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COIGNET Jules (1798-1860, école française):
Études de la Nature. Deux dessins originaux à la mine de plomb sur papier beige.
s.d., vers 1830-50, les 2 dessins dans des passepartout ens.
Riferimento per il libraio : 82938aaf
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COISSAC (Jean-Baptiste).
Les Institutions scolaires de l'Ecosse. depuis les origines jusqu'en 1560
Paris, Librairie Larousse, 1914 in-8, 76 pp., 1 planche, broché.
Riferimento per il libraio : 243038
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Colchester School
Register of the Scholars Admitted to Colchester School: 1637-1740 Classic Reprint
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Riferimento per il libraio : 0656018488.G ISBN : 0656018488 9780656018482
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Colchester School
Register of the Scholars Admitted to Colchester School Classic Reprint: 1637-1740
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Riferimento per il libraio : 1332031404.G ISBN : 1332031404 9781332031405
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Cole Escola
Oh Mary! by Cole Escola Stage Play
Theater Communications Group 2025-04-01. paperback. New. 8x6x1. New Textbook Ships with Tracking Theater Communications Group paperback
Riferimento per il libraio : SKU1738459 ISBN : 0822245469 9780822245469
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COLEMAN Charles (Pontefract 1807 ca. - Roma 1874)
Campagna romana
Acquaforte, tratta da 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', edito a Roma nel 1850. Magnifica prova, impressa su carta cina applicata su cartoncino, pieni margini, in perfetto stato di conservazione. Charles Coleman è stato un pittore inglese di paesaggi e animali, nato a Pontefract, nello Yorkshire, in Inghilterra. Fu attivo principalmente a Roma, dove fu un'importante influenza su Nino Costa e diede un contributo significativo alla formazione della Scuola di pittura di Campagna Romana. Dalle brulle colline dello Yorkshire, Charles Coleman arriva a Roma nel 1831 e si mostra un pittore appassionato del territorio che circonda l’urbe, pubblicando alla metà del secolo, presso la libreria Spithover, un ricco volume con 53 acqueforti: A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman. I paesaggi che Coleman rappresenta somigliano molto alle vedute desolate del suo Yorkshire, “ventose e abitate soltanto dall’erica”. Nella gran parte delle vedute dell’artista inglese il paesaggio si presenta con vivaci contrapposti, facendo sì che Coleman rappresenti un vero e proprio maestro per una o due generazioni di pittori romani e non solo. Era sprezzante dell'insegnamento accademico, credendo che l'osservazione dalla natura fosse la migliore educazione per un artista. Espose cinque volte alla Royal Academy di Londra, per l'ultima volta nel 1869. Timbro di collezione la verso di Luciana Simonetti (Lugt 3616). Etching from the 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', printed in Rome in 1850. A fine work, printed on China paper and laid on cardboard, full margins, in perfect condition. Charles Coleman was an English landscape and animal painter, born in Pontefract, Yorkshire, England. He was active primarily in Rome, where he was an important influence on Nino Costa and made a significant contribution to the formation of the School of "Campagna Romana" Painting. From the barren hills of Yorkshire, Charles Coleman arrived in Rome in 1831 and showed himself a passionate painter of the territory surrounding the urbe, publishing in the middle of the century, at the Spithover bookstore, a rich volume with 53 etchings: A series of subiects peculiar to the countryside of Rome and Pontine marshes designed from nature and etched by C. Coleman. The landscapes that Coleman depicts are very similar to the desolate views of his Yorkshire, "windy and inhabited only by heather". In most of the English artist's views, the landscape is presented with vivid contrasts, making Coleman a true master for a generation or two of painters in Rome and beyond. He was contemptuous of academic teaching, believing that observation from nature was the best education for an artist. He exhibited five times at the Royal Academy in London, for the last time in 1869. Collection marks on verso, by Luciana Simonetti (Lugt 3616).
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COLEMAN Charles (Pontefract 1807 ca. - Roma 1874)
Campo Vaccino
Acquaforte, tratta da 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', edito a Roma nel 1850. Magnifica prova, impressa su carta cina applicata su cartoncino, pieni margini, in perfetto stato di conservazione. Charles Coleman è stato un pittore inglese di paesaggi e animali, nato a Pontefract, nello Yorkshire, in Inghilterra. Fu attivo principalmente a Roma, dove fu un'importante influenza su Nino Costa e diede un contributo significativo alla formazione della Scuola di pittura di Campagna Romana. Dalle brulle colline dello Yorkshire, Charles Coleman arriva a Roma nel 1831 e si mostra un pittore appassionato del territorio che circonda l’urbe, pubblicando alla metà del secolo, presso la libreria Spithover, un ricco volume con 53 acqueforti: A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman. I paesaggi che Coleman rappresenta somigliano molto alle vedute desolate del suo Yorkshire, “ventose e abitate soltanto dall’erica”. Nella gran parte delle vedute dell’artista inglese il paesaggio si presenta con vivaci contrapposti, facendo sì che Coleman rappresenti un vero e proprio maestro per una o due generazioni di pittori romani e non solo. Era sprezzante dell'insegnamento accademico, credendo che l'osservazione dalla natura fosse la migliore educazione per un artista. Espose cinque volte alla Royal Academy di Londra, per l'ultima volta nel 1869. Etching from the 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', printed in Rome in 1850. A fine work, printed on China paper and laid on cardboard, full margins, in perfect condition. Charles Coleman was an English landscape and animal painter, born in Pontefract, Yorkshire, England. He was active primarily in Rome, where he was an important influence on Nino Costa and made a significant contribution to the formation of the School of "Campagna Romana" Painting. From the barren hills of Yorkshire, Charles Coleman arrived in Rome in 1831 and showed himself a passionate painter of the territory surrounding the urbe, publishing in the middle of the century, at the Spithover bookstore, a rich volume with 53 etchings: A series of subiects peculiar to the countryside of Rome and Pontine marshes designed from nature and etched by C. Coleman. The landscapes that Coleman depicts are very similar to the desolate views of his Yorkshire, "windy and inhabited only by heather". In most of the English artist's views, the landscape is presented with vivid contrasts, making Coleman a true master for a generation or two of painters in Rome and beyond. He was contemptuous of academic teaching, believing that observation from nature was the best education for an artist. He exhibited five times at the Royal Academy in London, for the last time in 1869.
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COLEMAN Charles (Pontefract 1807 ca. - Roma 1874)
Carro trainato dai buoi
Acquaforte, tratta da 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', edito a Roma nel 1850. Magnifica prova, impressa su carta cina applicata su cartoncino, pieni margini, in perfetto stato di conservazione. Charles Coleman è stato un pittore inglese di paesaggi e animali, nato a Pontefract, nello Yorkshire, in Inghilterra. Fu attivo principalmente a Roma, dove fu un'importante influenza su Nino Costa e diede un contributo significativo alla formazione della Scuola di pittura di Campagna Romana. Dalle brulle colline dello Yorkshire, Charles Coleman arriva a Roma nel 1831 e si mostra un pittore appassionato del territorio che circonda l’urbe, pubblicando alla metà del secolo, presso la libreria Spithover, un ricco volume con 53 acqueforti: A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman. I paesaggi che Coleman rappresenta somigliano molto alle vedute desolate del suo Yorkshire, “ventose e abitate soltanto dall’erica”. Nella gran parte delle vedute dell’artista inglese il paesaggio si presenta con vivaci contrapposti, facendo sì che Coleman rappresenti un vero e proprio maestro per una o due generazioni di pittori romani e non solo. Era sprezzante dell'insegnamento accademico, credendo che l'osservazione dalla natura fosse la migliore educazione per un artista. Espose cinque volte alla Royal Academy di Londra, per l'ultima volta nel 1869. Etching from the 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', printed in Rome in 1850. A fine work, printed on China paper and laid on cardboard, full margins, in perfect condition. Charles Coleman was an English landscape and animal painter, born in Pontefract, Yorkshire, England. He was active primarily in Rome, where he was an important influence on Nino Costa and made a significant contribution to the formation of the School of "Campagna Romana" Painting. From the barren hills of Yorkshire, Charles Coleman arrived in Rome in 1831 and showed himself a passionate painter of the territory surrounding the urbe, publishing in the middle of the century, at the Spithover bookstore, a rich volume with 53 etchings: A series of subiects peculiar to the countryside of Rome and Pontine marshes designed from nature and etched by C. Coleman. The landscapes that Coleman depicts are very similar to the desolate views of his Yorkshire, "windy and inhabited only by heather". In most of the English artist's views, the landscape is presented with vivid contrasts, making Coleman a true master for a generation or two of painters in Rome and beyond. He was contemptuous of academic teaching, believing that observation from nature was the best education for an artist. He exhibited five times at the Royal Academy in London, for the last time in 1869.
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COLEMAN Charles (Pontefract 1807 ca. - Roma 1874)
Il riposo
Acquaforte, tratta da 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', edito a Roma nel 1850. Magnifica prova, impressa su carta cina applicata su cartoncino, pieni margini, in perfetto stato di conservazione. Charles Coleman è stato un pittore inglese di paesaggi e animali, nato a Pontefract, nello Yorkshire, in Inghilterra. Fu attivo principalmente a Roma, dove fu un'importante influenza su Nino Costa e diede un contributo significativo alla formazione della Scuola di pittura di Campagna Romana. Dalle brulle colline dello Yorkshire, Charles Coleman arriva a Roma nel 1831 e si mostra un pittore appassionato del territorio che circonda l’urbe, pubblicando alla metà del secolo, presso la libreria Spithover, un ricco volume con 53 acqueforti: A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman. I paesaggi che Coleman rappresenta somigliano molto alle vedute desolate del suo Yorkshire, “ventose e abitate soltanto dall’erica”. Nella gran parte delle vedute dell’artista inglese il paesaggio si presenta con vivaci contrapposti, facendo sì che Coleman rappresenti un vero e proprio maestro per una o due generazioni di pittori romani e non solo. Era sprezzante dell'insegnamento accademico, credendo che l'osservazione dalla natura fosse la migliore educazione per un artista. Espose cinque volte alla Royal Academy di Londra, per l'ultima volta nel 1869. Timbro di collezione la verso di Luciana Simonetti (Lugt 3616). Etching from the 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', printed in Rome in 1850. A fine work, printed on China paper and laid on cardboard, full margins, in perfect condition. Charles Coleman was an English landscape and animal painter, born in Pontefract, Yorkshire, England. He was active primarily in Rome, where he was an important influence on Nino Costa and made a significant contribution to the formation of the School of "Campagna Romana" Painting. From the barren hills of Yorkshire, Charles Coleman arrived in Rome in 1831 and showed himself a passionate painter of the territory surrounding the urbe, publishing in the middle of the century, at the Spithover bookstore, a rich volume with 53 etchings: A series of subiects peculiar to the countryside of Rome and Pontine marshes designed from nature and etched by C. Coleman. The landscapes that Coleman depicts are very similar to the desolate views of his Yorkshire, "windy and inhabited only by heather". In most of the English artist's views, the landscape is presented with vivid contrasts, making Coleman a true master for a generation or two of painters in Rome and beyond. He was contemptuous of academic teaching, believing that observation from nature was the best education for an artist. He exhibited five times at the Royal Academy in London, for the last time in 1869. Collection marks on verso, by Luciana Simonetti (Lugt 3616).
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COLEMAN Charles (Pontefract 1807 ca. - Roma 1874)
Pastori sui monti, vicino Civitella
Acquaforte, tratta da 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', edito a Roma nel 1850. Magnifica prova, impressa su carta cina applicata su cartoncino, pieni margini, in perfetto stato di conservazione. Charles Coleman è stato un pittore inglese di paesaggi e animali, nato a Pontefract, nello Yorkshire, in Inghilterra. Fu attivo principalmente a Roma, dove fu un'importante influenza su Nino Costa e diede un contributo significativo alla formazione della Scuola di pittura di Campagna Romana. Dalle brulle colline dello Yorkshire, Charles Coleman arriva a Roma nel 1831 e si mostra un pittore appassionato del territorio che circonda l’urbe, pubblicando alla metà del secolo, presso la libreria Spithover, un ricco volume con 53 acqueforti: A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman. I paesaggi che Coleman rappresenta somigliano molto alle vedute desolate del suo Yorkshire, “ventose e abitate soltanto dall’erica”. Nella gran parte delle vedute dell’artista inglese il paesaggio si presenta con vivaci contrapposti, facendo sì che Coleman rappresenti un vero e proprio maestro per una o due generazioni di pittori romani e non solo. Era sprezzante dell'insegnamento accademico, credendo che l'osservazione dalla natura fosse la migliore educazione per un artista. Espose cinque volte alla Royal Academy di Londra, per l'ultima volta nel 1869.ne. Etching from the 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', printed in Rome in 1850. A fine work, printed on China paper and laid on cardboard, full margins, in perfect condition. Charles Coleman was an English landscape and animal painter, born in Pontefract, Yorkshire, England. He was active primarily in Rome, where he was an important influence on Nino Costa and made a significant contribution to the formation of the School of "Campagna Romana" Painting. From the barren hills of Yorkshire, Charles Coleman arrived in Rome in 1831 and showed himself a passionate painter of the territory surrounding the urbe, publishing in the middle of the century, at the Spithover bookstore, a rich volume with 53 etchings: A series of subiects peculiar to the countryside of Rome and Pontine marshes designed from nature and etched by C. Coleman. The landscapes that Coleman depicts are very similar to the desolate views of his Yorkshire, "windy and inhabited only by heather". In most of the English artist's views, the landscape is presented with vivid contrasts, making Coleman a true master for a generation or two of painters in Rome and beyond. He was contemptuous of academic teaching, believing that observation from nature was the best education for an artist. He exhibited five times at the Royal Academy in London, for the last time in 1869.
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COLEMAN Charles (Pontefract 1807 ca. - Roma 1874)
Valley of Yennie Subiaco
Acquaforte, tratta da 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', edito a Roma nel 1850. Magnifica prova, impressa su carta cina applicata su cartoncino, pieni margini, in perfetto stato di conservazione. Charles Coleman è stato un pittore inglese di paesaggi e animali, nato a Pontefract, nello Yorkshire, in Inghilterra. Fu attivo principalmente a Roma, dove fu un'importante influenza su Nino Costa e diede un contributo significativo alla formazione della Scuola di pittura di Campagna Romana. Dalle brulle colline dello Yorkshire, Charles Coleman arriva a Roma nel 1831 e si mostra un pittore appassionato del territorio che circonda l’urbe, pubblicando alla metà del secolo, presso la libreria Spithover, un ricco volume con 53 acqueforti: A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman. I paesaggi che Coleman rappresenta somigliano molto alle vedute desolate del suo Yorkshire, “ventose e abitate soltanto dall’erica”. Nella gran parte delle vedute dell’artista inglese il paesaggio si presenta con vivaci contrapposti, facendo sì che Coleman rappresenti un vero e proprio maestro per una o due generazioni di pittori romani e non solo. Era sprezzante dell'insegnamento accademico, credendo che l'osservazione dalla natura fosse la migliore educazione per un artista. Espose cinque volte alla Royal Academy di Londra, per l'ultima volta nel 1869. Etching from the 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', printed in Rome in 1850. A fine work, printed on China paper and laid on cardboard, full margins, in perfect condition. Charles Coleman was an English landscape and animal painter, born in Pontefract, Yorkshire, England. He was active primarily in Rome, where he was an important influence on Nino Costa and made a significant contribution to the formation of the School of "Campagna Romana" Painting. From the barren hills of Yorkshire, Charles Coleman arrived in Rome in 1831 and showed himself a passionate painter of the territory surrounding the urbe, publishing in the middle of the century, at the Spithover bookstore, a rich volume with 53 etchings: A series of subiects peculiar to the countryside of Rome and Pontine marshes designed from nature and etched by C. Coleman. The landscapes that Coleman depicts are very similar to the desolate views of his Yorkshire, "windy and inhabited only by heather". In most of the English artist's views, the landscape is presented with vivid contrasts, making Coleman a true master for a generation or two of painters in Rome and beyond. He was contemptuous of academic teaching, believing that observation from nature was the best education for an artist. He exhibited five times at the Royal Academy in London, for the last time in 1869.
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Coleman, Peter Edward
Learning about Schools : What Parents Need to Know & How They Can Find Out - the Second in a Series of Monographs on Education
149 pages. "...Seeks to answer the fundamental questions about the quality of public education in Canada. Author is an analyst with several years' experience in the field, and has written a highly readable, informative work that provides concrete and practical advice to parents about schoooling choice.... Choosing a school for one's children is one of the most important tasks of parents and can mean the difference between success and failure in the competitive labour market awaiting new entrants. Analysts of public education, too, will be intriqued by Dr. Coleman's work, drawn from his experience as a teacher at all levels, as a school superindendent and, more recently, as a professor, consultant and researcher." - from the foreward. Several page corners were once folded as page markers. Faint wear to corners. Gift inscription on front flyleaf. Book
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Coleman, Vernon A.: Editor-In-Chief
The Spotlight, June 1926: The 1925-1926 Yearbook of Lethbridge High School (L.H.S.), Lethbridge, Alberta
52 pages. Includes a considerable textual component plus black and white photos of all classes. Written character sketches are provided for Grade XII students. Also includes an update on the activities of certain members of the preceding graduating class. Charming contemporary advertisements include one for a $904 Chevrolet. Appears complete, although it is possible this publication was originally issued with card covers. Somewhat above-average wear. Unmarked. Binding intact. A sound copy of this wonderfully nostalgic piece of Lethbridge history. Book
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Colette Benoite
Traduit du Féminin
Vitry sur Seine, Les Cahiers de Rochefort, 1953, édition originale, . Broché, 14 cm x 19 cm, 12 pages. Poèmes de Colette Benoite, bel envoi de l’autrice à Jean Rousselot. Un léger accroc sur la couverture sinon bon état.
Riferimento per il libraio : 22167
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COLETTE. BRIANCHON (Maurice).
Le Blé en herbe.
Les Francs Bibliophile 1971 Paris, Les Francs Bibliophiles, 1971, in-folio, en feuilles, sous étui cartonné.
Riferimento per il libraio : 25217
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COLETTI Luigi
Pisanello. Collection : Silvana.
Milan, Editions d'Art Amilcare Pizzi, 1953. 29 x 37, 37 pp., 31 planches en couleurs et en N/B (dont 7 images contrecollées) reliure d'édition carton + jaquette, bon état (jaquette légèrement abîmée).
Riferimento per il libraio : 49105
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Colgate-Rochester Divinity School Rochester Theolo
Annual Catalogue of the Officers and Students 1901 Classic Reprint
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Riferimento per il libraio : 0265257735.G ISBN : 0265257735 9780265257739
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COLIN Paul
"Correspondance de Rubens; tome 2 (II) : Chronique de Flandres (1625-1629)."
Bruxelles, Nouvelle Société d'Editions, 1927. 14 x 20, 253 pp., broché, non coupé, bon état.
Riferimento per il libraio : 100.541
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COLIN Paul
Bruegel le Vieux. Collection : Anciens et Modernes, N° 9.
Paris, Librairie Floury, 1936. 14 x 20, 186 pp., 66 reproductions (dont 6 en couleurs), broché, bon état.
Riferimento per il libraio : 66180
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COLIN Paul
Edouard Manet. Collection : Art et artistes français.
Paris, Librairie Floury, 1932. 22 x 30, 181 pp., demi-reliure large dos cuir, couverture conservée (avant-arrière), garde marbrée, bon état (mors frottés).
Riferimento per il libraio : 106.195
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COLIN Paul
Isidore Opsomer.
Bruxelles, Nouvelle Société d'Editions, 1933. 22 x 29, 64 pp., 60 planches (89 illustrations), reliure dos cuir, papier vergé, très bon état.
Riferimento per il libraio : 37302
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COLIN Paul
Manet. Collection : Anciens et modernes.
Paris, Librairie Floury, 1937. 14 x 20, 177 pp., 67 illustrations dont 8 en couleurs, broché, bon état (couverture légèrement défraîchie).
Riferimento per il libraio : 65241
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COLIN T. et EISLER T.
Les plus beaux dessins flamands et hollandais. Collection : Les plus beaux dessins.
Paris, Editions du Chêne, 1964. 23 x 25, 140 pp., très nombreuses illustrations, reliure d'édition pleine toile, bon état.
Riferimento per il libraio : 43712
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Coll
Arpad Szenes
Association pour la Promotion des Arts/Adagp 2000 Fort in-8, broché, couv. illustrée, photographies en couleurs, 236 pp. + 8 pp. de biographie en cahier. Très bon état
Riferimento per il libraio : 20558
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Coll.
Twee eeuwen gemeenteschool Merksplas
, Heemkundekring Marcblas 1988, 1988 Hardcover, 245 pagina's, NL, 230 x 165 mm, in goede staat, veel info en nog veel meer foto's van oud-leerlingen, z/w, nostalgie.
Riferimento per il libraio : 59269
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COLLARD Jacques
Delporte : Aquarelles.
Leiden/Amsterdam, Spruyt, Van Mantgem et De Does, 1978. 18 x 23, 63 pp., nombreuses illustrations en couleurs et en N/B, reliure d'édition carton imprimé, très bon état.
Riferimento per il libraio : 95927
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COLLARD Jacques
Delporte, aquarelles.
Leiden/Amsterdam, Spruyt, Van Mantgem en De Does, 1978. 18 x 23, 63 pp., nombreuses illustrations en couleurs et en N/B, reliure d'édition carton illustré, bon état.
Riferimento per il libraio : 76144
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COLLARD Jacques
Jean Dupont ou la nuit habitée.
Bruxelles, Pierre Mardaga, 1979. 24 x 30, 141 pp., nombreuses illustrations en couleurs et en N/B, reliure d'édition pleine toile + jaquette, bon état (jaquette légèrement recollée).
Riferimento per il libraio : 46266 ISBN : 280210019
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Collectfis - Centre Ecole d'Agents de Maitrise du Textile de l'Est à Epinal
Trimestriel MAITRISE TEXTILE n°2 - Bulletin de documentaion générale (Octobre-Novembre-Décembre 1947)
édité par le Centre Ecole d'Agents de Maitrise du Textile de l'Est à Epinal 1947 1947.
Riferimento per il libraio : 300005898
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collectief
VAN BRUEGEL TOT RUBENS. DE ANTWERPSE SCHILDERSCHOOL 1550 - 1650,
, Antwerpen, Snoeck-Ducaju/ Koninklijk Museum voor Schone Kunsten, 1993, Gebonden donberblauwe stoffen hardcover, originele geillustreerde uitgeversomslag in kleur, 25,5x32cm, 335pp, uitgebreide illustratie in kleur en z/w. ISBN 9789053490488.
Riferimento per il libraio : 12756
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collectief
VAN BRUEGEL TOT RUBENS. DE ANTWERPSE SCHILDERSCHOOL 1550 - 1650,
, Antwerpen, Snoeck-Ducaju/ Koninklijk Museum voor Schone Kunsten, 1993, softcover originele geillustreerde uitgeversomslag in kleur, 25,5x32cm, 335pp, uitgebreide illustratie in kleur en z/w. ISBN 90534904930485.
Riferimento per il libraio : 28756
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Collectif
"Le cabinet d'un amateur; dessins flamands et hollandais des XVIe et XVIIe siècles, d'une collection privée d'Amsterdam."
Bruxelles, Bibliothèque Albert 1er, 1977. 19 x 25, 114 pp., 120 planches, broché, très bon état.
Riferimento per il libraio : 71751
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Collectif
"Maka : catalogue; Michel Jamsin, Christian Leroy, Jean-Marie Molle, jacques Ramsy, Charles Szymkowicz, Yvon Vanycke."
Jumet (Belgique), Imprimerie d'Art Graphing, 1972 23 x 20, sans pagination, broché, nombreuses illustrations en N/B, fontispice en couleurs, bon état.
Riferimento per il libraio : 71992
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Collectif
"Rembrandt; l'oeuvre du maître. Nouvelle collection des classiques de l'art."
Paris, Hachette, s.d. (ca 1900). 18 x 26, 607 pp., 643 illustrations, reliure d'édition pleine toile, bon état.
Riferimento per il libraio : 42340
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Collectif
"Triennale de la Follie, sculpture en plein air; 5/8-27/8 1972, Château de la Follie, Ecaussinnes-d'Enghien."
Ministère de la Culture Française/Centre Culturel du Hainaut/Les Racines du Manoir, 1972. 19 x 21, sans pagination, nombreuses illustrations en N/B, broché, bon état.
Riferimento per il libraio : 76149
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Collectif
"Tésor de l'art flamand, du Moyen Âge au XVIIIe siècle; mémorial de l'exposition d'art flamand ancien à Anvers 1930, par un groupe de spécialistes (2 volumes); tome 1 : Peintures; tome 2 : dessins, manuscrits et mignatures, tapisseries, sculptures, orfèvreries, typographie d'art, gravures, reliures, mobiliers, clavecin, arts populaires, médailles."
Bruxelles, Librairie Nationale d'Art et d'Histoire, 1932. 25 x 33, 2 volumes, 147 + 195 pages, 120 plenches, broché, non coupé, couverture rempliée, très bon état (sauf couvertures légèrement insolées).
Riferimento per il libraio : 88570
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Collectif
1902-2002: Einhundert Jahre Kaiserin-Augusta-Schule Köln
Kaiserin-Augusta-Schule, Köln Cartonné 2002 In-4 (21,5 x 30,3 cm), cartonné, 211 pages, texte en allemand ; plats frottés, usure sur le bord supérieur du quatrième plat, par ailleurs assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Riferimento per il libraio : kk2926
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COLLECTIF
A propos de Nice. 1947-1977, catalogue d'exposition au Musée d'Art moderne et d'Art contemporain, à Nice, du 23 juin au 22 octobre 2017,
Somogy, MAMAC, 2017, 200 pp., relié, bon état.
Riferimento per il libraio : 64100
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Collectif
Aide-mémoire de l'officier d'infanterie
Ecole d'application de l'infanterie Reliure spirale 1963 In-8 (16 x 23 cm), reliure à spirale métallique une pagination par sous-partie (Généralités / Organisation des unités / Moyens de l'infanterie - Mise en oeuvre / Service en campagne / Combat) ; rousseurs et taches d'usage aux plats, pliure à l'angle du 4ème plat en queue, ex-libris à la page de titre, assez bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Riferimento per il libraio : nx694
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Collectif
Aide-mémoire de l'officier de réserve d'artillerie
Ecole d'application de l'artillerie Cartonné In-8 (16,3 x 21,5 cm), reliure à rivets sous couverture cartonnée, sans date, ; ex-libris manuscrit au premier plat, par ailleurs bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Riferimento per il libraio : fj1523
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Collectif
Album École Militaire d'Artillerie.
Division des E. O. R. Poitiers – Novembre 1939 de la E. O. R.- 20è Brigade, Lieutenant Lucas, Instructeur au E. O. R.-44è Brigade, Lieutenant Gazeau, Instructeur. Levallois-Paris, édition des Établissement H. Tourte & M. Petitin, 1939. Grand in-8 (21,5x27,5cm) broché, couverture imprimée du titre en noir. Ouvrage non paginé.
Riferimento per il libraio : WOC-2267
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Collectif
Allemand 4eme. Exercices
Hatier 2002 17 6x24 2x0 6cm. 2002. Broché.
Riferimento per il libraio : 500310375
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Collectif
Annales Nouveau Brevet 3e Tout-en-un 2019
Hachette 2018 448 pages 14 6x20 8x2 4cm. 2018. Broché. 448 pages.
Riferimento per il libraio : 500233126
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COLLECTIF
Annuaire De La société D'histoire et D'archéologie De La Lorraine - 81 et 82e Année (1967 1968) - Tome LXVII LVIII
Metz Le Lorrain 1968 In8 229 pages - broché - bon état - nombreuses photographies illustrations et planches dépliantes - Au sommaire : Fouilles archéologiques sur le chantier de l'école des Arts Appliqués par G Collot / Stations romaines à Kalhausen par A Stieber / La sigillée de la cote de Delme par M Lutz / Le peuplement du pays de Sarre et Bliess dans l'antiquité d'après sources archéologiques par M Lutz / Le testament et la bibliothèque de Martin d'Amance évêque suffragant de Metz 1409 par Tribout de Morembert / Claude Antoine de Vienne, Sieur de Clervant (1434.1588) par R Mazauric / Les lieux dits des eaux et des rivières dans le bailliage d'Allemagne par H Hiegel / Le projet d'orgue Callinet pour la cathédrale de Metz par P Meyer Siat
Riferimento per il libraio : GAnn67
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COLLECTIF
Annuaire De La société D'histoire et D'archéologie De La Lorraine - 81 et 82e Année (1967 1968) - Tome LXVII LVIII
Metz Le Lorrain 1968 In8 229 pages - broché - bon état - nombreuses photographies illustrations et planches dépliantes - Au sommaire : Fouilles archéologiques sur le chantier de l'école des Arts Appliqués par G Collot / Stations romaines à Kalhausen par A Stieber / La sigillée de la cote de Delme par M Lutz / Le peuplement du pays de Sarre et Bliess dans l'antiquité d'après sources archéologiques par M Lutz / Le testament et la bibliothèque de Martin d'Amance évêque suffragant de Metz 1409 par Tribout de Morembert / Claude Antoine de Vienne, Sieur de Clervant (1434.1588) par R Mazauric / Les lieux dits des eaux et des rivières dans le bailliage d'Allemagne par H Hiegel / Le projet d'orgue Callinet pour la cathédrale de Metz par P Meyer Siat
Riferimento per il libraio : GAnn67
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collectif
Apprentissage et pratique de la lecture à l'école
1979 centre national de la documentation pédagogique mémoires et documents scolaires broché, 341p. bon état.
Riferimento per il libraio : 1719
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Collectif
Architecture civile II (2). Les édifices scolaires
Communauté urbaine de Montréal In-8 Couverture souple Montréal 1980
Riferimento per il libraio : 14207
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ART et DECORATION année 1900
Revue mensuelle, in 4 broché, sur papier couché, illustrations, hors-texte. Quelques dos renforcés, sinon bon état sauf indication contraire. FEVRIER : les aménagements de magasins- Georges PICARD- L’Art dans tout- Papiers à lettres- PRIVAT LIVEMONT- l’exposition d’ANTOON MARS : Notes sur Carrirès, H.E Von Berlepsch-Valenda-La société d’Art Moderne à Bordeaux-William NICHOLSON par Octave UZANNE. AVRIL : J.C CHAPLAIN- L’art dans l’habitation-Boucles de ceinture- Gaston de LATENAY- Armand POINT et l’atelier de Haute-Claire. Planche hors-texte Dans le parc par G de LATENAY. SEPTEMBRE : Le bijou à l’exposition- le papier peint à l’exposition –les appareils d’éclairage électrique à l’exposition –Planche hors-texte Dans les pavots par LEVY DHURMER. Deux exemplaires. NOVEMBRE : René LALIQUE- l’ameublement à l’exposition. Les appareils électriques à l’exposition. Sans le hors-texte. Chaque numéro:
Riferimento per il libraio : 9229
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Collectif
ART et DECORATION année 1901
Revue mensuelle, in 4 broché, sur papier couché, illustrations, hors-texte. Quelques dos renforcés, sinon bon état sauf indication contraire. FEVRIER : Constantin MEUNIER La céramique à l’exposition, quelques couvertures de Georges ORIOL Planche hors-texte ; l’industrie (bronze) sur papier fort. Deux exemplaires. Le second état moyen. MARS : Georges de FEURE par Octave UZANNE. Un bâtisseur belge Georges HOBE. La reliure étrangère à l’exposition 1900. Sans la planche hors-texte. . NOVEMBRE : la verrerie- Une maison de rapport- GRÜN- Les sièges- Planche hors-texte : étude de pastel par GRÜN. Fête de l’exposition par Abel TRUCHET. Etoffe de soie par A. SANDIER. DECEMBRE : Abel BESNARD. Le cuir ciselé et repoussée à la main. Planches hors-texte esquisses pour le plafond de l’Hôtel de ville- portait d’une jeune fille - Etude de cheval. Chaque numéro:
Riferimento per il libraio : 9230
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Collectif
ART et DECORATION année 1904
Revue mensuelle, in 4 broché, sur papier couché, illustrations, hors-texte. Quelques dos renforcés, sinon bon état sauf indication contraire. FEVRIER : l’émail et les émailleurs par VERNEUIL. La poignée par Pierre CALMETTES. Une villa en Bretagne par Gabriel MOURIER. Complet des hors-texte : Une villa en Bretagne - Princesse à la licorne par Armand POINT. Vase en émail cloisonné par TOURRETTE. SEPTEMBRE : Taxile DOAT- Daniel DUPUIS. Jardins d’Espagne- Deux suppléments hors-texte La neige par T. DOAT. Et Xipres Davrats par S RUINOL Chaque numéro:
Riferimento per il libraio : 9231
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