666 risultati
1938rif. 38535Paris: Arts et Metiers Graphiques 1938. Very Good. Paris: Arts et Metiers Graphiques 1938. First Edition. Large quarto; publisher's metal spiral-bound pictorial wrappers housed in custom cloth slipcase; unpaginated; includes ninety leaves of black and white and color plates including some tipped in or folding. Wrappers a bit rubbed though contents remain clean and sound. A Very Good example. The penultimate issue of one of the great annuals of art photography. Arts et Metiers Graphiques unknown books
rif. 2520in 4 pleine toile blanche d’éditeur,titre sur fond noir au dos en long et sur le premier plat.Jaquette illustrée avec titre au dos et sur le premier plat.Faux-titre,titre,43 pages sur vergé brun clair,105 photographies pleine page de BRASSAI sur papier couché Les éditions du Temps.1961 Première édition française.(une petite déchirure sans gravité réparée à la jaquette)sinon Très bon état
1937rif. 1301Éditions de la Revue Verve, Tériade, Paris 1937. 1 volume petit in-folio broché, couverture illustrée d'après Henri Matisse. 4 LITHOGRAPHIES EN COULEURS : Léger, Miro, Rattner, Borès. Nombreuses reproductions couleurs, Nombreuses photographies tirées en héliogravure (Blumenfeld, Bresson, Man Ray, Brassaï… et Louis Guichard). Textes de Gide, Bataille, Heine, Caillois, Dos Passos, Malraux, Michaux, Vollard. ÉDITION FRANÇAISE. Très bon exemplaire.
1937rif. 16251Paris, Gallimard, collection Métamorphoses III, 1937. In-8 broché de 176-[4] pages couverture de papier vergé. Couverture légèrement insolée,.
rif. lc_107256Revue Verve, 1939
rif. 121496Paris Formes, le Magazine des Artistes Peintres et Sculpteurs, n°1 [1950] 1 vol. broché plaquette in-8, agrafée, couverture illustrée, non paginée. Premier tirage de cette série de 16 photographies de nues en héliogravure par Brassaï, qui forme le premier (et seul ?) numéro paru d'une revue illustrée soi disant destinée aux artistes. Rare. Légères traces d'usures en couverture, sinon en bonne condition.
rif. 121496Paris Formes, le Magazine des Artistes Peintres et Sculpteurs, n°1 [1950] 1 vol. broché plaquette in-8, agrafée, couverture illustrée, non paginée. Premier tirage de cette série de 16 photographies de nues en héliogravure par Brassaï, qui forme le premier (et seul ?) numéro paru d'une revue illustrée soi disant destinée aux artistes. Rare. Légères traces d'usures en couverture, sinon en bonne condition.
1964rif. 58264Paris Gallimard 1964 1 vol. Broché in-8, broché, couverture à rabats, 334 pp., 53 photographies de l'auteur en héliogravure hors-texte. Édition originale. Un des 45 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul tirage en grand papier. En parfait état.
1964rif. 58264Paris Gallimard 1964 1 vol. Broché in-8, broché, couverture à rabats, 334 pp., 53 photographies de l'auteur en héliogravure hors-texte. Édition originale. Un des 45 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul tirage en grand papier. En parfait état.
1966rif. 013030Paris Gallimard, NRF "Le Point du jour" 1966 In-8 Broché, couverture illustrée
1952rif. 19075Paris: Editions Neuf 1952. First edition. Hardcover. Orig.gilt lettered red cloth with mounted front cover photograph of Brassai. Near fine. Unpaginated. Approx. 72 pages. 27 1/2 x 21 1/2 cm. Illustrated with a host of reproductions of Brassai photographs -- including drawings and sculptures. French text: by Henry Miller and an autobiographical essay by Brassai on his early years. Rubbing to back cover at center fore-edge otherwise a bright and fresh copy. Editions Neuf hardcover
1952rif. 19075Paris: Editions Neuf 1952. First edition. Hardcover. Orig.gilt lettered red cloth with mounted front cover photograph of Brassai. Near fine. Unpaginated. Approx. 72 pages. 27 1/2 x 21 1/2 cm. Illustrated with a host of reproductions of Brassai photographs -- including drawings and sculptures. French text: by Henry Miller and an autobiographical essay by Brassai on his early years. Rubbing to back cover at center fore-edge otherwise a bright and fresh copy. Editions Neuf hardcover books
1982rif. 215996London: Thames and Hudson 1982. First British edition and first printing. Hardcover. 223 pages. Features text by Brassai translated from the French by Richard Miller. Brassai reminisces about his friends: Braque Dali Dufy Giacomett Leger Matisse Miro Picasso Rouault Maillol and more. Includes numerous black and white images. A very good copy in cloth boards with some slight splitting to the internal front hinge and with a sticker to the front pastedown from Marlborough Reference Library and in a very good plus dust jacket with some edge tears and minor wear. Signed by Brassai on the half title page. A nice copy with an interesting provenance as Marlborough Gallery exhibited Brassai several times. Thames and Hudson unknown
1982rif. 215996London: Thames and Hudson 1982. First British edition and first printing. Hardcover. 223 pages. Features text by Brassai translated from the French by Richard Miller. Brassai reminisces about his friends: Braque Dali Dufy Giacomett Leger Matisse Miro Picasso Rouault Maillol and more. Includes numerous black and white images. A very good copy in cloth boards with some slight splitting to the internal front hinge and with a sticker to the front pastedown from Marlborough Reference Library and in a very good plus dust jacket with some edge tears and minor wear. Signed by Brassai on the half title page. A nice copy with an interesting provenance as Marlborough Gallery exhibited Brassai several times. Thames and Hudson unknown books
rif. 51-4581Èze-Village: 1966. Tls. 1 page. 272 x 210 cm. Typed letterhead. Referencing his book on Picasso a discussion with Picasso and an essay in Figaro Littéraire on Picasso that was truncated. Provenance: Estate of Jean Leymarie. Èze 22 octobre 1966 : "Je suppose que vous avez lu dans Figaro Littéraire . le texte en question sur Picasso. Malheureusement la plupart des passages vous concernant-je l'ai donné tel que vous l'avez lu - ont été coupés par la rédaction et notamment celui où vous racontez si bien votre émerveillement devant les chefs d'oeuvre en plein air de la cour du château.".Le Figaro le 05/12/2016: Toutes témoignent des liens d'amitiés privilégiés que Jean Leymarie 1919-2006 disparu en 2006 entretint avec les artistes de par ses fonctions au sein de nombreuses institutions. Devenu plus jeune conservateur de musée de France à l'âge de 31 ans en prenant la direction du musée de Grenoble Jean Leymarie entama une brillante carrière dans le milieu de l'Art. Succédant à Bernard Dorival il rejoignit la tête du musée d'art moderne de la ville de Paris en 1969 avant de devenir directeur des études à l'école du Louvre puis de succéder à Balthus en 1978 comme directeur de l'Académie de France à Rome.Tout au long de sa carrière il organisa de prestigieuses expositions telle en 1966 l'«Hommage à Picasso» présenté au Grand et au Petit Palais à Paris et il rédigea de nombreuses monographies d'artistes parmi lesquels Balthus Picasso Van Gogh Braque Gauguin ou Zao Wou-Ki rencontré quelques années à son arrivée en France. Professionnel talentueux mais aussi homme sensible Jean Leymarie fut proche de Miró fréquenté en Espagne et dans le sud de la France mais aussi de Calder qui le recevait avec sa femme Marie-Paule chez lui à Saché en Touraine. Èze-Village: 1966 unknown
rif. 51-4580Èze-Village: 1966. Tls. 1 page. 272 x 210 cm. Printed letterhead. Referencing an exhibition at the château de Montal and photos taken chez Picasso. Provenance: Estate of Jean Leymarie. Lettre tapuscrite corrections et signature autographes à Jean Leymarie. Belle signature.Èze 27 juillet 1966 : "J'ai été vraiment enchanté par votre belle et si émouvante lettre. Merci encore. Le passage sur l'exposition de tous ces tableaux du Louvre dans la cour du château de Montal est si vivant et évocateur que je le metterai dans votre bouche tel que. . J'aurai aussi le plaisir de vous faire voir les photos faites l'autre jour chez Picasso.Le Figaro le 05/12/2016: Toutes témoignent des liens d'amitiés privilégiés que Jean Leymarie 1919-2006 disparu en 2006 entretint avec les artistes de par ses fonctions au sein de nombreuses institutions. Devenu plus jeune conservateur de musée de France à l'âge de 31 ans en prenant la direction du musée de Grenoble Jean Leymarie entama une brillante carrière dans le milieu de l'Art. Succédant à Bernard Dorival il rejoignit la tête du musée d'art moderne de la ville de Paris en 1969 avant de devenir directeur des études à l'école du Louvre puis de succéder à Balthus en 1978 comme directeur de l'Académie de France à Rome.Tout au long de sa carrière il organisa de prestigieuses expositions telle en 1966 l'«Hommage à Picasso» présenté au Grand et au Petit Palais à Paris et il rédigea de nombreuses monographies d'artistes parmi lesquels Balthus Picasso Van Gogh Braque Gauguin ou Zao Wou-Ki rencontré quelques années à son arrivée en France. Professionnel talentueux mais aussi homme sensible Jean Leymarie fut proche de Miró fréquenté en Espagne et dans le sud de la France mais aussi de Calder qui le recevait avec sa femme Marie-Paule chez lui à Saché en Touraine. Èze-Village: 1966 unknown
1939rif. 42467Paris: Art et Médecine 1939. First edition. Softcover. g to vg. Folio 12 1/4 x 9 1/2". Unpaginated. 32pp. Original photo-illustrated wrappers with blue lettering to front cover and black white and blue lettering to back cover. This March 1939 issue of the avant-garde magazine "Art et Médecine" is splendidly illustrated throughout with striking photogravures by Brassaï Gaston Paris Pierre Boucher Wols André de Diénès and other key photographers of the period. This issue is entirely devoted to light effects in photography. The photogravures depict Paris and New York by night; statues at the Louvre; a circus horsewoman; parcs and gardens; the home; portraits. All with special light effects. Wrappers slightly foxed and rubbed along edges. Corners bumped thus slightly affecting pages throughout. Text in French. Wrappers in overall good interior in very good condition. Throughout the 1930s Gaston Paris 1903-1964 was one of the pillars of the weekly magazine "Vu" founded in 1928 by Lucien Vogel. The only salaried photographer he shared the magazine's pages with Laure Albin-Guillot Germaine Krull André Kertész Martin Munkacsi Man Ray and Robert Capa. Alongside his reports and portraits of artists and celebrities of the time he produced strange photographic series inspired by surrealism work which appeared in "Detective magazine" from the 1930s to the 1950s to illustrate its stories of gangsters and femmes fatales. His archives were purchased by the Agence Roger-Viollet shortly after his death. In 1934 Pierre Boucher 1908-2000 founds with René Zuber the Alliance-Photo agency that delivers the first deontology of photography and enhances the importance of photographers' signatures. Multidisciplinary the French photographer explores the avant-garde aesthetic with surrealist nudes photograms collages and solarizations. He also produces more commercial works illustrating advertisements and books such as Emile Allais' French Skiing Method. Wols was the pseudonym of Alfred Otto Wolfgang Schulze 1913-1951 a German painter and photographer predominantly active in France. Though broadly unrecognized in his lifetime he is considered a pioneer of Lyrical Abstraction one of the most influential artists of the Tachisme movement. André de Diénès 1913-1985 was a Hungarian-Romanian photographer noted for his work with Marilyn Monroe and his nude photography. Art et Médecine unknown
1939rif. 42467Paris: Art et Médecine 1939. First edition. Softcover. g to vg. Folio 12 1/4 x 9 1/2". Unpaginated. 32pp. Original photo-illustrated wrappers with blue lettering to front cover and black white and blue lettering to back cover. This March 1939 issue of the avant-garde magazine "Art et Médecine" is splendidly illustrated throughout with striking photogravures by Brassaï Gaston Paris Pierre Boucher Wols André de Diénès and other key photographers of the period. This issue is entirely devoted to light effects in photography. The photogravures depict Paris and New York by night; statues at the Louvre; a circus horsewoman; parcs and gardens; the home; portraits. All with special light effects. Wrappers slightly foxed and rubbed along edges. Corners bumped thus slightly affecting pages throughout. Text in French. Wrappers in overall good interior in very good condition. Throughout the 1930s Gaston Paris 1903-1964 was one of the pillars of the weekly magazine "Vu" founded in 1928 by Lucien Vogel. The only salaried photographer he shared the magazine's pages with Laure Albin-Guillot Germaine Krull André Kertész Martin Munkacsi Man Ray and Robert Capa. Alongside his reports and portraits of artists and celebrities of the time he produced strange photographic series inspired by surrealism work which appeared in "Detective magazine" from the 1930s to the 1950s to illustrate its stories of gangsters and femmes fatales. His archives were purchased by the Agence Roger-Viollet shortly after his death. In 1934 Pierre Boucher 1908-2000 founds with René Zuber the Alliance-Photo agency that delivers the first deontology of photography and enhances the importance of photographers' signatures. Multidisciplinary the French photographer explores the avant-garde aesthetic with surrealist nudes photograms collages and solarizations. He also produces more commercial works illustrating advertisements and books such as Emile Allais' French Skiing Method. Wols was the pseudonym of Alfred Otto Wolfgang Schulze 1913-1951 a German painter and photographer predominantly active in France. Though broadly unrecognized in his lifetime he is considered a pioneer of Lyrical Abstraction one of the most influential artists of the Tachisme movement. André de Diénès 1913-1985 was a Hungarian-Romanian photographer noted for his work with Marilyn Monroe and his nude photography. Art et Médecine unknown books
2003rif. 1-0226071499Univ of Chicago Pr 2003. Paperback. New. reprint edition. 392 pages. 8.75x6.00x0.75 inches. Univ of Chicago Pr paperback
1975rif. 10737France: Editions Gallimard 1975. Paperback. SIGNED. First edition. Near Fine paperback with a touch of soil and wear at the lower tips in a Near Fine dust jacket. Original white wrappers printed in black and red in a photo-illustrated dj. BOOKS SHIP THE NEXT BUSINESS DAY WRAPPED IN PADDING IN A BOX. 264 pages; 16 full-page gravure-printed b&w plates; 5.5 x 8 inches. Text in French. SIGNED BY BRASSAI and inscribed to Laurie and Stefan Lorant in the month and year of publication on the half-title. Lorant was an author and photo-historian. A remarkable association copy. Editions Gallimard paperback
1976rif. 203347New York: Pantheon 1976. First edition and first printing. Hardcover. An interesting study of the nightlife of Paris in the 1930s and includes numerous black and white images. A very good copy in black cloth boards with some slight foxing to the page edges and in a near fine dust jacket with some slight foxing as well and with a laid in gallery announcement from a 1976 Marlborough exhibition of Brassai's photographs. Signed and inscribed by Brassai on the title page in the year of publication. Pantheon unknown
1976rif. 203347New York: Pantheon 1976. First edition and first printing. Hardcover. An interesting study of the nightlife of Paris in the 1930s and includes numerous black and white images. A very good copy in black cloth boards with some slight foxing to the page edges and in a near fine dust jacket with some slight foxing as well and with a laid in gallery announcement from a 1976 Marlborough exhibition of Brassai's photographs. Signed and inscribed by Brassai on the title page in the year of publication. Pantheon unknown books
1968rif. 20878Museum of Modern Art New York 1968. Cloth. Near Fine/Very Good . SIGNED AND DATED BY BRASSAI on the title page. A very sharp copy to boot of the 1968 1st edition. Clean and Near Fine in a bright price-clipped VG dustjacket with light creasing and one small closed tear along the spine crown. Octavo Introductory essay by the redoubtable Lawrence Durrell. 80 pgs. 61 crisp beautifully-reproduced black-and-white photos throughout. Museum of Modern Art, New York unknown
1968rif. 20878Museum of Modern Art New York 1968. Cloth. Near Fine/Very Good . SIGNED AND DATED BY BRASSAI on the title page. A very sharp copy to boot of the 1968 1st edition. Clean and Near Fine in a bright price-clipped VG dustjacket with light creasing and one small closed tear along the spine crown. Octavo Introductory essay by the redoubtable Lawrence Durrell. 80 pgs. 61 crisp beautifully-reproduced black-and-white photos throughout. Museum of Modern Art, New York unknown books
1939rif. 16043In-4, broché, couverture illustrée de deux lithographies originales en couleurs de Maillol.
