e a p.pagina. Dedica anonima scritta a penna sulla seconda pagina, nel complesso in buone condizioni. Con una introduzione di Michael Tilson Thomas - Collana: LIMOUSINE (N. 3)‎

‎Leonard Bernstein‎

‎La gioia della musica‎

‎formato 23X16. Brossura editoriale pagine 264. Con diverse fotografie in B/N. disegni e diagrammi di A.Maokvia. Partiture di Maxwell Weaner. Prima edizione longanesi. Bella copia‎

‎Leonard Bernstein music; Richard Wilbur lyrics; Hugh Wheeler book; Stephen Sondheim John Latouche additional lyrics; Harold Pri‎

‎Candide Original script for the 1974 musical‎

‎New York: Chelsea-Candide Company 1974. Draft script for the 1974 production of the play noted on the title page as the "Playing Version.". "Candide" premiered at the Broadway Theatre on March 10 1974 playing for 740 performances closing on January 4 1976. Annotation in holograph marker of copy number "#13" on title page and several annotations in holograph pencil throughout highlighting dialogue and songs.<br/><br/>The second Broadway production of the comic operetta of Voltaire's 1759 novella. First performed in 1956 with a libretto by Lillian Hellman but beginning with this 1974 revival with a book by Hugh Wheeler which is more faithful to the novel. This version running at 105 minutes omitted over half of the musical numbers from the original and was known as the "Chelsea version." Opening in 1973 at stage director Robert Kalfin's Chelsea Theatre Center in the Brooklyn Academy of Music before moving to the Broadway Theatre in 1974 to enthusiastic notices and a two year run.<br/><br/>Also of note for this version was the staging. The Broadway Theatre itself was rebuilt for the production with walkways and platforms constructed around the auditorium with the audience seated on wooden benches in the middle of the action and invited to eat peanuts during the show adding to a circus-like atmosphere.<br/><br/>Winner of five 1974 Tony Awards including Best Book of a Musical and Best Direction of a Musical nominated for Best Actor in a Musical Best Featured Actor in a Musical and Best Featured Actress in a Musical.<br/><br/>Red Studio Duplicating Service vinyl titled wrappers. Title page present dated January 1974 noted as Playing Version with credits for Leonard Bernstein music Richard Wilbur lyrics Stephen Sondheim and John Latouche additional lyrics and Hugh Wheeler book. 77 leaves with last page of text numbered 76. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Chelsea-Candide Company unknown books‎

Referenz des Buchhändlers : 147953

‎Leonard Feather and Jack Tracy‎

‎Laughter from the Hip‎

‎New York: Horizon Press 1963. First Edition. Hardcover. Good/Good. 8vo - over 7 - 9" tall. A. Birnbaum. Foxing/spotting to yellow cloth on spine. D/J is a little marked with rubbing to edges and corners and several closed tears to top and bottom edge. Slight chipping to head and tail of D/J spine. Foxing to inside D/J. Horizon Press hardcover‎

Referenz des Buchhändlers : 724625

‎LEONARD, Eddie and A Symour Brown, words by, and Mat D Ayer, music by‎

‎Sheet music: Ohio‎

‎New York: Jerome H. Remick & Co 1910. Softcover. Good. Stated "Popular Edition." Cover illustration by Starmer. Folio. Single bifolium with a single sheet insert making six pages. Bifolium neatly separated along the fold but both leaves are present Edgewear including chips and tears and rubbing to the exterior a complete but good only copy. For voice and piano. Plate imprint "O-O-O-Ohio 3." The back cover features a sample of "That Loving Melody That Rubenstein Wrote" by A. Seymour Brown and Nat. D. Ayer. The front cover features a black and white photograph of Eddie Leonard. Leonard originally pursued a career in baseball playing with the Baltimore Orioles for a short time where he was known to dance and sing for his teammates in the clubhouse soon he was discovered by George H. Primrose and began a successful career in minstrel shows. OCLC locates only two physical holdings of this song. Jerome H. Remick & Co unknown‎

Referenz des Buchhändlers : 588698

‎Leonard, Lotte [aka Charlotte Levy]; Cahier, Sarah [Frau Charles]; Erb, Karl; Duhan, Hans; and Markhoff, Franz‎

‎PAGE FROM A PROGRAM FOR A PERFORMANCE OF BACH'S ST. MATTHEW PASSION SIGNED by the 5 SOLOISTS: LOTTE LEONARD SARAH CAHIER KARL ERB HANS DUHAN and FRANZ MARKHOFF.‎

‎Vienna 1921. 1921. Good. - An 8 inch high by 5-1/2 inch wide page from a program for the December 15 1921 performance of Bach's St. Matthew Passion by the Vienna Symphony Orchestra under the baton of Bruno Walter. The page is signed by the 5 singers: Lotte Leonard Mme. Charles Cahier Karl Erb Hans Duhan and Franz Markhoff. Folded horizontally with tiny tears or chips to the left and right edges and creases to the corners. This fragile program leaf printed on highly acidic paper is darkened but has since been professionally de-acidified. <p>The German Soprano Lotte Leonard 1884-1976 aka Charlotte Levy emigrated to America during World War Two. She was the Soprano soloist in Handel's "Israel in Egypt" at La Scala in 1928 and soloist in Beethoven's "Missa Solemnis" at Salzburg in 1931.<p>The American-born contralto Sandra Cahier known as Madame Charles Cahier 1870-1951 was associated with Malher and sang in the premiere of "Das Lied Von der Erde" in 1911. She sang at the MET from 1912 through 1914 and taught at the Curtis Institute of Music in Philadelphia. Among her students was Marian Anderson. She advised Lauritz Melchior to change from a baritone to a heldentenor.<p>The German tenor Karl Erb 1877-1958 was considered by many to be the ideal Evangelist in Bach's "St. Matthew Passion".<p>The Austrian baritone Hans Duhan 1890-1971 sang in 3 important premieres: "Ariadne auf Naxos" by Richard Strauss as Harlequin; in "Jonny Plays On" by Ernest Krenek as Daniello; and in "Giuditta" by Franz Lehar as The Duke. He sang several times at the Salzburg Festival from 1922 until 1937 and was the first Pagageno there.<p>The Austrian bass Franz Markhoff 1880-1964 performed at Salzburg under Richard Strauss 1922-1930. Vienna, 1921. unknown‎

Referenz des Buchhändlers : 34694

‎Leonardi Angela‎

‎Tempeste. Eduardo incontra Shakespeare‎

‎Napoli. Colonnese 2007, 8°, pp. 117.‎

‎Leonardo Acosta‎

‎La musica cubana e afrocubana. Vol. 2: Dal tamburo al sintetizzatore‎

‎Autori: Leonardo Acosta. Traduttori: A. Marazzi.‎

‎LEONARDO CALI‎

‎MUSICA NELLA STORIA DAL MILLE AL RINASCIMENTO‎

‎LEONARDO CALI MUSICA NELLA STORIA DAL MILLE AL RINASCIMENTO. , EDIZIONE CARRARA 1986, Copertina: cartonata. Legatura: artigianale. Taglio: ingiallito, sporco Buono (Good) . <br> <br> <br> <br>‎

‎LEONARDO PINZAUTI‎

‎GIACOMO PUCCINI‎

‎LEONARDO PINZAUTI GIACOMO PUCCINI. , RAI ERI 1975-11-01, Copertina un pò scolorita, tagli leggermente ingialliti e s Buono (Good) . <br> <br> <br> 291<br>‎

‎Leonardo Pinzauti‎

‎L'Accademia Musicale Chigiana da Boito a Boulez‎

‎Pubblicato nel Cinquantenario dell'istituzione dell'Accademia Musicale Chingiana ricostruisce le attività svolte da questa Fondazione, brossura, formato 22x24, pagine 292, illustrato con 170 figure in nero e colori, ottime condizioni - 44770‎

‎Leonardo Quaresima ( A cura di )‎

‎Centro Sperimentale di Cinematografia Storia del cinema italiano 1924 - 1933 ( volume IV )‎

‎Solo volume IV, rilegato, cartonato, sovracoperta, formato 19x27x6, pagine 801, illustrato con fotogrammi in nero fuori testo tratti da pellicole conservate presso la Cineteca Nazionale e presso la Fondazione Cineteca di Bologna, ottime condizion i - 50522‎