706 resultados
1946ref. 87665Paris: Gallimard 1946. Fine. Gallimard Paris 1946 17.50 x 22 cm broché sous étui First edition one of 324 numbered copies on laid paper the only deluxe copies after 10 on madagascar. Folded cover decorated with a graffiti photograph by Brassaï. Handsome copy complete with its slipcase also illustrated with a photograph by Brassaï. Gallimard unknown
1949ref. 84586Paris: Les éditions du point du jour 1949. Fine. Les éditions du point du jour Paris 1949 12.90 x 16.50 cm broché First edition one of 2500 copies on vélin alfa. Foreword by Henry Miller. Precious copy signed and inscribed by Brassaï to André Malraux : ""Pour André Malraux cordial hommage de Brassaï Paris le 13 mai 1949"". Les éditions du point du jour unknown
1948ref. 054403Ministere Des Travaux Publics Et Des Transports / Commissariat General Au Tourisme 1948. 1st Edition . Soft cover. Near Fine. 40 Pp Color Covers. Tourism-Promoting Brochure From The National Tourism Bureau. Near Fine No Marks. Ministere Des Travaux Publics Et Des Transports / Commissariat General Au Tourisme paperback
1951ref. 80254Paris: Gallimard 1951. Fine. Gallimard Paris 1951 11 x 16.50 cm broché First edition in paperback format. Handsome copy considering the poor quality of this fragile paper a small good-luck charm from the dedicatee at the head of the endpaper. Covers illustrated by Brassaï and Jacques Prévert. Autograph inscription dated summer 1969 in Antibes and signed by Jacques Prévert to Jean Folliet on pages 160-161 enhanced on the title page with a small drawing in black ink representing a puppet theater whose canopy encircles the title of the work and within which two characters can be distinguished. On the verso of the back cover appears an autograph inscription signed by Brassaï: ""Comme co-auteur de la couverture bien amicalement pour Jean Folliet le 10/10/63. Brassaï."" ""As co-author of the cover very cordially for Jean Folliet 10/10/63. Brassaï."" Gallimard paperback
ref. 524673Thames and Hudson 1982. Geb. met stofomslag i.z.g.st. 224 pagina's. Thames and Hudson 1982 unknown
1987ref. 030311Paris: Flammaron 1987. Book. Illus. by Brassaï. Fine. Hardcover. Quarto. Black cloth silver gilt. The pictorial dust jacket shows a small bump to the top front corner and is price clipped. Includes the original introduction written by Paul Morand. This photobook was meant to accompany Paris in the 30s published in 1933. Most of the original heliographic plates were used to create it except a few that had disappeared over the intervening decades. . Flammaron Hardcover
1949ref. 71809Paris: Les éditions du point du jour 1949. Fine. Les éditions du point du jour Paris 1949 12.50 x 16.50 cm broché First edition one of the numbered copies on alfa vellum. Introduction by Henri Miller. Handsome copy. Autograph inscription dated and signed by Brassaï to Alex and Nadia Bloch. Les éditions du point du jour hardcover
1949ref. 69445Paris: Les éditions du point du jour 1949. Fine. Les éditions du point du jour Paris 1949 12.50 x 16.50 cm broché First edition one of 126 numbered copies on Alfa paper with the original etching by Brassaï which he signed ours one of the 26 lettered copies reserved for the friends of the author deluxe copies ""tirage de tête"". Foreword by Henry Miller. Beautiful copy. Rare autograph dated and signed by Brassaï to Janine and Raymond Queneau: "". these alms sic made by Marie . very little Claudelian. With Brassaï's friendship."" Les éditions du point du jour unknown
1949ref. 41928Paris: Les éditions du point du jour 1949. Fine. Les éditions du point du jour Paris 1949 12.50 x 16.50 cm broché First edition one of 126 numbered copies on alfa complete with the original signed etching by Brassaï the tirage de tête. Autograph inscription by Brassaï. Additionally this copy is further enriched with three leaves on which Brassaï has recorded some thoughts in holorhyme: ""Epopée rimée des peaux périmées / Les chameaux volés tuent les chats mauves aux laitues / L'émule d'Epicure opère au quai Malaquais les mules des piqûres aux perroquets mal laqués."" Introduction by Henry Miller. A very good copy with exceptional additions. Les éditions du point du jour unknown
1949ref. 42648Paris: K éditeur 1949. Fine. K éditeur Paris 1949 16.50 x 21 cm broché First edition one of 175 numbered copies on pure rag laid paper the only deluxe copies. Work illustrated with 8 photographs by Brassaï. Spine sunned and creased handsome interior condition. K éditeur unknown
1949ref. 40216Paris: Editions du point du jour 1949. Fine. Editions du point du jour Paris 1949 13 x 16.50 cm broché First edition one of the numbered copies on alfa. Introduction by Henry Miller. A good copy. Editions du point du jour unknown
1949ref. 34623Paris: Le Point du Jour 1949. Fine. Le Point du Jour Paris 1949 13 x 16.50 cm broché First edition one of the numbered copies on vélin alfa. Le Point du Jour unknown
1999ref. C95288Paris: Reunion Des Musees Nationaux 1999. First Edition. Hardback. Hardcover Hardcover. Very Good. First Edition. Hardback. 4to. Illustrated laminated boards. Issued without dust jacket. Copiously illustrated in colour and black and white throughout. With a small plain white label reading 'Simon Lee' indicating the book came from the art reference collection of the Simon Lee Gallery 2002-2023 dealers in contemporary art in Mayfair London and Hong Kong. ISBN: 2711840018 Pages: 343 Very good indeed. Excellent condition. Reunion Des Musees Nationaux, hardcover
1967ref. C90442London: Thames & Hudson 1967. First U.k. Edition. Hardback. Dust Jacket. Hardcover Hardcover. Very Good. First U.k. Edition. Hardback. Dust Jacket. Large 8vo.pp.289. Preface by Henry Miller. Introduction by Roland Penrose. Frontispiece b/w sketch by Picasso ""Pour mon ami Brassa Picasso Paris 27 Juin 47."" Fifty-seven b/w photographs illustrate the text. Readers Union label on free endpaper Original publisher's cloth binding in orange with gilt lettering and gilt Thames & Hudson logo. Dust jacket design by in bold yellow black & whitewith a Picasso review:""If you really ant to know about me read Brassa's book. Picasso."" Very good indeed in clean very good dust jacket. Dust jacket slightly wear & slight rubbing. No inscriptions not price-clipped.Decent copy. Thames & Hudson hardcover
1976ref. 017307New York: Pantheon 1976. This is a fine hardcover copy with a near fine dust jacket. SIGNED by the artist Brassai. in ink on the title-page and inscribed briefly to a well known writer in America and dated in the year of publication. The dust jacket has a small repaired chip not price-clipped the $17.95 price still intact on the front flap. Completely clean. Illustrated in black & white with Brassai's evocative photographs of underground Paris during the 1930's. Stated first American edition. List of plates. 11" high X 9" wide. Scarce signed. Heavy book foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Signed by Artist. First Edition. Hard Cover. Fine/Near Fine. Pantheon Hardcover
ref. 2070749797.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 002510Paris: Paris-Publications This is a near fine copy of the rarest of Brassai's books which has been bound into a hardcover binding from the period in handsome red and black marbled paper-covered boards and a linen cloth spine with red leather label gilt title. The original binding of this book was a spiral plastic ring type. The spiral binding was taken off and the book with its original red-orange covers with the title printed in large white letters was bound in whole. Covers are bright and clean in very good condition small closed tear to bottom corner of back cover inside completely clean. There is no date on the colophon page inside back cover and there apparently were two editions. The first edition was published in 1930 but Brassai was reportedly unhappy with the selection of images and because he was not credited. In our copy he is credited as the photographer and so we assume this is the second edition from ca.1934. It is unpaginated. There are 40 pages with 38 black and white photographs of ladies of the night strippers models night clubs and balls like the Bal Tabarin shots of tough streetwalkers in Les Halles many shots of men and women in costume sometimes drag also a lesbian couple in a club "strictement Feminine" shots of lovers in parks on streets playful shots of men looking into a lingerie shop window with elaborately garbed mannequins at night 1 shot of Kiki in a Montparnasse night club an amazing shot in " La Cage a Femmes d'un Grand Music-Hall Parisien" which shows a cage or pit viewed from above with women on stools like lions in various states of undress and performing "acrobatic" feats. Finally tipped in at the very end on the collophon page a half-page size shot in color of a nude woman in profile we assume not by Brassai. Large 4to 11" high X 8" wide. The original book was not cut down when re-bound it is in its' intended size and because of the re-binding it has been kept in near fine condition. A beautiful copy of a true rarity. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Hard Cover. Near Fine. Paris-Publications Hardcover
1949ref. 002659Paris: Paris K Editeur 1949. This is a very good softcover copy in stiff printed card covers with a scene of very sculptural perhaps French architecture with figures in black printed over the sepia background. Inside the text is in French and is illustrated with 8 photographs by Brassai of graffiti accompanied by short works in prose and poetry. Edited by Camille Bryan & A.Gheerbrant. Cover illustration of fantasy architecture with victorian figures. 8vo 8" high X 7" wide 170 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Original Wraps. Very Good. Paris K Editeur Paperback
1976ref. mon0000507556Thames & Hudson Ltd 08/11/1976 00:00:01. hardcover. Very Good. 2.0305 in x 27.1574 in x 21.5736 in. Thames & Hudson Ltd hardcover
ref. 23842Paris : Gallimard 1975. First trade edition. Octavo stiff card covers in dust wrapper with portrait of Miller by Brassaï 1932 boldly inscribed by Brassaï on the half title 'Pour Baby et Marion Sulzberger bien amicalement Brassaï. Paris le 29 dec 1975'; pp 264 1 with 16 crisp photogravures of people and places from Miller’s life in Paris; wrapper with a few short edge tears two with discreet tape repairs and some wear along the spine contents clean and bright; a very good inscribed copy. Photographer sculptor writer and filmmaker Brassaï's tribute to his friend American writer Henry Miller 1891-1980. It was Miller who first called Brassaï 'the eye of Paris' alluding to his supreme talent as a photographer. The first edition of this work appeared in a limited edition of 25 copies. unknown
1979ref. 326916London: Marlborough Gallery Inc 1979. Illus. 12pp. 4to. Printed wrappers somewhat soiled with a pencil eraser-sized scuff on the verso. Illus. 12pp. 4to. Inscribed: "Pour Penny Ottor - amicalement Brassaï New York le 5 Octobre 1979. Marlborough Gallery Inc unknown
1976ref. 28606AB1976. First American Edition. New York Pantheon Books 1976. Quarto. 200 unnumbered pages with 150 black-and-white-photographs. Original Hardcover with original dustjacket in protective Mylar. Very good condition with only minor signs of external wear. Blindstamp of preowner on endpaper and titlepage. Signed and inscribed by Brassai on the titepage in New York on the 29th of May 1977. hardcover
ref. GOR010068113Hardback. Very Good. hardcover
2001ref. 116339Paris : Flammarion 2001. reliure d'éditeur sous jaquette. BRASSAI. - MORAND Paul.Paris de nuit. Texte Paul Morand. Paris Flammarion2001 320x275mm 62 photos n/b reliure d'éditeur sous jaquette. Bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Flammarion unknown
1999ref. 84001Chicago & London: University of Chicago Press 1999. First US edition. xx 392 pp w/index. Fine in very near fine dust jacket. Translated from the original French by Jane Marie Todd. Preface by Henry Miller from 1966. Introduction by Pierre Daix. Illustrated with photographs. Chicago & London: University of Chicago Press unknown