‎École‎

‎Davies, Charles.‎

‎NEW ELEMENTARY ALGEBRA. Embracing the First Principles of the Science.‎

‎299p. Age stain. Numerous mathematical notations on fly leaves. Publisher's catalogue on paste downs and first fly leaves. Early ownership of L.J. Jenkins. All edges marbled. Large 12mo. Original leather spine over cloth covered boards. Spine lettered in gold and embossed in blind. Cloth boards worn. Hardbound. PA64 FRONT‎

‎Davis High School 1955 Yearbook Staff‎

‎Custom Reprint Yearbook: 1955 Davis High School - D Book Yearbook Kaysville UT‎

‎Content provided by E-Yearbook.com 1955-05-01. hardcover. Used - Acceptable. 0x0x0. Vintage copy NOT a reprint. Some wear. discoloration from age. loose binding. Content provided by E-Yearbook.com hardcover‎

書籍販売業者の参照番号 : 24-12-11-gw-38507-lcz

‎Davis, Stuart - Sims, Lowery Stokes‎

‎Stuart Davis. American Painter. With contributions by William C. Agee, Robert Hunter, Lewis Kachur, Diane Kelder, John R. Lane, Lisa J. Servon, Karen Wilkin.‎

‎New York, The Metropolitan Museum of Art / Abrams, (1991). 34 x 29 cm. 333 Seiten. Mit zahlreichen, meist farbigen Abbildungen. Orig.-Leinenband mit farbig illustriertem Schutzumschlag., 12459ab|12459ab 2|12459ab 3 [3 Warenabbildungen] Umschlag leicht angestaubt und minimal nachgedunkelt. Sonst wohlerhaltenes, sauberes Exemplar.‎

‎Katalogbuch zur Ausstellung über den Künstler Stuart Davis (1892-1964). -- Text in englischer Sprache. // Published in conjunction with the exhibition "Stuart Davis, American Painter" held at the Metropolitan Museum of Art, New York, November 23, 1991 - February 16, 1992, and at the San Francisco Museum of Modern Art, March 26 - June 7, 1992. -- Text in English. -- Fine, clean and sound copy. ----- Due to weight of this item, please be aware there may be additional fees, for shipping to destinations outside of Germany, particularly overseas.‎

書籍販売業者の参照番号 : 12459AB

‎Davis, Stuart and Jane Myers, Diane Kelder‎

‎Stuart Davis: Graphic Work and Related Paintings With a Catalogue Raisonne of the Prints‎

‎A clean, unmarked book with a tight binding. Light wear to cover. 9 7/8"w x 9 7/8"h. 96 pages.‎

‎Davison, H.K.; Bridges, H. Styles; Greer, Lois Goodwin; Johnson, Arthur; Drake, George R.; Duncan, George H.; Wallace, William; Tufts, Prof. James A.; Smart, Prof. F.A.; French, John S.; Marshall, R. Eliot; Shute, Judge H.A.; Drew, Iva H.‎

‎The Granite Monthly - A New Hampshire Magazine, January 1924‎

‎Pages 1-58. Black and white photos. Features: National convention of American Legion; Immigration; Stage Coach and Tavern Days; Our Winter Carnivals; An Answer to Our Critics; An anthology of one poem poets; Senator Moses' Three favorite stories; New Hampshire state Grange; Should the Governor's Council be abolished?; New Hampshire Private Schools - with photos of their principals; The Phillips Exeter Academy; Tilton School; New Hampton Literary Institution; Holderness School; Five Foremost Leaders in N.H.; Alcoholic Bi-Focalism; First Candidates for Governor's Council - with photos of Samuel A. Lovejoy and Jesse M. Barton; The Old Toll Bridge (poem); New Hampshire Necrology; and more. Above-average wear to front cover which bears a bit of pencil writing to top edge, otherwise a sound vintage copy. Magazine‎

‎DAX (Adrien).‎

‎Composition avec apparition de silhouette féminine.‎

‎Technique mixte sur feuille de magazine signée au crayon en bas à gauche, vers 1970 (30,6/22,5 cm).‎

書籍販売業者の参照番号 : awd-1102

‎DC Everest Area School District staff & students D C‎

‎World War Ii: Stories From Our Veterans: Wisconsin Veterans and Beyond‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

書籍販売業者の参照番号 : 0970806302.G ISBN : 0970806302 9780970806307

‎DE BENGY, Jean ; CEYSSON, Bernard ; DOBBELS, Daniel ; CABANNE, Pierre ; GREFF, Jean-Pierre‎

‎Bazaine‎

‎Skira/Centre national des Arts plastiques, Paris 1990 In-4, pleine toile bleue, sous jaquette illustrée, sous étui, photographies en noir et en couleurs, 180 pp. Très bon état d’occasion.‎

‎L’itinéraire de Jean Bazaine est reconstruit à travers 82 oeuvres majeures et 70 toiles de petit format, aquarelles et dessins. Sa production et les commentaires qu’elle a suscités font l’objet de la première étude exhaustive, alors que son évolution et sa situation historique sont éclairées par des textes. Très bon état d’occasion‎

書籍販売業者の参照番号 : 23436

‎DE BOER Erik‎

‎The genevan school of the prophets : the congregations of the Company of Pastors and their influence in 16th century Europe.‎

‎Droz Droz, Travaux d'Humanisme et Renaissance, 2012, 330 p., cartonnage éditeur, bon état.‎

‎En anglais. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

書籍販売業者の参照番号 : 101272

‎DE BOSCHERE Jean‎

‎Jérôme Bosch.‎

‎Bruxelles, Editions du Cercle d'Art, 1947. 16 x 24, 39 pp., 32 planches en N/B, broché, bon état.‎

‎Sans la jaquette.‎

書籍販売業者の参照番号 : 93616

‎DE BOURRIENNE‎

‎Mémoires de M de BOURRIENNE.‎

‎Dix tomes en 10 volumes in 8 brochés. Tomes 1 : 7 pages d’annonces et condition de la souscription. Faux-titre, titre IV, avertissement de l’éditeur, 396 pages. Tomes 2 : faux-titre, tire. Un cahier de 8 pages de format in 16 souscriptions aux œuvres littéraires de M. Le Vicomte de Chateaubriand en 30 volumes- titre-393 pages. Tome 3 : Faux-titre, titre, 4 pages avis de l’éditeur- 389 pages. Tome 4 : faux-titre, titre, 4 pages sur papier rose, ouvrages en souscription à la librairie de LADVOCAT premier mai 1829. 434 pages. Tome 5 : faux-titre, titre, 8 pages de catalogue LADVOCAT premier juin 1829 -402 pages. Tome 6 : Faux-titre, titre, IV, avis du libraire éditeur- 426 pages. Tome 7 : faux-titre-titre- 2 pages de catalogue-432 pages. Tome 8 : faux-titre, titre, 424 pages. Tome 9 : faux-titre, titre 428 pages. Tome 10 : faux-titre, titre 468 pages, (petits défauts, sans gravité, au dos réparés). Paris LADVOCAT Libraire éditeur 1829. Complet grandes marges, tel que paru. Les 8 premiers volumes, en couvertures jaunes, sont en édition originale‎

‎Ouvrage écrit par BOURRIENNE,Ministre d’état,sur NAPOLEON,Le Directoire,le Consulat, l’Empire et la Restauration. Rédigé par M. de VILLEMAREST. Ces mémoires contiennent des inexactitudes, écrites dans un esprit hostile à l’Empereur. Les critiques sont surtout venues des Bonapartistes. Abondant en détails pittoresques sur la vie et le caractère de NAPOLEON "publié en 1829 ces mémoires firent sensation, constamment utilisés par les historiens, surtout pour la jeunesse Napoléon" "TULARD 211"‎

書籍販売業者の参照番号 : 10227

‎De Bruyn, Jean-Pierre Stroobants, Aim Rosseels, Brigitte Vande Kerckhove, Nadine Decoodt, Marie‎

‎Dendermondse School doorheen twee eeuwen Kunstacademie, 1800-2000‎

‎, Dendermonde, 2000., Linnen, met omslag, 25 x 28,5cm, 304pp.‎

‎met bijdragen van Rosseels, Jacques Willaert, Ferdinand Lenssens, Monika de Decker, Jos Gogo, Felix Maes, Jan van Beveren, Hugo Verhas, Emmanuel Franciscus‎

書籍販売業者の参照番号 : 4085

‎DE CAROLIS Adolfo (Montefiore dell’Aso 1874 – Roma 1928)‎

‎Il lavoro‎

‎Xilografia a due legni, 1923, siglata sul legno in basso a sinistra. Firmata a matita in basso a destra. Numerata a matita in basso a sinistra: 132/154. misure: mm 170 x 245. Timbro a secco in basso al centro. Impressione eccellente su carta avorio liscia. Ottimo stato di conservazione. Ampi margini oltre la linea marginale. Pittore, incisore e illustratore italiano. Si forma inizialmente a Bologna all’Accademia di Belle Arti e una volta ottenuto il diploma, nel 1892 si trasferisce a Roma. Qui conosce il poeta Nino Costa fondatore del cenacolo In arte libertas che proponeva un rinnovamento dell’arte attraverso la riscoperta dei grandi del Quattrocento sull’esempio dei Preraffaelliti. De Carolis inizia così a frequentare questo gruppo e ne diventa membro iniziando a realizzare dipinti di impronta preraffaellita. Nel 1900 conosce il poeta Giovanni Pascoli per il quale disegna ed esegue un pomo in argento e la targhetta per il bastone dono degli amici della rivista fiorentina Marzocco, inizia quindi ad occuparsi della decorazione grafica di alcune pubblicazioni del poeta. Tale collaborazione si rivela importante nella produzione artistica tra il 1892 e il 1928, perché le opere di questo periodo trattano paesaggi agresti e marini che risentono dell’intonazione pascoliana. Nel 1901 De Carolis lascia Roma per Firenze, dove insegna ornato all’Accademia di Belle Arti dedicandosi alla xilografia. Questa tecnica sarà a lui molto cara e primo in Italia riprenderà l’antica tecnica della xilografia policroma a più legni. Numerose saranno i fogli singoli o le illustrazioni per varie riviste e per le opere dell’amico D’Annunzio.   Bibliografia Bardazzi/Carli/Djokic, 50. Amadio/Papetti, 78-79. Conti, 29. Woodcut from two block, 1923, signed at lower left. igned in pencil at lower right. Numbered in pencil lower left: 132/154. Sice: 170 x 245 mm. Dry stamp at bottom center. Excellent impression on smooth ivory paper, wide margins. Size: mm 170 x 245. Adolfo de Carolis (1874 - 1926), was born in Montefiore dell’Aso on the 6th of January 1874. He moved to Rome and was accepted as a member of the exclusive society ‘In Arte Libertas’ (Freedom in Art’) which had been founded by his close friend Giovanni (‘Nino’) Costa. This society opposed official styles promoted by the academies and influential art critics of the day and espoused the politics, philosophy and aesthetics of the British Pre-Raphaelite movement. The main figures in the British movement were William Morris, Dante Gabriel Rossetti, Edward Burne-Jones and Walter Crane. These groups were also almost certainly involved with the Freemasons, and much of the symbolism in their work have been identified as Masonic. De Carolis exhibited work at the In Arte Libertas annual exhibition right up to 1901. De Carolis was an artistic polymath, working as a painter (in particular of murals), interior designer, decorator, xylographer (wood engraver), illustrator and photographer, and is probably the best known exponent of Art Nouveau in Italy. He was commissioned to produce murals for the Villa Brancadoro in San Benedetto del Tronto, and the ballroom of the Palazzo della Provincia (both in Ascoli Piceno). He also decorated  the great hall of the Palazzo del Podestà in Bologna with murals. He designed the Baptismal Font at the Cathedral of Ajaccio, and contributed decoration and murals in many other illustrious edifices around Italy, as well as supervising restoration work in the Borgia apartments in the Vatican. He is also known for his stained glass and mosaics at the Villa Puccini in Torre del Lago. His talent and originality was quickly recognised by two of the greatest Italian writers and poets of the day, Gabriele D'Annunzio and Giovanni Pascoli, and he became their preferred illustrator. Among his most popular works were many illustrations for Gabriele d'Annunzio's novels (Il Notturno, La figlia di Jorio) and Giovanni Pascoli‘s books of poems. In 1908 his work was described by a panel of judges in Bologna as ‘magnificent, full of evocative fervour, rich in imagination, and secure in the unity of the whole work’. In the backgrounds of many of his paintings it is possible to recognise the typical landscape of le Marche, which he loved so much. As well as his major works, in his later years he also designed bank notes, theatrical sets, posters, calendars, postcards, advertisements and even product labels. He also wrote essays on art and, from 1922, worked as a teacher at the Academy of Fine Arts in Rome. After world war 1 he was employed by the Ministry of War to design medals and certificates for war heroes. He died in Rome on the 7th of February 1928, but, in 1950, his mortal remains were returned to Montefiore by the then mayor, Francesco Egidi, and re-interred in a marble tomb in the church of San Francesco. And ten years later Egidi donated a series De Carolis’ oil sketches for the ‘Salone del Podestà’ in Bologna (the most prestigious public building in the city) which he worked on for over twenty years, between 1908 and 1928.  The De Carolis family also donated the complete collection of engravings on wood (xylography) in 1976.‎

‎DE CAROLIS Adolfo (Montefiore dell’Aso 1874 – Roma 1928)‎

‎La sera, ritorno dalla pesca‎

‎Xilografia a due legni, 1908, priva di firma. Impressione eccellente su carta avorio liscia. Ottimo stato di conservazione. Ampi margini oltre la linea marginale. Nel primo decennio del 1900, De Carolis dedica molta attenzione alla rievocazione di temi popolari, legati in particolare alle raffigurazioni di marine, così come testimonia questa stampa. L'utilizzo di più colori e quindi di un numero maggiore di legni ben si adatta alla vivacità di questi soggetti. Dopo l'adesione nel '96 al gruppo romano In arte libertas, creato dal paesista Nino Costa, dal 1901 insegna ornato in accademia nella Firenze dei maestri del Rinascimento, del "terribile" Michelangelo, del Böcklin dell'Isola dei morti. Comincia ad ornare libri per D'Annunzio e Pascoli e dal 1903 elabora fregi e d articoli per la rivista "Leonardo" fondata con Papini e Prezzolini. Fra le rigogliose figurazioni per la Francesca da Rimini (1902), le rusticane de La figlia di Iorio (1904), le lapidarie del Notturno del "Vate" (1917-21), le stampe marinaresche esprimono un'autonoma poetica. Il varo, L'argano, Il timone, La foce, Le arche - xilografie eseguite fra il 1904 e il 1908, mentre in Europa esplodono primi fenomeni d'avanguardia - denotano un lirismo contemplativo invischiato nel ristagno simbolista che connota la situazione italiana all'avvio del secolo. Ma al di là dei convenzionali significati latenti, quelli manifesti aprono - pur aderendo al fervore estetico del giapponismo fin-de-siècle - un discorso etnografico che si fa via via più urgente, teso a documentare l'irripetibile patrimonio che la "novella civiltà livellatrice" viene annientando. L'appello del 1920 (L'arte popolare, in "La Fionda", Roma) riscuote entusiastiche risposte, stimolando una sensibilità che nel 1923 porta all'istituzione del Regio Museo di etnografia italiana, dal 1956 Museo Nazionale delle Arti e Tradizioni popolari. Woodcut printed from two blocks. Excellent impression, printed on ivory paper, wide margins, good condition. De Carolis was an artistic polymath, working as a painter (in particular of murals), interior designer, decorator, xylographer (wood engraver), illustrator and photographer, and is probably the best known exponent of Art Nouveau in Italy. His talent and originality was quickly recognised by two of the greatest Italian writers and poets of the day, Gabriele D'Annunzio and Giovanni Pascoli, and he became their preferred illustrator. Among his most popular works were many illustrations for Gabriele d'Annunzio's novels (Il Notturno, La figlia di Jorio) and Giovanni Pascoli‘s books of poems. In the first decade of the 1900s, De Carolis devoted a great deal of attention to the evocation of popular themes, linked in particular to representations of seascapes, as this print testifies. The use of more colors and therefore a greater number of woods is well suited to the liveliness of these subjects. After joining in '96 the Roman group In arte libertas, created by the landscape painter Nino Costa, from 1901 he taught ornament in the academy in Florence of the Renaissance masters, of the "terrible" Michelangelo, of Böcklin of the Isle of the Dead. He began to decorate books for D'Annunzio and Pascoli and since 1903 elaborates friezes and articles for the magazine "Leonardo" founded with Papini and Prezzolini.  Among the luxuriant figurations for the Francesca da Rimini (1902), the rusticane of The daughter of Iorio (1904), the lapidarie of the Nocturne of the "Vate" (1917-21), the prints marinaresche express an autonomous poetic. Il varo, L'argano, Il timone, La foce, Le arche - woodcuts made between 1904 and 1908, while the first avant-garde phenomena were exploding in Europe - denote a contemplative lyricism caught up in the symbolist stagnation that characterized the Italian situation at the beginning of the century. But beyond the conventional latent meanings, the manifest ones open - while adhering to the aesthetic fervor of Japanism fin-de-siècle - an ethnographic discourse that becomes more and more urgent, aimed at documenting the unique heritage that the "new leveling civilization" is annihilating. The appeal of 1920 (L'arte popolare, in "La Fionda", Rome) received an enthusiastic response, stimulating a sensitivity that in 1923 led to the establishment of the Royal Museum of Italian Ethnography, since 1956 the National Museum of Popular Arts and Traditions.‎

‎DE CROES Catherine, CUVELIER Guy, MATTART Asdtrid, COUTELIER Françoise, et autres‎

‎Félicien Rops (1833-1898).‎

‎Bruxelles, Centre Culturel de la Communauté française/Musées Royaux des Beaux-Arts, 1985. 24 x 22, 264 pp., nombreuses illustrations en couleurs, nombreux dessins, broché, couverture à rabats, très bon état.‎

書籍販売業者の参照番号 : 93783

‎DE GASPARIN Agénor (Valérie Boissier comtesse)‎

‎Souvenirs.‎

‎Genève, Imp. W. Kündig & Fils, 1895, 126 p., broché, couverture insolée, haut et bas du dos un peu émoussés, intérieur propre, pages non coupées (jamais lu).‎

‎Contient : extrait du journal de Genève par Marc Debrit, extrait de la semaine religieuse par Francis Chaponnière et Souvenirs intimes par Alice Boissonnas.Pionnière des soins infirmiers modernes, militante protestante. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

書籍販売業者の参照番号 : 93789

‎DE GEEST Joost et DE GRYSE Piet‎

‎"Couleurs au front, 1914-1918; les peintures au Front Belge."‎

‎Bruxelles, Crédit Communal, 1999. 25 x 31, 159 pp., 153 illustrations en couleurs, quelques autres illustrations en N/B et en couleurs, reliure d'édition pleine toile noire + jaquette, très bon état.‎

書籍販売業者の参照番号 : 100.746

‎DE GRADA RAFFAELE‎

‎Les Macchiaioli.‎

‎Paris, Celiv, 1993. 23 x 31, sans pagination, 94 illustrations en couleurs, reliure d'édition pleine toile + jaquette, état neuf.‎

書籍販売業者の参照番号 : 39394

‎De Grauwe, Paul (Professor, London School of Economics)‎

‎Limits of the Market‎

‎Hardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Paul De Grauwe examines why a healthy mix of market and state seems so difficult and analyses the internal and external limits of the market and the government and the swing between these two points. hardcover‎

書籍販売業者の参照番号 : ria9780198784289_inp ISBN : 0198784287 9780198784289

‎DE GROOT H. Jacoba‎

‎Kleurhamonie‎

‎In 8, cm 15,5 x 21,5, pp. 52. Brossura editoriale in pergamino con mancanze marginali.‎

‎DE HERRERA, Francisco (Fray).‎

‎Disputationes Theologicae, et Commentaria in secundum librum sententiorum subtilis Doctoris Scoti. Per Fratrem Franciscum de Herrera Ordonis Minorum regularis observantiae Provinciae S. Iacobi, Diffinitorem & in conventu Salamanticensi sacrae Theologiae praelectorem faeliciter incipiunt. Ad Clarissimum Principem D. Antonium Pimentel de Quinones, Comitem de Luna, & familia à Benavente haeredi. Quae in volumine continentur sequens pagina indicabit.‎

‎Salamanticae (Salamanque), Apud Ioannem & Andream Renaut Fratres, 1595, 1 volume 290x210 mm environ, 6 feuillets (titre avec large vignette, Licencia, as lectorem, Censurae), 718 pages, 12 feuillets (index, , reliure plein parchemin crème, impression sur 2 colonnes. Quelques déchirures et auréoles sur la couverture, des rousseurs rares, tampons sur la page de titre et p.9, ex-libris sur le premier contreplat, des mouillures marginales et pages brunies, des erreurs de pagination sans manque, petits défauts de marge par endroits, sinon bon état.‎

‎Né en 1551 à Burgos, Francisco de Herrera part étudier à Salamanque où il entre dans l'ordre franciscain. Après avoir enseigné la philosophie de 1576 à 1579 il se consacre à la théologie 22 ans durant. C'est un théologien scotiste reconnu, les papes Clément VII et Paul V le consultent même à propos de la polémique De auxiliis qui oppose les jésuites et les dominicains. Il meurt en 1609 à Piacenza en laissant derrière lui une importante oeuvre théologique. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

書籍販売業者の参照番号 : 101568

‎De International Topse Summer School On Nonlinear Optics 1992 Alborg (Author), Ole Keller (Editor),‎

‎Studies in Classical and Quantum Nonlinear Optics: Proceedings of the Fifth International Topse Summer School on Nonlinear Optics Aalborg Denmark‎

‎new. unknown‎

書籍販売業者の参照番号 : 5643761-n ISBN : 1560721685 9781560721680

‎DE KINDER R. et alii‎

‎Laureaten, grote prijs van de stad Oostende voor schilderkunst, 1960/Lauréats, grand prix de la ville d'Ostende pour peinture, 1960.‎

‎Oostende, Kultureel Centrum, 1960. 17 x 23, sans pagination, nombreuses illustrations en N/B, reliure rexine, plats en bois, très bon état.‎

‎bilingue, néerlandais/français.‎

書籍販売業者の参照番号 : 65043

‎De La Torre Iliff School of Theology, Miguel A‎

‎Resisting Occupation: A Global Struggle for Liberation Decolonizing Theology‎

‎new. unknown‎

書籍販売業者の参照番号 : 40973454-n ISBN : 1978711379 9781978711372

‎De La Torre Iliff School of Theology, Miguel A‎

‎Resisting Occupation: A Global Struggle for Liberation Decolonizing Theology‎

‎Fortress Academic 2022-03-14. hardcover. New. 6.29x0.86x9.40. Buy with confidence. Excellent Customer Service & Return policy. Fortress Academic hardcover‎

書籍販売業者の参照番号 : DADAX1978711379 ISBN : 1978711379 9781978711372