719 résultats
2000réf. 165180Paris: Reunion des Musees Nationaux 2000. Hardcover. First French Edition. Text in French. Published in conjunction with an exhibition held at the Musée Picasso from February 1 through May 1 2000. Fine with no dust jacket as issued. Oversize volume shipping billed at cost. Reunion des Musees Nationaux unknown
1999réf. 165775Chicago: University of Chicago 1999. First Edition. First Edition. Fine in a lightly rubbed Near Fine dust jacket. University of Chicago unknown
2000réf. 165180Paris: Reunion des Musees Nationaux 2000. Hardcover. First French Edition. Text in French. Published in conjunction with an exhibition held at the Musée Picasso from February 1 through May 1 2000. Fine with no dust jacket as issued. Oversize volume shipping billed at cost. Reunion des Musees Nationaux unknown books
1999réf. 165775Chicago: University of Chicago 1999. First Edition. First Edition. Fine in a lightly rubbed Near Fine dust jacket. University of Chicago unknown books
1997réf. 26390Chicago :: University of Chicago Press 1997. First Printing of the First US Edition. A Fine tight unread copy in a Fine dust jacket. This volume of letters and photographs by the man who was nicknamed the "Eye of Paris" by Henry Miller chronicles Brassai's early life and artistic development in Paris and Berlin during the 1920s and 30s. University of Chicago Press, unknown
1987réf. 24386New York::: Pantheon 1987. First Printing of the First US Edition. A Fine copy in a Very Good unclipped dust jacket with peeling to the jacket laminate. Arriving in Paris in 1924 Brassaï rapidly became a shrewd observer of nocturnal Parisian life. He sensed that photography was the tool that would allow him to document his vision of a dying society. Fascinated by the night which he found disconcerting enigmatic and suggestive Brassaï photographed its every aspect from police to prostitutes to the homeless to socialites all in a dreamlike and mysterious manner. In sixty-four images Brassaï succeeded in remarkably capturing this unique ambience. This book meticulously assembled by Brassaï himself signifies the birth of the artist. Brassaï originally from Hungary traveled to Paris in 1924 where he began to associate with the avant-garde artist community in particular with Picasso and the Parisian surrealist circles. He quickly established himself as one of the most original photographers of his generation. Pantheon,, unknown
1976réf. 26004New York:: Pantheon 1976. First Printing of the First US Edition. A Fine copy in a Near Fine dust jacket with just a touch of edge wear. The Secret Paris of the '30s is one of the most evocative photographic memoirs ever published. For years it was known that Brassai had taken a series of 'secret photographs' which could not be published because of their daring nature. Alone or in the company of friends he discovered the forbidden Paris of the 1930s - its brothels whores pimps and opium dens - the sordid yet bewitching bas-monde where high society mingled with the underworld. Brassai's photographs reveal a milieu previously known only through books such as the novels of Henry Miller a frequent companion on his nocturnal rambles: the seamy grimy yet infinitely exciting reality that tourists still think of when they seek 'Paris by night'. These fascinating images are accompanied by Brassai's own text in which he describes the extraordinary conditions under which he took his photographs. Pantheon, unknown
réf. 9418Deux portraits en gros-plan de Brassaï, assis sur un sofa, vêtu d'un élégant gilet pied-de-poule. Photographies prise en mai 1975 par Marc Morceau (cachet au verso). Tirages argentiques d'époque 33 x 23 cm. Très bon état. /// Sur la première photo, Brassaï regarde l'objectif légèrement de biais ; sur la seconde, il cache ses yeux avec sa main gauche.
1964réf. 202602083Paris, Hachette, 1964 ; in-4, 255 pp., reliure pleine toile d'éditeur, avec jaquette illustrée. Nombreuses photographies en noir et blanc et en couleurs.
1982réf. 202602082Paris, Denoël, 1982 ; in-4, 224 pp., reliure pleine toile d'éditeur, avec jaquette illustrée. Nombreuses photographies en noir et blanc.
1977réf. 202602075Paris, Jean-Claude Simoën, 1977 ; in-8, 173 pp., broché.
1952réf. 143551952 P., Editions Neuf (Robert Delpire), 1952, 1 vol. in-4° (276 x 216 mm) relié pleine toile rouge éditeur, photographie en noir et blanc avec titre en jaune contrecollée au plat supérieur, non paginé.Très bel exemplaire.
1999réf. 84001Chicago & London: University of Chicago Press 1999. First US edition. xx 392 pp w/index. Fine in very near fine dust jacket. Translated from the original French by Jane Marie Todd. Preface by Henry Miller from 1966. Introduction by Pierre Daix. Illustrated with photographs. Chicago & London: University of Chicago Press unknown
1999réf. 84001Chicago & London: University of Chicago Press 1999. First US edition. xx 392 pp w/index. Fine in very near fine dust jacket. Translated from the original French by Jane Marie Todd. Preface by Henry Miller from 1966. Introduction by Pierre Daix. Illustrated with photographs. Chicago & London: University of Chicago Press unknown books
réf. L16994Éditions Jeanne Bucher, 1962. In-8 carré br. Catalogue de l'exposition rétrospective qui a eu lieu en décembre 1962. Textes en français, anglais et allemand par L. Durrell, H. Miller, Brassaï. Note biographique par J.F. Jaeger. Catalogue des oeuvres. Importante iconographie en couleurs et en noir & blanc. E.O. On joint le numéro 2 de juin 1959 de la revue Cahiers du Musée de poche, comprenant le texte Adios Reichel par Henry Miller. L'ensemble...
réf. 11813Revue éditée par le Centre National d'Expansion du Tourisme, du Thermalisme et du Climatisme, s. d. In-4 br. Textes de J. Cassou, G. Huisman, J. de Lacretelle, etc. Nombreuses photos en noir & blanc de Schall mais aussi de Brassaï, J. Roubier, etc. E.O.
réf. 16573Quatrième cahier de la table ronde, novembre 1945. Un volume in-4°, broché.
réf. 8946LA TABLE RONDE. // N° 4. Novembre 1945. André Suarès, Jules Romains, Daniel Halévy, Marcel Aymé, Philippe Hériat, Patrice de La Tour du Pin, Pierre Boutang Dessins hors texte de Jacques Villon, Marcel Gimond, Francis Grüber, André Marchand, Jacques Despierre, Brassaï, Léon Gischia. Exemplaire broché, couverture rempliée. 1/2.000 du tirage de base sur vélin du Marais. Très bel exemplaire.
réf. 12664« LE CIRQUE », par Tristan Rémy. Photos de Brassaï, François Tuefferd, etc. Bon état.
réf. 12662« DORMIR », par Henri Wallon. Photos de Brassaï, Nora Dumas, George Besson, Denise Bellon, Paul Wolff, Sougez, etc. Bon état.
réf. 12665« LE LAIT », par Pierre Scize. Photos de Nora Dumas, Ergy Landau, Paul Wolff, Ph. Halsman, Brassaï, André Steiner, etc. Bon état.
réf. 12667« SCULPTER », par Jean Charbonneaux. Photos de Schostal, Paul Wolff, Ergy Landau, René Zuber, Blanc & Demilly, Brassaï, etc. Bon état.
réf. 12656« LA PHOTOGRAPHIE », par Sougez. Photos de Blanc et Demilly, Ergy Landau, Sougez, Brassaï, André Steiner, Perckhammer, etc. Bon état.
réf. 12657« LA VILLE », par Jean-Richard Bloch. Photos de Blanc et Demilly, Pierre Jahan, Ergy Landau, Brassaï, etc. Bon état.
réf. 12658« LA BICYCLETTE », par Luc Durtain. Photos de Brassaï, André Steiner, George Besson, Denise Bellon, Paul Wolff, etc. Bon état.
