707 résultats
1949réf. 69445Les éditions du point du jour | Paris 1949 | 12.50 x 16.50 cm | broché
1949réf. 71809Les éditions du point du jour | Paris 1949 | 12.50 x 16.50 cm | broché
1949réf. 84586Les éditions du point du jour | Paris 1949 | 12.90 x 16.50 cm | broché
réf. 14042Paris, Les Editions du Point du Jour, 1949. In-12 carré, 90 pp., broché (traces de mouillures au premier plat de couverture).
réf. ART135M1964 / 255 pages. Relié toile bleue Editions Hachette
1988réf. RO20212424Gallimard. 1988. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 189 pages augmentées de nombreuses photos en noir et blanc dans et hors texte. Jaquette en bon état. Nombreux bas de pages gondolés n'altérant pas la lecture.. Avec Jaquette. . . Classification Dewey : 704.948-Erotisme
réf. ART096MPremière édition 1982 / 223 pages. Relié avec jaquette Editions Denoël
1982réf. 20113ed. Denoël 1982 in-4 reliure toile sous jaquette photographique, temoignage precieux sur les createurs, Picasso, Braque, Leger, Matisse, Giacometti, Miro, Kokoschka, etc. à partir des rencontres du photographe avec ces artistes, illustre de 130 photographies dont certaines n’avaient jamais ete reunies en volume, edition originale (il n’est pas annonce de grand papier), priere d’inserer joint, envoi
1982réf. 45207Denoël Jaquette en état satisfaisant Couverture rigide toile Paris 1982
1982réf. 18138Denoël 1982 Paris, Denoël, 1982. Edition originale. Texte et photographies de Brassaï concernant 22 artistes, parmi lesquels Bonnard, Giacometti, Maillol, Matisse, Picasso, Miro, etc. Comprenant environ 140 photographies, la plupart reproduites en pleine page. Grand in-8 de 224 pp. Reliure de l'éditeur, pleine toile crème, titre doré au dos. Très bon état, mais sans la jaquette.
2000réf. 41654Gallimard Couverture souple Paris 2000
réf. 9782080491169Flammarion
1977réf. 37281977 Paris, Simoen, 1977. Broché: 15 x 23 cm, 171-[4] p., non coupé. Édition originale. Un des 35 exemplaires sur Bouffant (no. 50), après 15 sur Ivoire, deux seuls grand papiers. En parfait état. «Le problème de la transposition du langage parlé en écriture fait lobjet de Paroles en lair qui a donné son titre à ce volume et qui précède une suite de textes dans lesprit de la photographie»
1976réf. RO30367625Pantheon books. 1976. In-4. Relié toilé. Etat passable, Coins frottés, Dos satisfaisant, Papier jauni. Environ 150 pages. Texte en anglais. Mouillures. Jaquette correcte. Nombreuses photos en noir et blanc, in et hors texte, font frontispice.. Avec Jaquette. . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1949réf. 289483London ; New York : Focal Press 1949. First Edition. Hardcover. Good copy in the original title-blocked pictorial cloth. Spine bands worn. Remains well-preserved overall; tight bright clean and strong. Physical description; 95 p. : chiefly illus. ; 25 cm. Subjects; Photography Artistic. Paris Description and travel Views. Genre; Illustrated. London ; New York : Focal Press hardcover
1949réf. 402709London : Focal Press 1949. 1st edition. Hardcover. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled and rubbed as with age. Remains quite well-preserved overall. Series: Masters of the camera. Physical description: 95 pages chiefly illustrations 25 cm. Subjects: Brassai 1899-1984; Parr Martin Collection; Photography Artistic; Paris France Pictorial works; Paris Description and travel Views; Social life and customs 20th century. London : Focal Press hardcover
réf. 2711821285.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1976réf. Q-0394408411Pantheon Books 1976-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Pantheon Books hardcover
1939réf. 42467Paris: Art et Médecine 1939. First edition. Softcover. g to vg. Folio 12 1/4 x 9 1/2". Unpaginated. 32pp. Original photo-illustrated wrappers with blue lettering to front cover and black white and blue lettering to back cover. This March 1939 issue of the avant-garde magazine "Art et Médecine" is splendidly illustrated throughout with striking photogravures by Brassaï Gaston Paris Pierre Boucher Wols André de Diénès and other key photographers of the period. This issue is entirely devoted to light effects in photography. The photogravures depict Paris and New York by night; statues at the Louvre; a circus horsewoman; parcs and gardens; the home; portraits. All with special light effects. Wrappers slightly foxed and rubbed along edges. Corners bumped thus slightly affecting pages throughout. Text in French. Wrappers in overall good interior in very good condition. Throughout the 1930s Gaston Paris 1903-1964 was one of the pillars of the weekly magazine "Vu" founded in 1928 by Lucien Vogel. The only salaried photographer he shared the magazine's pages with Laure Albin-Guillot Germaine Krull André Kertész Martin Munkacsi Man Ray and Robert Capa. Alongside his reports and portraits of artists and celebrities of the time he produced strange photographic series inspired by surrealism work which appeared in "Detective magazine" from the 1930s to the 1950s to illustrate its stories of gangsters and femmes fatales. His archives were purchased by the Agence Roger-Viollet shortly after his death. In 1934 Pierre Boucher 1908-2000 founds with René Zuber the Alliance-Photo agency that delivers the first deontology of photography and enhances the importance of photographers' signatures. Multidisciplinary the French photographer explores the avant-garde aesthetic with surrealist nudes photograms collages and solarizations. He also produces more commercial works illustrating advertisements and books such as Emile Allais' French Skiing Method. Wols was the pseudonym of Alfred Otto Wolfgang Schulze 1913-1951 a German painter and photographer predominantly active in France. Though broadly unrecognized in his lifetime he is considered a pioneer of Lyrical Abstraction one of the most influential artists of the Tachisme movement. André de Diénès 1913-1985 was a Hungarian-Romanian photographer noted for his work with Marilyn Monroe and his nude photography. Art et Médecine unknown books
1939réf. 42467Paris: Art et Médecine 1939. First edition. Softcover. g to vg. Folio 12 1/4 x 9 1/2". Unpaginated. 32pp. Original photo-illustrated wrappers with blue lettering to front cover and black white and blue lettering to back cover. This March 1939 issue of the avant-garde magazine "Art et Médecine" is splendidly illustrated throughout with striking photogravures by Brassaï Gaston Paris Pierre Boucher Wols André de Diénès and other key photographers of the period. This issue is entirely devoted to light effects in photography. The photogravures depict Paris and New York by night; statues at the Louvre; a circus horsewoman; parcs and gardens; the home; portraits. All with special light effects. Wrappers slightly foxed and rubbed along edges. Corners bumped thus slightly affecting pages throughout. Text in French. Wrappers in overall good interior in very good condition. Throughout the 1930s Gaston Paris 1903-1964 was one of the pillars of the weekly magazine "Vu" founded in 1928 by Lucien Vogel. The only salaried photographer he shared the magazine's pages with Laure Albin-Guillot Germaine Krull André Kertész Martin Munkacsi Man Ray and Robert Capa. Alongside his reports and portraits of artists and celebrities of the time he produced strange photographic series inspired by surrealism work which appeared in "Detective magazine" from the 1930s to the 1950s to illustrate its stories of gangsters and femmes fatales. His archives were purchased by the Agence Roger-Viollet shortly after his death. In 1934 Pierre Boucher 1908-2000 founds with René Zuber the Alliance-Photo agency that delivers the first deontology of photography and enhances the importance of photographers' signatures. Multidisciplinary the French photographer explores the avant-garde aesthetic with surrealist nudes photograms collages and solarizations. He also produces more commercial works illustrating advertisements and books such as Emile Allais' French Skiing Method. Wols was the pseudonym of Alfred Otto Wolfgang Schulze 1913-1951 a German painter and photographer predominantly active in France. Though broadly unrecognized in his lifetime he is considered a pioneer of Lyrical Abstraction one of the most influential artists of the Tachisme movement. André de Diénès 1913-1985 was a Hungarian-Romanian photographer noted for his work with Marilyn Monroe and his nude photography. Art et Médecine unknown
1982réf. Q-0670136484The Viking Press 1982-10-14. Hardcover. New. In shrink wrap. Looks like an interesting title! The Viking Press hardcover
1999réf. 69278Reunion Des Musees Nationauxfrance. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 344 pp. With 332 ills. 91 col. . 29 x 29 cm. -- with a bonus offer--; 1.5 x 11.34 x 10.87 Inches . 1999. Reunion Des Musees Nationaux,france hardcover
2011réf. 1414892Paris France: Flammarion 2011. First Edition First Printing. Hardcover. Quarto 81 pages. In Very Good condition with a Very Good dust jacket. Dust jacket spine black with white lettering protected in mylar covering. Mild bumping to dust jacket edges. Mild rubbing to front and rear of dust jacket. Mild general shelf wear. Shelved in Photographers. 1414892. Shelved Dupont Bookstore. Flammarion hardcover books
1952réf. 8277Paris, Revue Neuf, 1952. In-4 de [84]pages, pleine toile rouge, premier plat orné d'un portrait au trois quart de Brassaï, dos passé, coiffe supérieure à peine frottée.
2011réf. 1414892Paris France: Flammarion 2011. First Edition First Printing. Hardcover. Quarto 81 pages. In Very Good condition with a Very Good dust jacket. Dust jacket spine black with white lettering protected in mylar covering. Mild bumping to dust jacket edges. Mild rubbing to front and rear of dust jacket. Mild general shelf wear. Shelved in Photographers. 1414892. Shelved Dupont Bookstore. Flammarion hardcover
