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BEAUX ARTS-N°371-MAI 2015
164 PAGES-22 CM X 28,5 CM-MANQUE COIN INF DR DE COUVERTURE-EDOTORIAL: STREET ART: LE MOUVEMENT ARTISTIQUE DU XXIe SIECLE?-PIERRE BOULEZ DONNE TOUJOURS LE TEMPO, 1P, PHOTO-DE NEW YORK A TEHERAN LE TOUR DU MONDE DU STREET ART, 14 PAGES-EST-CE UN CARAVAGE? ENQUETE SUR LA MANIERE D'IDENTIFIER DES CHEFS-D'OEUVRE INCONNUS, 8P-LE CORBUSIER ARCHITECTE MYTHIQUE, PEINTRE MECONNU, 8P-SINGAPOUR A LA CONQUETE DE L'HEXAGONE, 4P-VAN DER WEYDEN LE FLAMAND EMOTIF, 8P-MARCEL BROODTHAERS L'ARTISTE QUI N'ENTRAIT DANS AUCUN MOULE, 4P-EXPOSITION MUSEE GUIMET, L'ASIE SE DONNE EN SPECTACLE, 6P-56e BIENNALE DE VENISE LE GRAND SAUT DANS LE FUTUR, 14P-ET CANALETTO FIT DE LONDRES UN THEATRE VENITIEN, 6P
Bookseller reference : ABE-1625769811992
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Bernardo Bellotto genannt Canaletto in Dresden und Warschau. Ausstellung vom 8. Dezember 1963 bis 31. August 1964 im Albertinum Dresden. Dresden 1964.
Dresden, 1964. Ca. 26 x 20,5 cm. 231 (3) Seiten, mit 131 ganzseitigen Abbildungen auf Kunstdrucktafeln. Farbig illustrierte englische Original-Broschur mit Rückenbeschriftung. 2. Auflage.
Bookseller reference : 2267A
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Canaletto malarz Warszawy. Z 118 illustracjami i 4 tablicami barwnymi napisal Mieczyslaw Wallis.
Warszawie, Auriga - Oficyna Wydawnicza, 1961, in-4, cartone edit. con sovracc. in plastifica trasparente ed astuccio, pp. 36, (4). Con 118 ill., fra cui 2 su tavola piegata, e 4 a col. su tavv. applicate su cartoncino. Invio al professor C. Cordié.
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Canaletto. Disegni - dipinti - incisioni. A cura di A. Bettagno. Ausst. Venedig, Fondazione Giorgio Cini.
Vicenza, Neri Pozza ( 1982). 4°. 104 S. Mit über 175 tls. farb. Abb. Original-Kartonband
Bookseller reference : 193224-1
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Kozakiewicz, Helena u. Stefan, Bernardo Bellotto, genannt Canaletto. = Welt der Kunst.
Berlin, Henschelverl., 1976. 4°, n.p., Mit 59, davon 16 farb. Abb. OPpbd.
Bookseller reference : 412341BB
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Venise Au XVIIIème Siècle
Paris Réunion Des Musées Nationaux 1971 In-8 carré 209 pp
Bookseller reference : 22199
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(Canaletto) Parker, KT., Editor K. T.
Canaletto Drawings in the Royal Library at Windsor Castle
Oxford: Phaidon 1948. First edition. With 150 Reproductions including 4 folding plates. 1 vols. 4to. Orange cloth in dust jacket. Almost fine. First edition. With 150 Reproductions including 4 folding plates. 1 vols. 4to. <br/><br/> Phaidon hardcover
Bookseller reference : 28804
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(CANALETTO) SCIRE, Giovanna Nepi.
Canaletto's Sketchbook.
Canal & Stamperia Editrice Venice. 1997. Canal & Stamperia Editrice Venice. 1997. Two vols. in slipcase - hardback facsimile reproduction of the original sketchbook together with a handsome paperback which reproduces the sketches each with accompanying commentary. Very clean and sound in slipcase which has a few sl. signs of wear. paperback
Bookseller reference : 100023
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(COTTINO Alberto) -
Canaletto.
Milano, Elemond Arte, 1992, 8vo brossura con copertina illustrata a colori, pp. 63 con illustrazioni in nero e 34 tavole a colori nel testo (supplemento a "L'Unità") .
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(Kozakiewicz, Stefan, Henner Menzel und Günther Heinz, Waltraud Schumann)
Bellotto Bernardo genannt Canaletto.
Wien, Österreichische Kulturvereinigung, 1965. 131 S., 2 Bll. Zahlr. teils farb. Abb. auf Tafeln. Kl.-4°. OKart. (Gebrssprn.).
Bookseller reference : 18433
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[CANALETTO] - UZANNE (Octave).-
Les Canaletto. L'Oncle et le Neveu. Le Maitre et le Disciple. Antonio Dà Canal, 1697-1768. - Bernardo Bellotto, 1723-1780.
P., Nilsson (Collection "Maitres Anciens et Modernes"), 1925, petit in 8° broché, 135 pages ; illustrations hors-texte ; couverture illustrée ; quelque rares rousseurs.
Bookseller reference : 54091
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[CANALETTO] - ROSENBERG (Pierre) & PUPPI (Lionello)
Tout l'oeuvre peint de Canaletto.
Paris, Flammarion (coll. "Les classiques de l'art"), (1975). In-4°, 128p. Reliure cartonnée d'éditeur, sous jaquette illustrée.
Bookseller reference : 24383
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[CANALETTO] - ROSENBERG (Pierre) &PUPPI (Lionello)
Tout l'oeuvre peint de Canaletto.
Paris, Flammarion (coll. "Les classiques de l'art"), 1975. In-4°, 128p. Reliure pleine toile d'éditeur, sous jaquette illustrée.
Bookseller reference : 38302
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[CANALETTO]; Antonio Visentini.
Area P.P. Societatis Jesu cum eorum Templo.
Venice c.1790 . Engraving by Visentini after Canaletto 40.5 x 55.5 cm. Plate IX from Urbis Venetiarum Prospectus Celebriores.<br /> The most widely known and the best of the many engravings after Canalatto's views of Venice. They were originally commissioned by Consul Smith and based on paintings by Canaletto.<br /><br />"Self-styled as painter architect and engraver Visentini enjoyed a long career in Venice where he was connected to the Academia and to the artistic and publishing circle centred around Consul Joseph Smith. Visentini's etchings are distinguished in the confidence and authority of their perspectival projection and etched line. Visentini's buildings seldom sag and never "sink" under their own weight into the water of the canals as they occasionally might in the work of Carlevaris and Mariechi. Canaletto's compositions are quite various and are refreshingly dramatic in the contrast between the large foreground buildings and the smaller ones in the receding perspective.<br /><br />These views were crucial to forming the image of Venice in the mind of its visitors" Millard.<br /> Venice, c.1790 unknown
Bookseller reference : 86936
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[CANALETTO]; Antonio Visentini.
Area S. Josephi cum Templo S. Nicolai ad Castrum
Venice c.1790 . Engraving by Visentini after Canaletto 40.5 x 55.5 cm. Plate II from Urbis Venetiarum Prospectus Celebriores.<br /> The most widely known and the best of the many engravings after Canalatto's views of Venice. They were originally commissioned by Consul Smith and based on paintings by Canaletto.<br /><br />"Self-styled as painter architect and engraver Visentini enjoyed a long career in Venice where he was connected to the Academia and to the artistic and publishing circle centred around Consul Joseph Smith. Visentini's etchings are distinguished in the confidence and authority of their perspectival projection and etched line. Visentini's buildings seldom sag and never "sink" under their own weight into the water of the canals as they occasionally might in the work of Carlevaris and Mariechi. Canaletto's compositions are quite various and are refreshingly dramatic in the contrast between the large foreground buildings and the smaller ones in the receding perspective.<br /><br />These views were crucial to forming the image of Venice in the mind of its visitors" Millard.<br /> Venice, c.1790 unknown
Bookseller reference : 86938
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[CANALETTO]; Antonio Visentini.
Area S. Rocchi cum ejusdem Templo et Schola.
Venice c.1790. . Engraving by Visentini after Canaletto 40.5 x 55.5 cm. Plate V from Urbis Venetiarum Prospectus Celebriores.<br /> The most widely known and the best of the many engravings after Canalatto's views of Venice. They were originally commissioned by Consul Smith and based on paintings by Canaletto.<br /><br />"Self-styled as painter architect and engraver Visentini enjoyed a long career in Venice where he was connected to the Academia and to the artistic and publishing circle centred around Consul Joseph Smith. Visentini's etchings are distinguished in the confidence and authority of their perspectival projection and etched line. Visentini's buildings seldom sag and never "sink" under their own weight into the water of the canals as they occasionally might in the work of Carlevaris and Mariechi. Canaletto's compositions are quite various and are refreshingly dramatic in the contrast between the large foreground buildings and the smaller ones in the receding perspective.<br /><br />These views were crucial to forming the image of Venice in the mind of its visitors" Millard.<br /> Venice, c.1790. unknown
Bookseller reference : 86934
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[Canaletto] Eeles, Adrian
Canaletto
Paul Hamlyn 1967. First Edition. Hardcover. Very Good/Very Good. 4to - over 9¾" - 12" tall. A very good copy in very good dust jacket slight rubbing/few small nicks to DJ. 4to with DJ 382plts Series : The Colour Library of Art. Not located in Freitag.49 color & 11 b/w Illustrations. Paul Hamlyn hardcover
Bookseller reference : 0217218
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[Canaletto, Giovanni Antonio] Eeles, Adrian
Canaletto
London: Paul Hamlyn 1967. 4to - over 9¾" - 12" tall. F First Edition Used. H Hard Cover. Very Good. VG/VG 4to DJ 3849pp name to endpaper. Paul Hamlyn [1967] hardcover
Bookseller reference : 0800593
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[CANALETTO]; Antonio Visentini.
Platea S. Mariae Formosae ejusque Templum.
Venice c.1790. . Engraving by Visentini after Canaletto 40.5 x 55.5 cm. Plate VIII from Urbis Venetiarum Prospectus Celebriores.<br /> The most widely known and the best of the many engravings after Canalatto's views of Venice. They were originally commissioned by Consul Smith and based on paintings by Canaletto.<br /><br />"Self-styled as painter architect and engraver Visentini enjoyed a long career in Venice where he was connected to the Academia and to the artistic and publishing circle centred around Consul Joseph Smith. Visentini's etchings are distinguished in the confidence and authority of their perspectival projection and etched line. Visentini's buildings seldom sag and never "sink" under their own weight into the water of the canals as they occasionally might in the work of Carlevaris and Mariechi. Canaletto's compositions are quite various and are refreshingly dramatic in the contrast between the large foreground buildings and the smaller ones in the receding perspective.<br /><br />These views were crucial to forming the image of Venice in the mind of its visitors" Millard.<br /> Venice, c.1790. unknown
Bookseller reference : 86937
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[CANALETTO]; Antonio Visentini.
Platea S. Stephani ad Meridiem.
Venice <br /><br /> c. 1790 . Engraving by Visentini after Canaletto 40.5 x 55.5 cm. Plate VII from Urbis Venetiarum Prospectus Celebriores.<br /> The most widely known and the best of the many engravings after Canalatto's views of Venice. They were originally commissioned by Consul Smith and based on paintings by Canaletto.<br /><br />"Self-styled as painter architect and engraver Visentini enjoyed a long career in Venice where he was connected to the Academia and to the artistic and publishing circle centred around Consul Joseph Smith. Visentini's etchings are distinguished in the confidence and authority of their perspectival projection and etched line. Visentini's buildings seldom sag and never "sink" under their own weight into the water of the canals as they occasionally might in the work of Carlevaris and Mariechi. Canaletto's compositions are quite various and are refreshingly dramatic in the contrast between the large foreground buildings and the smaller ones in the receding perspective.<br /><br />These views were crucial to forming the image of Venice in the mind of its visitors" Millard.<br /><br /><br /> Venice <br /><br /> c. 1790 unknown
Bookseller reference : 86935
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[CANALETTO]. VISENTINI, Antonio.
Urbis Venetiarum prospectus celebriores ex Antonii Canal tabulis XXXVIII.Venice Joannem Baptistam Pasquali 1742. 3 parts in 1 volume. Oblong folio ca. 36.5 x 52.5 cm. With 3 letterpress title-pages printed in red and black with engraved vignettes by Visentini the original engraved title-page for the first series Prospectus Magni Canali a double portrait of Canaletto and Visentini by Visentini after Giovanni Battista Piazetta and and XIV XII and XII numbered engraved prints with familiar views based upon 38 paintings by Canaletto engraved by Visentini showing the Grand Canal public buildings renowned places in Venice and regatta scenes. Contemporary half morocco brown paper sides manuscript title and two old shelfmarks on the spine.
8; 1; 1 ll. plus the part-title double portrait and XIV XII XII prints.First complete edition of a series of engraved views of Venice by Visentini after Canaletto's paintings which were in the collection of the book collector patron of the arts and British Consul of Venice Joseph Smith ca. 1673/4-1770. Canaletto also known as Giovanni Antonio Canal 1697-1768 was an Italian painter renowned for his paintings depicting Venice and its canals. Visentini's plates are not only the best known among the many engravings made after Canaletto's famous views of Venice but also the best and most influential: "crucial to forming the image of Venice in the mind of its visitors" Millard. The British Consul Smith commissioned the painter engraver and architect Antonio Visentini 1688-1782 connected to the Academia and to the artistic and publishing circle around Smith to engrave the plates after CanalettoÂ’s paintings.The series of 38 plates is divided into three suites of respectively XIV XII and XII numbered prints each suite with its own letterpress title-page. The first set of plates is entirely focussed on the Grand Canal as is promised by the original title-page the Prospectus Magni Canali. The prints of the second suite particularly show the banks of the Grand Canal. The third suite shows views of campi and the Piazza San Marco. Besides Saint Mark's Basilica itself and the Piazza we see for example the campo of Santi Giovanni e Paolo the Piazza San Polo and San Niccolo on the Lido. All prints are captioned in Italian.The present 1742 edition is the first to include all 38 prints of the complete three suites but Visentini had completed and published the first suite of views already in 1735. The present complete series proved very succesfull with further editions in 1751 1754 and 1773. Even in the 19th century it ran through new editions: an 1833 edition with French and Italian captions was reprinted in 1838. The present first edition of the complete series is quite rare: we have traced only 6 copies worldwide in WorldCat and it rarely appears on the market.Binding a little rubbed: spine a little damaged paper sides frayed around the edges and chipped in the right lower corner of the front board boards a little stained. Book block slightly loose in the binding. Some marginal tears professionally repaired. Prints only slightly browned along the edges of the margins but otherwise in very good condition. The rare complete first edition of one of the most influential print series in shaping the image of Venice.l Kat. Ornamentstichsammlung Berlin 2695; Millard Italian 153; WorldCat 6 copies in 5 entries; for Canaletto: Thieme & Becker V pp. 455-486; for Visentini: Thieme & Becker XXIX p. 419. hardcover
Bookseller reference : ABC_46068
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Aa Vv.
Colnaghi. An Exhibition of Master Drawings. London, 14th June - 14th July, 2000
Mm 215x305 Volume cartonato con sovraccoperta editoriale illustrata a colori, circa 100 pagine non numerate con 60 splendide tavole a colori fuori testo. Opera in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
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Aa Vv.
Colnaghi. An exhibition of Master Drawings. New York, 6th - 28th May, 1999
Mm 215x305 Volume cartonato con sovraccoperta editoriale illustrata a colori, circa 100 pagine non numerate con 58 splendide tavole a colori fuori testo. Opera in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
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Aa Vv.
Selections from the Drawings and Watercolor Collection
Mm 215x275 Brossura editoriale di pp. 111, con disegni in bianco e nero, leggere fioriture alla copertina, buono stato complessivo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
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Alberto Cottino
Canaletto
Pockets Electa <BR>ISBN 8843543679<BR>3 copie
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Alessandro Bettagno
Canaletto. Disegni - Dipinti - Incisioni
Alessandro Bettagno Canaletto. Disegni - Dipinti - Incisioni. , Neri Pozza 1982, Condizioni critiche: brossura, sovraccoperta perfettamente integra, tagli e pagine in ottimo stato e perfettamente fruibili (ad eccezione delle ultime 15/20 pagine che risultano incollate tra loro causa umidità). Misure in cm: 31x24x2 Mediocre (Poor) . <br> in quarto <br> <br> 160<br>
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AMES Winslow
LES PLUS BEAUX DESSINS ITALIENS.
Paris : Éditions du Chêne, 1964. 140 pages illustrées de planches en noir et bistre in-texto, biographies, bibliographie, nomenclature des artistes et des planches. Relié toile 24x23.
Bookseller reference : SPNE-328
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Antonio Visentini (1688-1782)
Caput canalis et ingressus in urbem
Dimension extérieure 35,9 x 50,5 cm, cuvette 27 x 43. Magnifique eau-forte de Venise, réalisée par Antonio Visentini, d’après Canaletto (1697-1768). Numéro 6. Gravure en excellent état, déchirures comblées. Dimensioni esterne 35,9 x 50,5 cm, ciotola 27 x 43. Bella acquaforte di Venezia di Antonio Visentini, da Canaletto (1697-1768). Incisione in ottime condizioni, lacrime riempite. External dimension 35,9 x 50,5 cm, bowl 27 x 43. Beautiful etching of Venice by Antonio Visentini, after Canaletto (1697-1768). Engraving in excellent condition, tears filled.
Bookseller reference : est214t4
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Antonio Visentini (1688-1782)
Ex fullonio usque ad Aedem S.Clarae ubi Canalis desinit
Dimension extérieure 35,9 x 50,5 cm, cuvette 27 x 43. Magnifique eau-forte de Venise, réalisée par Antonio Visentini, d’après Canaletto (1697-1768). Gravure en excellent état, déchirures comblées. Planche 12. Dimensioni esterne 35,9 x 50,5 cm, ciotola 27 x 43. Bella acquaforte di Venezia di Antonio Visentini, da Canaletto (1697-1768). Incisione in ottime condizioni, lacrime riempite. External dimension 35,9 x 50,5 cm, bowl 27 x 43. Beautiful etching of Venice by Antonio Visentini, after Canaletto (1697-1768). Engraving in excellent condition, tears filled.
Bookseller reference : est218t4
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Antonio Visentini (1688-1782)
Hinc ab Aedibus publicis Rivoalti, illinc add Aportalis ad Primanam Domum
Dimension extérieure 35,9 x 50,5 cm, cuvette 27 x 43. Magnifique eau-forte de Venise, réalisée par Antonio Visentini, d’après Canaletto (1697-1768). Gravure en excellent état, déchirures comblées. Planche numéro 8. Dimensioni esterne 35,9 x 50,5 cm, ciotola 27 x 43. Bella acquaforte di Venezia di Antonio Visentini, da Canaletto (1697-1768). Incisione in ottime condizioni, lacrime riempite. External dimension 35,9 x 50,5 cm, bowl 27 x 43. Beautiful etching of Venice by Antonio Visentini, after Canaletto (1697-1768). Engraving in excellent condition, tears filled.
Bookseller reference : est215t4
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Antonio Visentini (1688-1782)
Hinc F.F Discalceatorum templa, illinc ex S.Simeone Minore usque ad fullonium
Dimension extérieure 35,9 x 50,5 cm, cuvette 27 x 43. Magnifique eau-forte de Venise, réalisée par Antonio Visentini, d’après Canaletto (1697-1768). Gravure en excellent état, déchirures comblées. Planche 11. Dimensioni esterne 35,9 x 50,5 cm, ciotola 27 x 43. Bella acquaforte di Venezia di Antonio Visentini, da Canaletto (1697-1768). Incisione in ottime condizioni, lacrime riempite. External dimension 35,9 x 50,5 cm, bowl 27 x 43. Beautiful etching of Venice by Antonio Visentini, after Canaletto (1697-1768). Engraving in excellent condition, tears filled.
Bookseller reference : est217t4
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Antonio Visentini (1688-1782)
Vue du palais Foscari jusqu'à l'église de la Charité
Dimension extérieure 35,9 x 50,5 cm, cuvette 27 x 43. Ab Aedibus hinc Foscarorum, illinc Linorum, usque ad Templum Charitatis. Magnifique eau-forte de Venise, réalisée par Antonio Visentini, d’après Canaletto (1697-1768). Gravure en excellent état, déchirures comblées. Planche numéro 2. Dimensioni esterne 35,9 x 50,5 cm, ciotola 27 x 43. Bella acquaforte di Venezia di Antonio Visentini, da Canaletto (1697-1768). Incisione in ottime condizioni, lacrime riempite. External dimension 35,9 x 50,5 cm, bowl 27 x 43. Beautiful etching of Venice by Antonio Visentini, after Canaletto (1697-1768). Engraving in excellent condition, tears filled.
Bookseller reference : est212t4
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Antonio Visentini (1688-1782)
Vue sur le Grand Canal depuis la rue San Vitus.
Dimension extérieure 35,9 x 50,5 cm, cuvette 27 x 43. Magnifique eau-forte de Venise, réalisée par Antonio Visentini, d’après Canaletto (1697-1768), numéro 4. Gravure en excellent état, déchirures comblées. Dimensioni esterne 35,9 x 50,5 cm, ciotola 27 x 43. Bella acquaforte di Venezia di Antonio Visentini, da Canaletto (1697-1768). Incisione in ottime condizioni, lacrime riempite. External dimension 35,9 x 50,5 cm, bowl 27 x 43. Beautiful etching of Venice by Antonio Visentini, after Canaletto (1697-1768). Engraving in excellent condition, tears filled.
Bookseller reference : est213t4
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Antonio Visentini (1688-1782)
Vue du Palazzo Grimani jusqu' au Ca' Foscari Ab Aedibus hinc Grimanorum, hillinc Thronorum usque ad Canalem Regium
Dimension extérieure 35,9 x 50,5 cm, cuvette 27 x 43. Magnifique eau-forte de Venise, réalisée par Antonio Visentini, d’après Canaletto (1697-1768). Planche 9. Gravure en excellent état, déchirures comblées. Dimensioni esterne 35,9 x 50,5 cm, ciotola 27 x 43. Bella acquaforte di Venezia di Antonio Visentini, da Canaletto (1697-1768). Incisione in ottime condizioni, lacrime riempite. External dimension 35,9 x 50,5 cm, bowl 27 x 43. Beautiful etching of Venice by Antonio Visentini, after Canaletto (1697-1768). Engraving in excellent condition, tears filled.
Bookseller reference : est216t4
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Baetjer, Katharine (Art of Canaletto.)
Canaletto
New York: Metropolitan Museum of Art 0-87099--559-6 0-87099--559-6 1989. Oblong 4to hardcover 384pp. Near fine in fine dust jacket. Map endpapers color illustrations appendix index. A light bump to the bottom rear corner. Art of Canaletto. Locale: Venice. Art. Metropolitan Museum of Art 0-87099--559-6 Hardcover
Bookseller reference : 156826 ISBN : 0870995596 9780870995590
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Baetjer, Katharine and J. G. Links
Canaletto. Essays by J. G. Links, Michael Levey, Francis Haskell, Alessandro Bettagno and Viola Pemberton-Pigott.
New York, The Metropolitan Museum of Art 1989. * Mit sehr zahlreichen, meist farbigen Abbildungen. XII, 387 S. 25 x 28 cm (Querformat). Farbig illustrierter Original-Karton.
Bookseller reference : 109691
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Beddington Charles
Venise: Canaletto et ses rivaux
Mercatorfonds 2025 160 pages 25 2x2 2x29 2cm. 2025. cartonnage éditeur avec jaquette. 160 pages. Cet ouvrage lié à une exposition à la National Gallery de Londres en 2010-2011 explore le védutisme vénitien du XVIIIe siècle. Il se concentre sur Canaletto l'artiste le plus emblématique des vues de Venise mais met également en lumière ses nombreux rivaux et contemporains qui se disputaient les commandes de mécènes locaux et étrangers révélant ainsi les rapports stylistiques complexes entre ces artistes
Bookseller reference : 8649
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BEDDINGTON Charles
VENEZIA: CANALETTO E I SUOI RIVALI.
In-4 (cm. 28.50), brossura illustrata, con alette, pp. 192, con illustrazioni in bianco e nero e a colori nel testo. Con un testo di Amanda Bradley. Catalogo della Mostra: Londra, The National Gallery, 13 Ottobre 2010 - 16 Gennaio 2011. Washington, National Gallery of Art, 20 Febbraio - 30 Maggio 2011. Traduzioni di Isabella Lodi-Fè Chapman e Viviana Tonon. Allo stato di nuovo (brand new copy).
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Bellotto, Bernardo Text V. Fritz Loffler; Bellotto, Bernardo; Canaletto; Loffler, Fritz
Dresden Im 18. Jahrhundert
Seemann 2007. Hardcover. New. 111 pages. German language. 10.63x9.37x0.71 inches. Seemann hardcover
Bookseller reference : __3865021166 ISBN : 3865021166 9783865021168
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Benassati, Giuseppina - Gentilini, Anna Rosa (a Cura di)
La Collezione Sabbatani. Capolavori Della Storia Dell'incisione Dal XV al XX Secolo
Mm 220x280 Collana "Imago". Catalogo della mostra di Faenza, Palazzo delle Esposizioni, 15 dicembre 2002-31 gennaio 2003. Brossura editoriale con bandelle, 247 pagine, numerose illustrazioni in bianco e nero e a colori. Libro in condizioni di nuovo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
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Bernardo Bellotto
Bernardo Bellotto genannt Canaletto in Dresden und Warschau. Ausstellung vom 8. Dezmber 1963 bis 31. August 1964 im Albertinum Dresden.
Dresden 1964. Orig.-Brosch., 4°, 231 S. mit 131 ganzseitigen Abbildungen auf Kunstdrucktafeln.
Bookseller reference : 11662
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Bernhard, Marianne
Canaletto. Städteansichten
[Ohne Ort]: RGA-Verlag, 1991. 38 x 28 cm ; kart.
Bookseller reference : 114315
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Berto, Giuseppe
Canaletto L'opera Completa Di
Mm 240x315 Classici dell'Arte Rizzoli. Volume cartonato di pp. 128 con con 64 tavole a colori e numerose illustrazioni in bianco e nero. Apparati critici e filologici a cura di Lionello Puppi. Buona copia. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY
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Bettagno, Alessandro (Ed)
Canaletto disegni dipinti incisioni. Grafica Veneta. No 3
Bettagno, Alessandro (Ed): Canaletto disegni dipinti incisioni. Vicenza: Neri Pozza, 1982. Series: Grafica Veneta. No 3. 104pp text with 8 colour plates plus 174 monochrome illustrations. Paperback. 31x24cms. Collection of essays on aspects of Canaletto's art, with illustrations and descriptions of 174 works. With bibliography. Text in Italian.
Bookseller reference : 031499
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Bettagno, Alessandro (Ed)
Canaletto disegni dipinti incisioni. Grafica Veneta. No 3
Bettagno, Alessandro (Ed): Canaletto disegni dipinti incisioni. Vicenza: Neri Pozza, 1982. Series: Grafica Veneta. No 3. 104pp text with 8 colour plates plus 174 monochrome illustrations. Paperback. 31x24cms. Collection of essays on aspects of Canaletto's art, with illustrations and descriptions of 174 works. With bibliography. Text in Italian.
Bookseller reference : 031499
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Bettagno A
Canaletto disegni dipinti incisioni
leggerissime tracce di suura quasi impercettibili
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BETTAGNO A. (A cura di)
CANALETTO. Disegni - Dipinti - Incisioni.
In-4 p., brossura, sovracoperta, pp. 104,(4) con 174 illustrazioni in bianco e nero fuori testo. Catalogo della mostra. In ottimo stato (nice copy).
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BETTAGNO A. (cur.)
Canaletto. Disegni, dipinti, incisioni. Presentazione di Bruno Visentini.
pp. 104 + 136 n.n. con più di 170 ill. in b/n e alcune a col. Ricco e dettagliato catalogo della mostra veneziana tenutasi alla Fondazione Giorgio Cini, dedicata all'opera grafica cel celebre vedutista, Canaletto. Con ampie schede illustrate, interessanti testi critici e ottima bibliografia.Presentazione di Bruno Visentini. Testi di A. Bettagno, R. Bromberg, J. Byamshaw, A. Corboz, J. Daniels, F. Haskell, J.G. Links, O. Millar, C. Miller, G. Nepi Scirè, R. Pallucchini, T. Pignatti, L. Puppi, E. Schleier, F. Valcanover, P. Zampetti.
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BETTAGNO Alessandro (A cura di)
LE DESSIN VENITIEN AU XVIII SIECLE. Exposition organisée au bénéfice du Comité Français pour la sauvegarde de Venise. Fondazione Giorgio Cini.
In-8 p., brossura, sovracoperta, pp. 89, con 171 illustrazioni in bianco e nero fuori testo. Testo in francese. N. 33 della serie Cataloghi di Mostre Fondazione Giorgio Cini. In buono stato (good copy).
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Bettagno, A.
Disegni, dipinti, incisioni. Vicenza 1982. 4to. 104 S. u. 174 Abb. Orig.-Brs.
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