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[GUERRE 14-18] - [Ecole BOSSUET].-
Les "Bossuet" à la Guerre MCMXIV - MCMXVIII.
1923 Mesnil-sur-L'Estrée, Typographie Firmin-Didot, 1923, in 8° broché, XVII-139 pages ; frontispice ; couverture rempliée illustrée.
书商的参考编号 : 75342
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[Göhrung, Christopher Ludwig vermutl.]
Kurze und faßliche Darstellung der Pestalozzischen Methode. Zweites Bändchen, welches die Einführungsarbeit derselben darstellt. Für Schulvorsteher, Geistliche und Schullehrer. Ueber die Einführbarkeit der Pestalozzischen Methode in Volksschulen. Ein Anhang zu der kurzen und faßlichen Darstellung derselben. Bd. 2 (von 2) apart.
Stuttg., Steinkopf 1810. kl.-8°, 122 S., 2 Bl. (Index), 1Bl. Vlgsanz., Kart. d. Zt., berieb., kl. RüSch., schwache Schmutzfl., berieb., Deckeln aufgebogen, Namenszug am flieg. Vors., am vord. Innendeckel u. Haupttitel Verm. v. alter Hd..
书商的参考编号 : PAED0409
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[Hadfield High School]
ÒThe Toorak of the NorthÓ: An Oral History of Glenroy Hadfield and Coburg by the Syudents of the 1981 Year Eleven Alternative Course Hadfield High School
Hadfield: Hadfield High School 1979. 1st edition. Nice copy. quarto. card covers 48pp. b/w plates text ills. Stamp of History TeachersÕ Association o/w a nice copy Hadfield High School unknown
书商的参考编号 : 150801
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[HANDLEY HIGH SCHOOL]
The Trail Blazer Eight Issues 1924-25
Winchester VA: Handley High-School 1924-5. First Edition. Quarto 29cm. Eight stapled issues in white paper wrappers printed in black; professionally printed wrappers with mimeographed contents unpaginated; ads to wrappers; one issue with 2pp of caricatures. Rubbed with abrasions and chips to fore-edges of some issues spines split on a few issues but generally sound and clean: around Very Good. <br /> <br /> Student periodical from Handley High School in Winchester Virginia. Contents include school news sports updates humor crossword puzzles and updates about the local movie theater schedule. 62269. Handley High-School unknown
书商的参考编号 : 62269
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[Hanover High School, New Hampshire]
Fulcrum 3 Summer 1976
Fox-Den Publications Hanover NH High School Summer 1976. Near fine tall stapled wraps with crisp bright text throughout. Profusely illustrated with photographs and short essays / portraits Fox-Den Publications, Hanover NH High School, Summer 1976 paperback
书商的参考编号 : 44763
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[HARROW SCHOOL]
A Collection of Letters to H. O. Davidson Headmaster of Harrow; together with a few to Mrs. Davidson Douglas Davidson Esme Percy etc.
Various places 1884-1958. Fine original condition. 73 letters from 43 correspondents including Lore Crewe Lord Curzon F. S. Kenyon Prince Louis of Battenberg Edward Lyttleton Lord Napier Lord Roseberry Sir Charles Trevelyan and others mostly pertaining to school events. unknown
书商的参考编号 : 29652
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[Hawthorne Valley School].
Blessings on the Meal: A Garland of Graces & One-Dish Meals.
np Harlemville NY: Hawthorne Valley School nd 1984. Spiral bound wrappers. Fine. 8vo. Illustrations by Terry Robbins. Calligraphy by Dale Hushbeck. [Hawthorne Valley School] unknown
书商的参考编号 : 11012105
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[HENRY FORD TRADE SCHOOL]
Auto Mechanics
Dearborn MI: Henry Ford Trade School 1934. Quarto 28cm. Publisher's blue tape cloth-backed pictorial card wrappers; mixed pagination; illustrated throughout. Printed mimeograph. Light wear and a hint of spotting to extremities spine faded front corner bumped contemporary ownership rubberstamp to first page else Very Good or better.<br /> <br /> With a promotional booklet for the Henry Ford Trade School a combined high school and trade school that trained boys as Ford employees. Henry Ford Trade School unknown
书商的参考编号 : 56852
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[High School Dxd] Mishima, Hiroji
High School DxD Vol. 3 - manga
Yen Pr. Used - Very Good. Yen Pr unknown
书商的参考编号 : FORT775701 ???????? : 0316334820 9780316334822
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[High School Dxd] Mishima, Hiroji
High School DxD Vol. 4 - manga High School DxD 4
Kodansha. Used - Very Good. Kodansha unknown
书商的参考编号 : FORT775702 ???????? : 0316334847 9780316334846
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[High School Dxd] Mishima, Hiroji
High School DxD Vol. 2 - manga
Yen Pr. Used - Very Good. Yen Pr unknown
书商的参考编号 : FORT775704 ???????? : 0316376825 9780316376822
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[high school scrapbook; manuscript; Montana]; Powers, Josephine
My Memories of School Days
Butte Montana 1928. Paper-coverd boards oblong 8vo 8.75 x 7 inches; pp 40 rich with all sorts of ephemera -- newspaper clippings photographs invitations dance cards and more. Scrapbook compiled by Ms. Josie Powers of 124 Jay Street Butte Montana; Vice-President of the Junior class at Butte Central High School Captain of the Girls' Basketball Team. Opens with a pencil sketch on the front-pastedown showing a young woman in a stylish floral dress and high heels holding a young man in a dip and laying a big ol' kiss on him. The caption tells us that this is "Josie in native scenery" and the rest of the scrapbook maintains that spirit of youth and fun -- bold and it seems into everything. Includes clippings from the high school newspaper handwritten notes from her friends prom invitations and a bit of class warfare "Fog horns are not the only things that blow so do some Seniors". Each page is completely full nicely showcasing jokes poems and prayers in many hands as well as the occasional sketch. Photographs nicely capture the hair and clothing styles of the period. Ms. Powers also saved a variety of little artifacts from a wooden ice cream spoon to a lock of hair to fabrics ticket stubs honor roll lists a glass tile and church programs. A quirky energetic amalgam. <br/><br/> hardcover
书商的参考编号 : D3722
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[High School Yearbooks - Seattle]
Sealth Vol. 8 Nineteen Ten and Eleven 1910 - 1911 Broadway High School Annual
Seattle: Students of Broadway High School 1911. First Edition. Suede. Good. Large 8vo. Pp. 269 followed by advertising. Frontis. view of the school building. Illustrated with halftone black & white photo reproductions. Yapp edged chamois wrap blind stamped "Sealth 1911" over pale green stiff textured endpapers. Spine chipped edges crimped binding relaxed former owner signed in ink "Abe Malakoff June 21 1911." Student and staff portraits cartoons clubs proms debates sports and other contests recorded. Followed by advertisements from local firms including several funeral homes Lowman and Hanford Printers Webster & Stevens Commercial Photographers Haynes Candies etc. <p>In subsequent years a bevy of noted Northwest artists graduated Broadway High Kenneth Callahan William Ivey George Tsutakawa Leo Kenney Fay Chong and Andrew Chinn among them. Long a fixture in the Seattle Public School system Broadway High closed in 1946; the original building is now incorporated in the Seattle Community College campus.</p> . Students of Broadway High School unknown
书商的参考编号 : 6807
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[HISTOIRE ECOLE] - REBOUL-SCHERRER (Fabienne) -
La vie quotidienne des premiers institueurs 1833-1882.
Paris, Hachette, 1989 ; in-8, 311 pp., br.
书商的参考编号 : 201404644
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[HISTOIRE, EDUCATION, ECOLE] - GIOLITTO (Pierre) -
Abécédaire et férule, maîtres et écoliers de charlemagne à jules ferry.
Paris, Imago éditions, 1986 ; in-8, 437 pp., br.
书商的参考编号 : 201605927
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[HISTOIRE, EDUCATION, ECOLE] - GIOLITTO (Pierre) -
Abécédaire et férule, maîtres et écoliers de charlemagne à jules ferry.
Paris, Imago éditions, 1986 ; in-8, 437 pp., broché, couverture illustrée.
书商的参考编号 : 200910559
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[ICDS.; British Civil Defence, 1955; Civil Defence School; Atomic Warfare; Biological Warfare; Chemical weapons; nuclear war]: I
Printed 'RESTRICTED' British Civil Defence pamphlet with enamel 'I.C.D.S.' Instructor Civil Defence School badge. Civil Defence. Notes for Volunteers. With sections on 'Atomic Warfare' 'Chemical Warfare' and 'Biological Warfare'.
At foot of final page: '1204 WT. 39620. number of copies: 22500 date of publication i.e. July 1955: 7/55 printer: D & G Ltd.'. 39pp. small 4to. Stud-bound in brown card printed wraps. In good condition lightly aged and worn with crease to front cover to which the enamel badge is also attached beside the ownership signature of 'E J Sayer' Downing Street secretary Elizabeth Sayer later Cooper. First page dated in pencil '8th Sept' and pencil note in text of the 'permitted dose' of radiation. At head of front cover: 'ESTACIDVOL Code 5-96-0' and at foot: 'RESTRICTED The information given in this document is not to be communicated either directly or indirectly to the Press or to any person not authorised to receive it.' Printed inside the front cover: 'The accompanying notes have been prepared for your guidance. Additional information is contained in the Home Office Civil Defence Training Manuals which may be obtained on loan through your Instructor.' Divided into the main sections: Civil Defence Organisation; Fire Fighting; High Explosive Missiles; Atomic Warfare; Biological Warfare; Chemical Warfare; Protective Measures. Also present is a full-page 'Civil Defence Report Form'. The first section begins: 'Civil Defence is the responsibility of the Central Government and needs the assistance of Local Authorities Industry and public bodies of many kinds. It includes all measures short of actual combat necessary to mitigate the effects of enemy attack.' The 'Atomic Warfare' section is divided into four subsections: Features of Atomic Explosion; Delayed Radiation Risks; Radiation Sickness; Individual Dosimeter. The enamel badge is roughly 2.5 x 2cm and features red and blue enamel on brass. It consists of a crown topping a circle the latter having an image of a lion surrounded by a blue border with 'I.C.D.S.' The pamphlet is scarce: no copy on OCLC WorldCat and the only copy on COPAC at the Imperial War Museum. At foot of final page: '(1204) WT. 39620. [number of copies:] 22,500 [date of publication, i.e. July 1955:] 7/55 [printer:] D & paperback
书商的参考编号 : 15306
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[INDOCHINE] [ECOLE FRANCAISE D'EXTREME-ORIENT]
L'Ecole Française d'Extrême-Orient
Hanoi, Imprimerie d'Extrême-Orient, 1930. 1 volume in-4, 55 pp., broché, couvertures imprimées conservées, enrichi de 16 planches photographiques à pleine page, très bon état, malgré un léger manque de papier au dos. Un autre exemplaire, relié plein cuir, est vendu 80 euros.
书商的参考编号 : 8493
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[installation]
Installation de l'école industrielle de la Chaux-de-Fonds, le 7 janvier 1856.
In-8, 82p. Quelques passages soulignés au crayon, autrement à l'état de neuf!
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[INSTRUCTION PRIMAIRE] LANTHENAS (François-Xavier)
Rapport et projet de décret sur l'organisation des Ecoles primaires.
Paris, Imprimerie Nationale, s.d. in-8, 24 pp.
书商的参考编号 : 140438
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[INSTRUCTION PRIMAIRE] LANTHENAS (François-Xavier)
Rapport et projet de décret sur l'organisation des écoles primaires. présentés à la Convention nationale au nom du Comité d'instruction publique
Paris, Impr. Nationale, s.d. in-8, 24 pp., dérelié.
书商的参考编号 : 206956
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[INSTRUCTION PUBLIQUE]
Discussion sur l'enseignement mutuel. à la Chambre des Députés
Paris, Chez L. Colas, 1821 in-8, 40 pp., broché, couv. muette.
书商的参考编号 : 145377
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[INSTRUCTION PUBLIQUE] ARBOGAST (L. F. A., député du Bas-Rhin)
Convention nationale. Rapport et projet de décret des livres élémentaires destinés à l'instruction publique.
Paris, Impr. nationale, s.d. in-8, 16 pp., dérelié. Légère déchirure p. 5 sans atteinte au texte.
书商的参考编号 : 206958
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[INSTRUCTION PUBLIQUE] DELTUFO
Discours prononcé à la barre de l'Assemblée nationale par le directeur de la Société Polysophique.
Paris, Imprimerie de L. Portier de Lille, (1790) in-8, 14 pp., cousu.
书商的参考编号 : 205738
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[INSTRUCTION PUBLIQUE] DELTUFO
Discours prononcé à la barre de l'Assemblée nationale par le directeur de la Société Polysophique.
Paris, Imprimerie de L. Portier de Lille, (1790) in-8, 14 pp., broché, couv. papier bleu moderne.
书商的参考编号 : 243022
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[INSTRUCTION]
Proclamation du roi. sur un décret de l'assemblée nationale, relatif à l'instruction, et portant que les rentrées dans les différentes écoles publiques, se feront cette année comme à l'ordinaire. Du 19 octobre 1790
Alençon, Imp. de Malassis le Jeune, 1790 in-4, 3 pp., vignette.
书商的参考编号 : 70608
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[INTERNATIONALE SITUATIONNISTE]
De la Misère en milieu étudiant considérée sous ses aspects économique, politique, psychologique, sexuel et notamment intellectuel, et de quelques moyens pour y remédier. Par des membres de l'Internationale situationniste et des étudiants de Strasbourg
S.l. [Paris], [Imprimerie C. Bernard], 1967 in-8, 32 pp. broché.
书商的参考编号 : 225951
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[JAPAN - WOODBLOCK PRINT] UTAGAWA SCHOOL AFTER UTAGAWA KUNIYOSHI
Geisha prostrate before a samurai
Tokyo. circa1900s. Framed coloured woodblock print 16.5 x 22.8 cms image; 26 x 32.6 cms framed central fold Japanese text in good condition. Woodblock print of a samurai warrior looming over a fearful geisha. . unknown
书商的参考编号 : 221531
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[JAPAN - WOODBLOCK PRINT] UTAGAWA SCHOOL AFTER YOSHIMARU UTAGAWA AND UTAGAWA KUNIYOSHI
Triptych from the Sumo Wrestling Match of the Seven Lucky Gods
東京. Tokyo. circa1860s. Three colour woodblock prints a triptych panels loose each approx 38.5 x 25.4cms Japanese text artist's signature publisher's seal and date in the outer margin of the centre and right-hand panels and in the inner margin of the left-hand panel slivers of paper tape strengthening the top margin to the verso of each print pin-holes to the corners from previous display with loss to the lower right corners and the inner corner of the left-hand panel paper a little dusty and soiled but overall in good condition. Wonderful satirical woodblocks with muted tonings possibly from the composition for "Sumo wrestling match of Seven Lucky Gods" replacing the gods with actors as aging sumo wrestlers surrounded by onlooking geisha and fellow actors in masks and costume. <br> <br>From the collection of the late John Caiger lecturer in Asian studies ANU. . unknown
书商的参考编号 : 218670
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[Japanese Internment]. [Tule Lake]. [Tri-State High School]
Archie. Senior Year at Tri-State
Newell Ca 1944. Good. 36pp. of mimeographed text. Original pictorial wrappers stapled. Wrappers chipped closed tear to front wrapper spine reinforced with later cello tape. Internally clean. A rare yearbook for the Senior class of Tri-State High School located inside the Tule Lake War Relocation Center during the period of Japanese-American internment during World War II. This senior yearbook was published alongside the November 1944 issue of the school newspaper the Tri-Stater which is printed here as the last ten pages. The material within is consistent with traditional high school annuals including a superintendent's message president's message list of staff senior cabinet members hall of fame class will a section printing each student's "secret ambition" pages for signatures a "Senior Days" essay by Miya Kayata a yearbook staff list and sports section. According to the Foreword: ‘Archie’ was created by the journalism class to represent the 235 members of the class of November '44. We hope to signify the fond memories in the halls and classes and on the grounds of Tri-State High School with 'Archie's' adventures as a senior." As with issues of the Tri-Stater the senior annual is profusely illustrated including portraits of the eight students comprising the "Senior Cabinet" and a two-page Archie-style comic strip; many illustrations echo characters in the Archie universe an odd but somehow understandable juxtaposition of American pop culture within the lives of young internees. Other illustrations are peppered throughout the work and were mostly if not exclusively created by the internees themselves. This work is separate from the larger Tri-State High School annual for the wider school community entitled Aquila. OCLC records a total of four copies of Archie at Yale California State-Dominguez Hills Stanford and Claremont College. unknown
书商的参考编号 : 5924
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[Jijusei High School Theater Study Group] Edition
Seinen Theater Script Collection -School Circle- Volume 2
Seiun shobo 1978. Soft Cover. Fine. Number of pages: 221 pages Size: 19 cm Number of books: 1 Seiun shobo paperback
书商的参考编号 : 2090502124300085
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[Jin] Ge Hong Selected/Week Tian Yu School Notes
Saikyo Zakki Gakko Note: Sequel to the collection of new books
Chinese book office 2020. Soft Cover. Fine. The book is in fine condition. Chinese book office paperback
书商的参考编号 : 2081502111905273 ???????? : 7101147771 9787101147773
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[Kailua High School students]
Na Mo'olelo O Ko Kakou Mau 'Ohana. The Stories of Our Families
Kailua High School. Kailua HI. Plastic Comb. Very Good. Very good. Comb-bound 4to. This booklet is the product of work done by students in the 9th Grade GT English and Social Studies Classes. The stories are based on interviews the students did with older family members. 35pp. B/w photos illustrations. > Language: English > Size: 4to > Media/Binding: Comb Bound Kailua High School., Kailua, HI unknown
书商的参考编号 : CORV-BBP-19672
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[Karl Christian Aubel (1796-1882; Porträtmaler, Professor an der Kunstakademie zu Kassel, und Galerieinspektor, Mitbegründer des Kunstvereins für Kurh
AUSZUG AUS DEM VERZEICHNISSE DER KURFÜRSTLICHEN GEMÄLDE-SAMMLUNG (Bestandskatalog). - Durchschossenes Exemplar. [Gemäldegalerie Alte Meister, Kassel]
[Kassel, 1845.]. 87 Seiten Gemäldebestand mit Beschreibungen, XIII S. Register; vom Register abgesehen folgt jedem bedruckten Blatt ein unbedrucktes für eintragung des 'Buchhalters' (bis ohne Einträge). - Praun-marmorierter Papperinband der Zeit mit Papierrückenschild (Inventarnummer 955); 8vo.(ca. 17 x 10 cm).
书商的参考编号 : 2405150146xbvk
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[KAWANABE, Kyosai. or KAWANABE KYOSAI SCHOOL.]
OTOHIME GYORETSU ZU: OTO HIME DAUGHTER OF THE SEA GOD'S PARADE.
Japan 1860 n.p. Large sheet 96 x 1m 44 cm. gouachevery clean work no worming or other condition issues painted on 16 joined sheets of Washi paper to make one large sheetfine water-color painting. THIS IS AN ORIGINAL PAINTED ART WORK . . . AM ORIGINAL COLOR PAINTING IN GRAND SIZE . . . FROM JAPAN'S OLDEST MYTHOLOGY: . . . THE KOJIKI & NIHON SHOKI PANTHEON . . . THE ORIGINS OF THE EMPEROR . . . OTOHIME GYO RETSU ZU: . . . THE PROCESSION OF OTOHIME DAUGHTER OF THE SEA GOD . . A stunning color painting by Kyosai. Probably done for a temple donation or as an expression of his faith to Japan's historic heroine. . OTOHIME is a goddess in Japanese mythology and is featured in the Kojiki as well as Nihon Shoki. Also known as "Luminous Jewel". A Japanese goddess the beautiful daughter of the sea-king Ryujin. She married Hoori and gave birth to a son after which she turned into a dragon. . Per the Japanese text brushed on the verso upper left corner: "239 ban dated Ansei 7th Kanoe-Saru-doshi 2 gatsu jojun end of February OTOHIME GYO RETSU ZU" . English: "#239 dated Ansei 7th monkey zodiac year end of Feb.: 1860 . PAINTING TITLE PER VERSO: "THE FIGURE OF PRINCESS OTOHIME'S PROCESSION THE DAUGHTER OF THE SEA GOD" . "Toyotama-hime" Japanese for "Lady Bountiful Soul" better known as Otohime is a goddess in Japanese mythology and is featured in the Kojiki as well as Nihon Shoki. She is the beautiful daughter of Ryujin the "God of the Sea." . A STUNNING ORIGINAL POLYCHROME GOUACHE PAINTING: . This original color watercolor painting shows the lively procession of OTOHIME and her hand maid. She is followed by a flag and umbrella bearer. Also following is a man with a pair of deer antlers good omen a man with a small red offering table with peaches the Wind God and his thunder-drum. Another flag bearer his helper followed by two others one holds a staff the other an offering of golden egg. . The items carries are symbolic good fortune and wealth in terms of deer antlers peaches and the golden egg represent ancient Chinese also used by the Japanese of omens of good fortune and good luck. . THE PAINTING: . Per the Japanese brushed text on the verso there is a number found meaning this panel of several was part of a larger work per the chronology found in Clark see below. . This panel of several paintings was part of a restoration of Zojo-ji temple in Shiba. In 1859 KANO Toei & Kyosai "participates in a repair project at the Zojo-ji temple." See Clark. . Although Kyosai had officially left the Kano school in 1854 by participating in the restoration of Tokugawa's family temple in Shiba he was showing loyalty to the Tokugawa family a good reason to volunteer his skills to the temple. It is also noteworthy that his mentor Kano Toei also participated in the restoration and in all likelihood Kyosai joined his master in a sign of respect and loyalty to him. . Based on this chronology it is clear Kyosai was one of the painters who worked at Zojo-ji temple along with his mentor and master teacher Kano Toei. It was not uncommon at this time for schools to volunteer teachers and students to do temple restoration and art work painting replacing or enhancing paintings and large murals. . This item's date matches the restoration dates for the Zojo-ji temple which began in 1859 and continued into 1860. . This panel was unused in the restoration it may have been a precursor to the final painting which was actually used in the restoration project. It matches the scenes found in Zojo-ji temple restoration. The work is the exact style of others painted by Kyosai and his genre. The caricatures of the people in this painting reflect Kyosai's style exactly the theme of his eccentric humor expressing his love for creativity and the joy of painting. . It is entirely within Kyosai's bizarre character to undertake and devote himself to such a project as illustrating the famous myth of OTOHIME in more than 200 deluxe extra-large-size format paintings. . This restoration project could also have been a 'paying job' for Kyosai as at that time he did not seem to be employed but in 1858 he began to design "Kyoga crazy pictures. It was in 1857 he married Okyo the daughter of a Rimpa painter Suzuki Kiitsu but Okyo died in 1859 and he remarried Tose who died in 1860. . It is more than likely Kyosai being a Buddhist he felt it was his religious obligation to do pennants by contributing to and drawing Buddhist or such traditional images as a way to placate the loss of his wife. . THE STORY OF OTOHIME DAUGHTER OF THE SEA GOD: . Because this work was part of the Zojo-ji temple restoration it cannot be considered a commercial painting one that was casually drawn and put on the market for sale. This was part of a commissioned restoration financed by some benefactor to the temple and most likely supported by the Tokugawa family. . ONE OF JAPAN'S EARLIEST AND MOST FAMOUS MYTHS: . The story of OTOHIME DAUGHTER OF THE SEA GOD is one of Japan's oldest and most famous myths known to all Japanese. Treasured as one of the most important in the ancient pantheon it is found in the earliest writing about the origin of Japan and the Emperor in the KOJIKI and the NIHON SHOKI. . This kind of larger paper illustrated story would take months to complete by It would also take devotion to the subject and focus with responsibility to produce a good number of paints daily. This was something Kyosai could and would do ! . THE ARTIST/PAINTER: This work is unsigned which is expected as part of a larger series of paintings. If this was the work of Kyosai it falls entirely within the dates during his period of work produced when he was 29 years old. . The caricature in the faces and fluid bodies in motion the "flowing" style are his. Although there is no signature and it is a true reflection of Kawanabe's work we are attributing it to him. . Another convincing point is that this kind of painting and meticulous style is also found in his famous instructional showing various 'schools' of painting in his KYOSAI GADEN. See below. . WHO WAS KAWANABE GYOSAI/KYOSAI: 1831-1889: Kawanabe Kyosai was a superb artist in the words of a critic "an individualist and an independent perhaps the last virtuoso in traditional Japanese painting". . Living through the Edo period to the Meiji period Kyosai witnessed Japan transform itself from a feudal country into a modern state. Born at Koga he was the son of a Samurai. His first aesthetic shock was at the age of nine when he picked up a human head apart from a corpse in the Kanda river. . After working for a short time as a boy with Utagawa Kuniyoshi he received his artistic training in the Kano school but soon abandoned the formal traditions for the greater freedom of the popular school. During the political ferment which produced and followed the revolution of 1867 Kyosai attained a reputation as a caricaturist. His very long painting on Makimono" scroll The battle of the farts" may be seen as a caricature of this ferment. . He was arrested three times and imprisoned by the authorities of the Shogunate. Soon after the assumption of effective power by the Emperor a great congress of painters and men of letters was held at which Kyosai was present. . He again expressed his opinion of the new movement in a caricature which had a great popular success but also brought him into the hands of the police this time of the opposite party. After this time he changed his name from Kyo crazy or wild to any one of 19 other "Go" studio names he used. However after the police jailed him he avoided use of "Kyo" but returned back to it with three other "GO" that used the same character "Kyo" crazy & wild such as #7 "Baiga Kyosha" #10 "Kyosai #12 Kyosha Gaishi #16 "Shosho Kyosai" Quoted from Roberts below see that reference for more details. . Kyosai is considered by many to be the greatest successor of Hokusai as well as the first political caricaturist of Japan. His work mirrored his life in its wild and undisciplined nature and occasionally reflected his love of drink. . Color photos are posted to our website. . REFERENCE: . More on OTO HIME: https://en.wikipedia.org/wiki/Toyotama-hime http://www.pantheon.org/articles/o/otohime.html KAWANABE Gyosai later known as Kyosai: Is well collected by world museums https://en.wikipedia.org/wiki/Kawanabe_Ky%C5%8Dsai . KYOSAI GADAN: 1887 4 vol. set: In this work he outlines and exhibits a wide variety of "styles" of painting. In this work there are several examples of this kind or school of painting. Wikipedia stated about this book: "The most important work about Kyosai's art and life was written by himself: Kyosai Gadan or "Kyosai's Treatise on Painting" half autobiography and half painting manual. WESTERN APPRECIATORS: Many westerners came to visit Kyosai and their memoirs about the artist are valuable. The two important ones both rare were: Emile Etienne Guimet Promenades Japonaises Paris 1880. Josiah Conder: "Paintings and Studies by Kawanabe Kyosai" Tokyo 1911. Conder was a serious student of Japanese art; after some initial rejections he was accepted as Kyosai's pupil and accompanied him for ten years until the master's death. Timothy Clark Demon of painting: the art of Kawanabe Kyosai p.186 chronology and the drawing #21 p.58 is very similar to the pose found in our painting of OTOHIME Toyotama-hime both in pose facial quality hair style and the general perspective. ROBERTS Laurance P.: A DICTIONARY OF JAPANESE ARTISTS: PAINTING SCULPTURE CERAMICS PRINTS LACQUER p.100 stated of him: Kyosai ".was marked by a wild eccentric humor.caricatures of full of fantasy and invention." KAWANABE KYOSAI MEMORIAL MUSEUM. KAWANABE KYOSAI DOKU HON. OTOHIME: Nihon Jinmei Daijiten Toyotama-hime. Tokyo: Shogakukan. 2012. . . unknown
书商的参考编号 : 36023801
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[KINDERGARTEN AND PREPARATORY SCHOOL].
To the Misses Harlock.
<p><em>8vo sheet 16 x 10 cm.</em></p><p>Maria and Frances Anne Harlock began their school at Banbury Oxfordshire about 1890. The Harlock's were natives of Banbury and the daughters of a local draper and former mayor who used part of the family home as a school until the death of their father in 1923 who was by then 101. As the Harlock's were Quakers good works by the family for the local area was something of a calling. Francis later served on the committee of management of the Friends' School at Sibford and it would appear that the sisters had run their own school on a break-even principle and saw education as a vocation rather than a money making enterprise.</p> The Lawn, St. John’s Road, Banbury.
书商的参考编号 : 3210273
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[KJV] [Long Primer 8vo Reference Bible Sunday School Teacher's Edition]
THE HOLY BIBLE: Containing the Old and New Testaments Translated out of the Original Tongues: And with the Former Translations Diligently compared and revised by His Majesty's Special Command Longprimer Authorized King James Version
Oxford 1945. Leather. VERY GOOD. The scarce and coveted 'Long Primer' setting with center column references self-pronouncing black letter text in a very legible type in large-formate 8vo setting. Black genuine leather binding with pronounced grain in semi-yapp gilt spine lettering all edges art gilt. 'Sunday School' edition with concordance maps and other 'helps'. With owner's inscription and family history to front blanks as well as multiple obituaries inlaid. Front endpaper is torn at the front gutter but the leather and binding remain very strong; spine ends torn at corners as commonly seen with yapp some moderate rubbing to the textblock edges but still very clean and sound an attractive copy. Publication date of 1945 stamped to rear blank with the text of the bible itself stamped '43' at the end of Revelation. Oxford unknown
书商的参考编号 : 510236
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[L'AUTO ÉCOLE] - CAZENOVE, AMOURIA -
Zéro de conduite t3.
Charnay-les macon, Bamboo, 2005 ; in-4, 46 pp., cartonnage de l'éditeur. Eo tome 3.
书商的参考编号 : 200915636
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[L'Equitation]
L'EQUITATION - N° 2 - 2e semestre 1992
Revue de 152 pages, format 210 x 300 mm, illustrée, brochée couverture couleurs, bon état
书商的参考编号 : LFA-126721674
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[La Broquerie Elementary School]
The Way to Cook: La Broquerie Elementary School Cookbook
La Broquerie Manitoba: La Broquerie Elementary School L. Rasmussen Co. Ltd February 1986. First edition. Stapled Wraps. pp. 80. 8vo. Illustrated card covers held with black plastic spiral binding. Black and white illustrations. Lightest rubbing to covers contents clean and unmarked with tight sound binding; very good. Scarce. At time of cataloguing this title does not appear amongst the holdings at Peel LAC/BAC. <br/><br/> La Broquerie Elementary School | L. Rasmussen Co., Ltd paperback
书商的参考编号 : 679
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[La Vie du Collectionneur]
La VIe du COLLECTIONNEUR - N° 426 - 6 septembre 2002
Revue de 28 pages, format 250 x 360 mm, illustrée, brochée, bon état
书商的参考编号 : LFA-126742137
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[LACQUER ART TRAINING SCHOOL DIRECTORY].
2007 要覧. 2007 Youran.
Ishikawa.: Ishikawa Prefectural Institute of Lacquer Arts. 2007. Colour and black and white photographic illustrations 14pp. Text in Japanese. 29.8 x 21cm. Stapled wrappers a very good copy. From the library of Aubrey and Eva Sweet with a label indicating the collection number on the spine. . Ishikawa Prefectural Institute of Lacquer Arts. unknown
书商的参考编号 : 220345
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[LAHNER] - BOURET (Jean)
Emile Lahner. Un peintre de l'école de Paris.
In-4 carré, 119p. Contient une septentaine de reproductions en noir et en couleurs. A l'état de neuf.
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[LAHNER] - BOURET (Jean)
Emile Lahner. Un peintre de l'école de Paris.
Neuchâtel, Ides et Calendes et Paris, Bibliothèque des Arts, 1974. In-4° carré, 119p. Reliure pleine toile d'éditeur, sous jaquette illustrée.
书商的参考编号 : 22932
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[Lakehead Prosvita Services & The Vesnyanka Dance School]; Irka Balan (Choreographer); Donna Kaban; Geroge Karpiuk
Lakehead Prosvita Services Presents Vesnyanka Ukrainian Folk Dancers 10th Anniversary Concert Programme Booklet
Thunder Bay Ontario Canada: Lakehead Prosvita Services & The Vesnyanka Dance School 1977. First Edition First Printing. Stapled Wraps. Unpaginated pp. 4. 8vo. measuring 14x 22 cm. Illustrated twice-stapled card covers. Comprises of a detailed programme of events surrounding the tenth anniversary concert of the Vesnyanka Ukrainian Folk Dancers held in Thunder Bay short biographies of the choreorapher guest dancers and performers a short history of the dancing troupe a complete list of the names of all performers names of program sponsors individual and businesses the last page and rear cover features printed advertisements for a number of local sponsoring businesses. Neat unobtusive ink inscription to the upper-margin of the cover one very short closed tear to the edge of the front cover. Overall very good. Unrecorded programme booklet with no holdings found in OCLC. Not in Fisher UoT BAC/LAC etc. <br/><br/> Lakehead Prosvita Services & The Vesnyanka Dance School paperback
书商的参考编号 : 7289
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[LAM-QUA/TING-QUA SCHOOL.]
SUITE OF SIX MINIATURE GOAUCHE PAINTINGS ON PITH PAPER OF CHINESE TORTURE AND EX
Canton ca. 1800-1820 Lam-Qua. Red flax mat six goauche color paintings on pith paper each 10 x 7 cm two per mat very good clean two with marginal chipsimage not affected meticulously color drawn in much detail. R A R E . . . THE SUITE OF SIX COLOR GOUACHE PAINTINGS . . Begins with the a painting of Imperial police bringing the accused to where he will be punished. He wears a cangue or a large wooden collar clamped around his neck with his crime written on paper which is then glued to the wood. Image two shows the guilty on his knees being beaten with a leather strap by the punisher. Image three shows the policeman pulling a chain connected to a metal ring on the neck of the accused. The next shows the image of a large rock connected to a chain and the accused sitting on the rock with the chain fastened to his leg. The fifth shows the magistrate pointing his finger at the guilty as he while being admonished the guilty is forced to kneel on small rocks while a policeman holds ears. The last image shows the executioner with a long sword at the ready while the accused has a very sour look on his face his hands tied behind his back with his crime written on a long piece of wood at his side. It was common to parade the guilty through the streets for all to see the criminal as he was led to the execution grounds. . LAM-QUA TING-QUA SCHOOL: The works are done in the Canton style of Lam-Qua and his brother Ting-qua. See item #2 below for a link. . Ting-qua born ca. 1809; flourished 1840-70. He was the brother of Lam-Qua 1801-1860 and probably a close relation of Spoilum. Ting-qua's studio at 16 China Street Guangzhou was perhaps the most prolific source of Chinese export paintings of its time. Working in a manner influenced by Western artistic traditions Ting-qua and the painters of his studio restricted themselves to gouache and water-colors perhaps to avoid rivalry with Lam-qua's oil paintings. Their pictures which were often sold in sets." Quoted from item #2 below. . PITH PAPER: The paintings were done on pith paper. "Pith paper or rice paper" a misnomer as it is sometimes known is made from the inner pith of the plant Tetrapanex papyrifera which is a member of the Araliaceae family. The plant is a shrub native to Southern China and Taiwan. As well as a painting material pith paper was used to make artificial flowers and surgical dressings." Cited from item #1 below. . THE LEGAL SYSTEM OF CHINA IN EARLY 19TH CENTURY: Justice was swift and usually done to make an example of the accused. If the accused pleaded guilty and confessed his punishment was lessoned. If he persisted in innocence even though he was not guilty his punishment was more severe. Showing a cooperative attitude was of advantage. Nearly all people accused of a crime were assumed to be guilty. The punishment for various crimes were commonly known and justice was meted out by the magistrate. . RARITY: Gouache pith paintings are now rare most were damaged cracked and brittle rendering them useless. The few that survived are considered RARE and uncommon. The paintings were drawn with much skill and patience and were for the most part drawn for and sold to foreigners in the treaty ports of China in the early 19th century. Drawn with a fine brush in vivid colors the paintings depicted things that would fascinate foreigners and encourage them to bring home as souvenirs. The current examples often caught the eye of foreigners who may have actually seen some form of public punishment or execution. . CONDITION: The work is remarkable clean and solid. As usual when ever pith paper is fastened at the corners there is a reaction to moisture in the air and the paper will expand or contract and thus snap its connection. By and large these works are not damaged except for two corners where there was some loss. Please see link #1 below on how to mount and care for pith paintings. These can be re-matted per the link and preserved on acid-free paper and reframed for display. . Color photos are posted to our website. . BIBLIOGRAPHY: . C.L. Crossman: THE DECORATIVE ARTS OF THE CHINA TRADE p.173-203 and the associated color and b.w. photo examples. C.L. Crossman THE CHINA TRADE p.93-120 and the photos. A. Chu: ORIENTAL ANTIQUES AND COLLECTIBLES pp.62-67 photo #60. 1: see: artfacts dot org/artinfo/articals/pith_paper dot html 2. www dot answers dot com/topic/tingqua 3. Wikipedia: Lam_Qua C.L. Crossman: THE DECORATIVE ARTS OF THE CHINA TRADE p.173-203 and the associated color and b.w. photo examples. C.L. Crossman THE CHINA TRADE p.93-120 and the photos. A. Chu: ORIENTAL ANTIQUES AND COLLECTIBLES pp.62-67 photo #60. . hardcover
书商的参考编号 : 30018401
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[LAM-QUA/TING-QUA SCHOOL.]
SUITE OF TWO MINIATURE GOAUCHE PAINTINGS ON PITH PAPER OF A CHINESE MANDARIN COU
Canton 1800-1820 Lam-Qua. Framed & glazed gold mat a pair of hand-painted "Pith" paintings 5.7 x 9.5 cm. matted size very clean bright excellent examples. ORIGINAL HAND-PAINT IN FULL COLOR. R A R E ! . . . A RARE PAIR OF 'PITH' PAINTINGS . . . IN EXCELLENT CONDITION . . A pair of lovely and delicately color painted Chinese couple. The woman on the left wears a long ping silk gown with emerald green under skirt. She hold a silk fan with a painted flower in her left hand and in her right a silken cloth. She wears jade earring and has a flower in her hair. She wears white shoes with orange tops. The man clearly a Mandarin wears a purple robe with his "Mandarin Square" silk embroidered rank on his chest. His undergarment is the typical Imperial green red and yellow colors. He wear the typical Mandarin's hat of red and pink with a green feather. His shoes are the typical black cloth top with white felt soles. The both look at each other. A typical Mandarin scene. . LAM-QUA & TING-QUA SCHOOLS: The works are done in the Canton style of Lam-Qua and his brother Ting-qua. See item #2 below for a link. . Ting-qua born ca. 1809; flourished 1840-70. He was the brother of Lam-Qua 1801-1860 and probably a close relation of Spoilum. Ting-qua's studio at 16 China Street Guangzhou was perhaps the most prolific source of Chinese export paintings of its time. Working in a manner influenced by Western artistic traditions Ting-qua and the painters of his studio restricted themselves to gouache and water-colors perhaps to avoid rivalry with Lam-qua's oil paintings. Their pictures which were often sold in sets." Quoted from item #2 below. . PITH PAPER: The paintings were done on pith paper. "Pith paper or rice paper a misnomer as it is sometimes known is made from the inner pith of the plant Tetrapanex papyrifera which is a member of the Araliaceae family. The plant is a shrub native to Southern China and Taiwan. As well as a painting material pith paper was used to make artificial flowers and surgical dressings." Cited from item #1 below. . THE LEGAL SYSTEM OF CHINA IN EARLY 19TH CENTURY: Justice was swift and usually done to make an example of the accused. If the accused pleaded guilty and confessed his punishment was lessoned. If he persisted in innocence even though he was not guilty his punishment was more severe. Showing a cooperative attitude was of advantage. Nearly all people accused of a crime were assumed to be guilty. The punishment for various crimes were commonly known and justice was meted out by the magistrate. . RARITY: Gouache pith paintings are now rare most were damaged cracked and brittle rendering them useless. The few that survived are considered RARE and uncommon. The paintings were drawn with much skill and patience and were for the most part drawn for and sold to foreigners in the treaty ports of China in the early 19th century. Drawn with a fine brush in vivid colors the paintings depicted things that would fascinate foreigners and encourage them to bring home as souvenirs. The current examples often caught the eye of foreigners who may have actually seen some form of public punishment or execution. . CONDITION: The work is remarkable clean and solid. There are no damage to the paintings visible from the glazed side the back has not been opened but the images look very clean solid with none of the usual cracking or other damage often found on these kinds of early paintings. The frame is clean solid and ready for library or display. . THE FRAMING AND MOUNTING: The pair of painting have been western-style gold-matted framed in brown wood and glazed. The over all size of the frame is 25.5 x 17.5 cm. The verso or back has brown paper glued to all edges and two tiny holes in the back where eyelets were probably screwed in to hold the hanging wire not present. . REFERENCES: . http://www.artfacts.org/artinfo/articals/pith_paper.html Please see this site for copious details on pith plant and its uses. http://www.answers.com/topic/tingqua http://en.wikipedia.org/wiki/Lam_Qua C.L. Crossman.: THE DECORATIVE ARTS OF THE CHINA TRADE p.173-203 and the associated color and b.w. photo examples. . C.L. Crossman.: THE CHINA TRADE p.93-120 and the photos. Arthur Chu.: ORIENTAL ANTIQUES AND COLLECTIBLES pp.62-67 photo #60. . . hardcover
书商的参考编号 : 34040601
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[LAM-QUA/TING-QUA SCHOOL.]
SUITE OF TWELVE GOAUCHE PAINTINGS OF CHINESE ON PITH PAPERBound in Black on G
Canton ca.1800-1820 Lam-Qua.Black lacquer gold painted 12 fine gouache hand-drawn & colored paintings 12.5 x 16.5 cm. very fine condition each mounted in an album with old gold paper corners on pith paperexcellent example. RARE ! . . . A SUPERB SUITE OF TWELVE STUNNING COLOR PITH PAINTINGS . . . ILLUSTRATING VARIOUS CHINESE IN ELABORATE COSTUME . This is a charming suite of 12 lovely portraits of Chinese men women and military men. . THE PAINTED SUBJECTS: . 1. An old sage holds a scroll of holy texts while he is seated behind him stands a guard with a pole sword. . 2. A young warrior holds a long axe ready for action. . 3. A young lady a white porcelain teacup. . 4. A warrior holds his halberd ready for action. . 5. A fierce older warrior holds a sword and his shield. . 6. A guard holds his long sword at the ready. . 7. An elderly man strokes his long beard. . 8. A young man takes a stroll holding a fan behind his back. . 9. An elderly an holds two Burmese-green jade bracelets. . 10. A man holds a feather fan. . 11. A very old man holds his long sword. . 12. A bearded man points with his hand toward the right. . The twelve paintings are gently mounted to stiff black album pages with the old style "NuAce" photo mounting corners. There is no damage to the paintings with this technique. . THE STUNNING GOLD OVER BLACK ILLUSTRATED LACQUER COVERS: This is a very unusual binding hand-painted in gold lacquer over black lacquer background on wooden boards. . The cover illustration shows five Chinese: The Lord & Master; his concubine; his son Prince; his retainer; and the maid. . The Lord & master is seen seated before a tea service with three golden cups and a golden ceramic tea pot. The Lord & Master reaches for the hand of his fair and very young concubine who holds a fan. The tea service is clearly for three people: The Lord & Master his son the Prince and the concubine. . The retainer is seated just behind the Lord & Master's right side showing proper respect by looking at the floor. The young Prince the son is seated before his father and looks at the concubine. At the rear is the maid waiting for order. She puts her right hand on the adjacent table holding a tray. . The work has an elaborate and stunning border. In the upper corners are two stunning illustrations: the upper left sows the Golden Dragon in the upper right is the Phoenix. At the left center margin is a golden Peacock. The margin-borders are elaborately done with differing traditional Chinese patterns and designs. A most stunning view inside of the . The back is plain black lacquer. . The spine is black leather with period Chinese swastika design white over black end papers. Some of the old glue is showing through the very thin tissue endpapers else very solid with heavy black pages. . CONDITION OF THE GOLD AND BLACK LACQUER COVERS: The covers are in exceptionally good condition. There are two minor spots: one ca. 1.5 cm spot at the son's midsection and another black spot .05 cm just below his robe. . There is the very small amount of occasional and barely visible usual and very minor mild scuffing with a minor discoloration of the face of the maid. There is a bit of 'crackle' to the black lacquer which is normal for a piece 200 years old. Else this is in very nice condition. . CONDITION OF THE PAINTINGS: These are exceptionally bright and clean drawings lightly mounted on a now browned backing paper with blue-glossy patterned paper borders. . Numbers: . 1 has a tiny 1.5 & .5 cm. small split at bottom left this does not affect the painting. . 2 has the lower portion folded in the process of paper-making which is normal variation and does not detract. . 5 has a tiny 1 cm. split at top in the margin this does not affect the painting. . 9 has a 7 cm. split from the elbow to the bottom of the work apparently restored from the verso minimal impact. . 11 has a small 1 cm. scuff in the right margin this does not affect the image. . 12 has a similar but less obvious 1 cm. scuff in the right margin at the same place as #11 this does not affect the image. . The balance i.e. numbers: 3467810 are without issues. . OVERLY CRITICAL: We are commonly obsessive and overly critical about pointing out any and all defects. Please view the scans posted to our website. All in all these look much better than the above description. Perfectly clean no blemishes. . NOTE: Typically "pith" paintings are prone to be very brittle and delicate. We are happy to state this suite is exceptionally very solid and intact. The colors are brilliant bright and stunningly fresh without any fading or issues. They appear to have been properly cared for protected. These are in excellent "Collector's Condition." . PAINTING QUALITY AND FRESH BRILLIANTLY COLORED: The paintings are meticulously executed with fine detail painted a steady skilled hand. . LAM-QUA TING-QUA SCHOOLS: The works are done in the Canton style of Lam-Qua and his brother Ting-qua. See link below. . Ting-qua born ca. 1809; flourished 1840-70. He was the brother of Lam-Qua 1801-1860 and probably a close relation of Spoilum. Ting-qua's studio at 16 China Street Guangzhou was perhaps the most prolific source of Chinese export paintings of its time. Working in a manner influenced by Western artistic traditions Ting-qua and the painters of his studio restricted themselves to gouache and water-colors perhaps to avoid rivalry with Lam-qua's oil paintings. Their pictures which were often sold in sets." . PITH PAPER: The paintings were done on pith paper. "Pith paper or rice paper" a misnomer as it is sometimes known is made from the inner pith of the plant Tetrapanex papyrifera which is a member of the Araliaceae family. The plant is a shrub native to Southern China and Taiwan. As well as a painting material pith paper was used to make artificial flowers and surgical dressings." . RARITY: Gouache pith paintings are now rare most were damaged cracked and brittle rendering them useless. The few that survived are considered RARE and uncommon. The paintings were drawn with much skill and patience and were for the most part drawn for and sold to foreigners in the treaty ports of China in the early 19th century. Drawn with a fine brush in vivid colors the paintings depicted things that would fascinate foreigners and encourage them to bring home as souvenirs. The current examples shows portraits of Chinese officials guards military men as well as upper class citizens. . Albums of pith paintings were typically issued in a suite of twelve. . BIBLIOGRAPHY: . http://www.artfacts.org/artinfo/articals/pith_paper.html http://www.answers.com/topic/tingqua http://en.wikipedia.org/wiki/Lam_Qua C.L. Crossman.: THE DECORATIVE ARTS OF THE CHINA TRADE p.173-203 and the associated color and b.w. photo examples. . C.L. Crossman.: THE CHINA TRADE p.93-120 and the photos. Arthur Chu.: ORIENTAL ANTIQUES AND COLLECTIBLES pp.62-67 photo #60. . . hardcover
书商的参考编号 : 35006201
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[Lancelot, Claude]
Abrégé de la nouvelle méthode présentée au Roy pour apprendre la langue latine. Contenant les rudimens, reduits en nouvel ordre ; Avec des petites régles pour bien décliner et conjuger et les regles des genres, des déclinaisons, des preterits, de la syntaxe, et des accents latins
Toulouse, Par la Société 1738 In-16 relié plein veau d’époque 15,5 cm sur 10. Dos à nerfs orné des caissons et fleurons dorés. Tranches rouges. 436 pages. Page de titre et 72 pages de texte imprimées en rouge et noir. Bandeaux et culs-de-lampe. Mentions manuscrites sur deuxième contreplat. Reliure d’usage avec quelques petites taches, épidermures et frottements, 3 trous de vers au dos sans atteinte au texte. Rosace tracée au compas sur le premier plat, probablement par un écolier qui s’ennuyait ! Coins émoussés. Un cahier émergent légèrement de la gouttière aux tranches grises. Sans pages de garde. Assez bon état d’occasion.
书商的参考编号 : 110705
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[LANDES]
Arrêté qui prescrit l'organisation des écoles primaires. dans toutes les communes du troisième arrondissement
Mont-de-Marsan, Delaroy jeune, s.d. (janvier 1805) placard in-folio (43 x 30 cm), texte sur deux colonnes, impression sur papier bleuté, en feuille, petit manque de papier en haut.
书商的参考编号 : 207239
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