713 résultats
réf. 17-0252New York : Marlborough Gallery 1979. 4to. 12p. Stapled wrapping. Very Good very minor creasing on cover minor marking and sunning throughout. B&W photographs throughout. From the Collection of the Art Historian Peter Selz 1919-2019. New York : Marlborough Gallery, 1979. unknown
1982réf. 82920The Viking Press. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 224 pages; 135 photos 4to. -- with a bonus offer--; A Studio book . 1982. 0670136484 . The Viking Press hardcover
1979réf. 2092902140307911Misuzushobo 1979. Soft Cover. Fine. Number of books: 1 Misuzushobo paperback
1980réf. 1112Bukarest Bucharest: Kriterion 1980. First edition. Text in Hungarian. Spine worn at head. Jacket chipped. Overall in very good condition. In publisher’s cardboard. With the photographically illustrated dust jacket. In publisher’s cardboard. With the photographically illustrated dust jacket. First edition. Text in Hungarian. 181 3 p. 28 t. First edition of this collection of 59 photos by Brassai and his correspondence with his parents. Brassaï’s 1889–19984 was a Hungarian-born French photographer sculptor and filmmaker. This book a collection of correspondence with his parents during his younger years in Paris with 59 reproductions of photographs and other artworks was also published in English in 1997 under the title “Letters to my Parents”. . Kriterion unknown
1949réf. 163678Paris: Editiions du Point du Jour 1949. Softcover. Umschlag etwas fleckig davon abgesehen gutes Exemplar. kl.8°. Original broschiert Nummeriertes Exemplar Nr. 551 von 2600 Exemplaren. Frankreich; 20. Jahrhundert; Surrealismus Editiions du Point du Jour, paperback
1987réf. 029048Paris / Lorraines France: Flammarion / Societe d'Impressions 1987. Introduction and catalogue captions in Japanese. Fine condition in a Fine dust jacket with Fine translucent glassine over the jacket. Everything is enclosed in the original black stiff paper slipcase with silver label printed in black. The slipcase is in Very Good condituion complete with the original full wrap around band pale blue printed in black and with a photo of Brassaï. NO owner's name or bookplate. NOT a library discard. NOT a remainder. Sharp corners. The book is illustrated with 63 full page PARIS BY NIGHT photographs by Brassaï 1899 - 1984 including #7. From a review: "The 7th photo in this book. is a famous work taken from the opposite side of Notre Dame Cathedral at night. The contrast between light and dark is wonderful . I'm overwhelmed with emotion that this was the place where it collapsed due to a big fire last year. Of course the photo was taken by Brassai but it's probably him who applied the wonderful processing of Eliogravure." Oversize Hardcover. 10.75" wide by 12.75" tall. This large book will require SUBSTANTIAL extra postage for International shipments but only the standard charge for priority or media mail. 1987 Japanese edition. Oversize Hardcover. Fine condition/Fine jacket in VG slipcase. Illus. by Brassai photographs by. xxxi 65pp. Great Packaging Fast Shipping. Flammarion / Societe d'Impressions Hardcover
1949réf. 1-2444151949. Couverture souple. Bon . Paris Éditions du Point du Jour 1949. collection 1949. 1 volume brochés format In-12 bon EX NUMEROTE ALPHA VELIN . Envoi avec numéro de Suivi - shipping with tracking number. Paris Éditions du Point du Jour 1949. unknown
1976réf. 142641976. Brassaï Gyula Halász. Letter discussing the publication of The Secret Paris of the Thirties written by the Hungarian born photographer whose images of Paris nightlife helped define twentieth century documentary photography. Brassaï gained international recognition through his photographs of nocturnal Paris produced during the early 1930s images that documented the city's bars cabarets streets and marginalized social spaces with unusual candor and atmospheric lighting. His 1933 book Paris de Nuit established his reputation and led writer Henry Miller to describe him as "the eye of Paris." This 1976 letter was written during the release of The Secret Paris of the Thirties a publication that expanded the photographic record of Parisian nightlife by presenting images from the same early period that had remained unpublished or excluded from earlier editions. Brassaï Gyula Halász. Typed Letter Signed "Brassai". Paris September 9 1976. One page on personal stationery measuring approximately 11 3/4 x 8 1/4 inches. Writing in French Brassaï discusses the simultaneous publication of his new photography book and his upcoming exhibition in New York. In the letter he notes: "My book the Secret Paris of the Thirties Pantheon Books is due out at the same time." He continues by mentioning travel plans connected with the exhibition writing that he will be in New York from September 12 to September 28 in order to attend the opening of his show at the Marlborough Gallery. Brassaï also remarks on the date of the letter noting that it coincides with his seventy seventh birthday. The letter is signed in large purple marker "Brassai" with an underline and includes a handwritten postscript in green marker reading "venir nous soutenir" translated as "come support us." The Secret Paris of the Thirties published in 1976 more than four decades after the photographs were first taken completed Brassaï's long project of documenting the hidden nightlife of interwar Paris. Many of the photographs originated from the same period as those reproduced in Paris de Nuit but had remained unpublished because they were considered too provocative for earlier editions. The images depict bars nightclubs one night hotels bordellos and other locations associated with the city's nocturnal culture. Brassaï later wrote of his motivation for photographing the city at night: "I was inspired to become a photographer by my desire to translate all things that enchanted me in the nocturnal Paris I was experiencing." The Marlborough Gallery exhibition in New York was organized in conjunction with the publication of the book and introduced many of these photographs to a wider audience for the first time. Folded twice through the center as mailed; otherwise clean and well preserved. Overall very good condition. A content rich letter documenting the publication and exhibition history of one of Brassaï's most significant photographic projects. unknown
1976réf. 142641976. Brassaï Gyula Halász. Letter discussing the publication of The Secret Paris of the Thirties written by the Hungarian born photographer whose images of Paris nightlife helped define twentieth century documentary photography. Brassaï gained international recognition through his photographs of nocturnal Paris produced during the early 1930s images that documented the city's bars cabarets streets and marginalized social spaces with unusual candor and atmospheric lighting. His 1933 book Paris de Nuit established his reputation and led writer Henry Miller to describe him as "the eye of Paris." This 1976 letter was written during the release of The Secret Paris of the Thirties a publication that expanded the photographic record of Parisian nightlife by presenting images from the same early period that had remained unpublished or excluded from earlier editions. Brassaï Gyula Halász. Typed Letter Signed "Brassai". Paris September 9 1976. One page on personal stationery measuring approximately 11 3/4 x 8 1/4 inches. Writing in French Brassaï discusses the simultaneous publication of his new photography book and his upcoming exhibition in New York. In the letter he notes: "My book the Secret Paris of the Thirties Pantheon Books is due out at the same time." He continues by mentioning travel plans connected with the exhibition writing that he will be in New York from September 12 to September 28 in order to attend the opening of his show at the Marlborough Gallery. Brassaï also remarks on the date of the letter noting that it coincides with his seventy seventh birthday. The letter is signed in large purple marker "Brassai" with an underline and includes a handwritten postscript in green marker reading "venir nous soutenir" translated as "come support us." The Secret Paris of the Thirties published in 1976 more than four decades after the photographs were first taken completed Brassaï's long project of documenting the hidden nightlife of interwar Paris. Many of the photographs originated from the same period as those reproduced in Paris de Nuit but had remained unpublished because they were considered too provocative for earlier editions. The images depict bars nightclubs one night hotels bordellos and other locations associated with the city's nocturnal culture. Brassaï later wrote of his motivation for photographing the city at night: "I was inspired to become a photographer by my desire to translate all things that enchanted me in the nocturnal Paris I was experiencing." The Marlborough Gallery exhibition in New York was organized in conjunction with the publication of the book and introduced many of these photographs to a wider audience for the first time. Folded twice through the center as mailed; otherwise clean and well preserved. Overall very good condition. A content rich letter documenting the publication and exhibition history of one of Brassaï's most significant photographic projects. unknown books
1949réf. 89686Paris: Lles Éditions du Point du Jour 1949. First Edition. No. 980 of 2500 regular copies on vélin alfa from a total edition of 2600. 12mo 16.5cm x 13cm tan printed thick-paper wrappers; 90 pp. in tan printed wrappers soft cover. Slight wear to wrappers with a spot of soil on rear cover VG. Introduction by Henry Miller; text entirely in French. A portrait in poetry of working-class Parisian life written in the voice of "Marie" a cleaning lady. Though we are more accustomed to seeing his portraits in the medium of photography this is clearly familiar territory for Brassaï the great documentarian of Paris at street-level. Lles Éditions du Point du Jour unknown
1949réf. 89685Paris: Lles Éditions du Point du Jour 1949. First Edition. No. 1137 of 2500 regular copies on vélin alfa from a total edition of 2600. 12mo 16.5cm x 13cm tan printed thick-paper wrappers; 90 pp. in tan printed wrappers soft cover. A clean unworn copy text unopened and minimally toned; about Fine. Introduction by Henry Miller; text entirely in French. A portrait in poetry of working-class Parisian life written in the voice of "Marie" a cleaning lady. Though we are more accustomed to seeing his portraits in the medium of photography this is clearly familiar territory for Brassaï the great documentarian of Paris at street-level. Lles Éditions du Point du Jour unknown
1949réf. 89684Paris: Lles Éditions du Point du Jour 1949. First Edition. No. 966 of 2500 regular copies on vélin alfa from a total edition of 2600. 12mo 16.5cm x 13cm tan printed thick-paper wrappers; 90 pp. in tan printed wrappers soft cover. A clean unworn copy text unopened and minimally toned; about Fine. Introduction by Henry Miller; text entirely in French. A portrait in poetry of working-class Parisian life written in the voice of "Marie" a cleaning lady. Though we are more accustomed to seeing his portraits in the medium of photography this is clearly familiar territory for Brassaï the great documentarian of Paris at street-level. Lles Éditions du Point du Jour unknown
1949réf. 89686Paris: Lles Éditions du Point du Jour 1949. First Edition. No. 980 of 2500 regular copies on vélin alfa from a total edition of 2600. 12mo 16.5cm x 13cm tan printed thick-paper wrappers; 90 pp. in tan printed wrappers soft cover. Slight wear to wrappers with a spot of soil on rear cover VG. Introduction by Henry Miller; text entirely in French. A portrait in poetry of working-class Parisian life written in the voice of "Marie" a cleaning lady. Though we are more accustomed to seeing his portraits in the medium of photography this is clearly familiar territory for Brassaï the great documentarian of Paris at street-level. Lles Éditions du Point du Jour unknown books
1949réf. 89685Paris: Lles Éditions du Point du Jour 1949. First Edition. No. 1137 of 2500 regular copies on vélin alfa from a total edition of 2600. 12mo 16.5cm x 13cm tan printed thick-paper wrappers; 90 pp. in tan printed wrappers soft cover. A clean unworn copy text unopened and minimally toned; about Fine. Introduction by Henry Miller; text entirely in French. A portrait in poetry of working-class Parisian life written in the voice of "Marie" a cleaning lady. Though we are more accustomed to seeing his portraits in the medium of photography this is clearly familiar territory for Brassaï the great documentarian of Paris at street-level. Lles Éditions du Point du Jour unknown books
1949réf. 89684Paris: Lles Éditions du Point du Jour 1949. First Edition. No. 966 of 2500 regular copies on vélin alfa from a total edition of 2600. 12mo 16.5cm x 13cm tan printed thick-paper wrappers; 90 pp. in tan printed wrappers soft cover. A clean unworn copy text unopened and minimally toned; about Fine. Introduction by Henry Miller; text entirely in French. A portrait in poetry of working-class Parisian life written in the voice of "Marie" a cleaning lady. Though we are more accustomed to seeing his portraits in the medium of photography this is clearly familiar territory for Brassaï the great documentarian of Paris at street-level. Lles Éditions du Point du Jour unknown books
1968réf. 314549New York: The Museum of Modern Art 1968. Paperback. 79p. wraps chiefly illus. wraps worn and lightly yellowed a few small stains to fore-edge else very good exhibition catalog. The Museum of Modern Art paperback books
réf. 03240098.exp6EHardcover. Good. Text in French. 1987 Flammarion. DJ edgeworn including surface loss and tears primarily along top edge. Boards clean; binding intact. Text remains crisp clean nad unmarked. hardcover
1933réf. 204269Paris: Arts et Métiers Graphiques 1933. First edition. Softcover. First printing. Text by Paul Morand in French. A collection of 62 full bleed photogravures that represent the height of printing and imagery of France at night. A likely unique copy that includes two examples of the front cover. A close to near fine copy in spiral binding with some of the usual minor rubbing and edge wear to the front and rear covers but with the second front cover much brighter and largely free of wear. Internally a clean copy. A very nice copy of one of the true high spots of 20th century photography books and on virtually every best of lists. Parr & Badger v1 134 Roth 76. Arts et Métiers Graphiques unknown
2005réf. 30814New York: Assouline 2005. Fine copy in printed wrappers housed in portfolio boards. Illustrated slipcase with minor scuffing; near fine. First Edition. Folio. Survey of Picasso's sculptures represented by glorious black-and-white photographs from Brassaï. Introduced by text from Daniel-Henry Kahnweiler. New York: Assouline unknown
2000réf. 1234909Little, Brown and Comp.; Boston, NY, London, 2000. 319 Seiten; sehr zahlr. Illustr. (auch farbig); 31 cm; fadengeh. Orig.-Leinenband mit illustr. OUmschlag.
1979réf. 191878London: Photographers Gallery 1979. First edition. Softcover. 16 pages. Exhibition catalog for a show that ran November 1979. Features a foreword by Sue Davies and a short text by photographer Bill Brandt. Includes 13 black and white images by Brassai and several other illustrations as well. A near fine copy in stapled wrappers. Seemingly fairly uncommon. Photographers Gallery unknown books
1999réf. 145992Houston TX: Museum of Fine Arts 1999. First edition. Exhibition brochure for a show that ran April 13 through July 3 1999. Single sheet folded three times to create 8 pages. Text by Julian Cox. Includes 5 black and white images. A very good plus copy. Uncommon ephemera. Museum of Fine Arts unknown books
1933réf. 204269Paris: Arts et Métiers Graphiques 1933. First edition. Softcover. First printing. Text by Paul Morand in French. A collection of 62 full bleed photogravures that represent the height of printing and imagery of France at night. A likely unique copy that includes two examples of the front cover. A close to near fine copy in spiral binding with some of the usual minor rubbing and edge wear to the front and rear covers but with the second front cover much brighter and largely free of wear. Internally a clean copy. A very nice copy of one of the true high spots of 20th century photography books and on virtually every best of lists. Parr & Badger v1 134 Roth 76. Arts et Métiers Graphiques unknown books
1982réf. 145653New York: The Viking Press 1982. Hardcover. G Top of dj and book block have once been wet and are slightly wavy; otherwise pretty good. Tan cloth gilt letters on spine burgundy & illus. dust jacket 224 pp. many BW illus. Hungarian photographer and writer Brassai 1899-1984 "shares his photographs of Braque Dali Dufy Giacometti Leger Matisse Miro Picasso Rouault Maillol and a dozen others as well as his pungent impressions of them and delectable bits and pieces of their conversations about art fellow artists the affairs of the day their own personal lives their ambitions and frustrations." dj. The Viking Press hardcover books
1987réf. 51232Paris France Arts et Metiers Graphiques 1987. Hardcover Fine in Near Fine DJ: The Book is flawless; the binding is square and secure; the text is clean. Free of underlining hi-lighting notations or marginalia in the text. Free of creased or dog-eared pages in the text. Free of any ownership names dates addresses notations inscriptions stamps plates or labels. A handsome like-new copy structurally sound and tightly bound showing no flaws. Virtually 'As New'. The DJ shows the lower corner of the rear inside flap clipped; else only mild rubbing to the panels and a touch of scuffing to the head of the backstrip. Close to 'As New'. NOT a Remainder Book-Club or Ex-Library. Folio 12.75 x 11 x 0.8 inches. 7-page text by Paul Morand who also provides an 11-page section of explanations for each of the 62 full-page duotone photographs which make up the bulk of the book. 80 pages. Language: French. Hardback with DJ. Brassaï became interested in photography as a way to record encounters on his nightly walks through the streets of Paris. He enjoyed these long strolls after dark and began carrying a camera and tripod in 1929. He compiled these photographs in a book entitled Paris de nuit. A collection of black and white images that juxtaposed luminous dreamlike nightscapes with contemporary documentary images of the nighttime's denizens. "Night does not show things it suggests them. It disturbs and surprises us with its strangeness." Brassaï's subjects are not only aware of the photographer they collaborate with him. His unique style gave Paris de nuit its distinctive intimacy and was a revelation for his artist friends. Fellow night owl Henry Miller wrote: "Brassaï is a living eye.his gaze pierces straight to the heart of truths in everything." Brassaï was at ease with all types of people and this played an important role in his photography. In the course of his nighttime perambulations he befriended pimps and streetwalkers hoodlums and laborers who allowed him to photograph freely among them. He was equally accepted photographing nude showgirls backstage at the Folies Begere as he was photographing prostitutes and their clients at Chez Suzy. Paris by Night was also a technical achievement. In an era of slow lenses and even slower filmBrassï relished the darkness and by trial and error learned to get the night shots he was after. Using his training as a painter Brassaï framed his shots so that small areas of light pierced large areas of blacks and shadows. Light reflected in wet streets and diffused by fog would define shapes within the dark. This contrast gave his printed images richness and depth and he called these prints his "little boxes of night." Arts et Metiers Graphiques , hardcover
