713 résultats
1956réf. 1326658Paris: The Olympia Press 1956. First Edition. 10mo. 171 pages. In Good minus condition. Bound in yellow black and gray wraps with no lettering to spine. Creasing to spine. A notoriously delicate binding this copy has glue visible along the gutters gatherings separated from spine at second free end paper name on second free end paper pen on rear flap. States 'First and Original Edition' on title-page. Shelved in Case 2. A novella covering Miller's time living as a struggling writer in Paris during the 1930s roughly during the same time that he was working on Black Spring. This first edition was published by Olympia Press in 1956 while Miller's work was still being censored in the United States. It would finally see an American release in 1965 after Miller won his obscenity case over the content of Tropic of Cancer. This 1956 edition features black and white photography by Hungarian-born photographer Brassaï Gyula Halász who Miller had elsewhere called "the eye of Paris." 1326658. Shelved Dupont Bookstore. The Olympia Press unknown books
1958réf. 30204Paris: The Olympia Press 1958. Second edition. Brassaï. Original printed wrappers a little separation at front hinge; extremities lightly rubbed; gift inscription on front endpaper; very good. The Olympia Press unknown books
réf. 9762PARIS, ed. du Chêne - 1966 - In-1é - Portrait de Miller par BRASSAI - 505 pages - Corect
1956réf. 1326658Paris: The Olympia Press 1956. First Edition. 10mo. 171 pages. In Good minus condition. Bound in yellow black and gray wraps with no lettering to spine. Creasing to spine. A notoriously delicate binding this copy has glue visible along the gutters gatherings separated from spine at second free end paper name on second free end paper pen on rear flap. States 'First and Original Edition' on title-page. Shelved in Case 2. A novella covering Miller's time living as a struggling writer in Paris during the 1930s roughly during the same time that he was working on Black Spring. This first edition was published by Olympia Press in 1956 while Miller's work was still being censored in the United States. It would finally see an American release in 1965 after Miller won his obscenity case over the content of Tropic of Cancer. This 1956 edition features black and white photography by Hungarian-born photographer Brassaï Gyula Halász who Miller had elsewhere called "the eye of Paris." 1326658. Shelved Dupont Bookstore. The Olympia Press unknown
1958réf. JH1152850Olympia Press 1958. Later Printing: 2nd. . Trade Paperback. . Light wear to extremities else very good condition./Very good lightly edgeworn dust jacket. . B&W Photographs by Brassai No previous owner's marks. No underlining or marks in text. A very nice copy. Olympia Press paperback
réf. 909964Paris Olympia Press. 1956. First and original edition. 71pp.31pp. photogr. 29 photographs by Brassaï. Soft Cover Kl 8vo. Little wear to spine while the corners of of the first 75 pages are just slightly creased. Overall a good copy. l Printer: Paris Impr. Mazarine: Impr. Aulard. Cover design: T.Tajiri. First edition second state with matt photographs; 'First and original printing' stated on title-page.' paperback
réf. 1914Paris Olympia Press. 1956. 171pp.-31pp. photogr. First and original edition second state with matt photographs. Rebound in Red buckram Kl 8vo. l Quiet days in Clichy Texte imprimé / Henry Miller ; Printer: Paris: Impr. Mazarine :Impr. Aulard hardcover
1958réf. 30204Paris: The Olympia Press 1958. Second edition. Brassaï. Original printed wrappers a little separation at front hinge; extremities lightly rubbed; gift inscription on front endpaper; very good. The Olympia Press unknown
1956réf. 015794Paris Olympia Press 1956 In-12 Broché, couverture illustrée à rabats
réf. 23077Paris, Gallimard, 1978. In-8, 290 pp., broché, couverture originale illustrée (couverture un peu jaunie comportant quelques frottements).
réf. 44232Paris : Gallimard, 1975. Un volume broché (14x20,5 cm) sous jaquette, 264 pages. Illustré de 16 photographies de Braissaï dont un portrait d'Henry Miller reproduit sur la jaquette. Edition originale sur papier courant. Bon état.
réf. 1332Christian Bourgois, Paris, 1990
réf. 10125Monaco, Hommage, 1944. In-folio en feuilles, (20) ff. sous couverture rempliée.
1937réf. 1301Éditions de la Revue Verve, Tériade, Paris 1937. 1 volume petit in-folio broché, couverture illustrée d'après Henri Matisse. 4 LITHOGRAPHIES EN COULEURS : Léger, Miro, Rattner, Borès. Nombreuses reproductions couleurs, Nombreuses photographies tirées en héliogravure (Blumenfeld, Bresson, Man Ray, Brassaï… et Louis Guichard). Textes de Gide, Bataille, Heine, Caillois, Dos Passos, Malraux, Michaux, Vollard. ÉDITION FRANÇAISE. Très bon exemplaire.
réf. 45204Aix-en-Provence, directeur Stéphane Cordier. Un volume 14,4x19,4cm, 112 pages sur papier alfa mousse, illustrées de planches d’illustration pleine page par Brassaï, Doisneau, René-Jacques. Bon état.
1963réf. 210355Lucerne Switzerland: C. J. Bucher Ltd 1963. First edition. Softcover. 60 pages. April 1963 issue. Text in English. The highlight of this issue is an article by Brassai on his friend Andre Kertesz that includes numerous black and white images. Also includes a color photograph by Saul Leiter long before he got he gained traction late in his life. A good only copy in wrappers with splitting and wear along the spine and with an institutional rubberstamp to the front cover but otherwise a clean copy. Uncommon. C. J. Bucher Ltd unknown books
1963réf. 210355Lucerne Switzerland: C. J. Bucher Ltd 1963. First edition. Softcover. 60 pages. April 1963 issue. Text in English. The highlight of this issue is an article by Brassai on his friend Andre Kertesz that includes numerous black and white images. Also includes a color photograph by Saul Leiter long before he got he gained traction late in his life. A good only copy in wrappers with splitting and wear along the spine and with an institutional rubberstamp to the front cover but otherwise a clean copy. Uncommon. C. J. Bucher Ltd unknown
réf. 126Eugene Jolas (Associate Editor : James Johnson Sweeney), New-York, 1937, (15,5 x 21,5 cm), 220 pages. Fameuse couverture de Marcel Duchamp (très belle qualité d'impression) : 3 ou 4 gouttes de hauteur n'ont rien à faire avec la sauvagerie. Textes de James Agee, Hans Arp, Paul Eluard, Eugene Jolas, Raymond Queneau, André de Richaud, James Joyce, Franz Kafka, Fernand Léger, André Lhote, L. Moholy-Nagy, Piet Mondrian, Erwin Panofsky, etc... Reproductions des oeuves de Man Ray, Brassaï, Edward Weston, Joseph Albers, Alberto Magnelli, Joan Miró, Jean Hélion, Hans Hartung, John Piper, Paalen, Kandinsky, Calder, Ben Nicholson, Henry Moore, Mondrian, etc... Bel et rare exemplaire de toute fraîcheur.
1937réf. 87781Gallimard | Paris 1937 | 14.50 x 19.50 cm | Relié
réf. 545825Editions D Art Graphique Et Photographique Paris 1935 In-4 ( 315 X 240 mm ), reliure d'éditeur à spirale métallique, illustrée d'une photographie de MAN RAY. EDITION ORIGINALE et premier tirage des 96 photographies de Laure ALBIN GUILLOT, BRASSAÏ, Raoul HAUSMANN, André KERTESZ, Herbert LIST, KEFER, Dora MAAR, Georges PLATT-LYNES, MAN RAY... Minimes plissures à la couverture, bel exemplaire de cette rare et fragile publication.Une note d'introduction présente l'ouvrage: "Parmi les nombreuses manifestations artistiques modernes, la photographie, dans tous les domaines, éveille de plus en plus l'attention générale les conceptions les plus diverses et les plus opposées dirigent les photographes dans leurs oeuvres. Nous nous sommes adressés aux plus représentatifs, les invitant à expliquer leurs idées...". Aram Alban, Laure Albin-Guillot, Binia Bill, Pierre Boucher, Brassai, Louis Caillaud, Frantisek Drtikol, Nora Dumas, Andreas Feininger, Emile Gos, John Hanvinden, Raoul Hausmann, Florence Henri, Andre Kertesz, Edmund Kesting, Julius Kulszar-Magyar, Ergy Landau, Jacques Lemare, Thérèse Le Prat, Herbert List, George Platt, Lynes, Man Ray, Dora Maar, Laszlo Moholy-Nagy, Franz Roh, Georges Saad, Roger Schall, Emmanuel Sougez, Andre Maurice, P. VerneuilSteiner, Stephen Storm, Rolf Ubach-Michelet, Maurice Tabard, Maurice P. Verneuil. Ref.: Auer, p. 227 Bertolotti, pp. 74-75.
1937réf. 87781Paris: Gallimard 1937. Fine. ""Convulsive beauty will be veiled-erotic fixed-explosive magic-circumstantial or it will not be"" Gallimard Paris 1937 14.50 x 19.50 cm Relié First edition one of 9 numbered copies on japon only deluxe issue aside from 35 copies on pur fil and a few on coloured paper. Full black morocco binding flat spine authors name palladium-stamped title stamped lengthwise in palladium and blind grey long-grain shagreen inlays to boards with author and title stamped lengthwise in palladium and in blind turn-ins framed in morocco light plum suede pastedowns and flyleaves three palladium decorated deckled edges outstanding custom binding by Thomas Boichot. Illustrated with 20 photographs including 7 photographs by Man Ray 4 by Brassaï one each by Dora Maar Henri Cartier-Bresson and Rogi André as well as artworks by Max Ernst and the statue of a female character by Giacometti in which the writer saw the very emanation of the desire to love and to be loved in search of its real human object in its painful ignorance. André Breton offers a meditation on love at first sight and passion drawn from his fateful first encounter in 1934 with his future wife Jacqueline Lamba this woman was scandalously beautiful. Recalling the beginnings of their romantic relationship he reflects on chance and embarks on a rereading of their love story detecting all sorts of phantasmagoric signs analysing his experiences and feelings. He concludes with an open letter to their daughter Aube born in December 1935 which ends with these words: I want you to be madly loved. A masterpiece of Surrealist literature both an extension and opposite of Nadja which was published nine years earlier also considered an objectbook in the classic surrealist style interleaved with photographs by Cartier-Bresson Brassaï and Man Ray . It proves its own startling kind of existence in the real world being not just a book not just the record of an extraordinary love that between André Breton and the artist with whom he shared his life but an object inserted madly and really now in our world Mary Ann Caws Translators note Mad Love University of Nebraska Press 1987. Gallimard hardcover
réf. 16-6280Paris: Editions de la Revue Verve 1939. Small foliio. 26.5 x 36cm. Original wraps. Very good. Cover Aristide Maillol Constantine Guys Georges Braque Georges Rouault Andre Derain Fernand Leger Pierre Bonnard Henri Matisse Paul Klee All Lithographs printed by Mourlot and the Heliogravures by Draeger Frères. Paris: Editions de la Revue Verve, 1939 paperback
réf. 48491959, imprimé chez Teo Schmied, edition numertée à 50 exemplaires , celui ci no 42, Galerie Creuzevault In-4 Broché, couverture illustrée Paris , édité à l'occasion de l'exposition de l'artiste. Préface de Georges Limbour.une lithographie originale de Germaine Richier;fait office de couverture 6 photos hors texte de Brassaï et Joubert. Liste des 74 oeuvres exposées. Biographie et bibliographie
1975réf. 45432Franco Maria Ricci: Parma Italy 1975. Very Good. Parma Italy: Franco Maria Ricci 1975. First Thus Limited to 3000 copies of which this is no. 47. Folio 35.5cm; publisher's black gilt-lettered cloth photographic paste-on to upper cover housed in two-toned cloth clamshell case; 213pp.; photographic illustrations tipped to text throughout. Moderate wear to cloth margins spine a shade toned rear cover a bit rubbed and soiled faint toning and spotting along case margins small soil spots to spine else a Very Good and sound example of this attractive production. Parma, Italy unknown books
1975réf. 45432Franco Maria Ricci: Parma Italy 1975. Very Good. Parma Italy: Franco Maria Ricci 1975. First Thus Limited to 3000 copies of which this is no. 47. Folio 35.5cm; publisher's black gilt-lettered cloth photographic paste-on to upper cover housed in two-toned cloth clamshell case; 213pp.; photographic illustrations tipped to text throughout. Moderate wear to cloth margins spine a shade toned rear cover a bit rubbed and soiled faint toning and spotting along case margins small soil spots to spine else a Very Good and sound example of this attractive production. Parma, Italy unknown
