‎Roche‎

‎ROCHE (Denis).‎

‎Prose au-devant d'une femme.‎

‎Paris Fourbis 1988 1 vol. broché plaquette in-8, brochée, couverture à rabats, 25 pp. Edition originale numérotée sur Rivoli. Envoi autographe signé de l'auteur à un poète et critique au colophon. Dos légèrement passé, sinon en très bonne condition. Epuisé.‎

书商的参考编号 : 121347

‎ROCHE (Denis).‎

‎Louve basse. Ce n'est pas le mot qui fait la guerre, c'est la mort.‎

‎Paris Editions du Seuil, coll. "Fiction & Cie" 1976 1 vol. broché in-8, broché, couverture illustrée, 236 pp., 3 illustrations et 4 portraits in-fine, index. Edition originale. Bon état.‎

书商的参考编号 : 121348 ???????? : 2020043319

‎ROCHE (Denis).‎

‎3 pourrissements poétiques : Pound, Canto 100 - Cummings, extrait de & - Olson, Les martin-pêcheurs.‎

‎Paris L'Herne, coll. "L'envers" 1972 1 vol. broché in-16, broché, couverture à rabats, non paginé. Edition originale numérotée du tirage courant (après 25 Hollande). Envoi autographe signé de Denis Roche à un poète et critique. Texte original et traduction de Denis Roche en regard. Très bon état.‎

书商的参考编号 : 122486

‎ROCHE (Denis).‎

‎"Artaud refait, tous refaits !" Colloque Artaud/Bataille, Cerisy-la-Salle, juillet 1972.‎

‎S.l.n.d. [1972 circa] 1 vol. broché plaquette in-12, agrafée, 27 pp., 1 ill. en noir. Tiré à part au tirage non justifié, "Ce texte, retiré par l'auteur de l'édition collective, est extrait d'un roman à paraître sous le titre Louve basse". Envoi autographe signé de l'auteur à un poète et critique. Léger pli en pied, sinon bon exemplaire.‎

书商的参考编号 : 122491

‎Majewski, W.;‎

‎STEEN IN DE HEDENDAAGSE BELGISCHE KUNST/ PIERRE DANS L' ART BELGE CONTEMPORAIN,‎

‎, Bruxelles, 340 Atelier, 1983., Originele geillustreerde uitgeversomslag in kleur, 29,5x21cm, 367pp, geillustreerd z/w.‎

‎Tekst Nederlands/ Francais.‎

书商的参考编号 : 1417

‎ANTHONY, John W.; WILLIAMS, Sydney W.; BIDEAUX, Richard A. and GRANT, Raymond W.;‎

‎MINERALOGY OF ARIZONA,‎

‎, The University of Arizona Press, 1995, Bound, half cloth, pictorial dustwrapper, frontispice in colour, 175 x 260mm., 508pp., all colour illustrations.‎

‎For over 20 years this book has been respected as the definitive reference on arizona minerals. Photography editor Wendell E. Wilson. Third edition.‎

书商的参考编号 : 16018

‎GORDON, Chris;‎

‎DIAMONDS. THE QUEST FROM SOLID ROCK TO THE MAGIC OF DIAMONDS,‎

‎BE, Tectum, 2008 Hardback with slip case, 313 x 313mm., 432pp. ISBN 9789076886510.‎

‎This book takes you on a unique visual journey, exploring the extraordinary world of diamonds in many ways, a world apart as this substance has made and destroyed both countries and individuals. From the heart of a star to the human heart, diamonds are entwined with the stuff of life. No other natural substance is so lovely and so evocative of every human passion, good or bad, all the while still managing to far outlast all these things. The diamond cycle is a long journey stretching over aeons, buried deep in the earth. This beauty is difficult to win back, mines are found in some of the wildest and most remote places of the earth, from the chill of the Arctic Circle, tropical jungles or semi deserts, to the storm-racked coasts of Africa. Once won, the hardest substance on earth is cut and transformed with painstaking precision, in diamond centres across the globe. Diamonds is a record of that world. New book.‎

书商的参考编号 : 24316

‎Thierry Roche‎

‎Blow up, un regard anthropologique‎

‎BE, Editions Yellow Now , 2010 Paperback, 170x120mm, 160p, French edition , neuf etat. . ISBN 782873402600.‎

‎Cet ouvrage propose un dialogue improbable, imaginaire et auquel il essaie neanmoins de donner corps, entre un film de fiction, Blow up (Antonioni,1967) et une serie de films a caractere anthropologique regroupes autour de thematiques en echo a celles developpees par Antonioni : le regard, le cadre, la notion d'intervalle, le detail. A la fois point de depart et d'arrivee, ce film est observe, analyse de l'interieur, a partir de sa trame textuelle et visuelle propre‎

书商的参考编号 : 25915

‎Jan Rock, Gaston Franssen, Femke Essink‎

‎Literatuur in de wereld, Handboek moderne letterkunde‎

‎NL-, Vantilt, 2013 softcover, paperback, geillustreerd,264 pagina's. ISBN 9789460041396.‎

‎Literatuur in de wereld gaat over het onderzoek naar de Nederlandse ?schone letteren? ? naar literatuur op schrift (romans, verhalen en gedichten), maar ook naar andere teksten en cultuurproducten: krantenartikelen, reclamefolders, ?lms en websites. Het boek biedt verschillende invalshoeken om zulk materiaal te analyseren. Steeds vanuit een duidelijke stellingname: de Nederlandse letterkunde staat altijd midden in de wereld. Die wereld bestaat uit culturele en maatschappelijke contexten, maar ook uit theoretische inzichten uit de internationale cultuurwetenschappen.‎

书商的参考编号 : 43088

‎Lies De Mol, Bart Lenaerts.‎

‎Garage Rock' The trivial role of the car in rock history‎

‎Antwerp, WAFT editions, 2020 Hardcover, 30 x 30cm, 228 pages, with beautiful illustrations in color and black and white. Text in English. ISBN 9789082357295.‎

‎Garage Rock is about the trivial role of the car in rock history. A funny, light-hearted book full of interesting tidbits, photos of Rock stars and their cars, QR codes that lead to the music videos and illustrations by London Graffiti artist Ryan Roadkill.‎

书商的参考编号 : 54453

‎J. De Rock‎

‎Image of the City in Early Netherlandish Painting (1400-1550)‎

‎, Brepols 2019, 2019 Hardcover, 356 pages., 95 b/w ill. + 17 colour ill., 14 b/w tables, 178 x 254 mm, English, . ISBN 9782503579825.‎

‎Painted cityscapes have always captivated the viewers of medieval works of art. To this day scholars are mesmerised by their capacity to mirror the urban context from which they sprang, combined with their ability to symbolize a more abstract world view, religious idea or social ideal. Especially oil painting, which thrived in the fifteenth-century Low Countries among a heterogeneous elite and the well-off urban middling groups, succeeded as no other medium in capturing the urban landscape in its finest details. In order to gain an insight into how late medieval citizens, clerics and noblemen conceived of urban society and space, this book combines a serial analysis of a large corpus of painted city views with a critical discussion of some well-documented and revealing works of art. Throughout the book a variety of questions are addressed, ranging from the religious conception of the city, the theatrical dimension of urban space, the extent to which Early Netherlandish painting depicted the city as an economic space, how images of city and countryside functioned as identity markers of the donor, and how technical advances in the field of cartography impacted the portrayal of towns in the sixteenth century. In doing so, this study explores the duality of some of the major interpretive schemes that have determined the last few decades of historiography on late medieval Netherlandish culture, oscillating between bourgeois and courtly, realistic and symbolic, profane and religious, and innovative versus traditional.‎

书商的参考编号 : 57162

‎Mick Rock‎

‎Rise of David Bowie, 1972-1973 , The Ziggy Stardust Years, Mick Rock's legendary portraits of the iconic artist.‎

‎, Taschen, 2025 Hardcover with 5-phase lenticular, 23.8 x 33.3 cm, 2.33 kg, 300 pages Edition: Multilingual (English, French, German) *brandnew.‎

‎A tribute to David Bowie from the artist?s official photographer, Mick Rock. Compiled in 2015 with Bowie's blessing, this collection includes stage shots, backstage candids, and more, charting the musical, theatrical, and sexual revolution of the 1972?73 Ziggy Stardust world tour, and celebrating the eternal inspiration of a transformative artist. A unique tribute from David Bowie?s official photographer and creative partner, Mick Rock, compiled in 2015, with Bowie?s blessing. In 1972, David Bowie released his groundbreaking album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. With it landed Bowie?s Stardust alter ego: a glitter-clad, mascara-eyed, sexually ambiguous persona who kicked down the boundaries between male and female, straight and gay, fact and fiction into one shifting and sparkling phenomenon of ?70s self-expression. Together, Ziggy the album and Ziggy the stage spectacular propelled the softly spoken Londoner into one of the world?s biggest stars. A key passenger on this glam trip into the stratosphere was fellow Londoner and photographer Mick Rock. Rock bonded with Bowie artistically and personally, immersed himself in the singer?s inner circle, and, between 1972 and 1973, worked as the singer?s photographer and videographer. This collection brings together spectacular stage shots, iconic photo shoots, as well as intimate backstage portraits. With a lenticular cover of different headshots, it celebrates Bowie?s fearless experimentation and reinvention, while offering privileged access to the many facets of his personality and fame. Through the aloof and approachable, the playful and serious, the candid and the contrived, the result is a passionate tribute to a brilliant and inspirational artist whose creative vision will never be forgotten. A unique tribute from David Bowie?s official photographer and creative partner, Mick Rock, compiled in 2015, with Bowie?s blessing.In 1972, David Bowie released his groundbreaking album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. With it landed Bowie?s Stardust alter ego: a glitter-clad, mascara-eyed, sexually ambiguous persona who kicked down the boundaries between male and female, straight and gay, fact and fiction into one shifting and sparkling phenomenon of ?70s self-expression. Together, Ziggy the album and Ziggy the stage spectacular propelled the softly spoken Londoner into one of the world?s biggest stars.A key passenger on this glam trip into the stratosphere was fellow Londoner and photographer Mick Rock. Rock bonded with Bowie artistically and personally, immersed himself in the singer?s inner circle, and, between 1972 and 1973, worked as the singer?s photographer and videographer.This collection brings together spectacular stage shots, iconic photo shoots, as well as intimate backstage portraits. With a lenticular cover of different headshots, it celebrates Bowie?s fearless experimentation and reinvention, while offering privileged access to the many facets of his personality and fame. Through the aloof and approachable, the playful and serious, the candid and the contrived, the result is a passionate tribute to a brilliant and inspirational artist whose creative vision will never be forgotten.‎

书商的参考编号 : 66625

‎Dulce Da Rocha Gon alves, Nico de Klerk, Frank Kessler, Jamilla Notebaard (eds)‎

‎Projecting Knowledge The Optical Lantern and Science Communication, 1880s?1940s‎

‎, , 2026 Hardcover, 284 pages, 178 x 254 mm, Illustrations:28 b/w, 64 col., English. New. . ISBN 9782503612942.‎

‎From the 1880s until well into the twentieth century, the optical lantern was an immensely important tool to disseminate knowledge both within and outside academia, particularly in Western Europe and the United States. This volume maps the lantern-illustrated lecture from various perspectives, with contributions on how to research historical audiences, on the spaces where projection was used, on the role of images as evidence, on the shifts in pedagogy that were supported by the projected image, and on the archives and sources that provide access to material that allows an understanding of the multiple ways in which the medium was used. TABLE OF CONTENTS Introduction (NdK & FK) 1. Audiences Annelies Andries, ?Imag(in)ing Audiences: The First Parisian Hippodrome? Klaas de Zwaan, ?From Mass to Micro Medium: Understanding Lantern Lecture Audiences? 2. Pedagogy Bert Theunissen, ?From Bildungsb rger to Researchers. The Transformation of Academic Education in the Nineteenth Century? Laurens de Rooy: ?The Anatomist?s Toolbox: Teaching Anatomy in Amsterdam 1880-1940? Jamilla Notebaard: ?The Visual Strategies of Plant Movement: A Historical Analysis of the Teaching Practices of Professor F.A.F.C. Went (1863-1935)? 3. Images Alison Griffiths, ?Defamiliarizing the Lantern Show: Thoughts on Wonder and Decolonial Methodologies? Scott Curtis; ?Projected Photographs as Evidence: Testimony and Efficiency? Frank Kessler, ?Performing Evidence in Illustrated Lantern Lectures? 4. Spaces Martin Bush, ?The Planetarium in Space? Christian H. Stifter, ?Vivid and Captivating Knowledge Transmission: The educational use of lantern slides in the early days of the Vienna Urania, 1897-1914? Dulce da Rocha Gon alves, ?Welbehagelijke Zaaltjes and Dorpscaf s: Lantern lecture venues in the Netherlands after 1900? 5. Archives and Sources Interview with Trienke van der Spek, ?Illustrated Lectures at Teylers Museum, Haarlem? Anke Napp, ?Time Capsules: Lantern slides in their media-archaeological environment at the Seminar of Art History at the University of Hamburg? Nico de Klerk, ?Imperfect Camouflage: Reviewing Public Illustrated Lectures in Dutch Newspapers, 1890-1940? Afterword, Paul Ziche‎

书商的参考编号 : 70249

‎Mazo de La Roche . .‎

‎Les frères de Whiteoak‎

‎"Plon, collection ""Originales""" "Plon, collection ""Originales"" ""Paris, 1954, collection """"Originales"""", in-8 broché, couverture illustrée rempliée, 270pp. Un des 975 exemplaires sur papier Roto blanc des papeteries Aussédat. Taduction de H. Claireau Frontispice de Grau Salat."""‎

书商的参考编号 : 14583

‎Mazo de La Roche . .‎

‎Retour de Jalna‎

‎"Plon, collection ""Originales""" "Plon, collection ""Originales"" ""Paris, 1949, collection """"Originales"""", in-8 broché, couverture illustrée rempliée, 443pp. Un des 1100 exemplaires sur papier Roto blanc des papeteries Aussédat. Taduction de Sallard. Frontispice de Pichard."""‎

书商的参考编号 : 14585

‎Mazo de La Roche . .‎

‎Finch Whiteoak‎

‎"Plon, collection ""Originales""" "Plon, collection ""Originales"" ""Paris, 1948, collection """"Originales"""", in-8 broché, couverture illustrée rempliée, 404pp. Un des 1100 exemplaires sur papier Roto blanc des papeteries Aussédat. Traduction de Sarbois, Frontispice de Yvonne Maréchal."""‎

书商的参考编号 : 14589

‎Mazo de La Roche . .‎

‎Jalna‎

‎"Plon, collection ""Originales""" "Plon, collection ""Originales"" ""Paris, 1947, collection """"Originales"""", in-8 broché, couverture illustrée rempliée, 298pp. un des 1100 exemplaires sur papier Roto blanc des papeteries Aussédat. Traduction de Simone Sallard, frontispice de Jean Pichard."""‎

书商的参考编号 : 14591

‎Mazo de La Roche . .‎

‎Jeunesse de Renny‎

‎"Plon, collection ""Originales""" "Plon, collection ""Originales"" ""Paris, 1945, collection """"Originales"""", in-8 broché, couverture illustrée rempliée, 294pp. Un des 1100 exemplaires sur papier Roto blanc des papeteries Aussédat. Taduction de Sallard. Frontispice de Lucien Boucher."""‎

书商的参考编号 : 14593

‎Mazo de La Roche . .‎

‎La naissance de Jalna‎

‎"Plon, collection ""Originales""" " ""Paris, 1948, collection """"Originales"""", in-8 broché, couverture illustrée rempliée, 350pp. Un des 1100 exemplaires sur papier Roto blanc des papeteries Aussédat. Taduction de G. Lalande. Frontispice de Paulette Humbert. """‎

书商的参考编号 : 14595

‎MAZO de la ROCHE‎

‎Retour à Jalna.‎

‎Broché couverture rempliée, 19X14 cm, 1949, 443 pages, un des 1100 exemplaires numérotés sur papier roto blanc des papeteries Aussédat, frontispice de Jean Pichard, éditions Plon. Très bon état.‎

书商的参考编号 : 11379

‎MAZO de la ROCHE‎

‎Mary Wakefield.‎

‎Broché couverture rempliée, 19X14 cm, 1949, 313 pages, un des 1100 exemplaires numérotés sur papier roto blanc des papeteries Aussédat, frontispice de Daniel Rouvière, éditions Plon. Très bon état.‎

书商的参考编号 : 11439

‎CUESTA Stan‎

‎Rock altermondialiste.‎

‎Broché couverture à rabats, 24X15 cm, 2007, 515 pages, éditions scali. Très bon état.‎

书商的参考编号 : 22149

‎ROCHE Sébastian, SCHLEGEL Jean-Louis‎

‎La société d'hospitalité.‎

‎Broché, 21X14 cm, 2000, 172 pages, éditions du Seuil. Très bon état.‎

书商的参考编号 : 32631

‎ROCHE (Aimé)‎

‎La grande prairie‎

‎Paris, Editions Alsatia, 1948 ; in-8° br. 252p. Nombreuses photos de peaux-rouges (32 pl.)‎

书商的参考编号 : 35500116

‎[LUCHET (J. P. L. de LA ROCHE DU MAINE marquis de)].‎

‎Le Vicomte de Barjac, ou Mémoires pour servir à l’histoire de ce siècle. Par M. C... de L... auteur des Liaisons Dangereuses.‎

‎À Dublin, de l’Imprimerie de Wilson, et se trouve à Paris, chez les libraires qui vendent des nouveautés, 1784 ; in-8, broché, couverture bleue muette, non rogné. (brochage de l’époque) VIII pp., 216 pp.Une des éditions à la date de l’originale. Sur le titre, ce roman est attribué à Choderlos de Laclos. Le véritable auteur est le marquis de Luchet (Saintes 1740 - Paris 1792). D’abord officier de cavalerie, il quitte l’armée pour faire des affaires qui échouent et l’obligeront à se réfugier à Lausanne pour fuir ses créanciers. Grâce à Voltaire il devint bibliothécaire du landgrave de Hesse. En 1786, il passa au service du prince Henri de Prusse et ne revint en France qu’en 1788. Luchet a beaucoup produit. Ses livres qui se voulaient des mémoires de son temps étaient en réalité des romans satiriques. Drujon. Les livres à clefs II, 965 donne les clefs de celui-ci. On y trouve la ctesse et le cte de La Noue, le mis de Culan, Melle Arnould, Melle Dubois la première femme de Beaumarchais, le Mis de Villette, Beaumarchais, Linguet, Fréron, Boufflers, Vergennes... Lorsqu’on connaît cette clef, le roman devient assez piquant. “Les mémoires que nous publions aujourd’hui sont une fiction, si l’on veut : il n’y a cependant pas un fait dont le fonds ne soit vrai, pas un personnage qui n’existe ou n’ait existé. Tout ce que j’ai supprimé, c’est le merveilleux ; ce qui se passe est beaucoup plus incroyable que ce qu’on invente.”Mylne Martin 84,39. - Exemplaire à toutes marges, bel état intérieur, le brochage est un peu défraîchi.‎

书商的参考编号 : 46404421