‎School‎

‎DAUMARD Adeline‎

‎La Bourgeoisie Parisienne De 1815 à 1848‎

‎Paris S.E.V.P.E.N. 1958 In-8 XXXVII - 661 pp‎

‎Bon Broché à raba‎

Bookseller reference : 31040

‎DAUMIER‎

‎Physiologies et physionomies‎

‎Genève, Editions de l'Agora, 1985. 24 x 26, sans pagination, très nombreux dessins, reliure d'édition carton imprimé, très bon état.‎

Bookseller reference : 73253 ISBN : 283040114

‎Daumier; Raymond Picard‎

‎Daumier and the University: Teachers and Students‎

‎A clean, unmarked book with a tight binding. Full gray cloth boards. Edge wear and tears to dust jacket. 9 3/4"w x 12 1/2"h. 96 pages.‎

‎Dauvin Sylvie Dauvin Jacques‎

‎Fiches brevet Français 3e - Brevet 2023: fiches de révision & quiz‎

‎HATIER 2020 140 pages 12x17 8x1 2cm. 2020. Broché. 140 pages.‎

‎Très bon état‎

Bookseller reference : 500110772

‎DAVAL (G. -J.)‎

‎Police des Mines‎

‎Alès, École Technique des Mines, 1936, 176 pp. 22,5 X 28,5 cm br.‎

‎Excellent ex. de ce recueil des textes essentiels qui fixent la Police Technique des Mines. Non rogné. A l'état de neuf. Impression d'Alès.‎

Bookseller reference : 3838

‎DAVIAULT Suzanne‎

‎L'enseignement du français en pays bilingues.‎

‎Couverture souple. Broché. 32 pages.‎

‎Livre. (Afrique du Nord et Alsace-Lorraine). Editions de l'Ecole Moderne Française - Cannes (Collection : Brochures d'Education Nouvelle Populaire. N° 57-58), 1950-1951.‎

Bookseller reference : 118603

‎DAVID , HAISSE et BOURET‎

‎Le vocabulaire, les français et la rédaction‎

‎Fernand nathan, 1952. In-8° de 160 pages avec reliure illustrée.‎

‎" Cours moyen 2ème année " .‎

Bookseller reference : 4343

‎David Buckingham Institute of Education, University of London; Julian Sefton-Green Central School of Speech & Drama‎

‎Cultural Studies Goes to School: Reading and Teaching Popular Media‎

‎Routledge 1995. Paperback. New. 1st edition. 244 pages. 9.50x6.75x0.75 inches. Routledge paperback‎

Bookseller reference : x-0748402004 ISBN : 0748402004 9780748402007

‎David L (Santa Clara University School of Law) Sloss‎

‎People v. The Court‎

‎like new. unknown‎

Bookseller reference : 49921489 ISBN : 1009651250 9781009651257

‎David SG Carter University of Notre Dame, Australia; Marnie O'Neill Lecturer in Education, Graduate School of Education, Univers‎

‎Case Studies in Educational Change: An International Perspective: Vol 002‎

‎Falmer Pr 1995. Paperback. New. 1st edition. 236 pages. 9.25x6.25x0.50 inches. Falmer Pr paperback‎

Bookseller reference : x-0750704098 ISBN : 0750704098 9780750704090

‎David SG Carter University of Notre Dame, Australia; Marnie O'Neill Lecturer in Education, Graduate School of Education, Univers‎

‎International Perspectives on Educational Reform and Policy Implementation: Vol 001‎

‎Falmer Pr 1995. Paperback. New. 1st edition. 210 pages. 9.50x6.25x0.50 inches. Falmer Pr paperback‎

Bookseller reference : x-0750704071 ISBN : 0750704071 9780750704076

‎Davis High School 1955 Yearbook Staff‎

‎Custom Reprint Yearbook: 1955 Davis High School - D Book Yearbook Kaysville UT‎

‎Content provided by E-Yearbook.com 1955-05-01. hardcover. Used - Acceptable. 0x0x0. Vintage copy NOT a reprint. Some wear. discoloration from age. loose binding. Content provided by E-Yearbook.com hardcover‎

Bookseller reference : 24-12-11-gw-38507-lcz

‎Davis, Colin (School of Modern Languages, Literatures and Cultures, Royal Holloway, University of London (United Kingdom))‎

‎Traces of War‎

‎Hardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Traces of War examines how the trauma of the Second World War influenced the work of the brilliant generation of writers and intellectuals who lived through it. hardcover‎

Bookseller reference : ria9781786940421_inp ISBN : 1786940426 9781786940421

‎Davis, Stuart - Wilkin, Karen‎

‎Stuart Davis.‎

‎New York, Abbeville Press, 1987. 34 x 29 cm. 248 Seiten. Mit zahlreichen, meist farbigen Abbildungen. Orig.-Leinenband mit farbig illustriertem Schutzumschlag., 12433ab|12433ab 2 [2 Warenabbildungen] Umschlag gering berieben und leicht angestaubt, Rücken und Ränder etw. aufgehellt. Sonst insgesamt wohlerhaltenes Exemplar.‎

‎Erste Ausgabe. -- Text in Englisch // Text in English. ----- Due to weight of this item, please be aware there may be additional fees, for shipping to destinations outside of Germany, particularly overseas!‎

Bookseller reference : 12433AB

‎Davis, Stuart and John R Lane‎

‎Stuart Davis: Art and Art Theory‎

‎Some ink marks inside, and some liquid damage to top of rear cover. 8 1/2"w x 11"h. 216 pages.‎

‎DAX (Adrien).‎

‎Composition avec apparition de chimères en mouvement.‎

‎Technique mixte sur feuille de calendrier promotionnel en papier glacé. Signée au crayon en bas à droite, vers 1980 (19,5/26,5 cm).‎

Bookseller reference : awd-1103

‎Dayton Steele High School‎

‎The Annual 1921 Classic Reprint‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Bookseller reference : 0260533653.G ISBN : 0260533653 9780260533654

‎DE AMICIS, E.‎

‎GRANDS COEURS. Livre de lecture pour toutes les écoles.- Illustrations de R. DE LA NEZIERE.‎

‎Hardcover in-12, 316 pp., cartonnage décoré éd., dos percale, pièce de titre. Bon exemplaire. [FP-1]‎

‎DE BOCK Paul-Aloïse‎

‎"Paul Delvaux, Ostende 1962; Musée des Beaux-Arts, Palais des Fêtes à Ostende, du 1er juillet au 31 août 1962."‎

‎Bruxelles, Editions de la Connaissance, 1962. 20 x 20, sans pagination, nombreuses illustrations en N/B, 1 en couleurs, broché, bon état.‎

Bookseller reference : 83049

‎DE BOSCHERE Jean‎

‎Jérôme Bosch et le fantastique.‎

‎Paris, Albin Michel, 1962. 14 x 21, 250 pp., 16 planches en N/B, reliure pleine rexine grise, très bon état.‎

‎Préface de Jean Cassou.‎

Bookseller reference : 93612

‎DE BOURRIENNE‎

‎Mémoires de M de BOURRIENNE.‎

‎Dix tomes en 10 volumes in 8 brochés. Tomes 1 : 7 pages d’annonces et condition de la souscription. Faux-titre, titre IV, avertissement de l’éditeur, 396 pages. Tomes 2 : faux-titre, tire. Un cahier de 8 pages de format in 16 souscriptions aux œuvres littéraires de M. Le Vicomte de Chateaubriand en 30 volumes- titre-393 pages. Tome 3 : Faux-titre, titre, 4 pages avis de l’éditeur- 389 pages. Tome 4 : faux-titre, titre, 4 pages sur papier rose, ouvrages en souscription à la librairie de LADVOCAT premier mai 1829. 434 pages. Tome 5 : faux-titre, titre, 8 pages de catalogue LADVOCAT premier juin 1829 -402 pages. Tome 6 : Faux-titre, titre, IV, avis du libraire éditeur- 426 pages. Tome 7 : faux-titre-titre- 2 pages de catalogue-432 pages. Tome 8 : faux-titre, titre, 424 pages. Tome 9 : faux-titre, titre 428 pages. Tome 10 : faux-titre, titre 468 pages, (petits défauts, sans gravité, au dos réparés). Paris LADVOCAT Libraire éditeur 1829. Complet grandes marges, tel que paru. Les 8 premiers volumes, en couvertures jaunes, sont en édition originale‎

‎Ouvrage écrit par BOURRIENNE,Ministre d’état,sur NAPOLEON,Le Directoire,le Consulat, l’Empire et la Restauration. Rédigé par M. de VILLEMAREST. Ces mémoires contiennent des inexactitudes, écrites dans un esprit hostile à l’Empereur. Les critiques sont surtout venues des Bonapartistes. Abondant en détails pittoresques sur la vie et le caractère de NAPOLEON "publié en 1829 ces mémoires firent sensation, constamment utilisés par les historiens, surtout pour la jeunesse Napoléon" "TULARD 211"‎

Bookseller reference : 10227

‎De Bruyn, Jean-Pierre Stroobants, Aim Rosseels, Brigitte Vande Kerckhove, Nadine Decoodt, Marie‎

‎Dendermondse School doorheen twee eeuwen Kunstacademie, 1800-2000‎

‎, Dendermonde, 2000., Linnen, met omslag, 25 x 28,5cm, 304pp.‎

‎met bijdragen van Rosseels, Jacques Willaert, Ferdinand Lenssens, Monika de Decker, Jos Gogo, Felix Maes, Jan van Beveren, Hugo Verhas, Emmanuel Franciscus‎

Bookseller reference : 4085

‎DE CAROLIS Adolfo (Montefiore dell’Aso 1874 – Roma 1928)‎

‎Il lavoro‎

‎Xilografia a due legni, 1923, siglata sul legno in basso a sinistra. Firmata a matita in basso a destra. Numerata a matita in basso a sinistra: 132/154. misure: mm 170 x 245. Timbro a secco in basso al centro. Impressione eccellente su carta avorio liscia. Ottimo stato di conservazione. Ampi margini oltre la linea marginale. Pittore, incisore e illustratore italiano. Si forma inizialmente a Bologna all’Accademia di Belle Arti e una volta ottenuto il diploma, nel 1892 si trasferisce a Roma. Qui conosce il poeta Nino Costa fondatore del cenacolo In arte libertas che proponeva un rinnovamento dell’arte attraverso la riscoperta dei grandi del Quattrocento sull’esempio dei Preraffaelliti. De Carolis inizia così a frequentare questo gruppo e ne diventa membro iniziando a realizzare dipinti di impronta preraffaellita. Nel 1900 conosce il poeta Giovanni Pascoli per il quale disegna ed esegue un pomo in argento e la targhetta per il bastone dono degli amici della rivista fiorentina Marzocco, inizia quindi ad occuparsi della decorazione grafica di alcune pubblicazioni del poeta. Tale collaborazione si rivela importante nella produzione artistica tra il 1892 e il 1928, perché le opere di questo periodo trattano paesaggi agresti e marini che risentono dell’intonazione pascoliana. Nel 1901 De Carolis lascia Roma per Firenze, dove insegna ornato all’Accademia di Belle Arti dedicandosi alla xilografia. Questa tecnica sarà a lui molto cara e primo in Italia riprenderà l’antica tecnica della xilografia policroma a più legni. Numerose saranno i fogli singoli o le illustrazioni per varie riviste e per le opere dell’amico D’Annunzio.   Bibliografia Bardazzi/Carli/Djokic, 50. Amadio/Papetti, 78-79. Conti, 29. Woodcut from two block, 1923, signed at lower left. igned in pencil at lower right. Numbered in pencil lower left: 132/154. Sice: 170 x 245 mm. Dry stamp at bottom center. Excellent impression on smooth ivory paper, wide margins. Size: mm 170 x 245. Adolfo de Carolis (1874 - 1926), was born in Montefiore dell’Aso on the 6th of January 1874. He moved to Rome and was accepted as a member of the exclusive society ‘In Arte Libertas’ (Freedom in Art’) which had been founded by his close friend Giovanni (‘Nino’) Costa. This society opposed official styles promoted by the academies and influential art critics of the day and espoused the politics, philosophy and aesthetics of the British Pre-Raphaelite movement. The main figures in the British movement were William Morris, Dante Gabriel Rossetti, Edward Burne-Jones and Walter Crane. These groups were also almost certainly involved with the Freemasons, and much of the symbolism in their work have been identified as Masonic. De Carolis exhibited work at the In Arte Libertas annual exhibition right up to 1901. De Carolis was an artistic polymath, working as a painter (in particular of murals), interior designer, decorator, xylographer (wood engraver), illustrator and photographer, and is probably the best known exponent of Art Nouveau in Italy. He was commissioned to produce murals for the Villa Brancadoro in San Benedetto del Tronto, and the ballroom of the Palazzo della Provincia (both in Ascoli Piceno). He also decorated  the great hall of the Palazzo del Podestà in Bologna with murals. He designed the Baptismal Font at the Cathedral of Ajaccio, and contributed decoration and murals in many other illustrious edifices around Italy, as well as supervising restoration work in the Borgia apartments in the Vatican. He is also known for his stained glass and mosaics at the Villa Puccini in Torre del Lago. His talent and originality was quickly recognised by two of the greatest Italian writers and poets of the day, Gabriele D'Annunzio and Giovanni Pascoli, and he became their preferred illustrator. Among his most popular works were many illustrations for Gabriele d'Annunzio's novels (Il Notturno, La figlia di Jorio) and Giovanni Pascoli‘s books of poems. In 1908 his work was described by a panel of judges in Bologna as ‘magnificent, full of evocative fervour, rich in imagination, and secure in the unity of the whole work’. In the backgrounds of many of his paintings it is possible to recognise the typical landscape of le Marche, which he loved so much. As well as his major works, in his later years he also designed bank notes, theatrical sets, posters, calendars, postcards, advertisements and even product labels. He also wrote essays on art and, from 1922, worked as a teacher at the Academy of Fine Arts in Rome. After world war 1 he was employed by the Ministry of War to design medals and certificates for war heroes. He died in Rome on the 7th of February 1928, but, in 1950, his mortal remains were returned to Montefiore by the then mayor, Francesco Egidi, and re-interred in a marble tomb in the church of San Francesco. And ten years later Egidi donated a series De Carolis’ oil sketches for the ‘Salone del Podestà’ in Bologna (the most prestigious public building in the city) which he worked on for over twenty years, between 1908 and 1928.  The De Carolis family also donated the complete collection of engravings on wood (xylography) in 1976.‎

‎DE CAROLIS Adolfo (Montefiore dell’Aso 1874 – Roma 1928)‎

‎La sera, ritorno dalla pesca‎

‎Xilografia a due legni, 1908, priva di firma. Impressione eccellente su carta avorio liscia. Ottimo stato di conservazione. Ampi margini oltre la linea marginale. Nel primo decennio del 1900, De Carolis dedica molta attenzione alla rievocazione di temi popolari, legati in particolare alle raffigurazioni di marine, così come testimonia questa stampa. L'utilizzo di più colori e quindi di un numero maggiore di legni ben si adatta alla vivacità di questi soggetti. Dopo l'adesione nel '96 al gruppo romano In arte libertas, creato dal paesista Nino Costa, dal 1901 insegna ornato in accademia nella Firenze dei maestri del Rinascimento, del "terribile" Michelangelo, del Böcklin dell'Isola dei morti. Comincia ad ornare libri per D'Annunzio e Pascoli e dal 1903 elabora fregi e d articoli per la rivista "Leonardo" fondata con Papini e Prezzolini. Fra le rigogliose figurazioni per la Francesca da Rimini (1902), le rusticane de La figlia di Iorio (1904), le lapidarie del Notturno del "Vate" (1917-21), le stampe marinaresche esprimono un'autonoma poetica. Il varo, L'argano, Il timone, La foce, Le arche - xilografie eseguite fra il 1904 e il 1908, mentre in Europa esplodono primi fenomeni d'avanguardia - denotano un lirismo contemplativo invischiato nel ristagno simbolista che connota la situazione italiana all'avvio del secolo. Ma al di là dei convenzionali significati latenti, quelli manifesti aprono - pur aderendo al fervore estetico del giapponismo fin-de-siècle - un discorso etnografico che si fa via via più urgente, teso a documentare l'irripetibile patrimonio che la "novella civiltà livellatrice" viene annientando. L'appello del 1920 (L'arte popolare, in "La Fionda", Roma) riscuote entusiastiche risposte, stimolando una sensibilità che nel 1923 porta all'istituzione del Regio Museo di etnografia italiana, dal 1956 Museo Nazionale delle Arti e Tradizioni popolari. Woodcut printed from two blocks. Excellent impression, printed on ivory paper, wide margins, good condition. De Carolis was an artistic polymath, working as a painter (in particular of murals), interior designer, decorator, xylographer (wood engraver), illustrator and photographer, and is probably the best known exponent of Art Nouveau in Italy. His talent and originality was quickly recognised by two of the greatest Italian writers and poets of the day, Gabriele D'Annunzio and Giovanni Pascoli, and he became their preferred illustrator. Among his most popular works were many illustrations for Gabriele d'Annunzio's novels (Il Notturno, La figlia di Jorio) and Giovanni Pascoli‘s books of poems. In the first decade of the 1900s, De Carolis devoted a great deal of attention to the evocation of popular themes, linked in particular to representations of seascapes, as this print testifies. The use of more colors and therefore a greater number of woods is well suited to the liveliness of these subjects. After joining in '96 the Roman group In arte libertas, created by the landscape painter Nino Costa, from 1901 he taught ornament in the academy in Florence of the Renaissance masters, of the "terrible" Michelangelo, of Böcklin of the Isle of the Dead. He began to decorate books for D'Annunzio and Pascoli and since 1903 elaborates friezes and articles for the magazine "Leonardo" founded with Papini and Prezzolini.  Among the luxuriant figurations for the Francesca da Rimini (1902), the rusticane of The daughter of Iorio (1904), the lapidarie of the Nocturne of the "Vate" (1917-21), the prints marinaresche express an autonomous poetic. Il varo, L'argano, Il timone, La foce, Le arche - woodcuts made between 1904 and 1908, while the first avant-garde phenomena were exploding in Europe - denote a contemplative lyricism caught up in the symbolist stagnation that characterized the Italian situation at the beginning of the century. But beyond the conventional latent meanings, the manifest ones open - while adhering to the aesthetic fervor of Japanism fin-de-siècle - an ethnographic discourse that becomes more and more urgent, aimed at documenting the unique heritage that the "new leveling civilization" is annihilating. The appeal of 1920 (L'arte popolare, in "La Fionda", Rome) received an enthusiastic response, stimulating a sensitivity that in 1923 led to the establishment of the Royal Museum of Italian Ethnography, since 1956 the National Museum of Popular Arts and Traditions.‎

‎DE CROES Catherine, CUVELIER Guy, MATTART Asdtrid, COUTELIER Françoise, et autres‎

‎Félicien Rops (1833-1898).‎

‎Bruxelles, Centre Culturel de la Communauté française/Musées Royaux des Beaux-Arts, 1985. 24 x 22, 264 pp., nombreuses illustrations en couleurs, nombreux dessins, broché, couverture à rabats, très bon état.‎

Bookseller reference : 93783