BRASSAI; KRASZNA-KRAUSZ, A (ed)Biblio.com
717 risultati
1949rif. 149616London: The Focal Press 1949. First Edition. Hardcover. Fair/Good. Masters of the Camera series. 95 p. 26 cm. B&w photos. Fold-out chart of technical data at rear. Blue cloth in mylar-covered dustjacket. Some chips to jacket edges and creased area bottom front near spine. Some soiling to rear panel of jacket. Front board a bit warped. Foxing and tape marks to endpapers. Some small tears to bottom of p. 27. The photographer's unique style gives "Paris de nuit" a distinctive look romantic and a little seedy. The Focal Press hardcover
2000rif. G2020398451I3N00Seuil 2000. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Seuil hardcover
2011rif. 1414892Paris France: Flammarion 2011. First Edition First Printing. Hardcover. Quarto 81 pages. In Very Good condition with a Very Good dust jacket. Dust jacket spine black with white lettering protected in mylar covering. Mild bumping to dust jacket edges. Mild rubbing to front and rear of dust jacket. Mild general shelf wear. Shelved in Photographers. 1414892. Shelved Dupont Bookstore. Flammarion hardcover
1976rif. 11549PHOTONew York NY: Pantheon Books 1976. Original black cloth covers w/ title on spine. Very bright and clean. Endpapers lightly soiled. DJ has light scratches. Illust. w/ b/w photos. Contents very nice. Hard Cover. Very Good-/Very Good-. 4to - over 9¾" - 12" tall. Pantheon Books Hardcover
1976rif. 040828-K205New York NY U.S.A.: Pantheon Books 1976. First American edition. VG/VG all pages very clean and tight. An extensive collection of Brassai's "secret photographs". . First American Edition. Black Cloth. Very Good/Very Good. Illus. by Brassai. Quarto. First Edition. Pantheon Books hardcover
2011rif. 1414892Paris France: Flammarion 2011. First Edition First Printing. Hardcover. Quarto 81 pages. In Very Good condition with a Very Good dust jacket. Dust jacket spine black with white lettering protected in mylar covering. Mild bumping to dust jacket edges. Mild rubbing to front and rear of dust jacket. Mild general shelf wear. Shelved in Photographers. 1414892. Shelved Dupont Bookstore. Flammarion hardcover books
1999rif. 69278Reunion Des Musees Nationauxfrance. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 344 pp. With 332 ills. 91 col. . 29 x 29 cm. -- with a bonus offer--; 1.5 x 11.34 x 10.87 Inches . 1999. Reunion Des Musees Nationaux,france hardcover
1939rif. 42467Paris: Art et Médecine 1939. First edition. Softcover. g to vg. Folio 12 1/4 x 9 1/2". Unpaginated. 32pp. Original photo-illustrated wrappers with blue lettering to front cover and black white and blue lettering to back cover. This March 1939 issue of the avant-garde magazine "Art et Médecine" is splendidly illustrated throughout with striking photogravures by Brassaï Gaston Paris Pierre Boucher Wols André de Diénès and other key photographers of the period. This issue is entirely devoted to light effects in photography. The photogravures depict Paris and New York by night; statues at the Louvre; a circus horsewoman; parcs and gardens; the home; portraits. All with special light effects. Wrappers slightly foxed and rubbed along edges. Corners bumped thus slightly affecting pages throughout. Text in French. Wrappers in overall good interior in very good condition. Throughout the 1930s Gaston Paris 1903-1964 was one of the pillars of the weekly magazine "Vu" founded in 1928 by Lucien Vogel. The only salaried photographer he shared the magazine's pages with Laure Albin-Guillot Germaine Krull André Kertész Martin Munkacsi Man Ray and Robert Capa. Alongside his reports and portraits of artists and celebrities of the time he produced strange photographic series inspired by surrealism work which appeared in "Detective magazine" from the 1930s to the 1950s to illustrate its stories of gangsters and femmes fatales. His archives were purchased by the Agence Roger-Viollet shortly after his death. In 1934 Pierre Boucher 1908-2000 founds with René Zuber the Alliance-Photo agency that delivers the first deontology of photography and enhances the importance of photographers' signatures. Multidisciplinary the French photographer explores the avant-garde aesthetic with surrealist nudes photograms collages and solarizations. He also produces more commercial works illustrating advertisements and books such as Emile Allais' French Skiing Method. Wols was the pseudonym of Alfred Otto Wolfgang Schulze 1913-1951 a German painter and photographer predominantly active in France. Though broadly unrecognized in his lifetime he is considered a pioneer of Lyrical Abstraction one of the most influential artists of the Tachisme movement. André de Diénès 1913-1985 was a Hungarian-Romanian photographer noted for his work with Marilyn Monroe and his nude photography. Art et Médecine unknown
1982rif. Q-0670136484The Viking Press 1982-10-14. Hardcover. New. In shrink wrap. Looks like an interesting title! The Viking Press hardcover
1939rif. 42467Paris: Art et Médecine 1939. First edition. Softcover. g to vg. Folio 12 1/4 x 9 1/2". Unpaginated. 32pp. Original photo-illustrated wrappers with blue lettering to front cover and black white and blue lettering to back cover. This March 1939 issue of the avant-garde magazine "Art et Médecine" is splendidly illustrated throughout with striking photogravures by Brassaï Gaston Paris Pierre Boucher Wols André de Diénès and other key photographers of the period. This issue is entirely devoted to light effects in photography. The photogravures depict Paris and New York by night; statues at the Louvre; a circus horsewoman; parcs and gardens; the home; portraits. All with special light effects. Wrappers slightly foxed and rubbed along edges. Corners bumped thus slightly affecting pages throughout. Text in French. Wrappers in overall good interior in very good condition. Throughout the 1930s Gaston Paris 1903-1964 was one of the pillars of the weekly magazine "Vu" founded in 1928 by Lucien Vogel. The only salaried photographer he shared the magazine's pages with Laure Albin-Guillot Germaine Krull André Kertész Martin Munkacsi Man Ray and Robert Capa. Alongside his reports and portraits of artists and celebrities of the time he produced strange photographic series inspired by surrealism work which appeared in "Detective magazine" from the 1930s to the 1950s to illustrate its stories of gangsters and femmes fatales. His archives were purchased by the Agence Roger-Viollet shortly after his death. In 1934 Pierre Boucher 1908-2000 founds with René Zuber the Alliance-Photo agency that delivers the first deontology of photography and enhances the importance of photographers' signatures. Multidisciplinary the French photographer explores the avant-garde aesthetic with surrealist nudes photograms collages and solarizations. He also produces more commercial works illustrating advertisements and books such as Emile Allais' French Skiing Method. Wols was the pseudonym of Alfred Otto Wolfgang Schulze 1913-1951 a German painter and photographer predominantly active in France. Though broadly unrecognized in his lifetime he is considered a pioneer of Lyrical Abstraction one of the most influential artists of the Tachisme movement. André de Diénès 1913-1985 was a Hungarian-Romanian photographer noted for his work with Marilyn Monroe and his nude photography. Art et Médecine unknown books
1976rif. Q-0394408411Pantheon Books 1976-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Pantheon Books hardcover
1949rif. 402709London : Focal Press 1949. 1st edition. Hardcover. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled and rubbed as with age. Remains quite well-preserved overall. Series: Masters of the camera. Physical description: 95 pages chiefly illustrations 25 cm. Subjects: Brassai 1899-1984; Parr Martin Collection; Photography Artistic; Paris France Pictorial works; Paris Description and travel Views; Social life and customs 20th century. London : Focal Press hardcover
1949rif. 289483London ; New York : Focal Press 1949. First Edition. Hardcover. Good copy in the original title-blocked pictorial cloth. Spine bands worn. Remains well-preserved overall; tight bright clean and strong. Physical description; 95 p. : chiefly illus. ; 25 cm. Subjects; Photography Artistic. Paris Description and travel Views. Genre; Illustrated. London ; New York : Focal Press hardcover
1997This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. As new. Foreword to this first English edition witten by Gilberte Brassai (Brassai's daughter). In addition to the letters, there are two essays by Andor Horvath, and one essay by Anne Wilkes Tucker. Illustrated in black & white with a selection of Brassai's photographs. 8" high X 6" wide, 274 pages. A beautiful copy. This book will be securely packed and shipped with tracking.
rif. 12631In 8 broché, faux-titre, titre, 176 pages, 18 figures sur papier couché, photos de Dora Maar, Vizzanova, Brassaï, Henri Cartier Bresson, Man Ray, Rosa Klein dite Rogi.NRF collection métamorphoses LLL 1937. Il est indiqué, deuxième réimpression à 2000 exemplaires. Bon exemplaire.
1937rif. 16251Paris, Gallimard, collection Métamorphoses III, 1937. In-8 broché de 176-[4] pages couverture de papier vergé. Couverture légèrement insolée,.
rif. 45336Genève : Editions Albert Skira, 1980-1981, 3 volumes 25,5x32,5cm toilés sous jaquettes illustrées en couleurs et sous emboitages de l'éditeur. Retirage des 13 numéros (en 11 livraisons, dont 2 numéros doubles) parus entre 1933 et 1939. Ensemble en très bon état.
1928rif. 2129Paris, Éditions de la Nouvelle Revue Française, 1928. Un vol. in-4° (210 x 162 mm). Reliure décorée de Georges Leroux. Plein maroquin mosaïqué, doublures et gardes de maroquin noir, tête et tranches argentées à l'œser, couvertures et dos conservés, chemise et étui. ÉDITION ORIGINALE du plus célèbre écrit d'André Breton. L’UN DES 109 PREMIERS EXEMPLAIRES SUR PAPIER LAFUMA-NAVARRE AU FILIGRANE NRF, RÉIMPOSÉS DANS LE FORMAT IN-4 TELLIÈRE. Celui-ci nominatif, imprimé pour M Ozanne, secrétaire général de la Compagnie P.L.M. - Note bibliographique : Ce roman fut inspiré à André Breton par sa rencontre, au hasard d'une de ses fréquentes promenades parisiennes, avec une jeune femme à l'aspect enchanteur et mystique. Entraperçue le lundi 4 octobre 1926 près d'Opéra, Nadja, de son vrai nom Léona Camille Ghislaine Delcourt (1902-1941), fut, pendant quelques semaines, l'objet de sa curiosité passionnée. Le comportement erratique de la jeune femme mit bientôt fin à leurs rencontres, mais l'idéal qu'elle incarna brièvement, ce rejet des conventions de l'existence et sa réceptivité à l'extraordinaire et à l'intuition, ne cesseront désormais d'obséder Breton. Les deux tiers du livre furent écrits huit mois plus tard, en août 1927, au manoir d'Ango, à Varengeville-sur-Mer. La première partie, qui sert de préambule, retrace les épisodes les plus marquants de la vie de l'auteur, ses rencontres et les curiosités qu'il observe et consigne. La deuxième, centrale, est le « récit minutieux des dix jours passés » avec Nadja et de « la fin de leurs relations ». La troisième enfin, rédigée dans les derniers jours de 1927, constitue la partie théorique du texte ; elle fut perçue comme le premier manifeste du surréalisme. L’ouvrage s’achève sur cette formule devenue célèbre : « La beauté sera convulsive ou ne sera pas. » Breton y prône une conception de la beauté qui inspirera tous ses compagnons de route, qu’ils soient peintres ou poètes. AVEC 44 PLANCHES DE PHOTOGRAPHIES : L'usage révolutionnaire que fit l'auteur de ces clichés contribua pour beaucoup au rayonnement de Nadja. Pour la première fois dans l'histoire littéraire, un auteur fait l'économie de la description narrative, en substituant au texte lui-même une reproduction des lieux, personnes, lettres, documents, dessins ou tableaux cités. Les vues de Paris furent confiées à Jacques Boiffard, capable « d'accompagner la prose sans ornement de Breton de paysages étrangement déserts », les portraits d'amis et les rencontres sont de Man Ray, photographe officiel des dadaïstes, et la photo du gant de bronze (p. 67) est due à Lise Deharme. Quant au portrait de Nadja, que Breton érige en symbole, il est significativement absent du corpus.
rif. 52815Collection Soleil - Eds Gallimard In-8 140pp. illustr. 20 planches photographiques reliure pleine toile de l'editeur exemplaire numerote Nb-0198 unknown
rif. 48379Paris : K éditeur, 1949. un volume 21x16,4cm broché sous couverture illustrée d'un photomontage, 180 pages illustrées de 8 photos de Brassaï. Exemplaire en bon état : pages non coupées et couverture propre. Edition originale.
1949rif. 009663Paris K Editeur 1949 In-8 Broché, couverture illustrée Edition originale
1949rif. 010557Paris K Editeur 1949 In-8 Broché, couverture illustrée Edition originale
rif. 41187Paris, K éditeur, 1949. In-8°, 170p. Broché, couverture illustrée rempliée.
rif. 8060K éditeur, 1949. In-8, broché, 170-(6) pp., couverture illustrée (papier jauni). Maquette de Pierre Faucheux.
rif. awd-67Paris, K éditeur, 1949. In-8 br., 170 pp. 1 / 150 premiers ex. sur vergé pur chiffon Navarre. Maquette et couverture illustrée de Pierre Faucheux. Œuvres de Louis Billard, Auguste Boncors, J. P. Brisset, agitateur biblique, Gaston Chaissac, cordonnier, Ferdinand Cheval, facteur, Damouré Zika, infirmier de santé, etc. Bon état.
