|
Debussy Claude
Selected Works for Piano: Piano Solo Schirmer's Library of Musical Classics
G. Schirmer 1986-11-01. paperback. New. 9.00x0.27x12.00. Buy with confidence. Excellent Customer Service & Return policy. G. Schirmer paperback
Referenz des Buchhändlers : DADAX1423497120 ISBN : 1423497120 9781423497127
|
|
|
Debussy Claude
Six Épigraphes Antiques piano duet
Edition Peters. Used - Very Good. Very Good condition. Paperback edition. piano duet A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner’s name short gifter’s inscription or light stamp. Bundled media such as CDs DVDs floppy disks or access codes may not be included. Edition Peters paperback
Referenz des Buchhändlers : S23C-03548
|
|
|
Debussy Claude
Songs 1880-1904 Dover Song Collections
Dover Publications 1981-11-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
Referenz des Buchhändlers : Q-0486241319 ISBN : 0486241319 9780486241319
|
|
|
Debussy CLaude
Suite Bergamasque Complete: Urtext Edition Kalmus Edition
Alfred Music. Used - Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages. Alfred Music unknown
Referenz des Buchhändlers : 1450824 ISBN : 0769240577 9780769240572
|
|
|
Debussy Claude
Suite Bergamasque Alfred Masterwork Editions
Alfred Music. Used - Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages. Alfred Music unknown
Referenz des Buchhändlers : 1351539 ISBN : 0739022296 9780739022290
|
|
|
Debussy Claude
Suite Bergamasque for the Piano
New York New York U.S.A.: International Music Company 1961. 1. Prelude 2. Menuet 3. Clair de Lune 4. Passepied: Advanced difficulty piano score: Very Good condition Stapled Softcover Quarto 1961. Gift inscription inside front wraps and a sticker ghost and inked out price on the first page. Otherwise the book is nearly as new. The interior is unmarked and solid. RARE. First Edition. Trade Paperback. Very Good/No Jacket. 4to - 9.5" to 12" Tall. Book. International Music Company Paperback
Referenz des Buchhändlers : 016290
|
|
|
Debussy Claude Composer/ Casadesus Gabi Creator
Suite pour le Piano: Piano Solo
G Schirmer Inc 1987. Paperback. New. 32 pages. 11.70x8.90x0.40 inches. G Schirmer Inc paperback
Referenz des Buchhändlers : __0793551102 ISBN : 0793551102 9780793551101
|
|
|
Debussy Claude Composer
The Great Piano Works of Claude Debussy Belwin Classic Edition: The Great Piano Works Series
Alfred Music 1997-05-01. Paperback. New. In shrink wrap. Looks like an interesting title! Alfred Music paperback
Referenz des Buchhändlers : Q-1576239489 ISBN : 1576239489 9781576239483
|
|
|
Debussy Claude Composer/ Howat Roy Editor
The Little Shepherd from Children's Corner: Piano Solo
Editions Durand / Max Eschig 2011. Paperback. New. dd15994 edition. 4 pages. 12.00x8.75x0.05 inches. Editions Durand / Max Eschig paperback
Referenz des Buchhändlers : __1476899886 ISBN : 1476899886 9781476899886
|
|
|
Debussy Claude Achille and Arthur Honegger
THE WASHINGTON CHORAL SOCIETY: A PERFORMANCE OF THE PRODIGAL SON AND KING DAVID
Constitution Hall. Good; Inscription on the top of the cover. 1944. Wrap. 8vo 8" - 9" tall; 7 pages . Constitution Hall unknown
Referenz des Buchhändlers : 90962
|
|
|
Debussy C.
Three Classics in the Aesthetic of Music
Mineola New York U.S.A.: Dover Pubns 1962. Book. Very Good. Soft cover. trade paperback in very good condition. Mineola, New York, U.S.A.: Dover Pubns Paperback
Referenz des Buchhändlers : 145041 ISBN : 0486203204 9780486203201
|
|
|
Debussy Claude
Works for Piano Four Hands and Two Pianos Series II Series 2
Dover Publications 1992-01-14. paperback. New. 9.50x0.25x12.25. Buy with confidence. Excellent Customer Service & Return policy. Dover Publications paperback
Referenz des Buchhändlers : DADAX0486269752 ISBN : 0486269752 9780486269757
|
|
|
DEBUSSY Claude
ESTAMPES POUR LE PIANO; II. La Soiree dans Grenade
Paris: Durand 1903. Sheet music. Large 4to pp. 7. A little creased and curled at edges o/w VG. Durand unknown books
Referenz des Buchhändlers : 46052
|
|
|
DEBUSSY Claude
MONSIEUR CROCHE THE DILETTANTE HATER
1927. DEBUSSY Claude. MONSIEUR CROCHE THE DILETTANTE HATER. London: Williams and Norgate 1927. Small 8vo. brown cloth. First Edition. Very Good. $50.00. <br/><br/> hardcover books
Referenz des Buchhändlers : 42443
|
|
|
DEBUSSY Claude
MONSIEUR CROCHE; The dilettante hater
NY: Viking 1928. First American edn. 8vo pp. xiv 212. Notes index. Frontis portrait. Black cloth. Some newspaper clippings pasted in various places; these have yellowed the adjacent pages. Some underlilning and comments throughout. Edges of cover scuffed o/w VG in worn dj. A translation of some of Debussy's critical articles. Viking unknown books
Referenz des Buchhändlers : 47673
|
|
|
Debussy Claude
Pelléas & Mélisande
London: John Calder; New York Riverrun Press 1982. Oper guide series editor Nicholas John. Published in association with English National Opera and the Royal Opera. 96p. music b/w illus. stiff wrappers Opera guide 9. John Calder; New York, Riverrun Press unknown books
Referenz des Buchhändlers : 030272 ISBN : 0714539066 9780714539065
|
|
|
DEBUSSY Claude
Pour la Musique Française. Douze Causeries. Avec une Préface de Claude Debussy. J. Bach-Sisley M. Boucher H. Focillon E. Goblot P. Huvelin E. Locard V. Loret CH. Roland A. Sallès M. Zimmermann
Paris: Georges Crès 1917. Paperback. Good. Octavo. 340 pp. Wrappers. Binding worn. Browned. Georges Crès paperback books
Referenz des Buchhändlers : 34862
|
|
|
DEBUSSY Claude
Three Classics in the Aesthetic of Music
New York: Dover Publications 1962. BUSONI Ferruccio; IVES Charles E. Dover Publications unknown books
Referenz des Buchhändlers : 32564
|
|
|
DEBUSSY Claude 1862 1918
Autograph letter signed to an unidentified male correspondent
1 page. Octavo ca. 168 x 122 mm. Dated Thursday evening. On mourning stationery. In French with translation. <br/><br/>"I have to attend Louis Laloy's premiere; naturally that is tomorrow on Friday. Would you change the enclosed tickets for Saturday Thanks again."<br/><br/>Slightly worn and browned; creased at folds and upper outer corner of final blank folio; small rust stain from paper clip to inner margin of final folio not affecting text. "One of the most important musicians of his time Debussy's harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic." François Lesure and Roy Howat in Grove Music Online.<br/><br/>"Laloy 1874-1944 was a noted defender of contemporary French music and was a close friend of and mediator between Ravel and Debussy with whom he collaborated on some unrealized stage works; he was also the author of the first major work and the first in the French language on Debussy." John Trevitt in Grove Music Online. unknown books
Referenz des Buchhändlers : 26836
|
|
|
DEBUSSY Claude 1862 1918
Estampes Pour le Piano
Paris: A. Durand & Fils PN D. & F. 6326 1 - 3 1916. Folio. Original publisher's ivory wrappers with titling printed in blue and orange to upper and publisher's advertisment to verso of lower. Unbound as issued. 1f. recto title printed in dark orange verso blank 24 pp. With "Ch. Douin gr ." and "Paris Imp. A. Mounot." printed at foot of final page of music.<br/><br/>With performance markings in pencil throughout.<br/><br/>Wrappers worn and soiled; minor edge tears and creases; handstamp to lower corner of upper. Minor browning and soiling; publisher's handstamp to title. First Edition later issue. Lesure 100.<br/><br/>Estampes premiered in Paris with Ricardo Viñes at the piano at a concert of the Société nationale in the Salle Erard on 9 January 1904<br/><br/>Debussy's creative connection to the visual arts was significant and many times throughout his career he attributed the inspiration for many of his compositions to specific artists or works of art. "Louis Laloy his first French biographer revealed in 1909 that 'He received his most profitable lessons from poets and painters not from musicians' while he himself told Varèse in 1911 'I love pictures almost as much as music'. .One of his rare piano pupils Mademoiselle Worms de Romilly went so far as to write that he 'always regretted not having worked at painting instead of music'. Ever since his years at the Conservatoire Debussy had felt that he had more to learn from artists than from career-obsessed musicians: 'You are getting nowhere M. Croche will tell them because you know nothing but music and obey barbaric laws'. Three of his works were dedicated to artists: one of the Images for piano to Alexandre Charpentier one of the Proses lyriques to Henri Lerolle and Estampes to Jacques-Emile Blanche." François Lesure and Roy Howat in Grove Music Online. A. Durand & Fils [PN D. & F. 6326 (1) [-] (3)] unknown books
Referenz des Buchhändlers : 33656
|
|
|
DEBUSSY Claude 1862 1918
Fêtes Galantes Piano-vocal score
Paris: A. Durand & Fils PN D. & F. 6441 1905. Small folio. Original publisher's light gray laid-paper printed wrappers with titling in olive green and black. Unbound as issued. 1f. recto title printed in olive green and black verso "Pour remercier de mois de Juin 1904 A.l.p.M." 15 i publisher's advertisement pp. With "Imp. Chaimbaud et Cie. Paris" and prices for separate numbers 1.75 f. at foot of title. Publisher's small monogrammatic handstamp to lower outer corner of verso of final blank leaf.<br/><br/>Contains:<br/>I. Les Ingénus<br/>II. Le Faune<br/>III. Colloque sentimental<br/><br/>Wrappers very slightly worn creased and chipped; partially split at spine. First Edition first issue. Lesure 104.<br/><br/>Fêtes Galantes premiered by Mme. Eugénie Colonne at a private salon in Paris on 23 June 1904.<br/><br/>"One of the most important musicians of his time Debussy's harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic." François Lesure and Roy Howat in Grove Music Online. A. Durand & Fils [PN D. & F. 6441] unknown books
Referenz des Buchhändlers : 33659
|
|
|
DEBUSSY Claude 1862 1918
Iberia "Images" pour Orchestre No. 2. Full score
Paris: Durand & Cie PN D. & F. 7576 1949. Tall folio. Dark ivory publisher's wrappers printed in red and black. 1f. recto title verso publisher's "General Conditions of Sale and Hire of Orchestral Material" and list of instruments 110 pp. <br/><br/>Wrappers worn; torn at spine. Slightly worn and browned; signatures partially detached; publisher's handstamp to first page of music. A re-issue from plates of the first edition. Lesure p. 127. Durand & Cie [PN D. & F. 7576] unknown books
Referenz des Buchhändlers : 28760
|
|
|
DEBUSSY Claude 1862 1918
Khamma Arranged for solo piano
Paris: A. Durand & Fils PN D. & F. 8443 1912. Folio. Original publisher's light gray printed wrappers. 1f. blank 1f. recto title printed in red and black verso "Personnages" "Note concernant l'exécution" etc. 32 pp. With "Imp. Mounot Nicolas Paris" printed at foot of title and "Ch. Douin gr ." and "Paris Imp. Chaimbaud & Cie." printed at foot of final page of music.<br/><br/>Upper wrapper detached; lower partially detached; bookseller's handstamps to upper and title "Occasion Neuf Livres & Musique" etc. Slightly browned; occasional light foxing. First edition. Lesure 125.<br/><br/>Premiered in Paris on 22 May 1911 at the Théâtre du Châtelet.<br/><br/>"Debussy was rather reserved in his attitude to the aesthetic of the Ballets Russes and seems to have preferred the idea of rejuvenating the old form of opera-ballet Fêtes galantes after Verlaine renamed Crimen amoris. He wrote the scenario - but not the music - of Masques et bergamasques but he detested the choreography which Diaghilev commissioned from Nijinsky for Jeux a work which finally found a new life for itself in the concert hall. He fell out with Maud Allan who commissioned the ballet Khamma; the score which has its Stravinskian moments was not played in his lifetime." François Lesure and Roy Howat in Grove Music Online. A. Durand & Fils [PN D. & F. 8443] unknown books
Referenz des Buchhändlers : 33655
|
|
|
DEBUSSY Claude 1862 1918
La Damoiselle Élue Piano-vocal score
Paris: A. Durand & Cie. PN 6106 1906. Quarter leather with brown marbled boards titling gilt to upper and spine "Abonnement au Ménestrel 2bis Rue Vivienne Paris". 1f. recto title printed in green and black verso blank 1f. recto publisher's note verso blank 1f. recto printed dedication to Paul Dukas verso blank 25 pp. Text in French.<br/><br/>Binding worn soiled and bumped; large "Abonnement de Musique" label laid down to front endpapers; "721/1" in red ink and publisher's handstamp to flyleaf. Uniformly browned; slightly creased. Lesure 62.<br/><br/>La Damoiselle Élue premiered on in Paris by Julia Robert and Thérèse Roger under the direction of Gabriel Marie at a concert of the Société National de Musique at the Salle Érard on 8 April 1893.<br/><br/>"One of the most important musicians of his time Debussy's harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic." François Lesure and Roy Howat in Grove Music Online. A. Durand & Cie. [PN 6106] unknown books
Referenz des Buchhändlers : 33663
|
|
|
DEBUSSY Claude 1862 1918
Six sonates pour divers instruments Score
Paris: A. Durand & Cie. PN D. & F. 9427 1915. Folio. Original publisher's ivory printed wrappers. Unbound as issued. 36 pp. With "Ch. Douin gr. ." and "Imp. Mounot Nicolas Paris" printed at foot of final page of music. <br/><br/>Occasional performance markings in pencil throughout. <br/><br/>Slightly browned and creased. Lacking separate flute and viola parts. First Edition. Lesure 137.<br/><br/>The present sonata premiered in Paris on 10 December 1916 at Chez Durand.<br/><br/>"One of the most important musicians of his time Debussy's harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic.<br/><br/>"At first the war depressed Debussy into a state of creative sterility from which he produced only the Berceuse héroïque for piano later orchestrated commissioned by the Daily Telegraph for King Albert's Book. The summer of 1915 spent in a villa on the channel coast at Pourville was a productive one: in quick succession he composed the Cello Sonata En blanc et noir the Etudes and the Sonata for flute viola and harp but at the end of the year he underwent a debilitating colostomy for rectal cancer . His last concert appearance was to play the Violin Sonata with Gaston Poulet at St Jean-de-Luz in September 1917." François Lesure and Roy Howat in Grove Music Online. A. Durand & Cie. [PN D. & F. 9427] unknown books
Referenz des Buchhändlers : 33661
|
|
|
DEBUSSY Claude 1862 1918
Trois Chansons de Charles d'Orleans Score
Paris: A. Durand & Fils PN D. & F. 7179 1910. Quarto. Original publisher's light brown wrappers with titling in red and black within decorative border. Unbound as issued. 1f. recto title printed in red and black verso blank 19 pp. Text in French and English. With "Ch. Douin gr. ." and "Imp. A. Mounot. Paris" printed at foot of final page of music.<br/><br/>Wrappers very slightly worn; publisher's handstamps to lower outer corner of upper. Light uniform browning. First Edition later issue Lesure 92.<br/><br/>The present work premiered in Paris on 9 April 1909 at a Concert Colonne under the composer's direction.<br/><br/>"One of the most important musicians of his time Debussy's harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic." François Lesure and Roy Howat in Grove Music Online. A. Durand & Fils [PN D. & F. 7179] unknown books
Referenz des Buchhändlers : 33660
|
|
|
Debussy Claude. 1862 1918 Colonne Edouard. 1838 1910 & Breval Lucienne. 1869 1935 & Plumet Charles. 1861 1928 & Campanini C
Important Collection of Letters and Telegrams to the Composer
Used; Like New/Used; Like New. A fascinating collection of 14 autograph letters and cards and 2 telegrams addressed to the important French composer dated between 1903 and 1917 from musicians and other artistic figures of the era. The letters from correspondents including conductors critics dancers composers and visual artists mention the very positive reception of Debussy's works during the last years of his life including his 1903 nomination as a Chevalier of the Légion d'Honneur the Chicago premiere of his opera Pelléas et Melisande and Toscanini's 1911 performance of La Mer; other works discussed include his ballet Jeux the cantata L'enfant prodigue and his work for piano L'isle joyeuse. Letters range from 4 x 2.5 inches to 5.25 x 8.25 inches and are overall in very good to fine condition with some light toning and age wear. All letters in French.Contents:Three letters congratulate Debussy on his nomination to the Légion d'honneur in 1903: one autograph note on the visiting card of conductor Edouard Colonne Paris February 1903 1 p.; one ALS  from the soprano Lucienne Bréval n.p. February 4 1903 4 pp. which also mentions her desire to sing one of Debussy's mélodies with orchestra; and one ALS from the architect Charles Plumet Paris n.d. 1 p.Two telegrams dated June 11 1910 send congratulations to Debussy on the successful performance of his Pelléas et Mélisande in Chicago from the conductor Cleofonte Campanini and the director general of the Chicago Grand Opera Company Andreas Dippel: "Four thousand people were impressed and touched. Our congratulations."Two letters send congratulations to Debussy on the performance of his La Mer under Toscanini in Turin in 1911. On a photograph postcard Turin September 30 1911 the composer Leone Sinigaglia writes that "It would have been a joy for you a lasting memory. Toscanini put his whole soul into it all his intelligence and all his will. His execution of your admirable masterpiece was prodigious. The public wary at the beginning as you may imagine! you know this well was won over -- at the end it was a great success which was repeated yesterday evening." The critic Giuseppe Depanis Turin October 12 1911 2 pp. writes that "not only was the second presentation Toscanini of La Mer received with the same good favor as the first but Vincent D'Indy also performed Nuages andFêtes in his concert on the 10th of the month with great success."An autograph letter from Nadejda Rimsky-Korsakov St Petersburg August 20 1911 1 p. with envelope thanks Debussy for his telegram and mentions in reference to the Ballets Russes' adaptation of her husband's famous work Scheherazade that "the appearance before the artistic Parisian public of my husband's works changed and transformed into ballet caused me great pain last summer and this time."  An autograph letter from the caricaturist Beppe Fabiano Paris May 29 1912 2 pp. confesses to Debussy that "I have just exhibited your portrait at the Salon des Humanistes -- in a series of celebrated composers -- without asking your permission beforehand. Fearing I may have overstepped I would be delighted if you would forgive me."<br style="">A short autograph letter from the sculptor Denys Puech Paris June 4 1912 1 p. mentions L'après-midi d'un faune. A short autograph letter from the sculptor Albert Bartholomé Budapest May 25 1913 1 p. informs Debussy that his cantata L'enfant prodigue "was admirably executed by truly passionate performers. I was able to obtain the poster from the theater and will be pleased to send it to you." The Russian ballerina and soloist with the Ballets Russes Ludmilla Chollar writes to Debussy about her role in Jeux in which she starred with Nijinsky and Tamara Karsavina London June 26 1913 2 pp. She thanks the composer for the "the most beautiful memories which I could bring from Paris: the very kind words with which you dedicated Jeux your photography and some measures of my role . If I take from the creation of Jeux one exquisite and ineffable memory it is to you that I owe it to your work and to the happy chance that I met you away from the mirage of celebrities an artist as great as you whose work is dear to me above all others."<br style="">An autograph letter from the composer Ildebrando Pizzetti Florence September 17 1913 1 p. with envelope asks Debussy to comment on his new composition: "You would do me a great honor Maître if you would send me a few words on the subject but of course with no obligation on your part to give me compliments if my musical work does not interest you!"An interesting wartime letter from the Italian conductor Bernardino Molinari Rome September 18 1915 4 pp. calls on Debussy's patriotic feelings to ask him to collaborate with his orchestra: "I still remember what you said to me yourself here in Rome about "L'isle joyeuse" when you gave me hope that you might make a transcription for orchestra. If you have the desire and the time I would be very flattered to have the score to perform it during the next concert season at the Augusteo. You understand that in this season we very much wish to form a program in which our allies in France figure prominently. In a political moment like this one where the souls of all the Allied nations are unified and united into one ideal all of us at the Academie ask you for your valid support in the coming season." He goes on to apologize that because of the war he will be unable to offer the same fee as the previous time and reports that performances of Debussy's works around Italy have been very successful: "This shows with evidence that your musical language speaks to great and small touching the heartstrings of all." An autograph letter from the composer and musicologist Jean D'Udine Paris April 27 1917 3 pp. invites Debussy to one of Udine's salons despite Debussy's known disdain for his school of dance: "I know you have no sympathy for rhythmic gymnastics which seem to you you have written 'a very disagreeable domestication of rhythm.' I believe that you are wrong and that they are rather an emancipation of rhythm when taught well. Without any hostility on your part towards the method which I teach with conviction I would like to ask you to honor with your presence one of the evenings which I am hosting at present. You would there see danced with extreme love and respect by one of my students a remarkable artist your beautiful dances for chromatic harp . I did not want to give these evenings April 28 and May 3 and 5 without informing you pour memoire and without letting you know that it is sometimes where one feels the least loved that one is actually the most seriously and profoundly loved."The violinist and composer Francesco Guarnieri writes N.p. October 17 1917 2 pp. on black-bordered stationery to ask Debussy for a signed copy of his violin sonata which he will perform in Italy and also recalls a much earlier performance of Debussy's famous quartet at which Debussy gave him a copy of the score. unknown books
Referenz des Buchhändlers : 13609
|
|
|
Debussy Claude. 18621918
Pelléas et Mélisande. Drame lyrique en 5 actes et 12 tableaux de Maurice Maeterlinck . Partition pour piano et chant. - Signed and Inscribed First Edition Score
Paris: E. Fromont 1902. First Edition First Issue. Used; Like New/Used; Like New. 283 pp. PN E. 1416 F. Signed and inscribed by the composer on the page opposite the title to the French restauranteur Xavier Marcel Boulestin and dated June 1902. Pencil annotations to the front. Page 1 stamped in violet ink "Hommage de l'Editeur." Handling wear scattered soiling toning and foxing mostly to the printed wrappers the score nicely rebound in a pale green cloth with gilt leather title plate to spine. 4to. <br style="">Pelléas et Mélisande is an opera in five acts with libretto adapted from Maurice Maeterlinck's Symbolist play. First performed at the Opéra-Comique in Paris on 30 April 1902 with Jean Périer as Pelléas and Mary Garden as Mélisande in a performance conducted by André Messager it is the only opera Debussy ever completed and considered a landmark in 20th-century music. <br>Before becoming a successful restauranteur in England the Restaurant Boulestin opened in 1927 was known as the most expensive in London the young Xavier Marcel Boulestin worked as secretary and ghostwriter to the author "Willy" Henry Gauthier-Villars. Gauthier-Villars and his wife the novelist Colette were associated with Debussy with Colette leaving some evocative descriptions of the composer.<br style=""> E. Fromont hardcover books
Referenz des Buchhändlers : 15457
|
|
|
Debussy Jacques
L'Impératrice Eugénie Histoire French Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referenz des Buchhändlers : 2012873596.G ISBN : 2012873596 9782012873599
|
|
|
Debussy Roy & Jay Arpage
Harlot's Serenade
Brookwood 1958. 1st. Hardcover. A near FINE tight copy in a near FINE bright price clipped dj. Brookwood hardcover
Referenz des Buchhändlers : 023787
|
|
|
DEBUSSY & SAINT-SEANS
Claude Debussy / Camille Saint-Saens: Chamber Music for Woodwinds Vol. 1 CD
CALA 2003. Audio CD. Very Good. 5.5 x 5 x 0.5. Audio CD. Condition: Very Good. CALA 2003. 2 discs. Disc Quality: Excellent. Size: 5.5 x 5 x 0.5. Music CD CD33 CD33 CALA unknown
Referenz des Buchhändlers : 126769 ISBN : 5015853101726 5015853101
|
|
|
Debussy ( ed.)
Debussy - La Mer: Trois Esquisses Symphoniques Studienpartituren Klassischer Symphonien
Leipzig Germany: Edition Peters c1972. Trade Paperback. VERY GOOD-. As new except for slight edgewear to covers and a bumped center of back edge. Studienpartituren Klassischer Symphonien - Nr. 9153a. Full orchestral score for Debussy's evocation of the sea. Notes in German French and English. 176 pages including tri-lingual glossary of terminology Edition Peters paperback
Referenz des Buchhändlers : 5-5T003
|
|
|
Debussy (Composer); Ravel (Composer); Beroff (Performer); Collard (Performer)
Debussy: 6 Epigrahes Antiques / Ravel: Ma Mere L'oye CD
Audio CD. Condition: Very Good. EMI 1990. 1 disc. Disc Quality: Excellent. Size: 5.5 x 4.9 x 0.5. Music CD CD34 unknown
Referenz des Buchhändlers : 126819
|
|
|
DEBUSSY (Claude).
Monsieur Croche. Antidilettante.
Paris 1926. 209 pages. 5 feuillets. 19x12cm. Broché. Couverture imprimée brunie et salie avec taches et signes de mouillures. Déchirures marginales. Coins et coiffes émoussés. Cet ouvrage rassemble les articles de Claude Debussy initialement parus dans diverses revues françaises au début du XXe siècle. Sous le pseudonyme de Monsieur Croche Debussy partage ses réflexions acérées sur la musique de son temps critiquant le dilettantisme et promouvant une approche plus sérieuse de l'art musical. Publié à Paris en 1926 après sa mort ce recueil offre un aperçu unique de la scène musicale parisienne de l'époque et révèle les convictions profondes de l'un des compositeurs les plus influents de la Belle Époque. Papier bruni avec taches et rousseurs éparses. Petites déchriures marginales. Exemplaire partiallement non-coupé. Paris, 1926. unknown
Referenz des Buchhändlers : 118806
|
|
|
Debussy , Claude
CHILDREN'S CORNER
Paris 1908 Juillet Durand & Fils. Music score for piano. 4to. 28pp. original wraps. Eye-catching unusual cover artwork drawn by Debussy shows a balloon with huge red lips and large mop of dark hair the string of which is held by a small elephant with a red blanket on his back. VG plus. . paperback
Referenz des Buchhändlers : a80456
|
|
|
DEBUSSY / FALLA / KROUSE / RIMSKY
L.A. Guitar Quartet: Evening In Granada
Delos 1994-01-25. Audio CD. Like New. CD plays perfectly & the case looks good. Delos unknown
Referenz des Buchhändlers : 2260180704043
|
|
|
DEBUSSY / POULENC / MARTIN
Sonatas & Ballads for Cello & Piano
Linn 2000-08-15. Audio CD. Like New. CD plays perfectly & the case looks good. Linn unknown
Referenz des Buchhändlers : 2615200109048
|
|
|
Debussy [Composer]; Ravel [Composer]; Poulenc [Composer]; Faure [Composer]; Chabrier [Composer]; Artur Rubinstein [Performer];
Music of France Audio CD Debussy; Ravel; Poulenc; Faure; Chabrier and Artur Rubinstein
RCA 1993-07-13. Audio CD. Like New. CD case and liner all in Excellent condition. RCA unknown
Referenz des Buchhändlers : C5101
|
|
|
DEBUSSY C
Clair de lune:
Jean Jobert. Very Good. Jean Jobert 1947 4pp sheet music cover slightly worn otherwise a very good copy with unmarked music Jean Jobert unknown
Referenz des Buchhändlers : 41726
|
|
|
Debussy C
Works For Two Pianos English German and French Edition
G Henle - Urtext Editions 4/30/2012 12:00:01 A. paperback. Good. 0.3150 in x 12.0472 in x 9.1339 in. Grade 2 out 5 points. This is a used book. Books has moderate wear on cover and pages. Books with this grade may have any of the following: Personalized notes/names stickers/labels markings on pages bends/creases on cover/spine ex-library markings. May not include extra materials such as dust jackets access codes CDs accessories etc. All orders ship by next business day! We are a small company and very thankful for your business! G Henle - Urtext Editions paperback
Referenz des Buchhändlers : mon0000012314 ISBN : 9790201810038 9790201810
|
|
|
Debussy C
Works For Two Pianos English German and French Edition
G Henle - Urtext Editions 2012. Paperback. Very Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. G Henle - Urtext Editions paperback
Referenz des Buchhändlers : G-437-463 ISBN : 9790201810038 9790201810
|
|
|
DEBUSSY C.
Il Signor Croche antidilettante 1901 - 1914. Versione integrale introd. e note di L. Cortese
Milano Bompiani 1945. In 16° bross. con sovrac. pp. 146 con 16 tavole fuori testo qualche giallitura ma buon esemplare. "Grandi ritorni" Milano, Bompiani unknown
Referenz des Buchhändlers : 103610
|
|
|
Debussy Claude (Composer) / Beroff Stegemann (Editor)
2 Arabesquen
Wiener Urtext 2009. Sheet music. New. 30 pages. 11.09x8.09x0.33 inches. Wiener Urtext unknown
Referenz des Buchhändlers : __385055080X ISBN : 385055080X 9783850550802
|
|
|
Debussy Claude,
Children's Corner - Coin des enfants. Petite Suite pour Piano seul.
A. Durand Paris 1946 In-4 31 cm 28pp. couverture illustr. en couleurs Nb-0317 unknown
Referenz des Buchhändlers : 59690
|
|
|
Debussy Claude Composer
Children's Corner Suite
Carisch srl 2005. New. 11.50x8.50x0.20 inches. Carisch srl unknown
Referenz des Buchhändlers : __8872073537 ISBN : 8872073537 9788872073537
|
|
|
Debussy Claude
Clair d' Lune
Paperback. Fine. paperback
Referenz des Buchhändlers : P8-TI62-QOUO
|
|
|
Debussy Claude Composer
Clair De Lune Suite Bergamasque
Edition C.F. Peters. Sheet Music. New. Edition C.F. Peters unknown
Referenz des Buchhändlers : __M057708253
|
|
|
DEBUSSY CLAUDE
DOUZE ETUDES POUR LE PIANO - LIVRE 2 : DE 7 A 12 : POUR LES DEGRES CHROMATIQUES LES AGREMENTS LES NOTES REPETEES LES SONORITES OPPOSEE
DURAND & CIE. Paperback. Good. Former library book. Different cover. Refurbished library book. Ammareal gives back up to 15% of this item's net price to charity organizations. DURAND & CIE paperback
Referenz des Buchhändlers : G-532-024
|
|
|
Debussy Claude
En blanc et noir - trois morceaux pour 2 pianos à 4 mains
Durand & cie 1915. infolio. 1915. Feuillets mobiles. Durand & cie unknown
Referenz des Buchhändlers : 100111920
|
|
|
Debussy Claude (Composer)
Et Ses Melodies Oeuvres: Vol 1
Zen On 2005. Paperback. New. 166 pages. 11.00x8.00x0.38 inches. Zen On paperback
Referenz des Buchhändlers : __4117147013 ISBN : 4117147013 9784117147018
|
|
Per e-mail erhalten
Als pdf-Dokument herunterladen
RSS feed
Permanenter link
