‎École‎

‎DuSable High School‎

‎Commencement Exercises For Class Of January 1938‎

‎Chicago: DuSable. 1938. First Edition. Paperback. Wraps 4pp an invitation to the commencement is laid in. . DuSable paperback books‎

书商的参考编号 : 017447

‎DUTHUIT Georges‎

‎Renoir. Collection : Les contemporains.‎

‎Paris, Librairie Stock, 1928. 10 x 14, 32 pp., 16 illustrations en N/B, broché, bon état (couverture légèrement défraîchie).‎

书商的参考编号 : 77751

‎DUTCH School, late 18th Century‎

‎A View of the Interior of the Cabinet of Curiosities of Catharina Sirtema van Grovestins The Hague Holland‎

‎Pen and grey and brown ink grey wash on laid paper on an archival mount. Fine condition. Sheet size: 18 x 23 7/8 inches. Provenance: Dr. C.A. Pompe; G. Meijer; L. Houthakker with his collector's mark at lower right corner not in Lugt. A beautiful and very rare drawing of one of the most beautiful "Wunderkammern" of the day which later became the property of the Empress of Russia.<br/> <br/> This drawing shows the interior of the cabinet of curiosities of Catharina van Grovestins-von Schutz in the family house in The Hague. There is another earlier drawing of the same cabinet by the artist Daniel Marot the Younger 1695-1769 dated 1756 and currently in the collection of the Gemeentearchief in The Hague. This earlier drawing shows the interior just after it was completed but before the expanding collection necessitated certain improvements that are shown in the present drawing: additions include a shaped central cabinet bearing what may be a portrait bust of Catharina van Grovestins-von Schutz. Other improvements include the display shelves for taxidermy specimens that have been added between the built-in display cases and the architrave above; and the central bracketed display of coral and shells that was added above the fireplace. Catharina lady-in-waiting to Princess Anna of Orange employed the talents of the well-known naturalist and collector Arnout Vosmaer to help assemble the Cabinet. Vosmaer later commented in his memoirs that the cabinet was 'one of the most beautiful collections . covering every domain of nature" and noted that it was eventually sold to the Empress of Russia. The present drawing may perhaps have been intended as part of the successful attempt to sell the collection to the Empress The earliest cabinets were gathered together in the 16th century. They initially represented a genuine attempt to begin to understand the natural world but also came to be seen as an expression of the power and influence of the owner: the larger the 'wunderkammer' the more important the owner. They were the precursor to today's museums the most famous in England being the collection of Elias Ashmole 1617-1692. His private collection founded by the naturalist John Tradescant circa 1570-1638 was presented to Oxford University and opened to the public on 24 May 1683 as the Ashmolean Museum. One of the best known American examples was the Peale Museum founded in Philadelphia in 1784 for Charles Wilson Peale a painter and a scientist. His son Rembrandt Peale more famous today as a portrait painter subsequently established a 'branch' of the Peale Museum in Baltimore Maryland and this is now the oldest museum building in the Western hemisphere. The museum differed from the earlier more private collections in that it was always the Peales' intention to open the museum to the public. In its heyday the show included 90 specimens of mammals more than 700 bird specimens mounted in 'naturalistic' mini-dioramas a whole room of marine specimens about 4000 insects numerous minerals as well as their famous mammoth skeleton the first such display as well as scores of Peale's portraits.<br/> <br/> Cf. H. Engel Alphabetical list of Dutch Zoological Cabinets and Menageries Amsterdam: 1986; P. Fuhring Design into Art: drawings for architecture and ornament the Lodewijk Houthakker Collection London 1989 vol. II p. 761 #1102. unknown‎

书商的参考编号 : 20786

‎Dutta, Debolina (Melbourne Law School)‎

‎Jurisprudence Of Conversations: Law Life And Feminism In Post-Colonial India‎

‎Cambridge University Press 2026. Hardcover. New. 322 pages. 6.00x0.75x9.00 inches. Cambridge University Press hardcover‎

书商的参考编号 : x-1009581562 ???????? : 1009581562 9781009581561

‎Dutta, Debolina (Melbourne Law School)‎

‎Jurisprudence Of Conversations: Law Life And Feminism In Post-Colonial India‎

‎like new. unknown‎

书商的参考编号 : 50697980 ???????? : 1009581562 9781009581561

‎Duxbury High School‎

‎Partridge 1943 Classic Reprint‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

书商的参考编号 : 1391480279.G ???????? : 1391480279 9781391480275

‎Duxbury High School‎

‎The Partridge: June 1941 Classic Reprint‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

书商的参考编号 : 0260435953.G ???????? : 0260435953 9780260435958

‎Duxbury High School‎

‎The Partridge: June 1938 Classic Reprint‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

书商的参考编号 : 0666103828.G ???????? : 0666103828 9780666103826

‎Duxbury High School‎

‎The Partridge 1935‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

书商的参考编号 : 0331397846.G ???????? : 0331397846 9780331397840

‎Duxbury High School‎

‎The Partridge: Commencement Issue; June 1940 Classic Reprint‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

书商的参考编号 : 0260606332.G ???????? : 0260606332 9780260606334

‎Duxbury High School‎

‎The Partridge‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

书商的参考编号 : 033144481X.G ???????? : 033144481X 9780331444810

‎Délégation à l'action artistique de la ville de Paris‎

‎L'école primaire à Paris: 1870-1914,‎

‎Mairies du XVe et du IIe arrondissement, 1985, 104 pp., illustrations, broché, couverture légèrement défraîchie, état correct.‎

书商的参考编号 : 9340

‎DÜRER Albert‎

‎"Choix de gravures du Cabinet des estampes d'Amsterdam (exposition à Bruxelles à la Bibliothèque Albert 1er, du 10 octobre au 6 décembre 1964); catalogue."‎

‎Bruxelles, Bibliothèque Albert 1er, 1964. 18 x 26, 47 pp., 24 planches en N/B, broché, bon état.‎

‎avant-propos de Herman Liebaers.‎

书商的参考编号 : 64096

‎E W Bosworth [McGuire's School, Richmond, Virginia]‎

‎RICHMOND A HAND-BOOK OF LATIN NOTES. BASED FOR THE MOST PART UPON THE SYNTAX OF THE LATIN VERBS AND CASE RELATIONS OF PROFESSOR PETERS UNIVERSITY OF VIRGINIA AND GILDERSLEEVE'S LATIN GRAMMAR‎

‎Richmond VA: Whittet & Shepperson 1899. First Edition. Hard Cover. Very Good binding. A Latin primer prepared by E. W. Bosworth of the McGuire's School in Richmond presumably for the use of the students at the school. An uncommon Richmond item. Very Good binding. Whittet & Shepperson unknown‎

书商的参考编号 : 271407

‎E. Aubert et A. Lapreste‎

‎Nouveau cours d'hygiene - Ecoles Primaires Superieures - Garcons‎

‎1909. Paris, non date (programme de 1909). Format 12x18 cm, cartonnage percaline verte de l'editeur, 252 pages.Bon etat.‎

书商的参考编号 : 10961

‎E.A.T. (École d'Application du Train)‎

‎LA SECURITE DES COLONNES AUTOMOBILES‎

‎Atelier d'Imp EAT 1952 1952.‎

书商的参考编号 : 300000180

‎E.C. P. ECOLE CENTRALE DE PARIS.‎

‎Croquis d'Amphi. E.C.P. 1947. Entrée Libre.‎

‎( Fontenay-aux-Roses, Imprimeries Bellenand, 1947) ; album in-4°, broché couverture crème illustrée et imprimée en brun et jaune ; (48)pp. de caricatures légendées.Tache brune au 1er plat de la couverture, bon état intérieur.‎

‎Album de caricatures de fin d'année de la promotion 1947 de l'Ecole Centrale.Les auteurs ingénieurs sont R. Boucheras, C. Bourdon, C. Chanzy, M. Cointe, J. Esun, J. Etcheverry, J. Montagnon, E. Raffin, J. Tostain.Quatre organisateurs de la fête de fin d'année ont décicacé cet album sur la page de titre.( GrF)‎

书商的参考编号 : cROU-913

‎E.C. P. ECOLE CENTRALE DE PARIS.‎

‎Croquis d'Amphi. Petit Larousse Illustré. J'enseigne à tout vent. 1949.‎

‎( Paris, Impression Photomécanique, les procédés Dorel, 1949) ; album in-4°, broché couverture beige illustrée et imprimée en brun; (48)pp. de caricatures légendées.Infime manque en bordure du 1er plat de la couverture sinon très bon état.‎

‎L'album de caricatures de fin d'année de la promotion 1949 de l'Ecole Centrale de Paris, est sous forme d'Abécédaire.Les ingénieurs auteurs Harlé, Legris, André, Castex, Quercy, avec le concours de Cointe, Thibeau, Chanzy. (GrF)‎

书商的参考编号 : c5727

‎E.M.C.S. 50th Anniversary Committee‎

‎From Camp Hut to High Tech - 50 [Fifty] Years: Milne's Landing - Edward Milne [Community School] 1946-1996‎

‎44 pages. Profusely illustrated with black and white reproductions of archival photos. A pleasing nostalgic review of fifty years of education in Sooke, B.C. Clean, bright and unmarked with light wear. A quality copy. Book‎

‎Eads High School Local History Project; Kiowa County Historical Society‎

‎Kiowa County Images of America‎

‎Arcadia Publishing 2010-08-16. Paperback. New. New. In shrink wrap. Looks like an interesting title! Arcadia Publishing paperback‎

书商的参考编号 : Q-0738580937 ???????? : 0738580937 9780738580937

‎EARLOM Richard (Londra, 14 maggio 1743 – Londra, 9 ottobre 1822)‎

‎L'Abbondanza‎

‎Acquatinta e acquaforte, stampata in seppia, 1789. Dalla serie: A collection of prints, after the sketches and drawings of the late celebrated Giovanni Battista Cipriani pubblicata a Londra da John &amp; Josiah Boydell. La serie consiste di cinquanta stampe da disegni di Cipriani 'incisi da Mr. Richard Earlom' inclusee sette incise da Maria Catharina Prestel, Bartolozzi, Kirk e Legat. Richard Earlom (1743-1822) fu uno dei più grandi incisori a mezzatinta e a puntini del suo tempo. Fu apprendista dell'incisore londinese G.B. Cipriani e studiò alla St Martin's Lane Academy. Vinse molti premi per i suoi disegni e incisioni. Nel 1774, iniziò a lavorare per John Boydell per il quale creò trecento tavole dopo Claude, pubblicate come il Liber Veritas (1777-1819). Creò anche per Boydell cinquantuno tavole di Cipriani. Earlom incise opere eccezionali sia dopo i disegni dei suoi contemporanei che dopo i vecchi maestri. Boydell commissionò il suo talento per alcune delle più famose tavole della Houghton Gallery e della Shakespeare Gallery. Giovanni Battista Cipriani, (1727-1785) fu un pittore decorativo e designer fiorentino, attivo principalmente in Inghilterra. Nel 1755 fu portato a Londra dall'architetto Sir William Chambers e dallo scultore Joseph Wilton, che lo avevano conosciuto a Roma. Fu impiegato nella decorazione di molti edifici pubblici e case private e in alcuni casi progettò dettagli architettonici come intonaco, legno e scultura in pietra. Buoni esempi dei suoi dipinti sono alla Somerset House (dove lavorò per Chambers) e nel Philadelphia Museum of Art (una serie originariamente eseguita per Lansdowne House, Londra). Fu anche attivo come insegnante alla Royal Academy (fu membro fondatore nel 1768 e disegnò il suo diploma), e i suoi numerosi disegni decorativi (molti incisi da Bartolozzi, suo amico dai tempi degli studenti) ebbero una grande influenza. Il lavoro di Cipriani è compiuto piuttosto che ispirato, ma fu, nelle parole di Sir Ellis Waterhouse, 'una delle grandi figure di retrovia dello stile neoclassico in Inghilterra'. Aquatint and etching, printed in sepia ink, 1789.   From the series: A collection of prints, after the sketches and drawings of the late celebrated Giovanni Battista Cipriani published in London by John &amp; Josiah Boydell. The series consists of fifty-plate series of facsimile prints of Cipriani's drawings 'engraved by Mr. Richard Earlom' includes seven engraved by Maria Catharina Prestel, Bartolozzi, Kirk and Legat.. A letterpress contents page of the same sheet size, kept under Earlom's name with the majority of the series, gives titles and the series publication date of September 1st, 1789. Richard Earlom (1743-1822) was one of the greatest mezzotint and stipple engravers of his day. He was apprenticed to the London based engraver, G.B. Cipriani and studied at the St Martin's Lane Academy. He won many prizes for his drawings and engravings. In 1774, he began work for John Boydell for whom he created three hundred plates after Claude, published as the Liber Veritas (1777-1819). He also created for Boydell fifty-one plates after Cipriani. Earlom engraved outstanding works both after the designs of his contemporaries and after the old masters. Boydell commissioned his talents for some of the most famous plates in The Houghton Gallery and The Shakespeare Gallery.   Giovanni Battista Cipriani, (1727-1785) was a Florentine decorative painter and designer, active mainly in England. In 1755 he was brought to London by the architect Sir William Chambers and the sculptor Joseph Wilton, who had met him in Rome. He was employed in the decoration of many public buildings and private houses and in some cases designed such architectural details as plasterwork, woodwork, and stonecarving. Good examples of his paintings are at Somerset House (where he worked for Chambers) and in the Philadelphia Museum of Art (a series originally executed for Lansdowne House, London). He was also active as a teacher at the Royal Academy (he was a foundation member in 1768 and designed its diploma), and his numerous decorative designs (many engraved by Bartolozzi, his friend since student days) had wide influence. Cipriani's work is accomplished rather than inspired, but he was, in the words of Sir Ellis Waterhouse, 'one of the great backroom figures of the Neoclassic style in England'.‎

‎EARLOM Richard (Londra, 14 maggio 1743 – Londra, 9 ottobre 1822)‎

‎Putti‎

‎Acquatinta e acquaforte, stampata in seppia, 1789. Dalla serie: A collection of prints, after the sketches and drawings of the late celebrated Giovanni Battista Cipriani pubblicata a Londra da John &amp; Josiah Boydell nel 1789. La serie consiste di cinquanta stampe da disegni di Cipriani 'incisi da Mr. Richard Earlom' inclusee sette incise da Maria Catharina Prestel, Bartolozzi, Kirk e Legat. Richard Earlom (1743-1822) fu uno dei più grandi incisori a mezzatinta e a puntini del suo tempo. Fu apprendista dell'incisore londinese G.B. Cipriani e studiò alla St Martin's Lane Academy. Vinse molti premi per i suoi disegni e incisioni. Nel 1774, iniziò a lavorare per John Boydell per il quale creò trecento tavole dopo Claude, pubblicate come il Liber Veritas (1777-1819). Creò anche per Boydell cinquantuno tavole di Cipriani. Earlom incise opere eccezionali sia dopo i disegni dei suoi contemporanei che dopo i vecchi maestri. Boydell commissionò il suo talento per alcune delle più famose tavole della Houghton Gallery e della Shakespeare Gallery. Giovanni Battista Cipriani, (1727-1785) fu un pittore decorativo e designer fiorentino, attivo principalmente in Inghilterra. Nel 1755 fu portato a Londra dall'architetto Sir William Chambers e dallo scultore Joseph Wilton, che lo avevano conosciuto a Roma. Fu impiegato nella decorazione di molti edifici pubblici e case private e in alcuni casi progettò dettagli architettonici come intonaco, legno e scultura in pietra. Buoni esempi dei suoi dipinti sono alla Somerset House (dove lavorò per Chambers) e nel Philadelphia Museum of Art (una serie originariamente eseguita per Lansdowne House, Londra). Fu anche attivo come insegnante alla Royal Academy (fu membro fondatore nel 1768 e disegnò il suo diploma), e i suoi numerosi disegni decorativi (molti incisi da Bartolozzi, suo amico dai tempi degli studenti) ebbero una grande influenza. Il lavoro di Cipriani è compiuto piuttosto che ispirato, ma fu, nelle parole di Sir Ellis Waterhouse, 'una delle grandi figure di retrovia dello stile neoclassico in Inghilterra'. Aquatint and etching, printed in sepia ink, 1789.   From the series: A collection of prints, after the sketches and drawings of the late celebrated Giovanni Battista Cipriani published in London by John &amp; Josiah Boydell in 1789. The series consists of fifty-plate series of facsimile prints of Cipriani's drawings 'engraved by Mr. Richard Earlom' includes seven engraved by Maria Catharina Prestel, Bartolozzi, Kirk and Legat.. A letterpress contents page of the same sheet size, kept under Earlom's name with the majority of the series, gives titles and the series publication date of September 1st, 1789. Richard Earlom (1743-1822) was one of the greatest mezzotint and stipple engravers of his day. He was apprenticed to the London based engraver, G.B. Cipriani and studied at the St Martin's Lane Academy. He won many prizes for his drawings and engravings. In 1774, he began work for John Boydell for whom he created three hundred plates after Claude, published as the Liber Veritas (1777-1819). He also created for Boydell fifty-one plates after Cipriani. Earlom engraved outstanding works both after the designs of his contemporaries and after the old masters. Boydell commissioned his talents for some of the most famous plates in The Houghton Gallery and The Shakespeare Gallery.   Giovanni Battista Cipriani, (1727-1785) was a Florentine decorative painter and designer, active mainly in England. In 1755 he was brought to London by the architect Sir William Chambers and the sculptor Joseph Wilton, who had met him in Rome. He was employed in the decoration of many public buildings and private houses and in some cases designed such architectural details as plasterwork, woodwork, and stonecarving. Good examples of his paintings are at Somerset House (where he worked for Chambers) and in the Philadelphia Museum of Art (a series originally executed for Lansdowne House, London). He was also active as a teacher at the Royal Academy (he was a foundation member in 1768 and designed its diploma), and his numerous decorative designs (many engraved by Bartolozzi, his friend since student days) had wide influence. Cipriani's work is accomplished rather than inspired, but he was, in the words of Sir Ellis Waterhouse, 'one of the great backroom figures of the Neoclassic style in England'.  ‎

‎Early Women Education: Ragged School‎

‎Rare Handbill With Annotations from its Director The Lant Street Ragged School Serving "The Poorest Population in Southwark" - Not in OCLC‎

‎1868. Early Women Education. Autograph Letter Signed on verso of a Handbill regarding Ragged Schools April 13 1868. Rev. H. Newton-Vicar of St. michael's Mission Schools Lant Street writes to a donor about the work of the Ragged schools. Verso is a broadside for "The Lant Street Ragged Schools for Boys and Girls Borough Southwark." Reading in part "These Ragged Schools are placed in the midst of the poorest populationin Southwark in are the largest with about 850 attendances daily and the most important in South London." Attendance shows girls far outnumbered boys in the school "Boys in the Lower School Room.167 Girls in the Upper School Room.243.Afternoon Boys.162 Girls.233. The attendants at the Evening School in which more grown persons of both sexes are taught to read and write number about.65." He has made notes in his hand on the broadside portion in part "Ragged Schools male & female." At the time that this description is being written no copies are recorded in American institutions. OCLC search results are at best an estimate and can vary over time. This rare handbook is considerably more interesting for the first-hand manuscript content regarding the coeducational activities of the school. unknown‎

书商的参考编号 : 16085

‎East Bridgewater High School‎

‎Student s Pen Vol. 21: Graduation Issue; June 1941 Classic Reprint‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

书商的参考编号 : 0260567701.G ???????? : 0260567701 9780260567703

‎East Bridgewater High School‎

‎The Student's Pen Vol. 2: June 1921 Classic Reprint‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

书商的参考编号 : 0484548336.G ???????? : 0484548336 9780484548335