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GOYA Y Lucientes Francisco de (Fuente de Todos 1746 - Bordeaux 1828)
Obsequio à el maestro
Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 82, Delteil 84.
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GOYA Y Lucientes Francisco de (Fuente de Todos 1746 - Bordeaux 1828)
Porque esconderlos?
Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 65
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GOYA Y Lucientes Francisco de (Fuente de Todos 1746 - Bordeaux 1828)
Qual la descañonan!
Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 56, Delteil 78.
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GOYA Y Lucientes Francisco de (Fuente de Todos 1746 - Bordeaux 1828)
Subir y bajar
Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della seconda edizione di dodici, stampata dalla calcografia di Madrid. Acquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce nel 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Plate 56: figures falling through air, including satyr; from a bound album of the second edition impressions. 1799 Etching and burnished aquatint.From the second edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia.A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 91; Delteil 93.
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GOYA Y Lucientes Francisco de (Fuente de Todos 1746 - Bordeaux 1828)
Tan barbara la seguridad como el delito (Il prigioniero)
Acquaforte e bulino, circa 1810/15. Il titolo dell’opera è tratto da una scrittura a mano in una prova di stampa dell’opera che Goya include nell’album dei “Disastri della guerra” che donò al suo amico Ceán Bermúdez e che ora è conservato al British Museum di Londra. Il disegno preparatorio dell’opera è conservato al Prado di Madrid. Esemplare nel terzo stato di quattro, inserito nella Gazette des Beaux-Arts (1867); si tratta della prima vera edizione dell’opera, conosciuta altrimenti solo attraverso due prove di stampa. "A seated prisoner raises his clasped hands, both fastened with chains, in a gesture of supplication. We cannot see his features since his face is hidden beneath his long, dark hair. His feet are fastened in large shackles. Both the chains and the shackles are of considerable size, underlining their importance in any interpretation of the print. In fact, just as the title of the etching shows, the painter is comparing the excessive zeal employed in preventing the prisoner from escaping to the brutality of the crime he is accused of. It is possible that the way in which the prisoner is secured in this work by Goya was habitual at the time, an idea which is supported by certain passages of Forensic Discourses (Discursos forenses), by Juan Meléndez Valdés (Ribera del Fresno, Badajoz, 1754- Montpellier, 1814), whose portrait Goya painted in 1797. This book, published in Madrid in 1821, speaks of the cumbersome chains and shackles used to hold one María Vicente, put to death on the 23rd April 1798. Goya could well have known of her story: "But it is said that Doña María Vicente must have been treated, as the noblewoman that she is, in a very different manner, and not locked in shackles; and even thus fettered it was the judge's responsibility to examine their state and quality beforehand, to order them put on correctly". The painter has made extensive use of the etching technique here, building up the background with short, horizontal lines, whilst leaving large areas on the prisoner's clothing untouched and white, underlining his innocence. This etching would have been made at the same time as two others: The custody of a prisoner does not call for torture and If he is guilty, let him die quickly. In these images, Goya openly expresses his repulsion of the way in which prisoners were treated, as well as his opposition to the death penalty, echoing the ideas of Cesare Beccaria (Milan, 1738- Milan, 1794). In the pages of the work entitled Dei deliti e delle pene, published between 1763 and 1764, the Milanese talks of the need to modify the penal system, to lessen the severity of punishments and to seek out mechanisms for preventing crime. It is possible that these etchings also contributed to the debate on the abolition of torture which was being discussed in the Courts of Cádiz. Goya reiterates this same topic in some of the prints in his Disasters of War series, such as no. 15, And it can't be helped, no. 31, That's tough!, no. 32, Why?, no. 34, On account of a knife, no. 35, One can't tell why and no. 36, Not in this case either. Despite the gritty subject matter, the figure depicted in this etching possesses great dignity, recalling some earlier precedents which Goya may have been familiar with. One of these is an anonymous print based on Interior of a Prison (16th century, Museum of Fine Arts, Boston), by Giulio Romano (Rome, 1499-Mantua, 1596). When he was making this print, Goya may also have had in mind the disturbing, gloomy ambience of the prisons of Giambattista Piranesi (Mogliano Veneto, Treviso, 1720- Roma, 1778)." (cfr. https://fundaciongoyaenaragon.es/eng/obra/tan-barbara-la-seguridad-como-el-delito/712). Tomás Harris ritiene che la matrice di rame si trovi in una collezione privata di Parigi. Bibliografia Harris 26 III/IV; Delteil 31. Etching and engraving, circa 1810/15. The title of this work is taken from the handwritten title of a state proof that Goya included in the album of his Disasters of War prints which he gave to his friend Ceán Bermúdez and which is now in the British Museum, London. The preparatory drawing for this etching is in the Prado Museum, Madrid. Example of the third state of four, form the Gazette des Beaux-Arts (1867), firts edition of this work, before known only for proof states. "A seated prisoner raises his clasped hands, both fastened with chains, in a gesture of supplication. We cannot see his features since his face is hidden beneath his long, dark hair. His feet are fastened in large shackles. Both the chains and the shackles are of considerable size, underlining their importance in any interpretation of the print. In fact, just as the title of the etching shows, the painter is comparing the excessive zeal employed in preventing the prisoner from escaping to the brutality of the crime he is accused of. It is possible that the way in which the prisoner is secured in this work by Goya was habitual at the time, an idea which is supported by certain passages of Forensic Discourses (Discursos forenses), by Juan Meléndez Valdés (Ribera del Fresno, Badajoz, 1754- Montpellier, 1814), whose portrait Goya painted in 1797. This book, published in Madrid in 1821, speaks of the cumbersome chains and shackles used to hold one María Vicente, put to death on the 23rd April 1798. Goya could well have known of her story: "But it is said that Doña María Vicente must have been treated, as the noblewoman that she is, in a very different manner, and not locked in shackles; and even thus fettered it was the judge's responsibility to examine their state and quality beforehand, to order them put on correctly". The painter has made extensive use of the etching technique here, building up the background with short, horizontal lines, whilst leaving large areas on the prisoner's clothing untouched and white, underlining his innocence. This etching would have been made at the same time as two others: The custody of a prisoner does not call for torture and If he is guilty, let him die quickly. In these images, Goya openly expresses his repulsion of the way in which prisoners were treated, as well as his opposition to the death penalty, echoing the ideas of Cesare Beccaria (Milan, 1738- Milan, 1794). In the pages of the work entitled Dei deliti e delle pene, published between 1763 and 1764, the Milanese talks of the need to modify the penal system, to lessen the severity of punishments and to seek out mechanisms for preventing crime. It is possible that these etchings also contributed to the debate on the abolition of torture which was being discussed in the Courts of Cádiz. Goya reiterates this same topic in some of the prints in his Disasters of War series, such as no. 15, And it can't be helped, no. 31, That's tough!, no. 32, Why?, no. 34, On account of a knife, no. 35, One can't tell why and no. 36, Not in this case either. Despite the gritty subject matter, the figure depicted in this etching possesses great dignity, recalling some earlier precedents which Goya may have been familiar with. One of these is an anonymous print based on Interior of a Prison (16th century, Museum of Fine Arts, Boston), by Giulio Romano (Rome, 1499-Mantua, 1596). When he was making this print, Goya may also have had in mind the disturbing, gloomy ambience of the prisons of Giambattista Piranesi (Mogliano Veneto, Treviso, 1720- Roma, 1778)." (cf. https://fundaciongoyaenaragon.es/eng/obra/tan-barbara-la-seguridad-como-el-delito/712). Tomás Harris believes that the plate for this etching may be in a private collection in Paris. Literature Harris 26 III/IV; Delteil 31. Harris 26, III/IV; Delteil 31.
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GOYA Y Lucientes Francisco de (Fuente de Todos 1746 - Bordeaux 1828)
Y aun no se van!
Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 94, Delteil 96.
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GOYA Y Lucientes Francisco de (Fuente de Todos 1746 - Bordeaux 1828)
Ysele quema la Casa
Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 53, Delteil 55.
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GOYTISOLO, Juan
CHRONIQUE D'UNE ILE - Gallimard 1961
París, Gallimard, 1961. Traduit de l'Espagnol par Robert Marrast. Préface de M.-E. Coindreau. 220 p. 1 h. 8º. Cubiertas originales levemente rozadas. Ejemplar levemente mareado. 1ª edición francesa. Traducción de la novela "La isla".
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GOYTISOLO, Juan
EXAMEN DE CONCIENCIA - SPANISCHE GEWISSENS ERFOSCHUNG - 1966
Ebenhausen, Langewiesche-Brandt, 1966. 96 p. 8º menor.
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Grace Hospital School of Nursing
The Silver Cross 1961; 9
Paperback / softback. New. paperback
Referentie van de boekhandelaar : A9781014971289 ISBN : 1014971284 9781014971289
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Grace Hospital School of Nursing
The Silver Cross 1960; 8
Paperback / softback. New. paperback
Referentie van de boekhandelaar : A9781014083999 ISBN : 1014083990 9781014083999
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Grace Hospital School of Nursing
The Silver Cross 1961; 9
Paperback / softback. New. paperback
Referentie van de boekhandelaar : B9781014971289 ISBN : 1014971284 9781014971289
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Grace Hospital School of Nursing
The Silver Cross 1960; 8
Paperback / softback. New. paperback
Referentie van de boekhandelaar : B9781014083999 ISBN : 1014083990 9781014083999
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Grace Hospital School
YEARBOOK LAVENDER AND LACE. 1968
Richmond: Grace Hospital School 1968. Hard Cover. Very Good binding. The 1968 Lavender and Lace the yearbook for the Grace Hospital School in Richmond Virginia. With no marks. Some spots of discoloration to the boards. Purple cloth printed white. Very Good. Very Good binding. Grace Hospital School unknown books
Referentie van de boekhandelaar : 287508
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Grace Hospital School
YEARBOOK LAVENDER AND LACE. 1975
Richmond: Grace Hospital School 1975. Hard Cover. Very Good binding. The 1975 Lavender and Lace the yearbook for the Grace Hospital School in Richmond Virginia. With no marks. Some spots of discoloration to the boards. Purple cloth printed white. Very Good. Very Good binding. Grace Hospital School unknown books
Referentie van de boekhandelaar : 287478
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Grace Lutheran Church and School
TASTES OF GRACE A Collection of Recipes
Huntsville AL: Private Printing. 2008. Spiral bound. Very Good with no dust jacket; Wear at edges. ; 50th Anniversary Edition 1958-2008 . Private Printing unknown
Referentie van de boekhandelaar : 83730
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Grace Petman:
ONLY HELEN!
Vg (clean rust-coloured cloth with black lettering and ruled borders spine and front board, stiff pages clean bright and crisp, clean Sunday School prize plated dated 1939 front free endpaper, a very clean bright copy, all colour plates are clean and bright, binding just a touch loose at central hinge and one plate partly disbound bottom 3")12mo 186pp. Colour frontis and 4 colour plates, all in orange/grey/black in distinctive 1930s style.
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Grad, The Law School
STRAIGHT As in Law School: 8 secrets professors do not share
Independently published 2019. Paperback. New. 29 pages. 9.00x6.00x0.08 inches. Independently published paperback
Referentie van de boekhandelaar : 2-1081362146 ISBN : 1081362146 9781081362140
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Grade 2 Students Ecole Forest Hill, Saint-Lazare Quebec
What Makes Us Happy
Used - Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects. unknown
Referentie van de boekhandelaar : 53426508-75 ISBN : 0439947448 9780439947442
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Grade 2 Students Ecole Forest Hill Saint Lazare Quebec
What Makes Us Happy
Used - Good. Used book that is in clean average condition without any missing pages. unknown
Referentie van de boekhandelaar : 9225294-6 ISBN : 0439947448 9780439947442
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Grade 7 & 8 Class of Quluaq School
The Hip Hope Dancer: with English and Inuktitut Text
Paperback. New. paperback
Referentie van de boekhandelaar : A9780995927308 ISBN : 0995927308 9780995927308
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Grade 7 & 8 Class of Quluaq School
The Hip Hope Dancer: with English and Inuktitut Text
Paperback. New. paperback
Referentie van de boekhandelaar : B9780995927308 ISBN : 0995927308 9780995927308
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Grade 7 Art Class, Tumbler Ridge Secondary School
Hockey In the Wild
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 1988447321.G ISBN : 1988447321 9781988447322
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Grade V Classes of The Nightingale-Bamford School, compiled by
Poems for Life: Famous People Select Their Favorite Poem and Say Why It Inspires Them
New York: Arcade Publishing 1995. Softcover. Fine. Uncorrected proof. Introduction by Anna Quindlen. Glossy wrappers. Fine. Reprints each letter sent for the project adjacent to the selected poem; contributions by Jane Alexander E.L. Doctorow Allen Ginsberg Kenneth Koch Angela Lansbury David Mamet Ismail Merchant Joyce Carol Oates Isabella Rossellini Steven Sondheim Kurt Vonnegut Elie Wiesel Elizabeth Winthrop Tom Wolfe and many more. Arcade Publishing unknown
Referentie van de boekhandelaar : 595026
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Grade V Classes of The Nightingale-Bamford School, compiled by
Poems for Life: Famous People Select Their Favorite Poem and Say Why It Inspires Them
New York: Arcade Publishing 1995. Hardcover. Near Fine/Near Fine. First edition. Introduction by Anna Quindlen. Boards very slightly splayed near fine in a near fine dust jacket with a faintly sunned spine and mild edgewear. Reprints each letter sent for the project adjacent to the selected poem; contributions by Jane Alexander E.L. Doctorow Allen Ginsberg Kenneth Koch Angela Lansbury David Mamet Ismail Merchant Joyce Carol Oates Isabella Rossellini Steven Sondheim Kurt Vonnegut Elie Wiesel Elizabeth Winthrop Tom Wolfe and many more. Arcade Publishing hardcover
Referentie van de boekhandelaar : 573674 ISBN : 1559702869 9781559702867
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Grades 6-8 Reading Study Guide: Mcdougal Littell Middle School World History (Spanish Edition) Holt Mcdougal Geography
World Cultures &
Fine. Like new with slight aging. unknown
Referentie van de boekhandelaar : f2-5-1-18- ISBN : 0618887393 9780618887392
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Grades Two And Three St. Philip's ( Residential ) School Fort George , P. Q. Via Moosonee, Ontario, Canada
We Live At Fort George
Toronto Ontario Canada: Indian Affairs And Northern Development 1970. Book. Fine. Soft cover. 1st Edition. 24mo - over 5 - 5¾" tall. 44 Pages Illus. Indian Affairs And Northern Development Paperback
Referentie van de boekhandelaar : 049355
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Graduate School of Asian and African Area Studies, Kyoto University
Asian and African Area Studies 2006 No.6-2
Do kenkyu-ka 2006. Soft Cover. Fine. Number of books: 1 Do kenkyu-ka paperback
Referentie van de boekhandelaar : 2091502135420573
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Graduate School of Comparative Sociology and Culture, Kyushu University
Bulletin of the Kyushu Institute of Cultural History No. 4243
Kyushu Cultural History Reference Room 1999. Soft Cover. Fine. Size: A5 version 241 pages Number of books: 1 volume Kyushu Cultural History Reference Room paperback
Referentie van de boekhandelaar : 2080302106806869
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Graduate School of Literature, Meiji University
Collection of Cultural Succession Studies 1
Graduate School of Literature Meiji University 2005. Soft Cover. Fine. Page size: 196 pages Size: B5 size Graduate School of Literature, Meiji University paperback
Referentie van de boekhandelaar : 2080202102706969
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Graduate School of Architecture, Planning, and Preservation
Columbia University Bulletin 2003-2005: Graduate School of Architecture Planning and Preservation
New York: Columbia University 2003. Book. Very Good. Soft Cover . 8vo or 8° Medium Octavo: 7¾" x 9¾" tall. 175 pp. Solidly bound copy with moderate external wear crisp pages and clean text. Columbia University Paperback
Referentie van de boekhandelaar : 4iCe0016
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Graduate School of Design, Harvard University, Cambridge; George Notter, compiler
COMPARATIVE HOUSING STUDY: Analyses of Housing Types and Comparative Designs of Dense Urban Residential Sectors. May 1958
Graduate School of Design Harvard University 1958. Plastic Comb. Used - Very Good. 163 pages. Plans sections elevations perspective drawings. 11 x 14" plastic comb stiff paper covers. 'Dober' on cover Richard P. Dober. Cover rubbed soiled creased text VG. Graduate School of Design, Harvard University unknown
Referentie van de boekhandelaar : 87084
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Graduate School of Science and Engineering Kyushu University
Department of High Energy Materials Science 10th Anniversary Commemorative Journal
Not Available 1994. Soft Cover. Fine. The book is in fine condition. Not Available paperback
Referentie van de boekhandelaar : 2090502113714589
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Graduate School of Journalism, University of California, Berkeley
En Charette/On Deadline:An Architectural History of North Gate Hall University of California Berkeley.
Berkeley: Graduate School of Journalism University of California Berkeley 1993. 8vo. circa 50 pp. Soft Cover Very Good. B&W Plates. Berkeley: Graduate School of Journalism, University of California, Berkeley, 1993. paperback
Referentie van de boekhandelaar : 69-1967
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Graduate School, USDA
Federal Appropriations Law; An Overview for the National Nuclear Security Administration: Participant Guide
Washington DC: Graduate School USDA 2007. Presumed First Edition First printing thus. Spiral bound. Good. 53 1 pages plus covers. Illustrations. Some participant notes to some pages are present. FINC7100D001 - Federal Appropriations Law: Description: In this comprehensive course you will learn how to correctly interpret and apply federal appropriations law to the use of appropriated funds. You will gain a solid foundation in federal government appropriations law using the Government Accountability Office GAO Principles of Federal Appropriations Law Red Book Chapters 1 through 9 as the text. At the completion of the course you will be able to determine the availability of appropriations as to purpose time and amount and to avoid Anti-deficiency Act errors. The course also explores the relationship of agency budgets to appropriations and the propriety timing and legality of certain types of expenditures. Working in teams you will gain practical experience by completing case studies that are based on actual Comptroller General Decisions. Graduate School, USDA unknown
Referentie van de boekhandelaar : 81068
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Graduate School of Public Administration
Financing Government in New York City
New York University 1966. Hardcover. Good. Prompt shipment with tracking. we ship in CLEAN SECURE NEW boxes : Good hardcover with clean pages previous owner sticker on front pastedown stains on cover. Sm4to. 717pp. New York University hardcover
Referentie van de boekhandelaar : Bing832JW058
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Graduate School of Public Administration, New York University
Financing Government in New York City: Final Research Report of the Graduat e School of Public Administration New York Universit
New York University. 1966. Hardcover. UsedGood. Hardcover; fading light soiling and shelf wear to the cover; bumps to the corners; former owner's name on front end page; otherwise in good conditio n with clean text and tight binding. . New York University hardcover
Referentie van de boekhandelaar : 74587
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Graduate School: Winning Strategies for Getting in With or Without Excellent Grades Dave G. Mumby Mumby
Graduate School: Winning Strategies for Getting in With or Without Excellent Grades Dave G
Paperback . new. new paperback
Referentie van de boekhandelaar : 9780968217344 ISBN : 0968217346 9780968217344
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GRADUATE SCHOOL OF BUSINESS ADMINISTRATION.
Harvard Business Reports. Vols. 1-11 plus index to vols. 1-10.
Hardback. 1926. Large 8vo Chicago 1926-1932. 12 vols. Very good copies. . hardcover
Referentie van de boekhandelaar : HALL508920
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Graduate School of History and Folklore Kanagawa University
History and Folk in Dialogue Etude of History and Folklore Materials <Japanese Version>
Not Available 2005. Soft Cover. Fine. Number of books: 1 Not Available paperback
Referentie van de boekhandelaar : 2110502151110101
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Graduate School of Human Environment, Kyoto University
History Culture and Society Course Bulletin No. 12 <Japanese Version>
Not Available 2005. Soft Cover. Fine. Number of books: 1 Not Available paperback
Referentie van de boekhandelaar : 2110502151107597
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Graduate School of Japanese Language / Edited by Kyushu Eigakukan
Kyushu Eigakukan Graduate School of Japanese Language Modern Japanese Language
Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
Referentie van de boekhandelaar : 2090502113702108
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Graduate School of Literature, Nishogakusha University
Nimatsu University Bulletin Vol.19 <Japanese Version>
Nishogakusha University 2005. Soft Cover. Fine. Number of books: 1 Nishogakusha University paperback
Referentie van de boekhandelaar : 2110502151107423
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Graduate School of Literature, Nishogakusha University
Nimatsu Vol.6 Bulletin of the University <Japanese Version>
Nishogakusha University 1992. Soft Cover. Fine. Volume: 1 Nishogakusha University paperback
Referentie van de boekhandelaar : 2110502150902977
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Graduate School of Business Administration
Official Register of Harvard University
Boston: Harvard University. Very Good. 1930. Softcover. Volume 27 no. 28; Octavo . Harvard University paperback
Referentie van de boekhandelaar : 117312dd2
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Graduate School of Creative Cities, Osaka City University
Place of Creation and Urban Regeneration <Japanese Version>
Akihiro shobo 1947. Soft Cover. Fine. Number of books: 1 book Akihiro shobo paperback
Referentie van de boekhandelaar : 2092902137404838
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Graduate School
Plaire et instruire: Essays in Sixteenth and Seventeenth-Century French Literature in Honor of George B. Daniel Jr
Peter Lang Gmbh Internationaler Verlag Der Wissenschaften 1994-02-01. New. hardcover. Used: Good. 6.50x0.75x9.50. Buy with confidence. Excellent Customer Service & Return policy. Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften hardcover
Referentie van de boekhandelaar : SONG0820419982 ISBN : 0820419982 9780820419985
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Graduate School of Asian and African Area Studies, Kyoto University
Practical Area Studies Attractive University Education Initiative Fostering Practical Area Researchers through On-Site Education Research : 2006-2007 Fieldwork Internship Implementa. <Japanese Version>
Not Available 2008. Soft Cover. Fine. Size: A4 size Not Available paperback
Referentie van de boekhandelaar : 2092902143401907
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Graduate School of Medicine Nagoya University
Professor Kazunori Watanabe Retirement Commemorative Research Achievements <Japanese Version>
Not Available 2003. Soft Cover. Fine. Number of pages: 139 Not Available paperback
Referentie van de boekhandelaar : 2111902160101753
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Graduate School and University Center, The City University of New York.
The Death of Tarelkin: A Reconstruction an Exhibition A Performance-Demonstration.
New York New York: City University of New York 1985. Folio. 56 x 43 cm. Wove Paper with B&W Photographs. Double Sided. One Side Describes the 1985 Production by the City University of New York. One Side is a Reprint of the Play's Original Release Poster. New York, New York: City University of New York, 1985. unknown
Referentie van de boekhandelaar : 16-2635
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