|
(WAGNER).
Richard Wagner an Mathilde Wesendonk. Tagebuchblätter und Briefe 1853-1871.
In 8°, t.tl. edit., tit. in oro e dis. ornament. al p. e al d., pp. XXXII-367 con 4 ill. e 3 facsimili su tavv. f.t. Indice dei nomi.
|
|
|
(Weidmann, Paul).
Einführungs-Szene. Bey der Gelegenheit, als der jüngere Baumann in der Rolle des Bettelstudenten am 4. März das k. k. National-Hof-Theater zum erstenmale betrat. Wien, Kurzböck, 1795.
12 SS. Buntpapier-Heftstreifen der Zeit. 8vo. Sonderdruck der Szene, in der der "Bettelstudent" in Weidmanns gleichnamigem Theaterstück (1783) auftritt. Die Szene machte in der Inszenierung von 1795 (mit Friedrich Baumann in der Titelrolle) auf das Wiener Publikum einen derartigen Eindruck, daß sich der Autor zu einer Separatedition veranlaßt sah. - Durchgehend stockfleckig.
|
|
|
(Weston, Edward); Cowell, Henry
HENRY COWELL IN A PROGRAM OF HIS OWN COMPOSITIONS": ORIGINAL PROGRAM for the concert performed at "THE THEATRE OF THE GOLDEN BOUGH Edward Gerhard Kustler Director Carmel-by-the-Sea California; July Fifteenth Nineteen Hundred Twenty-Four". With a Note to HENRY COWELL together with 2 PHOTOGRAPHS of Cowell by EDWARD WESTON.
<p>Carmel: Carmel Pine Cone Press 1924. 1924. Good. - Quarto 9-1/4 inches high by 7-1/2 inches wide. Softcover bound in buff self-wraps titled and decorated in green. A four-page program with the theatre's name on the cover page with "Henry Cowell in a Program of his own compositions" printed in green opposite the program of works. A "Calendar" of forthcoming performances is printed on the last page. Folded both vertically and horizontally with a tear along the front edge of the folds and creasing to the front edge of the second leaf. "All Cowell" is penned in red at the top of the cover page. Good.</p><p>A friend has inscribed the program with an apology on the second page "Dear Henry I have a miserable headache and am sorry indeed not to be able to see you to-night. Could you come to see me before you leave Carmel. Sincerely B. Marrell ".</p><p>Together with 2 photographs of Henry Cowell by Edward Weston. Both are the same image although of differing sizes portraying Henry Cowell in three-quarter profile from the shoulders up attired in what appears to be a satin like jacket over a dark shirt. One of the photographs measures 6-1/2 inches high by 4-3/4 inches wide and the other smaller image measures 3-1/2 inches high by 2-3/4 inches wide. "Photo by Edward Weston about 1930" is penciled on the verso of the smaller photo. The photographs are housed in a period acetate sleeve identifying the portraits as dating from about 1925. The actual date of the printing of the photographs is unknown.</p><p>The American photographer Edward Weston 1886-1958 settled in Carmel in 1929.</p><p>Built by Edward G. Kuster in 1924 The Theatre of the Golden Bough opened on June 6 1924.</p><p>The program consisted of I. "The Voice of Lir" "Two Episodes" "Chiaroscuro" "Exultation"; II "The Visions of Ama"; III. "Dynamic Motion" "Amicable Conversation" "What's This" "Supplication" "Advertisement"; IV. ""Piece for Piano with Strings" "Romance" "Scherzo" "Anger Dance" and "The Tides of Manaunaun".</p><p>The American composer Henry Cowell 1897-1965 was strongly influenced by Oriental music as well as Irish and Midwestern folk tunes. Exploring the music of Africa Java and India he revolutionized American music with innovations such as tone clusters and directly plucking the piano's strings. His compositions include "Aeolian Harp" "The Tides of Manaunaun" "Sinister Resonance" and "The Lilt of the Reel".</p> Carmel: Carmel Pine Cone Press, 1924. paperback
Riferimento per il libraio : 100778
|
|
|
(WHITTIER, John Greenleaf), T Edwin McGuiness, words by, and Wilson E Edwins, music by
Sheet music: In School Days: From the Poem by J.G. Whittier
New York: Tyro Music Co 1907. Softcover. Very Good. First edition. Folio. Single bifolium with a single sheet insert making six pages. Some edgewear including nicks at the top and the bottom of the fold some ink from the front cover has bled through to the top and fore margins of the verso not affecting the music and rubbing to the exterior still a very good and complete copy. For voice and piano. Plate imprint "In School Days. 3." Above the music is printed "Sincerely dedicated to Miss Florence Mercy Newark N.J." Features short samples of five other songs including "Do You Remember 'Dearie' by Halsey K. Mohr and "Won't You Be My Sweetheart" by Harry Ennis. The front cover features a black and white photograph of Dot Williams she appears to be wearing a night gown with ribbons in her braids and on her wrists donning some sort of hat on her head and posed sitting atop a table while holding a book or a magazine. Typically those featured on the front covers of sheet music either had a hand in its creation or are known for performing the piece but we cannot find any information about this Dot Williams nor about the writer nor the composer and there is no mention of this song being part of a show. A rather odd and rare piece it is unrecorded by OCLC and appears to be equally scarce in the trade. Tyro Music Co unknown
Riferimento per il libraio : 597076
|
|
|
(Wilfredo Bevilacqua)
“Merlino” . Beldia: il figlio 1929-1937
Dattiloscritto rilegato, pp. 239 (5), cartonato con cofanetto. Contiene un poema in ottave e versi liberi, con numerosi “intermezzi” che costituiscono liriche a sé stanti. L’autore è Vilfredo (o Wilfredo) Bevilacqua, poeta e librettista del primo Novecento: tutto il materiale è inedito. Dedica manoscritta: “A te Ulrico e col tempo a Fiammetta mia consegno questo libro, ultimo scritto da Lui, a Lui particolarmente caro, sublime per l’idea che l’informa, per la poesia che l’illumina. Sia sacro per voi. 3 marzo 195(0).
|
|
|
(WITTMANN, H and J Bauer), Carl Millocker, music by
Sheet music: Das Sonntagskind: Operette in 3 Acten
Hamburg: Aug. Cranz 1900. Hardcover. Near Fine. Sheet music. Quarto. 78pp. Half black calf marbled paper boards with the calf trimmed in gilt gilt bands along the spine creating five compartments the second from the top with the title and composer's last name stamped in gilt. Boards and spine with some wear else near fine. A piano arrangement of the complete operette no lyrics. Plate imprint "C. 37767. Aug. Cranz hardcover
Riferimento per il libraio : 622029
|
|
|
(xt) Hirschmann, Ira A.
CAUTION TO THE WINDS (AUTHOR INSCRIBED)
8vo; 312 pages; Inscribed by Hirschmann. Includes 6-page index Hirschmann was a trustee of the New School for Social Research, a member of La Guardia's "kitchen cabinet, " worked for the UNRRA, and, remarkabley, the first person ever to offer FM music ot the public (over WABF-FM) . More importantly, Hirschmann was sent by Roosevelt on a secret mission to Turkeyto negotiate with Eichmann's agents for the rescue of Jewish children. "In one instance, he traded four Americna visas for the lives of 100, 000 Roumanian Jews and on another occation he arrangged with Apostolic DelegateAngelo Roncalli, now Pope John XXIII, for the exodus of thousands of Jews from Hungary. " Hirschmann's memoirs includes these reminiscences, as well as material on Tito, Nasser, Toscanini, and Justices Brandeis & Frakfurter. Ex-library with usual markings. Very Good Condition. (HOLO2-129-2)
|
|
|
(xt) Königliche Württembergische Israelitische Oberkirchenbehörde
SEFER ZEMIROT YISRA'EL = GESANG-BUCH, ZUM GEBRAUCH BEI DEM UNTERRICHT IN DER MOSAISCHEN RELIGION UND ZUR ÖFFENTLICHEN UND HÄUSLICHEN GOTTESVEREHRUNG DER ISRAELITEN: AUF VERANSTALTUNG DER KÖNIGL. WÜRTTEMB. ISRAELITISCHEN OBERKIRCHENBEHÖRDE
Later boards. 8vo. 428 pages, 17 cm. In German. Title translates to "Song Book for Use In Teaching the Mosaic Religion and for the Public and Domestic Worship of the Jews." Reform Hymnal published during the Revolution of 1848. The Königliche Württembergische Israelitische Oberkirchenbehörde was the umbrella organization of the Jewish communities of Württemberg. Württemberg German is a large state encompassing Stuttgart (Wikipedia, 2019). SUBJECTS: Reform Judaism -- Liturgy -- Texts. Hymns, German -- Texts. OCLC lists 6 copies worldwide (OCLC:14755839). Ex-library with usual markings. Title page is lightly soiled and boards are lightly worn. Some pages have damp stains. All contents very good.(GER-55-4)
|
|
|
(xt) Moses, Isaac S.
THE SABBATH SCHOOL HYMNAL: A COLLECTION OF SONGS, SERVICES AND RESPONSES FOR JEWISH SABBATH SCHOOLS, AND HOMES
4th Revised Edition (expanded), Modern Boards, 8vo. 218 pages; 20 cm. Singerman 4736. The 1st & 2nd editions have only 194 pages. Isaac S. Moses was the rabbi at Ahawath Chesed-Shaar Hashomayim, what is now Central Synagogue in New York. He spent much of his earlier career in several congregations throughout the Midwest. Contents include: Songs of praise -- Morning and evening -- Festivals and seasons -- patriotic songs -- Songs of duty -- Songs for the primary classes -- Six services -- The flower service -- The harvest service -- The national service -- Hanukkah and Purim service -- Responsive readings -- Hebrew responses and hymns. OCLC: 11995880. OCLC lists 6 copies worldwide of this expanded edition (Weslean, Moody Bible, Harvard, Gratz, College of Charleston, Princeton Theological). Institutional markings to modern blank pastedowns and copyright page, very good condition thus. (AMR-48-18A)
|
|
|
(Xt) Rosenzweig, Gerson
HAMISHAH VE-ELEF MIKHTAMIM MEKORIYIM: BI-SHENE HALAKIM (VOLUME 1 ONLY, OF 2)
Hardcover, 8vo, 150 pages, 23 cm. In Hebrew. Only volume 1 (of 2 issued) . SUBJECT(S) : Epigrams, Hebrew. Added title page: Chamisha voleph; one thousand and five original Hebrew epigrams. Other Titles: Chamisha voleph. ; One thousand and five original Hebrew epigrams. Rosenzweig (1861-1914) was a U. S. Hebrew writer. Born in Lithuania, he taught Hebrew in Bialystok, and in 1888 he immigrated to the United States. Rosenzweig edited several Hebrew periodicals Ha-Ivri, Kadimah, Ha-Devorah- they were short-lived and earned him neither fame nor a livelihood. He also edited Hebrew columns in the Yiddish press. Though he was a versifier rather than a poet, he had a genuine flair for satire and he was known to his contemporaries as the sweet satirist of Israel and as a parodist he earned an honorable place in Hebrew literature. His Talmud Yankai poured a stream of ill-humored sarcasm on the peddler, the teacher, the rabbi. The pages of that collection of satires resembled the pages of the Talmud: the text in large letters, wreathed by commentary in Rashi script, is divided into six tractates instead of the talmudic six orders. Rosenzweig also denounced the vulgarisms of the country, the worship of money, the religion of success. Epigrammatic neatness was his forte. Example: What is the difference between a convert and an anarchist? A convert denies what he believes, an anarchist believes what he denies. Using a biblical phrase, he quipped sardonically about his impending death by cancer of the tongue: Life and death are at the mercy of the tongue (Prov. 18: 21) . He published two books of epigrams: Shirim, Meshalim u-Mikhtamim and Hamishah ve-Elef Mikhtamim. In the English preface to his Hebrew translations of America, The Star-Spangled Banner, and Columbia, the Gem of the Ocean which appeared in the booklet Mi-Zimrat ha-Arez, he ventured to suggest that the youngest nation is the heir of the oldest, and all that was best in the Jewish nation is now in the possession of the American nation to be developed and cultivated for the benefit of all humanity (Silberschlag in EJ, 2007) . OCLC lists 25 copies worldwide. Ex-library with Jewish institutional stamp and usual makrings. Small tear to four middle pages with no text effected, otherwise in very good condition. (Heb-22-6a)
|
|
|
(ZECCHI Carlo - GIESEKING Walter).
Concerto Sinfonico diretto da Carlo Zecchi con la partecipazione del pianista Walter Gieseking. Teatro Comunale, domenica 28 marzo 1943, ore 16,30. (Programma: F.G. Haydn, L. v. Beethoven, L. Magnani, R. Schumann).
Firenze, Ente autonomo Teatro Comunale (Tipografia A. Vallecchi), 1943, in-8, brossura editoriale, pp. (12). Programma di sala con note illustrative di Federico Ghisi. Valente pianista nella 1a parte della vita (ma in seguito formò anche un acclamato duo col violoncellista E. Mainardi) Zecchi si era trasferito giovane prima a Berlino (ove conobbe Gieseking) poi a Parigi; nella 2a parte (dopo aver suonato per Mussolini a Villa Torlonia e all'ambasciata italiana a Berlino per Hitler) si dedicò alla direzione d'orchestra.
|
|
|
(Zimbalist, Efrem; and Pollain, Rene).
THE NEW JERSEY ORCHESTRA Rene Pollain Conductor. Season 1929-1930 Third Concert. Soloist Efrem Zimbalist. Orange High School Auditorium. ORIGINAL CONCERT PROGRAM SIGNED by EFREM ZIMBALIST & RENE POLLAIN.
New Jersey: The New Jersey Orchestra 1930. 1930. Good. ORIGINAL PROGRAM SIGNED BY THE VIOLINIST EFREM ZIMBALIST & THE CONDUCTOR RENE POLLAIN - Quarto 11-1/8 inches high by 8-1/4 inches wide. The original 6-page program for the concert held on Thursday Evening April 17th 1930 at the Orange High School Auditorium. Folded vertically across the center and therefore with a heavy crease and with tiny tears to the top and bottom of the folds. The bottom edges of the pages are dampstained. Good. <p>Signed in full by both the conductor Rene Pollain and the violinist Efrem Zimbalist on the front cover.<p>The concert included performances of Beethoven's "Symphony in C Minor" Debussy's "L'Apres-midi d'un Faune" Mendelssohn's "Concerto in E Minor for Violin and Orchestra" and Rimsky-Korsakoff's "Introduction and Cortege des Noces from 'Le Coq d'Or'".<p>The concert violinist and composer Efrem Zimbalist Sr. 1889-1985 was also conductor and director of the Curtis Institute of Music. Born in Russia Zimbalist was first violin in his father's orchestra by the age of 9. He studied under Leopold Auer at the Saint Petersburg Conservatory winning a gold medal and Rubinstein Prize before graduating in 1907. Zimbalist debuted in Berlin in 1907 and then London before pertofming in the U.S. in 1911. In the 1912 concert marking Leopold Stokowski's first appearance with the London Symphony Orchestra Zimbalist played the Glazunov Concerto. He began teaching at Philadelphia's Curtis Institute of Music in 1921 becoming its director in 1941. His own compositions include the "American Rhapsody" a tone poem "Daphnis and Chloe" Fantasies on themes from Rimsky-Korsakov's "The Golden Cockerel" and Bizet's "Camen" a composition for viola and piano titled "Sarasateana" and an opera "Landara".<p>Born in France Rene Pollain 1882-1940 directed the orchestra of the municipal theatre in Paris from 1904 to 1914. Pollain came to the U.S. in 1918 becoming assistant conductor for Walter Damrosch at the New York Symphony Orchestra. He conducted the New York Symphony Orchestra at the Chautauqua Festivals of 1919 1920 and 1921 and the Worcester Festivals of 1922 1923 & 1924. When the New York Symphony merged with the Philharmonic in 1928 Pollain became first Violist. He held that position until 1935. From 1929 until 1939 he was director of the New Jersey Orchestra. New Jersey: [The New Jersey Orchestra], 1930. unknown
Riferimento per il libraio : 96768
|
|
|
*
Með suð í eyrum við spilum endalaust
libro del gruppo musicale islandese, con fotografie a tutta pagina a colori + cd musicale +dvd film , copia numerata (9069)
|
|
|
***
Henri Gagnebin, organiste - Compositeur, Chronologie de sa vie et catalogue de ses oeuvres.
Gr. In-8, 36p. Illustré de quelques photographies.
|
|
|
, Hondo Yasuya My Hot Ball Music Life with a Bat 10 pages, Yamato baseball player, Yuji Uchimura, Kotaro Suzuki, Hanpei Takenaka
Baseball magazine July 1952 cover model Satoru Sugiyama Nagoya <Japanese Version>
baseball magazine company 1952. Soft Cover. Fine. Volume: 1 baseball magazine company paperback
Riferimento per il libraio : 2110502150413150
|
|
|
, Takashi Ihara Various TV Music Programs Page 1, Ruo Isonote, Shoichi Yui, Kyosen Ohashi, Motohiko Kono
Jukebox No. 27 April 1960 -Jazz Popular Tango Chanson Mood Western Tropical Movie Music- <Japanese Version>
Disuku-sha 1960. Soft Cover. Fine. Volume: 1 Disuku-sha paperback
Riferimento per il libraio : 2110502150414742
|
|
|
-
'e spingole frangese! Renato Carosone.
Milano, Ricordi, 1956, spartiti.
|
|
|
-
37° Festival Pucciniano.
Viareggio, Teatro All’aperto, Torre del Lago Puccini, 1991, 4to brossura con copertina illustrata, pp. 108 con illustrazioni in nero e a colori n.t.
|
|
|
-
48° Settimana Musicale Senese. 16-22 luglio 1991
Per il 750° anniversario dell'Università di Siena. 286 p., f.to cm 23,5x13,5, copertina flessibile, illustrazioni a colori e b/n. Ottime condizioni.
|
|
|
-
A Carlos Gomes.
Milano, 1905, estratto con copertina posticcia muta, pp. 4 (ovvero 666/669) con ill. fot. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
|
|
|
-
Accademia Nazionale di Santa Cecilia. Gestione autonoma dei concerti. Stagione sinfonica 1984 - 1985
Programma della stagione sinfonica 1984 - 1985. Direttore Leonard Bernstein, 56 p., non numerate, f.to cm 20x13,5, brossura spillata, illustrazioni in b/n, come nuovo.
|
|
|
-
Adelina Patti in temporibus illis...
Milano, Ricordi, 1903, stralcio con copertina posticcia muta, pp. 849/852 con illustrazioni fotografiche. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo, completo in se, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perché ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “extract” or “excerpt” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
|
|
|
-
Altri venticinque anni della società del Quartetto di Milano.
173 + 64 p., f.to cm 32 x 19,5, cartonato in tela editoriale con titoli al dorso, stato di conservazione molto buono: stampato in 1800 esemplariin occasione del 125° anniversario dalla fondazione
|
|
|
-
Antiphonarium Romanum, illustrissimi ac reverendissimi in Christo Patris D.D. Joannis-Mariae Mioland, ...
Tolosae, apud Aemilium Ratier, 1859, in-folio legatura coeva in piena pelle, pp. 544-87 + pp. 357/382 (Ordo precum Quadraginta horarum. vespere, ad salutem sanctissimi sacramenti), tutte di spartiti con note e testo.
|
|
|
-
Antologia del blues.
Roma, Newton, 1994, 16mo brossura con copertina illustrata a colori, pp. 95, testo inglese a fronte (Tascabili economici, 150).
|
|
|
-
Antonio Smareglia e i Pittori Fiamminghi. Atti del Convegno di Studi su Antonio Smareglia. Trieste, 29 aprile 1991
97 p., f.to cm 26,5x20, copertina flessibile, illustrazioni a colori e b/n. Ottime condizioni.
|
|
|
-
Antonio Vivaldi.
Milano, Fabbri, 1965, tre fascicoli in-4to quadrato brossura, con copertine illustrate a colori, pp. 36 con illustrazioni in nero e a colori nel testo e tre dischi 33 1/3 giri in apposita tasca. (I grandi musicisti, 6/8)
|
|
|
-
ARGENTO M° Pietro -
Foto originale, 1965, cm. 10,5 x 15 con dedica e firma autografa.
|
|
|
-
ARIE' Raffaele, basso -
Foto originale di scena, cm. 10,5 x 15 con dedica e firma autografa.
|
|
|
-
Aspetti della musica moderna. Debussy. Ravel. Respighi. stravinskij. Prokofiev. Bartok. Strauss.
Milano, Fabbri, 1978, grande cartella telata in 4to contenente sette (di otto) dischi 33 giri: Debussy (1), Ravel (1), Respighi (1), Stravinskij (1), Prokofiev (1), Bartok (1), Strauss (1) + fascicoli di testo per complessive 96 pagine allegati ai dischi (I grandi musicisti, 65/72). Manca un disco, n. 69.
|
|
|
-
Attestato Regia Scuola Normale Maschile.
Firenze, 1870, con stemma reale, di cm. 66 x 48, intestato con firme e timbri.
|
|
|
-
Augusteo governatorato di Roma. Regia Accademia di S. Cecilia an. CCCXLV dalla fondazione. Stagione 1928-29
6 p., f.to cm 24x17, brossura, illustrazioni in b/n. Ottimo stato
|
|
|
-
Aurelio Fierro.
Cartolina fotografica, 1958, a colori, con autografo dell'artista.
|
|
|
-
Autunno musicale. Festival.
Como, 1968/1984, II°, VI°, IX°, 12° , 16mo, 18vo. Programmi .Tutti (sei) :
|
|
|
-
BADIOLI Carlo, basso -
Cartolina originale, 1965, cm. 11 x 17 con dedica e firma autografa.
|
|
|
-
BADIOLI Carlo, basso -
Foto originale di scena, (Elixir d'amore) 1967, cm. 13 x 18 con firma autografa.
|
|
|
-
BADIOLI Carlo, basso -
Foto stampata, di scena (Barbiere di Siviglia) cm. 11 x 17 con firma autografa.
|
|
|
-
BADIOLI Carlo, basso -
Foto originale, 1965, cm. 13 x 18 con firma autografa.
|
|
|
-
BADIOLI Carlo, basso -
Foto originale, 1967, cm. 13 x 18 con dedica e firma autografa.
|
|
|
-
Ballet folklorico de Mexico.
Messico, Musart , anni ‘70, disco 33 giri con custodia cartonata illustrata a colori.
|
|
|
-
Barbara Chansons
F.to cm 19 x 10, ill. b/n, brossura ill. con alette, ottimo stato di conservazione.
|
|
|
-
BARBIERI Fedora, contralto -
Foto originale di scena, (Il Barbiere di Siviglia) anni '80 circa, cm. 13 x 18 con dedica e firma autografa.
|
|
|
-
BECHI Gino, baritono -
Foto originale, cm. 10,5 x 15 con dedica e firma autografa.
|
|
|
-
BECHI Gino, baritono -
Foto originale di scena, cm. 10,5 x 15 con dedica e firma autografa.
|
|
|
-
BECHI Gino, baritono -
Foto originale di scena, cm. 10,5 x 15 con dedica e firma autografa.
|
|
|
-
Beethoven visto da vicino.
Milano, Mondadori, 1965, 16mo legatura editoriale in finta pelle rossa con titoli e fregi dorati, pp. 84 (I Grandi di tutti i tempi)
|
|
|
-
Beethoven. Sinfonia n. 7. Op. 92.
Senza luogo, Joker, anni ‘80, disco 33 giri con custodia cartonata illustrata a colori. Orchestra sinfonica di Londra diretta Josef Krips.
|
|
|
-
BEGGIATO Ortensia, mezzosoprano -
Foto originale, 1960, cm. 10,5 x 15 con dedica e firma autografa.
|
|
|
-
Berio. Il passato nel presente + CD audio Riccardo Chailly - Orchestra Sinfonica di Milano Giuseppe Verdi
Libro + CD audio, testo in inglese e italiano. 126 p., f.to cm 25x17, copertina rigida, illustrazioni a colori, custodia in cartone rigido. Come nuovo.
|
|
|
-
Bologna Festival Musica '86 "I grandi interpreti". (21 maggio / 2 luglio 1986).
Bologna, Associazione Bologna Festival, Grafis, 1986, 4to brossura editoriale con copertina illustrata, pp. 120 con numerose illustrazioni nel testo
|
|
Ricevere i risultati per e-mail
Scaricare i risultati in PDF
RSS feed
Link
