BrassaiBiblio.com
725 résultats
réf. 2080482394.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0394733843.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1949réf. BRASSAI008210The Focal Press London. 1949. First U.K. edition. Royal octavo. Eleven page introductory text followed by sixty-two photographs. Fold-out technical chart at end.Gift inscription on front free endpaper. Gilt lettering on spine slightly chipped. Very good indeed in good creased and chipped dustwrapper with long closed tears repaired on the reverse. The Focal Press, London. unknown
réf. 64464081University of Chicago Press . Hardback. New. pp. 176 University of Chicago Press hardcover
1976réf. 627347New York: Pantheon 1976. Hardcover. Near Fine/Very Good. First American edition. Translated from the French by Richard Miller. Quarto. Illustrated from black and white photographs. Offsetting on front endpapers from laid in newspaper clipping near fine in a very good dust jacket with a few small nicks and tears. Inscribed by Brassai on the half-title: "Pour Joe Devernay bien oubliement Brassai New York le 16 1976." Devernay was a painter who also ran a fine art gallery. Laid in is an exhibition announcement from Marlborough Gallery for Brassai's book publication. Pantheon hardcover
réf. 481203University of Chicago Press. Paperback. Good. In good condition with minor wear to cover. Small age spots at top of pages. University of Chicago Press paperback
1982réf. 90430DENOEL. Very Good in Very Good dust jacket. First Edition. Hardcover. Tan cloth boards with gilt lettering. Black jacket with a photo of a man sketching a nude to the front. Light rubbing and toning foxint to the top page edges and light foxing to the top edges of the boards. Jacket with rubbing toning and minor wear t the edges. Interior pages unmarked. Text in French. Photos upon request. International shipping billed at cost. Please note that the buyer is responsible for any customs duties tariffs or import fees levied by the destination country.; 4to 11" - 13" tall; 224 pages . 1982. 2207100626 . DENOEL hardcover
1937réf. 87781Paris: Gallimard 1937. Fine. ""Convulsive beauty will be veiled-erotic fixed-explosive magic-circumstantial or it will not be"" Gallimard Paris 1937 14.50 x 19.50 cm Relié First edition one of 9 numbered copies on japon only deluxe issue aside from 35 copies on pur fil and a few on coloured paper. Full black morocco binding flat spine authors name palladium-stamped title stamped lengthwise in palladium and blind grey long-grain shagreen inlays to boards with author and title stamped lengthwise in palladium and in blind turn-ins framed in morocco light plum suede pastedowns and flyleaves three palladium decorated deckled edges outstanding custom binding by Thomas Boichot. Illustrated with 20 photographs including 7 photographs by Man Ray 4 by Brassaï one each by Dora Maar Henri Cartier-Bresson and Rogi André as well as artworks by Max Ernst and the statue of a female character by Giacometti in which the writer saw the very emanation of the desire to love and to be loved in search of its real human object in its painful ignorance. André Breton offers a meditation on love at first sight and passion drawn from his fateful first encounter in 1934 with his future wife Jacqueline Lamba this woman was scandalously beautiful. Recalling the beginnings of their romantic relationship he reflects on chance and embarks on a rereading of their love story detecting all sorts of phantasmagoric signs analysing his experiences and feelings. He concludes with an open letter to their daughter Aube born in December 1935 which ends with these words: I want you to be madly loved. A masterpiece of Surrealist literature both an extension and opposite of Nadja which was published nine years earlier also considered an objectbook in the classic surrealist style interleaved with photographs by Cartier-Bresson Brassaï and Man Ray . It proves its own startling kind of existence in the real world being not just a book not just the record of an extraordinary love that between André Breton and the artist with whom he shared his life but an object inserted madly and really now in our world Mary Ann Caws Translators note Mad Love University of Nebraska Press 1987. Gallimard hardcover
1946réf. 87665Paris: Gallimard 1946. Fine. Gallimard Paris 1946 17.50 x 22 cm broché sous étui First edition one of 324 numbered copies on laid paper the only deluxe copies after 10 on madagascar. Folded cover decorated with a graffiti photograph by Brassaï. Handsome copy complete with its slipcase also illustrated with a photograph by Brassaï. Gallimard unknown
1949réf. 84586Paris: Les éditions du point du jour 1949. Fine. Les éditions du point du jour Paris 1949 12.90 x 16.50 cm broché First edition one of 2500 copies on vélin alfa. Foreword by Henry Miller. Precious copy signed and inscribed by Brassaï to André Malraux : ""Pour André Malraux cordial hommage de Brassaï Paris le 13 mai 1949"". Les éditions du point du jour unknown
1948réf. 054403Ministere Des Travaux Publics Et Des Transports / Commissariat General Au Tourisme 1948. 1st Edition . Soft cover. Near Fine. 40 Pp Color Covers. Tourism-Promoting Brochure From The National Tourism Bureau. Near Fine No Marks. Ministere Des Travaux Publics Et Des Transports / Commissariat General Au Tourisme paperback
1951réf. 80254Paris: Gallimard 1951. Fine. Gallimard Paris 1951 11 x 16.50 cm broché First edition in paperback format. Handsome copy considering the poor quality of this fragile paper a small good-luck charm from the dedicatee at the head of the endpaper. Covers illustrated by Brassaï and Jacques Prévert. Autograph inscription dated summer 1969 in Antibes and signed by Jacques Prévert to Jean Folliet on pages 160-161 enhanced on the title page with a small drawing in black ink representing a puppet theater whose canopy encircles the title of the work and within which two characters can be distinguished. On the verso of the back cover appears an autograph inscription signed by Brassaï: ""Comme co-auteur de la couverture bien amicalement pour Jean Folliet le 10/10/63. Brassaï."" ""As co-author of the cover very cordially for Jean Folliet 10/10/63. Brassaï."" Gallimard paperback
1949réf. 71809Paris: Les éditions du point du jour 1949. Fine. Les éditions du point du jour Paris 1949 12.50 x 16.50 cm broché First edition one of the numbered copies on alfa vellum. Introduction by Henri Miller. Handsome copy. Autograph inscription dated and signed by Brassaï to Alex and Nadia Bloch. Les éditions du point du jour hardcover
1949réf. 69445Paris: Les éditions du point du jour 1949. Fine. Les éditions du point du jour Paris 1949 12.50 x 16.50 cm broché First edition one of 126 numbered copies on Alfa paper with the original etching by Brassaï which he signed ours one of the 26 lettered copies reserved for the friends of the author deluxe copies ""tirage de tête"". Foreword by Henry Miller. Beautiful copy. Rare autograph dated and signed by Brassaï to Janine and Raymond Queneau: "". these alms sic made by Marie . very little Claudelian. With Brassaï's friendship."" Les éditions du point du jour unknown
1949réf. 41928Paris: Les éditions du point du jour 1949. Fine. Les éditions du point du jour Paris 1949 12.50 x 16.50 cm broché First edition one of 126 numbered copies on alfa complete with the original signed etching by Brassaï the tirage de tête. Autograph inscription by Brassaï. Additionally this copy is further enriched with three leaves on which Brassaï has recorded some thoughts in holorhyme: ""Epopée rimée des peaux périmées / Les chameaux volés tuent les chats mauves aux laitues / L'émule d'Epicure opère au quai Malaquais les mules des piqûres aux perroquets mal laqués."" Introduction by Henry Miller. A very good copy with exceptional additions. Les éditions du point du jour unknown
1949réf. 42648Paris: K éditeur 1949. Fine. K éditeur Paris 1949 16.50 x 21 cm broché First edition one of 175 numbered copies on pure rag laid paper the only deluxe copies. Work illustrated with 8 photographs by Brassaï. Spine sunned and creased handsome interior condition. K éditeur unknown
1949réf. 40216Paris: Editions du point du jour 1949. Fine. Editions du point du jour Paris 1949 13 x 16.50 cm broché First edition one of the numbered copies on alfa. Introduction by Henry Miller. A good copy. Editions du point du jour unknown
1949réf. 34623Paris: Le Point du Jour 1949. Fine. Le Point du Jour Paris 1949 13 x 16.50 cm broché First edition one of the numbered copies on vélin alfa. Le Point du Jour unknown
1999réf. C95288Paris: Reunion Des Musees Nationaux 1999. First Edition. Hardback. Hardcover Hardcover. Very Good. First Edition. Hardback. 4to. Illustrated laminated boards. Issued without dust jacket. Copiously illustrated in colour and black and white throughout. With a small plain white label reading 'Simon Lee' indicating the book came from the art reference collection of the Simon Lee Gallery 2002-2023 dealers in contemporary art in Mayfair London and Hong Kong. ISBN: 2711840018 Pages: 343 Very good indeed. Excellent condition. Reunion Des Musees Nationaux, hardcover
1967réf. C90442London: Thames & Hudson 1967. First U.k. Edition. Hardback. Dust Jacket. Hardcover Hardcover. Very Good. First U.k. Edition. Hardback. Dust Jacket. Large 8vo.pp.289. Preface by Henry Miller. Introduction by Roland Penrose. Frontispiece b/w sketch by Picasso ""Pour mon ami Brassa Picasso Paris 27 Juin 47."" Fifty-seven b/w photographs illustrate the text. Readers Union label on free endpaper Original publisher's cloth binding in orange with gilt lettering and gilt Thames & Hudson logo. Dust jacket design by in bold yellow black & whitewith a Picasso review:""If you really ant to know about me read Brassa's book. Picasso."" Very good indeed in clean very good dust jacket. Dust jacket slightly wear & slight rubbing. No inscriptions not price-clipped.Decent copy. Thames & Hudson hardcover
réf. 2070749797.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1976réf. mon0000507556Thames & Hudson Ltd 08/11/1976 00:00:01. hardcover. Very Good. 2.0305 in x 27.1574 in x 21.5736 in. Thames & Hudson Ltd hardcover
1976réf. 28606AB1976. First American Edition. New York Pantheon Books 1976. Quarto. 200 unnumbered pages with 150 black-and-white-photographs. Original Hardcover with original dustjacket in protective Mylar. Very good condition with only minor signs of external wear. Blindstamp of preowner on endpaper and titlepage. Signed and inscribed by Brassai on the titepage in New York on the 29th of May 1977. hardcover
réf. GOR010068113Hardback. Very Good. hardcover
2001réf. 116339Paris : Flammarion 2001. reliure d'éditeur sous jaquette. BRASSAI. - MORAND Paul.Paris de nuit. Texte Paul Morand. Paris Flammarion2001 320x275mm 62 photos n/b reliure d'éditeur sous jaquette. Bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Flammarion unknown
