619 résultats
1949réf. 42648Paris: K éditeur 1949. Fine. K éditeur Paris 1949 16.50 x 21 cm broché First edition one of 175 numbered copies on pure rag laid paper the only deluxe copies. Work illustrated with 8 photographs by Brassaï. Spine sunned and creased handsome interior condition. K éditeur unknown
1949This is a very good softcover copy in stiff printed card covers, with a scene of very sculptural, perhaps French, architecture with figures in black printed over the sepia background. Inside the text is in French and is illustrated with 8 photographs by Brassai of graffiti, accompanied by short works in prose and poetry. Edited by Camille Bryan & A.Gheerbrant. Cover illustration of fantasy architecture with victorian figures. 8vo, 8" high X 7" wide, 170 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
réf. 008594Paris Art et Photographie 0 In-8 agrafé, couverture illustrée
1947réf. 013211Paris Art présent 1947 In-4 Broché, couverture illustrée
réf. 014410Paris Art et Photographie 0 In-8 agrafé, couverture illustrée
réf. 014411Paris Art et Photographie 0 In-8 agrafé, couverture illustrée
1933réf. ABE-177903495215860 PAGES-24,5 CM X 31 CM-1 FROTTEMENT PAGE 22-(DG25)
1939réf. 42467Paris: Art et Médecine 1939. First edition. Softcover. g to vg. Folio 12 1/4 x 9 1/2". Unpaginated. 32pp. Original photo-illustrated wrappers with blue lettering to front cover and black white and blue lettering to back cover. This March 1939 issue of the avant-garde magazine "Art et Médecine" is splendidly illustrated throughout with striking photogravures by Brassaï Gaston Paris Pierre Boucher Wols André de Diénès and other key photographers of the period. This issue is entirely devoted to light effects in photography. The photogravures depict Paris and New York by night; statues at the Louvre; a circus horsewoman; parcs and gardens; the home; portraits. All with special light effects. Wrappers slightly foxed and rubbed along edges. Corners bumped thus slightly affecting pages throughout. Text in French. Wrappers in overall good interior in very good condition. Throughout the 1930s Gaston Paris 1903-1964 was one of the pillars of the weekly magazine "Vu" founded in 1928 by Lucien Vogel. The only salaried photographer he shared the magazine's pages with Laure Albin-Guillot Germaine Krull André Kertész Martin Munkacsi Man Ray and Robert Capa. Alongside his reports and portraits of artists and celebrities of the time he produced strange photographic series inspired by surrealism work which appeared in "Detective magazine" from the 1930s to the 1950s to illustrate its stories of gangsters and femmes fatales. His archives were purchased by the Agence Roger-Viollet shortly after his death. In 1934 Pierre Boucher 1908-2000 founds with René Zuber the Alliance-Photo agency that delivers the first deontology of photography and enhances the importance of photographers' signatures. Multidisciplinary the French photographer explores the avant-garde aesthetic with surrealist nudes photograms collages and solarizations. He also produces more commercial works illustrating advertisements and books such as Emile Allais' French Skiing Method. Wols was the pseudonym of Alfred Otto Wolfgang Schulze 1913-1951 a German painter and photographer predominantly active in France. Though broadly unrecognized in his lifetime he is considered a pioneer of Lyrical Abstraction one of the most influential artists of the Tachisme movement. André de Diénès 1913-1985 was a Hungarian-Romanian photographer noted for his work with Marilyn Monroe and his nude photography. Art et Médecine unknown
1934réf. 4065Paris: Editions Atelier de Paris 1934 Quarto 24x16.2 cm. wrappers 385 iipp. The first edition of a major biography of Endre Ady 1877-1919 with many illlustrations. The contemporary photos of Paris are by André Kertész commissioned by the author of this biography and a devoted aficionado of Ady himself. Kertész also designed the book. Includes the famous Kertész photo of Ady's favorite café table. Most of the earlier photos are by Aladár Székely 1870-1940 also a close friend of Ady's noted for his early 20th century portraits. Hungarian text throughout. As for the subject Ady was the poet who gave birth to a 20th-century voice for Hungarian identity and exerted an overwhelming influence on Hungarian letters up to WWI. He was born into a Transylvanian Calvinist town and family and tormented througout life by an uninhibited passion for sensual experience and freedom against a strict conscience and authority. At the same time he was committed to profoundly infusing Hungarian life and culture with a modernist temperament critical thinking and social reform and bringing the country into a broader international integration with world culture. These together formed the cauldron of his creative ferment. The book abounds with photostats of Ady's handwritten poems historical photos and documents. Bölöni was a close friend of Ady's for many of the poet's later years and recipient to a number of the poet's dedications. This copy ex-coll. Dezsö Baróti 1911-1994 noted Hungarian literary historian dated Paris marc. 17 1939. Paris: Editions Atelier de Paris paperback
réf. 1160313229.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1167646258.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1994réf. LFA00b08N° 121 - Mars 1994 : Revue de 130 pages, format 285 x 220 mm, illustrée, brochée
1963réf. 1030211963 Catalogue de l’exposition, 265x208mm, 28ff., broché sous couverture illustrée d’un tirage argentique original représentant un chat. Le catalogue a bénéficié de nombreux renseignements fournis par Brassaï. Il a été rédigé par M.-F. Brouillet ; 192 œuvres décrites, bibliographie.Envoi autographe signé à René Bertelé daté du 9 mai 1963. (103021)
1963réf. 1030221963 Catalogue de l’exposition, 265x208mm, 28ff., broché sous couverture illustrée d’un tirage argentique original représentant un chat. Le catalogue a bénéficié de nombreux renseignements fournis par Brassaï. Il a été rédigé par M.-F. Brouillet ; 192 oeuvres décrites, bibliographie. (103022)
1963réf. 011635Paris Bibliothèque Nationale 1963 Broché, couverture illustrée Edition originale
1964réf. _201801281Paris, Éditions des Deux Coqs d'Or (Hachette), 1964 ; in-4 (231 x 297 mm), 256 pp., reliure d'éditeur pleine toile, coloris gris bleu, sous jaquette illustrée. Recueil de diverses photographies noir et blanc et couleurs sur divers thèmes.
réf. L14368Grasset, 2010. In-8 br. Importante biographie consacrée à Brassaï. Photographies hors-texte. E.O. Envoi autographe de Serge Sanchez.
1988réf. 5413Paris Musées 1988 In-8 broché, 88 pp. photographies en noir et blanc, couverture légèrement gondolée.
1964réf. 54089Hachette 1964 In-4 relié. 255 pages. Bon état d’occasion.
1952réf. 143551952 P., Editions Neuf (Robert Delpire), 1952, 1 vol. in-4° (276 x 216 mm) relié pleine toile rouge éditeur, photographie en noir et blanc avec titre en jaune contrecollée au plat supérieur, non paginé.Très bel exemplaire.
réf. 9418Deux portraits en gros-plan de Brassaï, assis sur un sofa, vêtu d'un élégant gilet pied-de-poule. Photographies prise en mai 1975 par Marc Morceau (cachet au verso). Tirages argentiques d'époque 33 x 23 cm. Très bon état. /// Sur la première photo, Brassaï regarde l'objectif légèrement de biais ; sur la seconde, il cache ses yeux avec sa main gauche.
1964réf. 202602083Paris, Hachette, 1964 ; in-4, 255 pp., reliure pleine toile d'éditeur, avec jaquette illustrée. Nombreuses photographies en noir et blanc et en couleurs.
réf. 35364Antwerpen, Provincie Antwerpen/Museum voor Fotografie, 1987 originele uitgeversomslag, 29.5x21 cm., pagina's zonder nummering, 56 z/w foto illustraties.
réf. 6213"Cet ouvrage sert de catalogue à l'exposition éponyme qui se tient actuellement au Musée Picasso, jusqu'au 1er mai 2000. Anne Baldassari, conservateur au musée et commissaire de l'exposition, a longuement enquêté sur les relations entre le célèbre photographe (dont cette exposition célèbre le centenaire de la naissance) et le peintre espagnol. Dès leur rencontre (en 1932), les deux hommes engageront un dialogue qui durera toute leur vie, prenant comme objet, sujet ou prétexte, la photographie..."
réf. 35125Centre Pompidou, 2000. Format 21x27 cm, broche, 62 pages. Tres bon etat.
