MATISSE, ROUVEYRE, ELUARD (Paul), BRASSAI, FINI (Leonor)Livre Rare Book
713 résultats
réf. 10125Monaco, Hommage, 1944. In-folio en feuilles, (20) ff. sous couverture rempliée.
réf. 1332Christian Bourgois, Paris, 1990
réf. 44232Paris : Gallimard, 1975. Un volume broché (14x20,5 cm) sous jaquette, 264 pages. Illustré de 16 photographies de Braissaï dont un portrait d'Henry Miller reproduit sur la jaquette. Edition originale sur papier courant. Bon état.
réf. 23077Paris, Gallimard, 1978. In-8, 290 pp., broché, couverture originale illustrée (couverture un peu jaunie comportant quelques frottements).
1956réf. 015794Paris Olympia Press 1956 In-12 Broché, couverture illustrée à rabats
1956réf. 1326658Paris: The Olympia Press 1956. First Edition. 10mo. 171 pages. In Good minus condition. Bound in yellow black and gray wraps with no lettering to spine. Creasing to spine. A notoriously delicate binding this copy has glue visible along the gutters gatherings separated from spine at second free end paper name on second free end paper pen on rear flap. States 'First and Original Edition' on title-page. Shelved in Case 2. A novella covering Miller's time living as a struggling writer in Paris during the 1930s roughly during the same time that he was working on Black Spring. This first edition was published by Olympia Press in 1956 while Miller's work was still being censored in the United States. It would finally see an American release in 1965 after Miller won his obscenity case over the content of Tropic of Cancer. This 1956 edition features black and white photography by Hungarian-born photographer Brassaï Gyula Halász who Miller had elsewhere called "the eye of Paris." 1326658. Shelved Dupont Bookstore. The Olympia Press unknown
1958réf. JH1152850Olympia Press 1958. Later Printing: 2nd. . Trade Paperback. . Light wear to extremities else very good condition./Very good lightly edgeworn dust jacket. . B&W Photographs by Brassai No previous owner's marks. No underlining or marks in text. A very nice copy. Olympia Press paperback
réf. 909964Paris Olympia Press. 1956. First and original edition. 71pp.31pp. photogr. 29 photographs by Brassaï. Soft Cover Kl 8vo. Little wear to spine while the corners of of the first 75 pages are just slightly creased. Overall a good copy. l Printer: Paris Impr. Mazarine: Impr. Aulard. Cover design: T.Tajiri. First edition second state with matt photographs; 'First and original printing' stated on title-page.' paperback
réf. 1914Paris Olympia Press. 1956. 171pp.-31pp. photogr. First and original edition second state with matt photographs. Rebound in Red buckram Kl 8vo. l Quiet days in Clichy Texte imprimé / Henry Miller ; Printer: Paris: Impr. Mazarine :Impr. Aulard hardcover
1958réf. 30204Paris: The Olympia Press 1958. Second edition. Brassaï. Original printed wrappers a little separation at front hinge; extremities lightly rubbed; gift inscription on front endpaper; very good. The Olympia Press unknown
réf. 9762PARIS, ed. du Chêne - 1966 - In-1é - Portrait de Miller par BRASSAI - 505 pages - Corect
1958réf. 30204Paris: The Olympia Press 1958. Second edition. Brassaï. Original printed wrappers a little separation at front hinge; extremities lightly rubbed; gift inscription on front endpaper; very good. The Olympia Press unknown books
1956réf. 1326658Paris: The Olympia Press 1956. First Edition. 10mo. 171 pages. In Good minus condition. Bound in yellow black and gray wraps with no lettering to spine. Creasing to spine. A notoriously delicate binding this copy has glue visible along the gutters gatherings separated from spine at second free end paper name on second free end paper pen on rear flap. States 'First and Original Edition' on title-page. Shelved in Case 2. A novella covering Miller's time living as a struggling writer in Paris during the 1930s roughly during the same time that he was working on Black Spring. This first edition was published by Olympia Press in 1956 while Miller's work was still being censored in the United States. It would finally see an American release in 1965 after Miller won his obscenity case over the content of Tropic of Cancer. This 1956 edition features black and white photography by Hungarian-born photographer Brassaï Gyula Halász who Miller had elsewhere called "the eye of Paris." 1326658. Shelved Dupont Bookstore. The Olympia Press unknown books
1933réf. 48496Neuilly-sur-Seine. 1933. Original publisher's printed white glossy wrappers reproduction of a Man Ray photograph to front cover of each issue with titles and contributors in red against a white background taking the form of a lighthouse with revolving light later cream morocco-backed black card board chemise with title in red to spine and matching slipcase. 4 vols. in 3. Small 4to. 252 x 182 mm. 4to. 284 x 194 mm. Printed text in French with reproductions of monochrome photographs throughout nos. 1 & 2 with printed 'Bulletin d'Abonnement' sheets on orange paper tipped-in issue with advertisements on various coloured stock see below. An excellent complete set of Lise Deharme's very scarce 'Le Phare de Neuilly' with the final number in the even scarcer large paper édition de tête format.The third number i.e. 'Numéro 3 - 4' is a large paper copy one of 20 nominatif examples issued on papier couché mat spécial printed for 'Monsieur et Madame Raoul Fernandez'; only the third volume was issued in this format.Although each title page of 'Le Phare de Neuilly' suggests that ten issues were to be published 'Dix numéros par an' only these four were achieved. A mixture of the literary and artistic the illustration is of monochrome photographs throughout with Lee Miller contributing to each issue; Man Ray's work also features - the covers are his work - as well as Nadar Dora Maar Brassaï Pierre Keffer Eli Lotar Lloyd Sloane and others.The literary contributors - all listed on the covers of each issue - are extremely varied and include Georges Ribemont-Dessaignes who also wrote the record reviews in the first two numbers Robert Desnos two poems in no. 1 Céline Arnauld Jacques Baron Hans Arp as a poet translated from the German by Georges Hugnet Paul Dermée Lise Hertz i.e. Lise Deharme Nathalie Barney Stendhal the unpublished 'Le lac de Genève' writen under Stendhal's pseudonym 'Henri Martineau' James Joyce see below Thérèse Aubray Jacques Lacan the poem 'Hiatus Irrationalis' Marcel Jouhandeau Ilarie Voronca the poem 'Foules' translated from the Romanian by M. de Boully D. H. Lawrence a translation of 'The Man Who Died' Claire Goll Eugène Jolas 'Gyroscope' Raymond Queneau 'Fragments d'un Roman' and many others.Of particular note in terms of content not to mention innovation are the following: - Alejo Carpentier's 'Images et Prières Nègres' illustrated with a series of photographs - the negatives were burnt in the presence of the Cuban sorceror 'Taita José' - of ritualistic objects shrines and saints; - Le Phare de Neuilly's presumably Deharme herself writing under the eponymous psudonym 'Manifeste du Désarmement Psychique'; - James Joyce's poem 'Ecce Puer' written on the birth of his grandson Stephen in 1932 translated into French by Yvan Goll and printed on the right of a sheet of transparent crystal paper; beneath on a sheet of glossy paper is a photographic reproduction of Joyce's manuscript for the poem and at left is a portrait of both Joyce and his grandson by Robert H. Davis; - Lloyd Sloane's extraordinary 'Monsieur Sépulcre Agent d'Assurances Présente . ' a Surrealist photographic collage novella; - no. 1 with the advertisements at the front of the issue printed in black on monochrome sheets of burgundy blue and pink paper that on pink with text reproducing Deharme's manuscript those at rear on cream newsprint paper advertising Jose Corti''s publishing house 'Corti / 6 Rue de Clichy' and announcing Deharme's own 'Cahier de Curieuse Personne / Poèmes / par / Lise Hirtz' to be published by Corti as appearing 'dans trois mois' this advertisement also reproducing Deharme's manuscript and Roger Vitrac's 'Le Coup de Trafalgar'.Lise Deharme the editor of 'Le Phare de Neuilly' published in the Paris suburb of Neuilly was a salonnière a prolific poetess and a novelist. A muse and patron to the Surrealists - she encountered them as a group in the 1920s - her first published work was 'Images dans le Dos de Cocher' of 1922 although her collaboration with Miró 'Il était une petite pie' of 1928 is cited more usually as her first publication both were issued under her maiden name Ilse Hirtz. Deharme was immortalised by Breton in Nadja as 'la dame au gant' and she can be regarded in many ways as being 'Le Phare de Neuilly' herself.'Page de couverture identique pour les trois fascicules : photographie de Man Ray contient de nombreuses reproductions photographiques de Man Ray Lee Miller Nadar Brassaï Pierre Keffer Dora Maar'. Destribats. Le Fonds Paul Destribats 339; not in Ades. unknown
1996réf. 2-2905292369Hoëbeke 1996. Hardcover. New. 94 pages. French language. 12.44x9.29x0.63 inches. Hoëbeke hardcover
réf. 20405540Hoebeke . 32 x 23.5cm 89pp b&w illustrations hardcover in dustjacket very good French edition. An album of photographs taken in Paris by Brassa in the years 1930-1940 accompanied by a text written by Modiano in 1990. Hoebeke hardcover
réf. 46018Arts et Métiers Graphiques. (sans date). 1933. In-8 ,couvertures illustrées d'une photo avec des caractères rouges.Pages tenues par une spirale métallique .62 photos inédites de Brassai. Etat moyen.Couv.usagées avec petit manque de papier sur le second plat(marge centrale).Légère déchirure au bas de la photo 48.Edition originale.
1933réf. 107590Paris Arts et Métiers Graphiques, coll. "Réalités" 1933 1 vol. Broché in-8, reliure spirale, couverture noire illustrée, 6 ff. n. ch. d'introduction en anglais et 62 pp. Edition originale de la version anglaise de ce superbe album photographique imprimé par les frères Draeger. Trace de pli sur la couverture, sinon exemplaire en belle condition.
1933réf. 107590Paris Arts et Métiers Graphiques, coll. "Réalités" 1933 1 vol. Broché in-8, reliure spirale, couverture noire illustrée, 6 ff. n. ch. d'introduction en anglais et 62 pp. Edition originale de la version anglaise de ce superbe album photographique imprimé par les frères Draeger. Trace de pli sur la couverture, sinon exemplaire en belle condition.
1933réf. 253491933 Paris, Arts et Métiers Graphiques, 1932, petit in-4 (25 cm x 19 cm). 8 pages de préface de Paul Morand. 62 photographies de Brassaï en noir et blanc à pleine page reproduites en héliogravure, reliure éditeur à spirale métallique.
réf. 22690Paris, Éidition "Arts et métiers graphiques", [1933]. In-4, 62 pp., broché à la spirale en métal, couverture illustrée (frottements).
réf. 776358Editions Des Arts Et Metiers Graphiques Paris 1933 Petit in-4 carré ( 250 X 190 mm, broché par spirale métallique sous couvertures illustrées. EDITION ORIGINALE des 12 pages de Paul MORAND et PREMIER TIRAGE des 62 magnifiques photographies à pleine page hors-texte de BRASSAÏ d'un noir d'une rare intensité. "PARIS de NUIT" est du point de vue de la technique un livre exceptionnel. L'impression en héliogravure est peut être la plus somptueuse jamais vue, les noirs étant si riches et profonds qu'après avoir manipulé le livre, on s'attend à trouver des dépôts de graphite sur ses doigts. La palette de graduation est merveilleusement subtile, décrivant une gamme apparemment infinie de tons noirs et presque noirs... Trace de pli sur la couverture, bel exemplaire tout à fait désirable.
réf. 12671 Superbe impression en héliogravure réalisée par Draeger des photographies de nuit réalisées par Brassaï (quelques usures et défauts à la couverture). Livret à spirales sous couvertures imprimées, 25,0 x 20,0 cm. Paris, Arts et Métiers Graphiques, [1933].
réf. 12671 Superbe impression en héliogravure réalisée par Draeger des photographies de nuit réalisées par Brassaï (quelques usures et défauts à la couverture). Livret à spirales sous couvertures imprimées, 25,0 x 20,0 cm. Paris, Arts et Métiers Graphiques, [1933].
1987réf. 209898Paris: Arts et Metiers Graphiques 1987. Hardcover. VG-. Black paper slip is pretty torn up but still present. Only light wear to jacket mostly bumping at head/tail of spine. Last signnature of 10 pages shaken loose but laid back in and present. Quarto. Hardcover in paper slipcase. Black cloth boards with stamped titles in b&w illustrated jacket. 26 pages 62 pages of plates: illustrations; 33 cm. Arts et Metiers Graphiques hardcover
