photography by Tom TillBiblio.com
107 667 résultats
réf. 1560374888-11-1Farcountry Pr. First Edition. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. Farcountry Pr unknown
1898réf. ABC_505311898. Contemporary portfolio half green morocco and dark blue pebble-grained cloth sides with "Orient-Reise 1898" and "H. B." stamped in gold on the front board lined with floral paper green closing ties. With 32 albumen prints ca. 18.5 x 25.7 cm and ca. 23.5 x 27.7 cm mounted on cardstock most signed and captioned in French the negative a German manuscript caption in red ink below. Collection of 32 albumen photographs of Turkey Palestine and Egypt assembled by a German traveller who took part in an organised journey accompanying Kaiser Wilhelm II's state visit to the Ottoman Empire in 1898. Preserved in a portfolio with the title "Orient-Reise 1898. H.B." the photographs mainly depict mosques palaces churches and other important landmarks encountered along the route and include works by several of the leading commercial photographers active in the region: Mihran Iranian fl. 1891-1900 the American Colony Photography Department fl. 1890s-1940s Maison Bonfils 1867-1918 and the Zangaki brothers fl. 1870-1890.The trip was organised by Carl Stangen's Reisebüro in Berlin the first German international travel agency. In October 1898 Stangen organised a tour to the Middle East whose participants travelled in connection with Kaiser Wilhelm II's voyage to the Levant. The unidentified owner of the present collection with the initials "H.B. was part of the Stangen group and travelled with the party through Turkey and Palestine where Wilhelm dedicated the newly built Lutheran Church of the Redeemer on 31 October. When the imperial party returned to Germany the group continued to Egypt. Of particular importance in the present collection is the single unsigned photograph which shows the sizeable Stangen group posing at the pyramids of Giza. H.B. is likely among them but has not been identified.The other photographs depict landmarks encountered during the trip. The ten smallest photographs taken by the Armenian photographer Mihran Iranian are all of Constantinople present-day Istanbul including the Hagia Sophia Sultan Ahmed Mosque Nusretiye Mosque and Dolmabahçe Palace. Iranian's photographs are among the rarest produced by the major Armenian photographic studios active in the city with fewer than 300 images known to survive. Eleven photographs signed by the American Colony Photo Department concentrate on Jerusalem and its surroundings including the Western Wall Jaffa Gate Church of the Holy Sepulchre Al-Aqsa Mosque Mount of Olives Garden of Gethsemane and sites at Bethlehem. The American Colony photographers extensively documented Wilhelm II's visit to Jerusalem in 1898 making their presence in this collection especially interesting. The remaining ten photographs taken by Bonfils and the Zangaki brothers show Cairo its Citadel and other sites in Egypt.The portfolio is somewhat rubbed especially on the spine. The photographs are warped but otherwise in good condition.l Cf. Hannavy Encyclopaedia of 19th-century photography pp. 173-175 Bonfils and p. 1521 Zangaki. hardcover
1880réf. ABC_505251880. The photographs are mounted on cardstock or in a passe-partout the two largest photographs are mounted on opposite sides of the same sheet of thick cardboard. With 34 albumen prints various sizes of which most signed and captioned in French in the negative several with a manuscript caption in the lower margin. Collection of 34 loose albumen photographs of Egypt and Palestine with one view of Istanbul by some of the leading commercial photographers active in the Middle East during the late nineteenth century. The collection includes twelve photographs by Félix Bonfils six by Antonio Beato five by Pascal Sébah two by Lekegian & Cie. two by the Zangaki brothers and one by Gülmez Frères together with several unidentified photographs. Together they provide a varied picture of the subjects offered by the commercial photographic studios of Egypt and Palestine in the late nineteenth century.The photographs cover a wide range of subjects. The views of Jerusalem mostly by Bonfils include the Al-Aqsa Mosque Jaffa Gate the Antonia Fortress the Garden of Gethsemane and scenes of prayer and daily life as well as Bethlehem on Christmas Day. Egypt is particularly well represented with Beato's photographs of the pyramids at Giza and the monuments at Karnak Luxor and Medinet Habu while Sébah's views of Cairo include Khan el-Khalili Souq al-Silah an Arab cemetery a lemonade seller and Egyptian farmers. Further photographs by Lekegian & Cie. and the Zangaki brothers show street trades figures and interiors while the single Constantinople view by Gülmez Frères depicts the fortress of Anadoluhisari in Istanbul.Also included is a large double-sided mount with two photographs: a striking portrait of two seated men in traditional dress signed "B. Moey" at the lower left and on the reverse an apparently unrelated large view of a landscaped park or pleasure garden with visitors gathered around a monumental fountain.Several photographs are slightly frayed around the edges or mildly stained the large carboard photographs are with several losses around the edges most of the paper supports are somewhat browned and stained. Otherwise in good condition. unknown
1920réf. 10295London: Kegan Paul Trench Trubner & Co. Ltd 1920. First edition in English. Large octavo xii 340pp. 225 half tone photo illustrations throughout. Publisher's navy cloth lettered in gilt. Spine ends and corners worn and frayed; cloth worn along joints with partial splitting to rear joint. One plate loose but present and laid in. Occult Sciences Library label to front pastedown; otherwise clean internally and very good. Scarce first English edition of one of the great illustrated books on ectoplasm. Originally published in German in 1914 the text documents German physician and psychical researcher Albert von Schrenck-Notzing's 1862-1929 experiments with mediums Eva C. and Stanislawa P. with "teleplastic" matter disembodied faces and other spirit forms as produced in the copious photographs. Schrenck-Notzing's interesting take on the experiments was the materializations and manifestations were "ideoplasty" or the physical shaping of matter by the medium's unconscious mind rather than spirits. This first English edition translated by E.E. Fournier d'Albe was substantially expanded from the 1914 German original including material from Schrenck-Notzing's subsequent defense of his experiments. Kegan Paul, Trench, Trubner & Co. Ltd unknown
1893réf. ABC_50678Jaffna Ceylon now Sri Lanka 1893. Photograph Albumen print mounted on board 106 x162 mm gilt edges round corners. Advertisement of the photographer S.W. Lawton on verso with a lady standing next to a late-19th-century camera with the text: Additional copies or enlargements of this Photograph can always be had produced by Adams & Co London. Photograph 10 x 14.6 cm. on card 10.6 x 16.3 cm. Very interesting photograph of the first medical school in Ceylon Sri Lanka. The image shows the ruins of the clinical school founded by Samuel Fisk Green 1822-1884 a Massachusetts-born missionary in 1847 in Manipay in the Jaffna district ca. 12 km. northwest of Jaffna. On the photo a dated memorial plaque has been placed in the wall of the dilapidated hospital that reads; Tamil text In memoriam S.F. Green 1893.Greens hospital was the second oldest teaching hospital set up in South Asia. During its glory days this hospital served the community with all medical surgical departments and was one of the best maternity wards on the island. When the American missionaries left Ceylon the Jaffna Diocese of the Church of South India was set up and it took control of running the hospital till the present day.Having been established in 1825 by the Americal Ceylon Mission the above mentioned Batticotta seminary trained future preachers and teachers. It also introduced photography via the daguerreotype procedure to Sri Lanka. Among the earliest native pioneers of this foreign technology was Swaminathar Kanagaratnam Lawton 1851-1919 who became a well-known and popular Ceylonese photographer who pioneered various photographic techniques including photography via albumen prints. He mainly worked and studied in his birthplace Jaffna where he established his photographic business S.K. Lawton & Co. in 1876. He is credited with inventing a number of photographic processes among which was one of the earlies experiments of colour photography used in the Indian Ocean region. Among other rewards he was granted a 14-year English patent for his work on preparing paper to prevent its injury during development of the photos and he was also involved in the manufacture of one of the first cameras on the island.Fine condition minimal creasing to corners.l "Dr. Samuel Fisk Greens contribution to medical education" a prominent historical lecture/paper originally presented and published at Kulendran Hall in Jaffna in 1998; "S.K. Lawton" in: Martyns notes of Jaffna Madras 2002. unknown
1960réf. 060333San Francisco: Sierra Club 1960. First Edition First Printing . Green Cloth. Near Fine Book/Good. 13 3/4" Tall. First Printing Dust Jacket Priced $15 Not Price-Clipped No Additional Printings Noted. No Marks Or Damage. Dust Jacket Complete Wear With Small Losses At Edges Not Affecting Lettering Or Design. With The Publisher's Folding Gift Card Photo By Adams On Cover "This Is The American Earth By Ansel Adams And Nancy Newhall Is On Its Way To You With Greetings" Signed Dorothy Varian And Dated Dec 1959 Attached To Half-Title This Is Probably Probably The Author Of A Biography Of Her Family Which Founded Varian Inc. Not The Nyc Artist. Sierra Club hardcover
1955réf. 060350New York: Published For The Museum Of Modern Art By Simon And Schuster In Collaboration With The Maco Magazine Corporation 1955. 1st Edition 1st Printing. Hardcover. Very Good/No Jacket. Photographs. 207 Pp. With 12 Pp Installation Photographs No Found In Later Issues. Early But Possibly Not First Printing Black Cloth Spine Blue Boards With Silver Lettering Silver Black And Gilt Design Gilt And Silver Lettering On Spine Page Block Top Edge Yellow Foredge And Bottom Edge Red. Exactly 1" Thick. Publisher Information At Botom Of Title Page Reads "Published For The Museum Of Modern Art By Simon And Schuster In Collaboration With The Maco Magazine Corporation". Light Usage Two Tiny Frays At Bottom Edge Of Covers Two Name Stamps Of A Palo Alto Private School. Published For The Museum Of Modern Art By Simon And Schuster In Collaboration With The Maco Magazine Corporation hardcover
1925réf. 239021925. Women's same sex intimacy vernacular photo archive circa 1925 to 1935 documenting social scenes in which women kiss embrace pose as couples and move between conventionally feminine dress and masculine coded work and leisure clothing. The most direct photographs show women kissing while seated together outdoors holding one another closely and staging a playful courtship tableau with one woman kneeling before another. These photographs date from an interwar period in which relationships between women could be intensely present in private life while remaining difficult to name publicly. Laws and public attitudes toward nonconforming sexuality grew harsher in the early twentieth century and fear of arrest family rejection loss of employment or housing and violence led many people to conceal aspects of their identities; during the same period municipal ordinances in numerous American cities criminalized appearing in public in clothing deemed inappropriate to one's sex. Photo archive of 20 silver gelatin vernacular photographs ranging from approximately 2.5 x 3.5 to 2.5 x 4.5 inches United States c.1925 to 1935. The photographs repeatedly depict women in pairs and small groups across rural domestic and recreational settings. One pair sits closely together in the grass and kisses; another woman wraps both arms around a seated companion and kisses her; two women stand pressed together in bathing attire; and another pair clasp hands and lean backward from one another in a playful outdoor pose. A particularly theatrical image shows a woman dressed in trousers or knickerbockers kneeling before a standing woman and gesturing upward in a scene resembling a marriage proposal or courtship performance. Several women wear neckties loose trousers knickerbockers overalls boots collared shirts and cropped hairstyles clothing that carried masculine associations during the period while other images show the same social world in dresses cloche style hats tailored coats skirts and bathing suits. Three women in work clothes pose together outdoors; another stands in a cultivated field wearing trousers and high boots; a woman carrying a basket of produce appears in similar clothing; and a mixed group gathers beside railroad tracks. Leisure scenes show women swimming reclining on blankets or grass embracing in gardens and yards and posing with arms around one another. One photograph captioned "Hank" on the verso depicts male to female cross dressing extending the archive's record of gender play beyond the women's masculine coded presentation. Several prints retain black paper album corners or mounting remnants from earlier album placement while other versos carry numerical stamps and later pencil notations. The archive belongs to a period when older forms of socially tolerated female companionship increasingly collided with emerging medical legal and popular definitions of homosexuality as a distinct and stigmatized identity. By the late 1920s and 1930s women whose relationships clothing or public behavior departed from heterosexual and feminine conventions faced growing scrutiny even as queer social worlds became more visible in cities such as New York. Performers including Gladys Bentley made female masculinity and desire for women conspicuous within Harlem nightlife appearing in men's formalwear and openly directing flirtation toward women while outside those exceptional public settings same sex relationships were more often preserved through private domestic life friendship networks and personal photographs. This group records that private register: not a single ambiguous embrace but repeated scenes of kissing coupled posing physical affection mock courtship masculine coded dress and cross dressing across a twenty photograph social record. Light to moderate surface wear occasional creasing and silvering remnants of album mounting at several corners. Overall in good condition. A concentrated visual record of women photographing same sex intimacy gender nonconforming presentation and private social bonds during the interwar years. unknown
réf. 68730752-75Used - Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
1963réf. 9034246London: Weidenfeld and Nicolson 1963. 1st. Hardcover. Fine. Introductory essay by Donald Richie179 gravure illustrations including 14 in full color. Bound in the publisher's original black cloth with the front cover stamped in blind and the spine stamped in white. The dust jacket has chips and closed tears to the extremities. Weidenfeld and Nicolson hardcover
2019réf. k6214Köln: Taschen. VG : in very good condition with dust jacket. 2019. Reprint. Red hardback cloth cover. 240mm x 170mm 9" x 7". 288pp. Colour and b/w photographic plates. Heavy book extra shipping needed for overseas. . Taschen hardcover
1931réf. 060203New York: The Macmillan Comnpany 1931. First Edition First Printing 1st Printing. Green Cloth Gilt. Near Fine/Very Good. 11 1/4" Tall. Frontispiece and 208 Photographic Plates. 20 Pp 208 Photographic Plates. Green Cloth Gilt First Printing With "October 1931" On Copyright Page 1931 On Title Page In A Price =-0Clipped Dust Jacket With Stamped $2.00 Price. Excellent Photographs Of California Estate Gardens With Full Identifying Information And A Full Index. Lightly Used Spine And Cover Gilt Still Bright Hinges Solid Name And 1944 Date On Front Endpaper 1/4" Foxing Spot On Front Panel Foxed Areas On Rear Panel In 1 1/2" Along Rear Flap Fold Only. The Macmillan Comnpany hardcover
1900réf. ABC_495491900. Contemporary gold- and blind-tooled burgundy buckram with the title and volume number lettered in gold on the front and spine a double fillet border on both boards blind-tooled turn-ins gold and burgundy floral end papers gilt edges. Folio. With 50 photographic reproductions in black and white mounted onto thick passe-partout leaves separated by thinner leaves onto which typed descriptions are mounted. 2 volumes. Remarkable photographic album beautifully reproducing the paintings from the Shah Jahan Album also known as the Kevorkian Album. The album compiled by the Mughal emperor Jahangir 1569-1627 and his son Shah Jahan 1592-1666 contains miniatures from the best painters of the Mughal era such as Govardhan Mansur Daulat Payag and Chitarman with calligraphic text by famous calligraphers such as Mir' Ali Haravi. The 50 exquisite photographs accurately reproduce the details of the original miniatures highlighting the iconographic and stylistic richness of Mughal art.Mughal albums also known as muraqqa usually included existing works in the patrons collection as well as works created specifically for the album such as paintings and drawings folios from preparatory pattern books and calligraphy specimens. They were not bought ready-made but compiled over a longer period of time by its owners. Emperor Jahangir commissioned the first folios for the Shah Jahan Album around 1620 and his son continued after his death. Shah Jahan's additions are stylistically different from Jahangir's with more portraits and illumination and the inclusion of calligraphy pages. After his death the muraqqa now with 39 miniatures passed onto his son Aurangzeb 1618-1707 who did not commission any more folios. The muraqqa left the royal library in the early 19th century and was likely acquired by an art dealer from Delhi who added 11 miniatures around 1820. These were made in the 19th century but imitated the 17th-century style of the others. In the 20th century the muraqqa was bought by the New York art dealer Hagop Kevorkian who sold 9 folios to the Freer Gallery of Art in Washington and the remaining 41 to the Metropolitan Museum of Art in New York where they still reside.The spectacular Shah Jahan Album is a collection of 50 single-page paintings which include intimate nature studies and portraits of the royal family and various dignitaries framed by a beautiful floral border. Each painting is faced by a single page of illuminated calligraphy made by renowned calligraphers. The photographs in the present work each mounted in a passepartout carefully reproduce the single-page paintings and three of the four calligraphic pages that open the collection. They are accompanied by a foreword and a short description of each painting which appear to be taken from an auction catalogue and were likely added later. A valuable testament to the interest in Mughal art in the 20th century this collection constitutes a seemingly unique iconographic resource as we have not been able to find another copy. There is no mention of a publisher or photographer but the quality of the prints suggests careful production intended for and commissioned by a scholar or collector specialising in Indian art. The present copy was part of the collection of Dr Ebadollah Bahari 1929-2018 noted historian of Persian art author of Bihzad master of Persian painting 1996 and benefactor of the Bahari Curatorship of Persian Collections at the Bodleian Libraries University of Oxford.The boards have been rubbed with minor loss of material on the back board of both volumes the joints are slightly weakened but the structural integrity of the bindings is still intact. Some of the mounted descriptions are lightly foxed. Otherwise in good condition. hardcover
1915réf. 060026Boston: Little Brown and Company 1915. Early Reprint . Hardcover. Near Fine/No Dust Jacket. 8" Tall. Photographs By A C Vroman. 310 308 Pp. Two Volumes In One. Top Edge Gilt Spine Lettered In Gilt Cover Stamped In Red White Green And Blue Lettering In White The A. C. Vroman Photographs Finely Reproduced With Tissue Guards Printed With Descriptive Text. The Photographs First Reproduced In The 1913 Edition Together With A 1913 Introduction By Vroman; This Printing From 1915 With That Date On The Title Page. Bibliophile's Bookplate Of J. Thomas Boggs; Pencil Signature Of Elizabeth Badger. No Other Marks Or Inscriptions. Just A Touch Of Wear At Top And Bottom Of Spine. Very Well Preserved. Little, Brown and Company hardcover
réf. ANAIS-3833121866CULINARIA KONEMANN. hardcover. Good. 0x0x0. Buy with confidence. Excellent Customer Service & Return policy. CULINARIA KONEMANN hardcover
2023réf. 2276Los Angeles: Hat & Beard Editions 2023. First printing number line. Hardcover. Very Good-. Oversize 9 3/8 c 7 1/4 inches. Color and B&W photos. Pictorial boards. A solid copy with tight binding and intact hinges; spine slanted. No marks. Crown of spine bumped at front cover else not much cover wear. Hat & Beard Editions hardcover
1972réf. 059706New York: McGraw-Hill Book Company 1972. First Edition First Printing . Hardcover. Near Fine/Near Fine DJ. Photographs Throughout. 327 Pp. Black Cloth. First Printing 1972 With Pre-Publication Price Still On Dj. Near New No Flaws Dj Not Price Clipped No Names Or Marks. McGraw-Hill Book Company hardcover
1927réf. 059782Boston: Little Brown and Company 1927. Early Reprint . Hardcover. Near Fine/No Dust Jacket. 8" Tall. Photographs By A C Vroman. 310 308 Pp. Two Volumes In One. Top Edge Gilt Spine Lettered In Gilt Cover Stamped In Red White Green And Blue Lettering In White The A. C. Vroman Photographs Finely Reproduced With Tissue Guards Printed With Descriptive Text.The Photographs First Reproduced In The 1913 Edition And Again In 1926 And 1927 Perhaps Other Years As Well. No Marks Or Inscriptions. Just A Touch Of Wear At Top And Bottom Of Spine. Very Well Preserved. Little, Brown and Company hardcover
réf. 059805New York: Andy Warhol Books / Grosset And Dunlap / Filmways 1979 1979. First Edition 1st Printing. Hardcover. Near Fine/Very Good. Black Cloth Stamped In Silver."First Printing 1979" Stated. Book Very Good To Near Fine Silver Lettering Bright. Dust Jacket Priced $25.00 Light Wear A Few Short Edge Tears And Minute Losses And A Few Small Clear Tape Reinforcements On The Inside. Signed By Andy Warhol On The Half Title Page And Again On The Edge Of The Front Panel Of The Dust Jacket. Provenance: Nick Harvill With His Description Of This Copy Included. Andy Warhol Books / Grosset And Dunlap / Filmways, 1979 hardcover
1998réf. 059811New York New York U.S.A.: Rizzoli Intl Pubns 1998. 1st Edition 1st Printing. Hardcover. Fine/Fine. 14 1/4" Tall. Color And B/W Photographs Throughout. Fine In Fine Dj With Aging/Yellowing To Spine And Top And Bottom Edges O The Dj. Signed By Watson In New York In 2000 On The Page Facing The Title Page. No International Shipment. Per Wikipedia Albert Watson Obe Born 1942 Is A Scottish Fashion Celebrity And Art Photographer. He Has Shot Over 100 Covers Of Vogue And 40 Covers Of Rolling Stone Magazine Since The Mid-1970S And Has Created Major Advertising Campaigns For Clients Such As Prada Chanel And Levis. Watson Has Also Taken Some Well-Known Photographs From The Portrait Of Steve Jobs That Appeared On The Cover Of His Biography A Photo Of Alfred Hitchcock Holding A Plucked Goose And A Portrait Of A Nude Kate Moss Taken On Her 19Th Birthday. Watson's Prints Of His Photography Are Exhibited In Galleries And Museums Worldwide. Photo District News Named Him One Of The 20 Most Influential Photographers Of All Time Along With Richard Avedon And Irving Penn Among Others. Watson Has Won Numerous Honors Including A Lucie Award2 A Grammy Award The Hasselblad Masters Award And Three Andy Awards. He Was Awarded The Royal Photographic Society's Centenary Medal And Honorary Fellowship Honfrps In Recognition Of A Sustained Significant Contribution To The Art Of Photography In 2010. Queen Elizabeth Ii Awarded Watson An Order Of The British Empire Obe In June 2015 For 'Services To Photography'. Rizzoli Intl Pubns hardcover
1924réf. 058344Berlin / New York: Verlag Ernst Wasmuth / Orbis Terrarum / Brentano's Publishers 1924. First American Edition . Cloth. Good. 12 1/4" Tall. 303 Pp. Gray Originally Blue Cloth Gilt. Blue Endpapers. Printed In Germany. First American Edition; No Later Printing Indicated. Fine Sepia Reproductions Of Photographs By Hielscher. A Clean Unmarked Copy Inside. Cloth Worn Fraying At Bottom And Top Of Spine Binding Solid. Page 125 Torn Across Without Loss But Almost Entirely Across The Illustrated Pages 125/126. Very Large And Elaborate Bookplate Of Hollywood Art Director Jack Okey Dated 1927 In The Plate; John Clark "Jack" Okey June 3 1889 - January 8 1963 Was An American Art Director. He Was Raised In Los Angeles And Attended The Harvard School For Boys. After Leaving He Was Given Instruction In Art By His Uncle The California Artist J. Bond Francisco. While He Was In His Early 20S He Traveled To Paris With His Friend Stanton Macdonald Wright And Spent Several Years There Studying Art. Around The Time Of His Marriage In 1913 He Became Involved In The Nascent Film Industry In The Los Angeles Area And Was Involved In The Design And Construction Of Some Of The Earliest Studios There. He Continued In The Film Industry As An Art Director Until His Retirement In 1959. In The Mid-1930S He Spent Several Years In England Working For Alexander Korda Designing Studios For Him. After His Return To The United States He Spent The Remainder Of His Active Career Working For Rko. He Was Nominated For Two Academy Awards For Art Direction 1929 And 1944 But His Best Known Film Is "It'S A Wonderful Life". Verlag Ernst Wasmuth / Orbis Terrarum / Brentano's Publishers hardcover
1998réf. 058762New York: Powerhouse Books 1998. First Edition First Printing . Illustrated Boards. Fine/Near Fine. 14 1/8" Tall. Illustrated Boards 15" X 12" Unpaginated. Book Fine No Marks Or Wear. Acetate Dust Jacket With Chipping In Area 2" X 1/2" In Center Of Top Edge Of Rear Panel. Powerhouse Books hardcover
1920réf. 058956Vienne-Le-Chateau: L'hostellerie De L'argonne Circa 1920 1920. 1st Edition . Soft cover. Very Good . Undated Circa 1920. Beige Card Covers Printed In Red And Gray. Booklet Of 24 Highly Detailed Photographic Postcards With Tissue Guards Between Each. Touch Of Wear Aging To Paper Browning To Tissue Guards. L'hostellerie De L'argonne Circa 1920 paperback
1994réf. 058105Tehran: Farhang-Sara Publications 1994. 1st Edition 1st Printing. Hardcover. As New/Near Fine. Color Photographic Plates Throughout. Hardcover. First Printing 1994. Fine Inscription On Front Endpaper In Near Fine Dj With Touch Of Wear At Corners. Farhang-Sara Publications hardcover
1930réf. 058113Los Angeles: Western Sports Publishing Company 1930. First Edition . Illustrated Wrappers. Good. 12 7/16" Tall. Photographs Throughout. 72 Pp. The Definitive Upper-Class California Sports Magazine With Features On Collegiate And Professional Sports Organized Polo Etc. This Issue With A Highly Stylized Black Grey Blue Yellow And White Illustration Of A Punting Football Player On The Cover; Large Color Lucky Strike Ad On Rear Cover With Engaging Young Man And Feature "It's Toasted". A Bright Clean Copy Slight Wear From The Library Of A Layout Staff Member With A Few Tiny Professional Layout Technical Marginalia In Pencil. Blue Pencil "X" In Lower Right Corner Of Front Cover. Scarce. Western Sports Publishing Company unknown
