The Hogarth Press 1950. Hardcover. Good. Disclaimer:A copy that has been read but remains in clean condition. All pages are intact and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting and the copy can include previous owner inscriptions. At ThriftBooks our motto is: Read More Spend Less.Fifth printing. Shelf and handling wear to cover and binding with general signs of previous use. Printed 1949. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. The Hogarth Press hardcover
Holt rinehart and Winston 1960. Hardcover. Acceptable. Disclaimer:A readable copy. All pages are intact and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. At ThriftBooks our motto is: Read More Spend Less.Dust jacket quality is not guaranteed. Holt, rinehart and Winston hardcover
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London: Methuen & Co. Ltd. 1924-28. A Fine First Edition Set of the Pooh Books Bound ca. 1960 by Bayntun of Bath MILNE A.A. SHEPARD Ernest H. illustrator. A Complete Set of the Pooh Books. Winnie the Pooh. Now We Are Six. When We Were Very Young. The House at Pooh Corner. With Decorations by Ernest H. Shepard. London: Methuen & Co. Ltd 1924-28. First editions of all four 'Pooh' Books. Four small octavo volumes 7 1/8 x 4 5/8 inches; 181 x 117 mm. x 2 99 1; iii-x 6 158 1 1 printer's imprint; x 2 103 1 printer's imprint; xi 1 blank 178 1 1 printer's imprint pp. Each volume with numerous text illustrations by Ernest H. Shepard. Handsomely bound ca. 1990 by Bayntun-Rivi�re of Bathstamp-signed in gilt on front turn-ins. Full blue green red and tan crushed levant morocco each cover with an original Shepard design stamped in gilt on front board. Spines with five raised bands decoratively stamped and lettered in gilt in compartments gilt decorated board edges gilt ruled turn-ins marbled end-papers all edges gilt. Original cloth covers and spines bound in at end of each volume. A fine set housed in a blue cloth slipcase. Alan Alexander Milne 1882-1956 was a British author best known for his books about the teddy bear Winnie-the-Pooh and for various poems. Milne was a noted writer primarily as a playwright before the huge success of the Pooh books overshadowed all his previous work. He is most famous for his two Pooh books about a boy named Christopher Robin after his son Christopher Robin Milne and various characters inspired by his son's stuffed animals most notably the bear named Winnie-the-Pooh. Christopher Robin Milne's stuffed bear originally named "Edward" was renamed "Winnie" after a Canadian black bear named Winnie after Winnipeg which was used as a military mascot in World War I and left to London Zoo during the war. "The pooh" comes from a swan the young Milne named "Pooh." E. H. Shepard illustrated the original Pooh books using his own son's teddy Growler "a magnificent bear" as the model. Ernest Howard Shepard OBE MC 1879-1976 was an English artist and book illustrator. He is known especially for illustrations of the anthropomorphic soft toy and animal characters in The Wind in the Willows and Winnie-the-Pooh. <br/><br/> London: Methuen & Co. Ltd., 1924-28 hardcover
London: Pub.at R. Ackermann's Repository of Arts 1812. The Three Tours of Doctor Syntax Finely Bound by Rivi�re & Son ROWLANDSON Thomas illustrator. COMBE William. The Tour of Doctor Syntax in Search of the Picturesque. A Poem. London: Pub.at R. Ackermann's Repository of Arts 1812. First edition first issue with p. 1 reading "Chapter I" and with the plate "Dr. Syntax Bound to a tree by Highwaymen" facing p. 14 in the first state with the girl riding the donkey with her right arm straight. Octavo 9 1/16 x 5 3/4 inches; 230 x 146 mm. iii 1 printer's imprint 1 directions to the binder 1 blank 275 1 blank pp. Engraved title with hand-colored aquatint vignette and thirty hand-colored aquatint plates. Plates watermarked 1808. Together with: ROWLANDSON Thomas illustrator. COMBE William. The Second Tour of Doctor Syntax in Search of Consolation; A Poem. Volume Second. London: Published by R. Ackermann At the Repository of Arts 1820. First edition second issue with the plate facing p. 198 reading "Skimmington Riders." Octavo 9 1/8 x 5 13/16 inches; 232 x 147 mm. 4 1 directions to the binder 1 blank 277 1 blank pp. Twenty-four hand-colored aquatint plates. Wood-engraved vignette on p. 51. Plates watermarked 1820. And: ROWLANDSON Thomas illustrator. COMBE William. The Third Tour of Doctor Syntax in Search of a Wife A Poem. London: Published at R. Ackermann's Repository of Arts 1821. First edition. Octavo 9 1/8 x 5 13/16 inches; 232 x 147 mm. 1 Preface 1 blank 1 directions to the binder 1 blank 279 1 blank pp. Engraved title with hand-colored aquatint vignette and twenty-four hand-colored aquatint plates. Hand-colored aquatint tail-piece vignette on p. 279. Uniformly bound ca. 1920 by Rivi�re & Son stamp-signed on verso of free-endpapers in full red crushed morocco. Covers double-ruled in gilt spines with five raised bands decoratively tooled and lettered in gilt in compartments double gilt-ruled board edges turn-ins decoratively tooled in gilt marbled endpapers all edges gilt. Stab holes visible on some plates. Short tear in the outer margin of N1 pp. 89/90 of The Tour of Doctor Syntax. A few minor marginal stains in the first volume some light offsetting from plates to text only. A very fine set. Housed in the original red morocco-edged fleece-lined cloth slipcase. William Combe 1741-1823 "prolific English writer of miscellaneous prose and satirical verse whose poem The Tour of Dr. Syntax in Search of the Picturesque 1812 was one of the most popular books of early 19th-century England.Dr. Syntax was introduced in 1809 in The Poetical Magazine. Combe's first Dr. Syntax book and its successors The Second Tour of Dr. Syntax in Search of Consolation 1820 and The Third Tour.in Search of a Wife 1821 satirize the many 18th- and early 19th-century writers whose 'Tours' 'Travels' and 'Journeys' were vehicles for sententious moralizing uninspired raptures and sentimental accounts of amorous adventures. The popularity of Combe's work owed much to the illustrations of Thomas Rowlandson. Combe and Rowlandson also collaborated on The English Dance of Death 1815 which contains some of Combe's best verse and The Dance of Life 1816-17" Merriam-Webster's Encyclopedia of Literature. Abbey Life 266 and 267. Tooley 427 428 and 429. <br/><br/> London: Pub....at R. Ackermann's Repository of Arts, 1812 hardcover
Pearson Education 2001. Paperback. Good. Disclaimer:A copy that has been read but remains in clean condition. All pages are intact and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting and the copy can include previous owner inscriptions. At ThriftBooks our motto is: Read More Spend Less.Dust jacket quality is not guaranteed. Pearson Education paperback
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London: Medici Society Ltd. 1929. Le Morte D'Arthur Illustrated by William Russell Flint In a Fine Full Green Calf Binding by Rivi�re & Son FLINT William Russell illustrator. MALORY Sir Thomas. RIVI�RE & SON binders. Le Morte D'Arthur. The History of King Arthur and of his Noble Knights of the Round Table by Sir Thomas Malory Knt. London: Medici Society 1929. Thin Paper One-Volume Edition. Octavo 8 3/8 x 5 1/2 inches; 212 x 137 mm. xliv 531 1 blank pp. Twenty-four full page color plates. Handsomely bound by Rivi�re & Son ca. 1930 stamp-signed in gilt on front free end-paper. Full dark green calf front cover quadruply ruled in gilt with decorative corner pieces and letterd in gilt. Lower cover with similar quadruple gilt border spine with five raised band decoratively tooled in gilt in compartments red and green calf labels lettered in gilt gilt decorated board edges and turn-ins decorative green end-papers all edges gilt. Some light foxing to plain end-papers otherwise near fine. Imprinted after the text of William Caxton as modernized under the editorship of Alfred W. Pollard for the Medici Society in London. Influenced by the Pre-Raphaelite movement and by the stylized neoclassical art of the Renaissance William. Russell Flint 1880-1969 was educated at the Royal Institute of Art Edinburgh. He began his career on the staff of Illustrated London News 1903-1907 but "from this period onwards.turned increasingly to watercolour particularly for the illustration of colour books. He was strongly influenced by the illustrations of Rip Van Winkle by Arthur Rackham and between 1905 and 1924 produced a whole series of brilliant luxury editions for the Riccardi Press of the Medici Society. His figures are finely modeled and contain elements of a Burne-Jones influence by way of Byam Shaw" Houfe. His illustrations for the Medici Society/Riccardi Press editions of The Greek Heroes Chaucer's Canterbury Tales and the volume under notice are considered to be his best and most beautiful work. <br/><br/> London: Medici Society Ltd., 1929 unknown
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