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[CLUYTENS] - GAVOTY (Bernard)
André Cluytens.
In-4, 32p. Illustré de photographies tirées en hélio. de Roger Hauert.
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[COLLECTIF]
"CHANTS REVOLUTIONNAIRES"
Editions de "L'Ecole Emancipée", Marseille, s.d. (1960?) Plaquette in-8 brochée, 63 pp. Recueil de 31 chants de musique notée avec paroles en regard.Exemplaire en bon état général.
Referentie van de boekhandelaar : 13007
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[COLLECTIF] Jocelyn de Noblet, Franc G. Lipsic, Didier Foulc, Pierre Hoingue-Coula, Peter Jones, Philippe Rault, Danièle Heymann….
HISTOIRE DE LA MUSIQUE POP.
Paris, Spécial-Pop, 1967. In-4, broché, jaquette.
Referentie van de boekhandelaar : 8803
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[COLLECTIF]
Johnny Aubert 1888-1954.
Genève, A "La Sirène", 1955 1 volume 22,2 x 27,8cm Broché. 33p., 3 feuillets; 4 planches hors-texte + 1 diplôme joint. Couverture un peu salie, au dos recollé (charnière du dessus fendue), et avec petite fente marginale sans manque et petits manques angulaires au 1er plat; intérieur propre.
Referentie van de boekhandelaar : 19080
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[COLLÉ Charles]:
La Partie de Chasse de Henri IV [suivi de] La Veuve, comédie [et] Le rossignol ou le Mariage secret.
Paris, La Veuve Duchesne; Gueffier, 1764-1766. 3 ouvrages en un volume in-8 de 120-62-80 pages, plein maroquin citron, dos lisse orné de fleurs de lys et petits fers dorés, dentelle géométrique avec des motifs floraux en encadrement des plats, filet doré aux coupes, roulette dorée aux chasses, gardes de tabis rose, tranches dorées.
Referentie van de boekhandelaar : 16516
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[Collège de 'Pataphysique] - Tchang Che-hsi (paroles), Wang Yu-si (musique).
Les Membres du Collège de 'Pataphysique sont des hélianthes.
S.l., Collège de 'Pataphysique, 6 Décervelage 102 (1975), 1 vol. 212 x 150 mm, sous couverture rouge imprimée en noir, de 8 pp. Bords de la couverture légèrement insolés, très bel exemplaire par ailleurs.
Referentie van de boekhandelaar : 8937
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[Corboz Michel] Harry Halbreuich, Pierre Hugli, Alix Bourbon, Michel Garcin, Pierre Michot:
Michel Corboz ou la passion de la musique.
L'Aire musicale, 1981. In-8 broché, couverture à rabats. Illustré de photographies en noir (sur lesquelles votre dévouée libraire découvre quelques visages connus de sa jeunesse parmi les chanteurs de l'Ensemble vocal de Lausanne:-)
Referentie van de boekhandelaar : 18165
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[CORON - MAINE-ET-LOIRE ] BOUTREUX-MOREAU PHOTOGRAPHE A VIHIERS
PHOTOGRAPHIE ORIGINALE : "CLASSE 1951 - LES CHARMEUSES DE BELLES FILLES - CORON"
LE LOROUX BOTTEREAU 1917 une photographie originale albuminée en noir, format : 22,2 x 16,5 cm, avec son cadre : 33,5 x 27,3 cm, 1951 CORON (49), OUTREUX-MOREAU PHOTOGRAPHE A VIHIERS,
Referentie van de boekhandelaar : 26628
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[COLLECTIF]
Porte-Feuille Français pour l'an 1809, ou Recueil d'Epigrammes, Madrigaux, Fables, Contes, Anecdotes, Impromptus, Bons Mots, etc., tant en vers qu'en prose, et des plus jolies chansons qui ont paru en 1808. Dixième volume de la collection.
Paris : Capelle et Renand, 1809. L'EXEMPLAIRE DU ROI JÉRÔME ET DE LA REINE CATHERINE DE WESTPHALIE SAUVÉ DES FLAMMES DE L'INCENDIE DES TUILERIES
Referentie van de boekhandelaar : 336
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[COLMAR, BIOGRAPHIE, MUSIQUE, ] - JEANCLAUDE (Georgette) -
Un amour de Beethoven, MARIE BIGOT DE MOROGUES PIANISTE.
Strasbourg, Oberlin, 1992 ; in-8, 374 pp., br. Epuisé bel état.
Referentie van de boekhandelaar : 201706109
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[Collectif]
Yvonne PRINTEMPS ou l'Impromptu de Neuilly.
Paris, La Table Ronde, 1953, 17 X 22 cm., broché, 197 pp. Pièce en quatre actes, précédée d'un prologue, et suivie d'essais et d'extraits de presse. 52 planches de portraits photo. Essais de Pierre FRESNAY, COLETTE, Gérard d'HOUVILLE, etc... célébrant la diva. Tirage limité à 2023 exemplaires, celui-ci hors commerce et non coupé. Couverture rempliée illustrée. En bon état.
Referentie van de boekhandelaar : 1258
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[COLLECTIF]
Johnny Aubert 1888-1954.
Peu courante plaquette publiée en hommage au pianiste suisse Johnny Aubert (1888-1954): textes d'Ulysse KUNZ-AUBERT sur la vie du musicien, d'Ernest ANSERMET (hommage prononcé à la télévision genevoise), de Henri GAGNEBIN sur Johnny Aubert et le Conservatoire, de Marine CHOQUART et de Franz WALTER sur Johnny Aubert professeur, d'André de RIBEAUPIERRE sur "l'ami de toujours", d'Afred CORTOT; "souvenirs de jeunesse" d'Albert PAYCHERE, etc (hommages de divers auteurs); 5 photos (en 4 planches). Tirage à 520 exemplaires: 1 des 400 non numérotés sur vélin, enrichi d'un diplôme délivré par le Conservatoire de Musique de Genève de l'année 1917-1918 signé par Johnny AUBERT. Français
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[COLLECTIF], ABRAHAM (Pierre), sous la direction de.
Encyclopédie française - Tomes XVI - XVII - Arts et littératures dans la société contemporaine.
Volumes XVI et XVII de la 1ère édition de cette "Encyclopédie française" fondée par Anatole de Monzie (1876-1947) et publiée sous la direction générale de l'historien Lucien FEBVRE (1878-1956), soit la partie "Arts et littératures dans la société contemporaine" dirigés par Pierre ABRAHAM (1892-1974) complète en 87 fascicules: 43 dans le 1er volume, publiés de juillet à novembre 1935 et 44 dans le second, de décembre 1935 et janvier 1936 (sauf 3 ajouts de 1938). 1er volume en 2 parties, sur les créateurs d'oeuvres d'art que sont l'ingénieur, l'artiste et l'écrivain, puis sur leurs destinataires: introductions historiques, "L'ouvrier - ses matériaux - ses techniques" - "techniques de l'espace" (arts appliqués divers: travail de la pierre, du bois, du métal, céramique, ferronnerie..., et peinture, dessin, gravure, photo, gravure..., avec textes, entre autres, d'André LHOTE) et "techniques du temps" (musique, chant, danse, langage) - puis sur ces différentes formes d'art et la société, et les besoins collectifs et individuels de leurs "usagers", avec textes, entre autres, d'Elie FAURE, Julien BENDA, LE CORBUSIER, Maurice DENIS, Fernand LEGER, René DUMESNIL, André MAUROIS, Francis JOURDAIN, Paul SIGNAC, Leo LARGUIER; avant-propos de Paul VALERY. 2nd volume sur "Le dialogue entre l'ouvrier et l'usager", en 3 parties: "Tableau descriptif des réalisations contemporaines" par les critiques (arts précités, augmentés de la danse, du théâtre, du cinéma, et panorama de la littérature), leur "Interprétation" par leurs interprètes musicaux, dramatiques, metteurs en scène, comédiens (dont Jacques COPEAU et Louis JOUVET), et la "Profession", respectivement traitée par les architectes, peintres, écrivains, dramaturges, compositeurs, interprètes, cinéastes; texte de Lucien FEBVRE in fine: "L'enquête continue". Dans chaque volume, fascicules (2 et 5) sur papier bleuté: index des collaborateurs, des noms cités, thématique, tables, bibliographie par Georges BATAILLE. Français
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[Collectif].
Initiation à Mozart.
Paris, Gallimard, 1959. Un volume broché de format in 8° de 472 pp. Bon état.
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[Concert Posters – Psychedelia – Independent Music – California] Unknown Artist
Painted Poster Advertising Psychedelic Band Locksley Hall at the Che House Pasadena 1971
Pasadena California 1971. Approximately 22 x 28 inch painting on heavy cardstock with 7 x 9 inch photograph affixed. Some spotting on a portion of the lower left; overall excellent. Locksley Hall was a Spokane-based psychedelic rock group formed in 1967 who nearly had a record deal with Epic in 1969. The project was scrapped and was not rediscovered until 1996 when it was finally released by Indianapolis-based Or Records. This hand-painted poster advertises the band playing for “one night only†at the Pasadena Che House—likely a house venue as the name suggests—in June of 1971 and notes that the band had previously played with Phil Ochs “Eric Burden sic & War†and others. A charming piece of independent music history. unknown
Referentie van de boekhandelaar : List2884
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[Costa Eugenio].
Sequentiae. Additis praefatione ac in vulgatum sermonem interpretationibus.
In-4° (cm. 33,5), pagine non numerate, composte con i caratteri musicali del Canto Gregoriano fusi a Parigi da Deberny nel 1898 e con i tipi veneziani Garaldus fusi da Nebiolo a Torino, frontespizio in rosso e nero. Esemplare contrassegnato K della tiratura di testa di sole dodici copie su carta al tino avorio Alcantara della cartiera Sicars. Brossura a risvolti con titolo in nero al piatto anteriore e al dorso (protetta da velina), camicia e astuccio in cartone ocra. Cfr. Mavilla 184. Superbo esemplare allo stato di nuovo.
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[Counterculture]; [Folk Music]
Newport Folk Festival July 1966
n.p.: n.p. 1966 1966. Pamphlet. Very near Fine. 4to. 28 cm x 21.5 cm. 1-80 pp. Concert / Festival Program. Staple-bound. Pictorial covers printed in white brown and blue. Illustrated with several full-page and in-text photographs some black and white some printed in blue. The rear cover has an advertisement for various albums from Columbia Records including Sounds of Silence and Highway 61 Revisited. The official program for the 1966 Newport Folk Festival which took place July 21st 22nd the 23rd and the 24th. The schedule is included and features Judy Collins Son House Flat and Scruggs Liam Clancy Chuck Berry The Lovin' Spoonful Howlin' Wolf Fannie Lou Hamer and Pete Seeger among many other performers. The Board of Directors of the festival are credited in this program and at that time included Judy Collins Alan Lomax Julius Lester and others. The program includes a few pieces of music journalism including a piece by Julius Lester on The Mileston Festival a two-day festival that celebrated African-American roots music in Mileston Mississippi. The festival was organized by and for Black people and was inspired by multiple conferences of people active in the Civil Rights movement. A number of other local festivals designed to celebrate and uplift the Black community took place after this festival and Lester's article outlines a few examples of such events. The Newport Folk Festival is still held today. This program celebrates the festival but also celebrates local organizers of small music scenes all around the country. Individual artisans are also advertised in this program along with an ad for American Airlines and a few corporate record label advertisements. An attractive piece of Americana. Minor toning to the rear cover overall a beautiful example. n.p. [1966] unknown
Referentie van de boekhandelaar : 000011997
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[Country Music] Johnny Cash, Dolly Parton, Loretta Lynn, Conway Twitty, Hank Snow, June Carter Cash, The Carter Family, Minnie P
Archive of photographs of country music acts circa 1970s
N.p.: N.p. 1970. Archive of 288 vernacular color photographs of country music acts from the 1970s housed in a contemporary photo album with the subject of nearly every photograph identified by manuscript ink captions. Occasional additional notations give a date range between 1972-1980 for the photographs with most being dated 1977-1979. <br /> <br /> The photographs primarily consist of performers on stage indicating the photographer was near the stage with a strong sense of composition and timing. Photographs of performers casually posing for the camera indicate the photographer likely had backstage access for some of the performances. <br /> <br /> Based on additional information in some of the handwritten captions the photographs were primarily taken at concerts or events in the Western New York region - Chautauqua Dunkirk Little Valley and Lakewood - all within an hour of each other as well as the nearby Erie County NY Fair and Expo and Pittsfield PA. Other locations include the New York State Fair and Pittsburgh PA. <br /> <br /> Included are images of country music legends Johnny Cash Dolly Parton Loretta Lynn Conway Twitty Hank Snow June Carter Cash The Carter Family Minnie Pearl Tanya Tucker Tammy Wynette and Wanda Jackson. Also included are photographs of singers who while lesser known today were among the biggest stars of the era including Bobby Goldsboro Crystal Gayle Donna Fargo Freddy Fender Jeannie C. Riley Buddy Alan Charlie Walker Peggy Sue Bill Anderson Kenny Price LeRoy Van Dyke Lynn Anderson Jay Lee Webb Jean Shepard and Kitty Wells. Finally the album contains images of smaller and possibly even regional acts some of which appear unknown to us presenting a broad survey of a transitional era in country music as rock soul and pop began to fuse with the more traditional country sound that had begun declining in popularity toward the end of the previous decade. <br /> <br /> For more details please inquire. <br /> <br /> Photographs variously sized primarily 3.5 x 5 inches but up to 7.5 x 9.75 inches. Generally Near Fine. <br /> <br /> Housed in an about Very Good generic photo album with starting and loss to the spine fraying and rubbing. Several internal pages loose or with dried glue leading to occasional slipping of the photographs. N.p. unknown
Referentie van de boekhandelaar : 146874
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[COWBOY MUSIC]. OHRLIN, Glenn
The hell-bound train. A cowboy songbook with a biblio-discography by Harlan Daniel.
Chicago: Univ. of Illinois Press 1973. Sml. folio. xix 1 420 pp. Numerous illusts. Beige cloth brwn lettrng mnr spttng to fore-edges of textblk w/ d.j. mnr shlfwr w/ record tipped-in at rear VG-/NF from the library of the former Oregonian editor & reviewer Malcolm Bauer. First edition of this 4th title in the Music in American Life series including the famed cowboy songs & poetry. Univ. of Illinois Press, hardcover
Referentie van de boekhandelaar : 40245
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[Cramolini, Ludwig, Sänger (1805-1884)].
2 Telegramme an Cramolini. Dresden und München, 25. II. 1864.
Je 1 S. 4to. Glückwunschtelegramme zu Cramolinis 40jährigem Bühnenjubiläum aus Dresden (u. a. von Tichatscheck, Devrient, Dawison, Mitterwurzer u. a.) und aus München (von Franz Lachner, Kindermann, Sigl, Grill, Diez, Dahn, La Roche, Niemann, Härtinger, Hausmann u. a.). - Blaustift auf Vordruck; etwas fleckig und knittrig und mit kleinen Randläsuren.
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[Cramolini, Ludwig, Sänger (1805-1884)]. - Rogge, Amalie von, geb. Cramolini, Schwester der Sängers Ludwig Cramolini, (1817-1887).
Eigenh. Brief mit U. Wien, 24. III. 1840.
1½ SS. auf Doppelblatt. 8vo. Farbig lithographiertes Schmuckpapier. An ihre Schwägerin Emma, die Gattin des Sängers Ludwig Cramolini: "Durch Ihr herzlich liebes Schreiben an meine Ältern haben wir Sie alle so liebgewonnen, daß wir unsern Louis gewiß sehr glücklich glauben; Er verdient aber auch das höchste Glück, denn keinen zweyten Sohn und Bruder gibt es auf Erden wie er ist, und er wird auch der beste Gatte seyn. Möge Gott nur geben, daß uns bald die Freude wird Sie liebe Schwägerin persönlich kennen zu lernen und unsern Louis wieder einmal zu umarmen. So viel Freude ich habe Sie beyde zu sehen, eben so viel Schmerz macht mir die Erinnerung an die baldige Trennung. Ach! warum ist uns nicht vergönnt euch für immer bey uns zu haben! kommen Sie nur recht bald, und bleiben Sie bey uns, wir und Wien wollen Ihnen schon Ihre Vaterstadt vergessen machen [...]".
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[Dalcroze] Jacques:
Chansons romandes avec accompagnement de piano.
Internationale Artistique Roth / Fötisch, 1893. In-4, cartonnage couleurs, tranches marbrées. Coin supérieur du premier plat un peu plié et bords très légèrement frottés, pour le reste dans un bel état de fraîcheur. Dessins inédits de MM. Bouvier, Gos, Ranft, de Papalud, Kraft, van Muyden, Rehfous, Wendt, Patru, Godefroy. La mention de Foetisch (encore orthographié Fötisch est contrecollée au bas de la page de titre.
Referentie van de boekhandelaar : 24632
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[DISQUES D'ARTISTES] BLOCK (Ursula) & GLASMEIER (Michael).
Broken Music. Artist's Recordworks.
Berliner Kunstlerprogramm des DAAD and Gelbe Musik, 1989. In-4 br. Plats illustrés d'une oeuvre de Milan Knizak. Textes en allemand et en anglais. Important catalogue illustré de disques d'artistes : reproductions de pochettes, d'oeuvres artistiques, etc. Bibliographie, chronologie, etc. E.O. Bien complet du flexidisc de Milan Knizak.
Referentie van de boekhandelaar : L16622
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[DIVERTISSEMENT]
Extrait des délibérations de MM. les souscripteurs du Concert.
S.l., (1790) in-8, 2 pp., une feuille.
Referentie van de boekhandelaar : 204985
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[Discophilie] LYON, Raymond
Guide de l’amateur de microsillon. édition entièrement refondue
Paris, Guide du Concert et du Disque 1958 In-8 23,5 x 15,5 cm. Broché, 207 pp., figures dans le texte, [12] pp. d’annonces in fine. Couverture ternie.
Referentie van de boekhandelaar : 103943
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[Diderot, Denis und d'Alembert, Jean Le Rond.
Recueil de planches, sur les sciences, les arts libéraux, et les arts méchaniques, avec leur explication (...)]. Theatres. [Livorno, de l'imprimerie des éditeurs, 1776].
4 SS. Mit zus. 30 (statt 31) gest. Tafeln (num. 24-61). Blauer Halblederband mit goldgepr. Rückentitel. Folio. Die Tafeln zu den Schauspielhäusern aus dem Livorner Folio-Nachdruck von Diderots und d'Alemberts "Encyclopédie" (Tafelband 10: "neuvième livraison, ou dixième volume"). Es fehlt die doppelblattgr. Tafel "Salles des spectacles ... La Couronne" (num. 35/36). Lough 35.
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[Dirigenten].
Sammlung von 49 Portraitpostkarten und Photographien mit eigenh. U. O. O., meist 1960er und 1970er Jahre.
In schwarz-braunem Steckalbum. Qu.-8vo. Hübsche Sammlung von signierten Portraitpostkarten und Photographien namhafter Dirigenten, namentlich von Claudio Abbado, Bruno Amaducci, Serge Baudo, Dieter Berhet, Leonard Bernstein, Richard Bonynge, Karl Böhm, Miltiades Caridis (2), André Cluytens (2), Werner Egk, Alberto Erede, Janos Ferencsik, Carlo Franci, Gianandrea Gavazzeni, Vittorio Gui, Robert Heger, Egon Hilbert, Eliahu Inbal, Herbert v. Karajan (Autopen), Joseph Keilberth, Rudolf Kempe, Berislav Klobucar (2), Josef Krips, Jaroslav Krombholz, Rafael Kubelik, Mathias Kuntsch, Ferdinand Leitner, Walter Ludwig, Peter Maag, Dusan Miladinovic, Seiji Ozawa, Giuseppe Patané, Georges Pretre, John Pritchard, Argeo Quadri (2), Nino Sanzogno, Wolfgang Sawallisch, Thomas Schippers, Sir Georg Solti, Horst Stein, Hans Swarowsky, Silvio Varvisio (2), Nino Verchi und Heinz Wallberg. - Beiliegend einige unsignierte Karten oder Kopien von signierten.
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[Dossiers Histoire et Archéologie]
DOSSIERS HISTOIRE et ARCHEOLOGIE n° 142 - Novembre 1989
Une revue de 98 pages, format 215 x 285 mm, illustrée, brochée couverture couleurs, bon état
Referentie van de boekhandelaar : LFA-126746832
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[Doret Gustave] Pio Pellizzari et al.:
Gustave Doret - Catalogue. I: Textes et documents - II: Catalogues de oeuvres - Cassette audio: Enregistrements.
Lausanne, Bibliothèque Cantonale et Universitaire / RTSR, 1990. 2 volumes in-4 brochés + 1 cassette audio sous étui, ruban de fermeture. Infimes défauts à l'étui, pour le reste en belle condition.
Referentie van de boekhandelaar : 25096
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[DONCOURT (Henri-François-Simon de)].
Opuscules sacrés et lyriques ou cantiques sur différens sujets de piété. Avec les airs notés. A l'usage de la jeunesse de la paroisse de S. Sulpice.
Paris, , Nicolas Crapart, 1772. 4 parties en 2 vol. petit in-8 de XXIV-(2)-287-(1) ; (2)-300 ; XXXVI-300 ; (2)-303-(1) pp., basane marbrée, dos ornés à nerfs, pièces de titre en maroquin rouge et de tomaison en basane noire, tranches rouges (reliure de l'époque).
Referentie van de boekhandelaar : 43049
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[Drag Performance – Broadway – Sheet Music – Female Impersonation] [Julian Eltinge] Johnson, Howard; Meyer, George W; et al
Collection of Five Pieces of Sheet Music Composed for Drag Performer Julian Eltinge 1910–1917
New York City: Leo. Feist Inc. and others 1917. Five pieces of sheet music see full inventory below. Overall very good plus. Julian Eltinge 1881–1941 was the most commercially successful and popular female impersonator of his time. Beginning with drag performances in his adolescence he developed a convincing portrayal of female characters—shocking audiences at the end of shows by revealing that he was in costume—and had a successful career on the vaudeville circuit and on Broadway followed by appearances in several silent films and as mores around crossdressing changed in nightclubs.<br /> <br /> Offered here are five pieces of sheet music written for Eltinge three of which are from the 1910 musical comedy The Fascinating Widow. A New York Times review of the Widow remarks that “once over the initial unpleasantness of the idea of female impersonation which is not easy for people of delicate sensibilities there is nothing especially displeasing about Mr. Eltinge’s efforts at femininity†and notes Eltinge’s popularity and ability to draw crowds.1<br /> <br /> Titles Included:<br /> “In the Land of Wedding Bells.†Howard Johnson and Geo. W. Meyer. New York: Leo. Feist Inc. 1917. 4 pp. Very good plus.<br /> “The Crinoline Girlâ€. Julian Eltinge and Percy Wenrich. New York: Leo. Feist 1914. 6 pp. Very good.<br /> “The Fascinating Widowâ€. E. Ray Goetz and Kerry Mills. New York: F.A. Mills Inc. 1911. 8 pp. Near Fine.<br /> The Fascinating Widow “Jack-O-Lantern Moonâ€. Julian Eltinge Jack Mahoney and Percy Wenrich. New York: The Wenrich-Howard Co. 1913. 6 pp. Very good.<br /> The Fascinating Widow “With Down-Cast Eyeâ€. Otto Hauerbach and Karl Hoschna. New York Chicago San Francisco London and Paris: M. Witmark & Sons 1910. 6 pp. Excellent.<br /> <br /> 1 “Eltinge in Musical Play. Female Impersonator Seen at the Liberty in ‘The Fascinating Widow.’†The New York Times September 12 1911. Leo. Feist Inc. and others unknown
Referentie van de boekhandelaar : List3648
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[DUVERNET (Théophile Imarigeon dit)].
Les diners de M. Guillaume, suivis de l'Avanture de son enterrement.
s.l. s.n. 1788 papier dominoté (mq. 2eme couverture; non rogné, un peu froissé). in-12, frontispice (Ransonnette), 108pp.,
Referentie van de boekhandelaar : 8785
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[Dunand] Hudry François:
Robert Dunand ou La quête d'absolu.
Genève, Slatkine, 2002. In-8 broché, couverture illustrée.
Referentie van de boekhandelaar : 5376
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[DYLAN (Bob)] BRUNNER (Vincent).
Bob Dylan. Au-delà du mythe.
City, 2011. In-8 br. Coll. " Biographie ". Couverture photo par Daniel Kramer et photographies hors-texte. " La biographie qui dévoile l'homme au-delà de l'icône ". Discographie illustrée en fin de volume. E.O.
Referentie van de boekhandelaar : L6861
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[DYLAN (Bob)]
Official Tour Programme 1978 UK Tour. Programme de la tournée de Bob Dylan en Angleterre.
Oxford. Produced by Brockum International, 1978. Programme in-4 agrafé. 32 pages richement illustrées par la photographie, textes en anglais. E.O.
Referentie van de boekhandelaar : L14503
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[DÉCOUVERTES GALLIMARD, MUSIQUE] - AUTEXIER (Philippe) -
Beethoven la force de l'absolu.
Paris, Découvertes galllimard, 1991 ; in-12, 144 pp., broché, couverture illustr. N°106.
Referentie van de boekhandelaar : 201900194
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[DÉCOUVERTES GALLIMARD, MUSIQUE] - LIEBERT (Georges) -
Ni empereur, ni roi chef d'orchestre.
Paris, Gallimard - découvertes, 1990 ; in-12, 176 pp., br.
Referentie van de boekhandelaar : 201606725
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[EDUCATION] LANTHENAS (François-Xavier)
Développement du plan et des motifs du projet de loi ou cadre pour l'institution des Fêtes décadaires. en date du 22 nivôse An III
Paris, Omprimerie nationale, Nivôse An III in-8, 25 pp., page de titre bleue, broché.
Referentie van de boekhandelaar : 202143
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[Einband.] Jünger, Johann Friedrich.
Verstand und Leichtsinn. Ein Ehestandsgemählde in fünf Aufzügen. Wien, J. B. Wallishausser, 1803.
132 SS. Gelbe Broschur der Zeit mit gezeichneter dekorativer Umschlagsgestaltung. 8vo. Für das k. k. Hoftheater erschienene Einzelausgabe des Lustspiels in einer originellen zeitgenössischen Broschur mit Umschlagillustration in brauner Federzeichnung. Am vorderen Umschlag allegorische Theatermasken und Musikinstrumente; am hinteren Umschlag in reicher Rahmung schön kalligraphierte Titelangabe. - Johann Friedrich Jünger (1756-97) wirkte vorerst in Leipzig als Schriftsteller und lernte durch den Verleger Göschen 1785 Friedrich Schiller kennen. 1787 zog er nach Wien, wo er als Hoftheaterdichter und Dramaturg am Burgtheater arbeitete; wegen finanzieller Probleme 1794 entlassen, starb er nach wenigen Jahren an einem schweren Gemütsleiden. Goedeke IV/1, 612.
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[Einband]. Brischar, Franz.
Fanfare. Gewidmet dem Protector des Wiener Schützenvereines von der aus Mitgliedern des Vereines gebildeten Waldhornisten-Abtheilung. [Wohl Wien], 1888.
Eigenh. Musikmanuskript. 1 S. auf gefalt. Doppelblatt (farblithogr. Notenpapier mit Schmuckbordüre). Einliegend in Kartonmappe, diese mit goldener Brokatschnur gehalten in prächtigem historistischem Lederband über Holzdeckeln mit reicher Reliefprägung, breitem Rahmen mit vergoldeter Blattwerksbordüre, Messing-Eckbeschlägen, aufwendiger Goldprägung und Wappenauflage im Mittelfeld (auf blecherner Wappenkartusche ziselierte Messingauflage mit emailliertem Wappen der Stadt Wien und Umschrift "Wiener Schützen-Verein"). Die Innendeckel und die den Kartonfalz mit dem Manuskript umfassende Innenmappe mit preußischblauem Seidenbezug; die Mappe mit dem o. a. Titel in Goldprägung (innen mit weißem Papier mit Moiréeprägung bezogen). Folio (290:390 mm). Prächtig gebundenes, beschädigtes Dedikations-Musikmanuskript für die Waldhorn-Corps des Wiener Schützenvereins. Aus der Buchbinderei F. W. Papke im 4. Wiener Gemeindebezirk (am Vorderdeckel signiert). Noch 1914 führt "Lehmann's Allgemeiner Wohnungs-Anzeiger nebst Handels- und Gewerbe-Adreßbuch Wien" den Eintrag: "Papke F. W. - Buchbinderei und Musterkarten Fabrikation Specialität: Feine Liebhaber-Einbände, sowie künstlerisch vollendete Bucheinbände, Überreichungs-Adressen, Albums Portemonnaie-Kalender, Poesiebücher, Schreibmappen-Fabrikation. Permanente Ausstellung in den Salons im I. und II. Stock, Wien IV Wieden Mozartplatz neben Johann Strauß-Theater, Niederlage IV Wiedner Hauptstraße 15-17, Habighof". - Beiliegend 2 zeitgenöss. Eintrittskarten: eine unausgefüllte "Einlass-Karte zum Schützen-Zeit 1855 für Herrn ..." sowie eine "für Herrn Ahlen" ausgefüllte "Einlass-Karte" ins "Zelt der Vten Comp.". - Rücken gebrochen und restaurierungsbedürftig; Blätter mit unschönen Knickspuren.
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[Einbände].
Moireseideneinband. Wohl München, um 1896.
177 x 113 mm. In den Farben rot, weiß und blau (quergestreift), silbergeprägtem königlich-bayerischem und goldgepr. Habsburger Wappen sowie goldgepr. Titel. Aufwendiger Einband eines einfachen Textheftchens mit dem Libretto zu Beethovens Oper "Fidelio", erschienen 1896 in München bei Kastner und Lossen (36 Seiten). Der Einband wurde offenbar von einem Münchner Buchbinder mit Initialen "PA" gefertigt (eine kleine silbergeprägte Signatur findet sich am unteren Rand des hinteren Deckels, mit etwas Phantasie sind zwischen den Buchstaben die Türme der Frauenkirche zu erkennen). Die Farben des Einbandes und die beiden Wappen sollen zweifelsohne die Verbindung des habsburgischen Kaiser- und des bayerischen Königshauses symbolisieren. Daß dieses Exemplar zu einer speziellen, hochkarätig besetzten Aufführung des "Fidelio" in München diente, bestätigen die handschriftlich mit Bleistift eingetragenen Namen der Sänger, die sämtlich in dieser Zeit Auftritte am Münchner Nationaltheater hatten, darunter Katharina Senger-Bettaque als Leonore, Gustav Walter als Florestan, Friedrich Brodersen als Minister, Alfred Bauberger als Don Pizarro und Sebastian Hofmüller in der Rolle des Jaquino. Ob Kaiserin Elisabeth ("Sisi") dieser Aufführung mit dem vorliegenden Textheft in der Hand beiwohnte, sei dahingestellt. - Buchblock gebrochen, Seiten teils ein wenig gelockert, leicht gebräunt. Rücken brüchig; etwas berieben und bestoßen.
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[Einhorn, David] Reform Congregation Keneseth Israel
GESÄNGE FÜR DEN ÖFFENTLICHEN JÜDISCHEN GOTTESDIENST: AUS VERSCHIEDENEN LIEDERSAMMLÜNGEN ZUSAMMENGETRAGEN
1st edition. Period-style half leather with marbled boards, 12mo, 93 pages. In German. Singerman 1749. The David Einhorn Hymnal. Title translates as Songs for Jewish Public Worship. The Kneseth Israel (Philadelphia) board minutes from May 4, 1862, note that: A communication from Dr. Einhorn was handed in and reads as follows: To the respectable board of directors of Keneseth Israel! Since there is a decided shortage of hymn books not only in our reform congregation but in all the others in America, I am determined to put together a collection of songs, about 80-90 pages. They should be put to use during the service, and I will give them to the congregation if the congregation is wiling to undertake the printing....I suggest to the respectable board to take over the publication of the hymn collection and let me know soon, that the printing can start. Philadelphia, April 28, 1862. Dr. Einhorn. Decided, to accept the communication from Dr. Einhorn and make preparations for the printing [translation of minutes located at KI and at HUC in Cincinnati]. Then, according to the minutes of the next meeting, the board decided to fund the printing, which included 100 bound volumes. Reform Liturgy Scholar Judah Cohen has noted that the hymnal was almost entirely Einhorn, at least based on these records, and created in his view as a service to the growing reform movement. Rabbi Dr. Lance Sussman, Senior Rabbi at Kenesseth Israel in Philadelphia and a scholar on the history of the Synagogue and on 19th Century American Jewish history, reported on the H-Judaic internet listserv that I believe from the time Einhorn arrived in Baltimore from Europe in 1855, KI was in touch with him about its music program. KI had a gentile organist, William Fischer, who partnered with Einhorn both before and during Einhorn's time in Philly. Einhorn had fled Baltimore on April 19, 1861, following his delivery of an anti-Slavery sermon; a mob sought to tar and feather and he fled to Philadelphia where he became spiritual leader of Congregation Keneseth Israel. SUBJECT(S) : Jewish hymns. Reform Judaism -- Liturgy -- Texts. Jewish hymns. Reform Judaism Liturgy and ritual. OCLC: 9033019 OCLC lists only 6 copies worldwide (HUC, Gratz, Penn, Princeton, Princeton Theological, LBI). Far scarcer than famous first American Jewish hymnal published 20 years earlier in Charleston, which shows up with 9 holdings in OCLC. Institutional perforation stamp to title and final leaf, one other margin stamp. Otherwise very clean, an attractive copy of this exceedingly scarce and important American Jewish Hymnal by one of the 2 most import leaders of American Reform in the 19th Century (the other being Isaac Wise) . (AMR-51-15-BD)
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[Electric Circus] [New York Pro Musica] [Circus Maximus] [Morton Subotnick]
Original Flyer for Electric Christmas at Carnegie Hall
NY: Electric Circus of New York 1967. 9.5 by 6 inches white stock printed in green. Some toning overall else very good. In December 1967 the Electric Circus staged a sold out show at Carnegie Hall entitled "Electric Christmas" featuring Circus Maximus Morton Subotnick a light show by Anthony Martin and the early electronic group New York Pro Musica and following the success of this event an Electric Easter was staged in 1968 featuring the Chambers Brothers. <br/><br/> Electric Circus of New York unknown
Referentie van de boekhandelaar : 35454
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[ENFANTINA]
Chansons Enfantines du Bon Vieux Temps. Recueil des vieilles chansons et rondes.
S.l.n.d., (ca 1930). In-4 (33x25 cm), demi-toile rouge, cartonnage d'origine abîmé (un coin cassé, bords et coins frottés), 70 pp., nombreuses illustrations bicolores ou en couleurs.
Referentie van de boekhandelaar : 26022
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[Encyclopédie de la Pléiade : MUSIQUE] - ROLAND-MANUEL, sous la direction de.-
Encyclopédie de la Pléiade : HISTOIRE de la MUSIQUE. .......... Tome 1 : Des origines à Jean-Sébastien Bach. .......... Tome 2 : Du XVIIIe siècle à nos jours.
1960 Paris, NRF, Gallimard (Encyclopédie de la Pléiade), 1960-1963, 2 forts volumes in 12 reliés pleine cuir de l'éditeur, jaquettes rhodoïd, XVII-2237 et XIII-1878 pages.
Referentie van de boekhandelaar : 86627
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[ENGLISH ILLUSTRATED VOCAL MUSIC - 18th Century]
Dimmi Cara. Plate 23 from George Bickham's The Musical Entertainer
London 1740. Unbound. Very Good. 1 leaf with a vignette to head. Song with music and text below set for voice and figured bass with a separate part for flute. Signed in the plate by the engraver Bickham. Ca. 326 x 200 mm. 12.75" x 7.85" plate mark.<br /> <br /> Slightly worn; minor browning to edges; minor dampstaining; small X drawn on upper left corner. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. <br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown
Referentie van de boekhandelaar : 36710
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[ENGLISH ILLUSTRATED VOCAL MUSIC - 18th Century]
Handsome Patie or the Corn Riggs are Bonny. Plate from George Bickham's The Musical Entertainer
London 1740. Unbound. Very Good. 1 leaf with a large elaborate vignette to head and engraved tailpiece illustrating the song with music and text set for voice and figured bass. Signed in the plate by the engraver G. Bickham. Ca. 326 x 200 mm. 12.75" x 7.85" plate mark.<br /> <br /> Slightly worn; inner edge frayed; minor dampstaining; slightly foxed. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. <br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> A charming engraving.<br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown
Referentie van de boekhandelaar : 36713
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[ENGLISH ILLUSTRATED VOCAL MUSIC - 18th Century]
Jenny's Lamentation. Plate 59 from George Bickham's The Musical Entertainer
London 1740. Unbound. Very Good. 1 leaf with a large elaborate vignette to head illustrating the song with music and text below set for voice and figured bass with a separate part for flute. Signed in the plate by the engraver G. Bickham junr. Ca 326 x 200 mm. 12.75" x 7.85" plate mark.<br /> <br /> Slightly worn; minor browning to edges; minor soiling; slightly creased; minor paper repair. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. <br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> A charming engraving.<br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown
Referentie van de boekhandelaar : 36774
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[ENGLISH ILLUSTRATED VOCAL MUSIC - 18th Century]
Myrtillo Or the Despairing Swain. To the Rt. Honble. the Lord Delawar this Cantata is most humbly inscrib'd. Plates 25-28 from George Bickham's The Musical Entertainer
London 1740. Unbound. Very Good. 4 leaves with large elaborate vignettes to heads illustrating the song with music and text below set for voice and figured bass. Ca. 326 x 200 mm. 12.75" x 7.85" plate mark; ca. 392 x 247 mm. 15.45" x 9.75" sheet size.<br /> <br /> Slightly worn; minor browning to edges; minor soiling and dampstaining; inner edges slightly frayed; small tears to edges. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. <br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> A charming group of engravings.<br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown
Referentie van de boekhandelaar : 36706
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[ENGLISH ILLUSTRATED VOCAL MUSIC - 18th Century]
No no no no no I'le straigt run Mad. Plate 64 from George Bickham's The Musical Entertainer
London 1740. Unbound. Very Good. 1 leaf with a large elaborate vignette to head illustrating the song with music and text below set for voice and figured bass. Signed in the plate by the engraver. G. Bickham junr. Ca 326 x 200 mm. 12.75" x 7.85" plate mark.<br /> <br /> Slightly worn; minor browning to edges; slight dampstaining. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. <br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> A charming engraving.<br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown
Referentie van de boekhandelaar : 36781
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