719 resultados
1939ref. 010706Paris Editions de la Revue Verve 1939 In-2 Broché, couverture illustrée
1939ref. 7077Paris, éditions de la revue Verve, 1939. In-4 de 134-[44] pages, couverture illustrée couleurs et or par Maillol. Pli central au premier plat, autrement en très belle condition.
1939ref. 14292Paris, éditions de la revue Verve, 1939. In-4 de 134-[44] pages, couverture illustrée couleurs et or par Maillol.
1939ref. 14810Paris, éditions de la revue Verve, 1939. Grand in-4 de 112-[1] pages, couverture illlustrée par Matisse.
1937ref. 1301Éditions de la Revue Verve, Tériade, Paris 1937. 1 volume petit in-folio broché, couverture illustrée d'après Henri Matisse. 4 LITHOGRAPHIES EN COULEURS : Léger, Miro, Rattner, Borès. Nombreuses reproductions couleurs, Nombreuses photographies tirées en héliogravure (Blumenfeld, Bresson, Man Ray, Brassaï… et Louis Guichard). Textes de Gide, Bataille, Heine, Caillois, Dos Passos, Malraux, Michaux, Vollard. ÉDITION FRANÇAISE. Très bon exemplaire.
ref. 16-6280Paris: Editions de la Revue Verve 1939. Small foliio. 26.5 x 36cm. Original wraps. Very good. Cover Aristide Maillol Constantine Guys Georges Braque Georges Rouault Andre Derain Fernand Leger Pierre Bonnard Henri Matisse Paul Klee All Lithographs printed by Mourlot and the Heliogravures by Draeger Frères. Paris: Editions de la Revue Verve, 1939 paperback
ref. lc_107256Revue Verve, 1939
ref. 16-6279Paris: Editions de la Revue Verve 1938. Small foliio. 26.5 x 36cm. Original wraps. with design by Pierre Bonnard.Very good. Verve's October - December 1938 features it's first theme - The Orient and covers the art of the Middle East and East Asia. The cover was designed by Pierre Bonnard and the original issuing box by Chagall. The content features color lithographs by the artists Marc Chagall "Spring" Joan Miro "Summer" Abe Rattner "Autumn" and Paul Klee "Winter" all printed by Mourlot.Heliogravures and color process images include the reproduced works of Hindu artists including gilt detailing Pierre Bonnard Henri Matisse and many others. Photography includes works by Gaetan Fouquet Rogi Andre Schneider-Lengyel and many others. Text includes works by Rabindranath Tagore Roger Caillois Henri Michaux Chinese poets and others. Paris: Editions de la Revue Verve, 1938 paperback
1977ref. 2090602128804850Misuzushobo 1977. Soft Cover. Fine. Number of books: 1 book Misuzushobo paperback
1966ref. 112218Cannes 1966. Unpublished and heavily corrected manuscript of Brassai's account of his visit to Picasso A superb unpublished and heavily corrected manuscript in French in which Brassaï recounts a visit to Picasso a long-standing friend at his home near Cannes. Brassaï who photographed much of Picasso's work in the 1940s published Conversations with Picasso in 1964 creating an intimate portrait of the artist through an account of their friendship and artistic collaboration and recording each of their meetings in minute detail. Picasso said of the volume "Read this book if you want to understand me." Written in a similar style this account records an afternoon during which Picasso speaks about his nostalgia for his former studios his health his enthusiasm for the recently invented felt-tip pen his opinion of his own writings his relationship with his wife Jacqueline and his views on feminism. Though unmarked as such the manuscript comes from the collection of Brassaï's close friend and colleague the photographer Stefan Lorant founder of Picture Post the pioneering pictorial magazine. Quarto 285 x 233. 20 typed sheets in French rectos only legibly hand-corrected throughout by Brassai in black ink. Housed in a black cloth album with each sheet in a separate clear plastic file. In excellent condition the final page a little creased and with minor loss to right-hand side affecting one letter. Overall fresh and clean. hardcover
1972ref. 604522"Brassai" boldly penned in black ink on his engraved Brassai 81 Rue du Faubourg Saint Jacques Paris letterhead January 18 1972. 8 1/4" x 10 3/4"; 1 page recto only. To Monsieur John Gruen c/o The New York Magazine 207 East 32nd Street New York N.Y. 10016 U.S.A. In part: ". . . Please forgive me for taking so long for thanking you . . . Your article in New York Magazine was so understanding and friendly! . . . If you would like to I would like you to choose one of my photographs those that are signed and numbered from 1 to 30 at the Schoelkopf Gallery. It would truly make me very happy . . . I am working very hard on tapestries and sculptures . . . They will be in a show in a large Parisian gallery avenue Matignon. Opening day 22 March is approaching . . . A Brassai show . . . last year to Australia and New Zealand . . . South America . . . Mexico City Buenos Aires . . . I am surprised at the success of my photographs . . . With gratitude and friendship . . ." books
1972ref. 604522"Brassai" boldly penned in black ink on his engraved Brassai 81 Rue du Faubourg Saint Jacques Paris letterhead January 18 1972. 8 1/4" x 10 3/4"; 1 page recto only. To Monsieur John Gruen c/o The New York Magazine 207 East 32nd Street New York N.Y. 10016 U.S.A. In part: ". . . Please forgive me for taking so long for thanking you . . . Your article in New York Magazine was so understanding and friendly! . . . If you would like to I would like you to choose one of my photographs those that are signed and numbered from 1 to 30 at the Schoelkopf Gallery. It would truly make me very happy . . . I am working very hard on tapestries and sculptures . . . They will be in a show in a large Parisian gallery avenue Matignon. Opening day 22 March is approaching . . . A Brassai show . . . last year to Australia and New Zealand . . . South America . . . Mexico City Buenos Aires . . . I am surprised at the success of my photographs . . . With gratitude and friendship . . ."
1976ref. 142641976. Brassaï Gyula Halász. Letter discussing the publication of The Secret Paris of the Thirties written by the Hungarian born photographer whose images of Paris nightlife helped define twentieth century documentary photography. Brassaï gained international recognition through his photographs of nocturnal Paris produced during the early 1930s images that documented the city's bars cabarets streets and marginalized social spaces with unusual candor and atmospheric lighting. His 1933 book Paris de Nuit established his reputation and led writer Henry Miller to describe him as "the eye of Paris." This 1976 letter was written during the release of The Secret Paris of the Thirties a publication that expanded the photographic record of Parisian nightlife by presenting images from the same early period that had remained unpublished or excluded from earlier editions. Brassaï Gyula Halász. Typed Letter Signed "Brassai". Paris September 9 1976. One page on personal stationery measuring approximately 11 3/4 x 8 1/4 inches. Writing in French Brassaï discusses the simultaneous publication of his new photography book and his upcoming exhibition in New York. In the letter he notes: "My book the Secret Paris of the Thirties Pantheon Books is due out at the same time." He continues by mentioning travel plans connected with the exhibition writing that he will be in New York from September 12 to September 28 in order to attend the opening of his show at the Marlborough Gallery. Brassaï also remarks on the date of the letter noting that it coincides with his seventy seventh birthday. The letter is signed in large purple marker "Brassai" with an underline and includes a handwritten postscript in green marker reading "venir nous soutenir" translated as "come support us." The Secret Paris of the Thirties published in 1976 more than four decades after the photographs were first taken completed Brassaï's long project of documenting the hidden nightlife of interwar Paris. Many of the photographs originated from the same period as those reproduced in Paris de Nuit but had remained unpublished because they were considered too provocative for earlier editions. The images depict bars nightclubs one night hotels bordellos and other locations associated with the city's nocturnal culture. Brassaï later wrote of his motivation for photographing the city at night: "I was inspired to become a photographer by my desire to translate all things that enchanted me in the nocturnal Paris I was experiencing." The Marlborough Gallery exhibition in New York was organized in conjunction with the publication of the book and introduced many of these photographs to a wider audience for the first time. Folded twice through the center as mailed; otherwise clean and well preserved. Overall very good condition. A content rich letter documenting the publication and exhibition history of one of Brassaï's most significant photographic projects. unknown books
1976ref. 142641976. Brassaï Gyula Halász. Letter discussing the publication of The Secret Paris of the Thirties written by the Hungarian born photographer whose images of Paris nightlife helped define twentieth century documentary photography. Brassaï gained international recognition through his photographs of nocturnal Paris produced during the early 1930s images that documented the city's bars cabarets streets and marginalized social spaces with unusual candor and atmospheric lighting. His 1933 book Paris de Nuit established his reputation and led writer Henry Miller to describe him as "the eye of Paris." This 1976 letter was written during the release of The Secret Paris of the Thirties a publication that expanded the photographic record of Parisian nightlife by presenting images from the same early period that had remained unpublished or excluded from earlier editions. Brassaï Gyula Halász. Typed Letter Signed "Brassai". Paris September 9 1976. One page on personal stationery measuring approximately 11 3/4 x 8 1/4 inches. Writing in French Brassaï discusses the simultaneous publication of his new photography book and his upcoming exhibition in New York. In the letter he notes: "My book the Secret Paris of the Thirties Pantheon Books is due out at the same time." He continues by mentioning travel plans connected with the exhibition writing that he will be in New York from September 12 to September 28 in order to attend the opening of his show at the Marlborough Gallery. Brassaï also remarks on the date of the letter noting that it coincides with his seventy seventh birthday. The letter is signed in large purple marker "Brassai" with an underline and includes a handwritten postscript in green marker reading "venir nous soutenir" translated as "come support us." The Secret Paris of the Thirties published in 1976 more than four decades after the photographs were first taken completed Brassaï's long project of documenting the hidden nightlife of interwar Paris. Many of the photographs originated from the same period as those reproduced in Paris de Nuit but had remained unpublished because they were considered too provocative for earlier editions. The images depict bars nightclubs one night hotels bordellos and other locations associated with the city's nocturnal culture. Brassaï later wrote of his motivation for photographing the city at night: "I was inspired to become a photographer by my desire to translate all things that enchanted me in the nocturnal Paris I was experiencing." The Marlborough Gallery exhibition in New York was organized in conjunction with the publication of the book and introduced many of these photographs to a wider audience for the first time. Folded twice through the center as mailed; otherwise clean and well preserved. Overall very good condition. A content rich letter documenting the publication and exhibition history of one of Brassaï's most significant photographic projects. unknown
ref. 9762PARIS, ed. du Chêne - 1966 - In-1é - Portrait de Miller par BRASSAI - 505 pages - Corect
1946ref. 81817S.l. Pierre Tisné 1946 1 vol. broché in-4, en feuilles, couverture rempliée, 11 pp. Edition originale du poème de Jacques Prévert orné de 29 reproductions contrecollées de dessins anatomiques de Brassaï. Tirage unique à 600 exemplaires numérotés sur vélin pur chiffon de Lana. En bonne condition.
1946ref. 81817S.l. Pierre Tisné 1946 1 vol. broché in-4, en feuilles, couverture rempliée, 11 pp. Edition originale du poème de Jacques Prévert orné de 29 reproductions contrecollées de dessins anatomiques de Brassaï. Tirage unique à 600 exemplaires numérotés sur vélin pur chiffon de Lana. En bonne condition.
1946ref. 14424Paris: Editions Pierre Tisné 1946. Limited ed. g. Folio. Unbound. Dustjacket. Dj has been crudely repaired on spine with tape. Otherwise very good. 11 pages of text and 26 pages of 29 tipped-in color and b/w drawings by Brassai. Mainly femal nudes some male one elephant and two ducks. The poem by Jacques Prevert was especially written for this work. Text in French. In good condition. Editions Pierre Tisné unknown books
ref. 20951S.l., éditions Pierre Tisné, 1946. In-folio, 11 pp. 25 pl., en feuilles, couverture originale imprimée (petites rousseurs, petites déchirures au dos).
ref. 74855Paris Pierre Tisné 1946. 4° 11 S. Text. 27 Taf. m. montierten Abb. Mappe mit Pergamin-OU m losen Blättern OU mit kleinen Fehlstellen und gebräunt Nr. 68 von 600 Exemplaren. - Mit Widmung des Malers und Photographen auf dem Titelblatt.Abgebildet sind überwiegend weibliche Akte. 010 Paris, Pierre Tisné, 1946 unknown
1946ref. 14424Paris: Editions Pierre Tisné 1946. Limited ed. g. Folio. Unbound. Dustjacket. Dj has been crudely repaired on spine with tape. Otherwise very good. 11 pages of text and 26 pages of 29 tipped-in color and b/w drawings by Brassai. Mainly femal nudes some male one elephant and two ducks. The poem by Jacques Prevert was especially written for this work. Text in French. In good condition. Editions Pierre Tisné unknown
1946ref. 85130Couverture souple rempliée. Illustré de 30 dessins contrecollés. Non rogné.
ref. 21199Edition Revue Cenpa n° 4 de 1953. In-4 broché sous magnifique couverture spécialement réalisée par Léger. Revue éditée par la Société centrale des Usines à Papiers & Papeteries J.B. Weibel réunies. Texte inédit de 3 pages avec superbe dessin inédit pleine page de Jean Cocteau.67 pp. Luxueuse revue publiée sous la direction de R.Nathan et J.Carlu, par les établissements CENPA (emballages papier) et dont les quelques numéros parurent entre 1952 et 1954. Couverture originale en couleurs de F.Léger. Pouvoirs de l'imprimerie, Esprit de la lettre, l'aventure de l'alfa, loisirs photographiques, par Jean Cocteau, Jean Loisey, Marcel Zahar. Hors-texte de J.Cocteau, Dufy, Toulouse-Lautrec et nombreuses reproductions d'emballages. Illustrations de Raoul Dufy, Picasso, Fernand Léger. Textes inédits de Roger Nathan, Jean Riverain, Jean Loisey, André Lejard, François Gerhardt, Marcel Zahar, Félix Daumas, Albert Hyne, Jean Carlu,etc. Photo de Brassaï.
ref. 126Eugene Jolas (Associate Editor : James Johnson Sweeney), New-York, 1937, (15,5 x 21,5 cm), 220 pages. Fameuse couverture de Marcel Duchamp (très belle qualité d'impression) : 3 ou 4 gouttes de hauteur n'ont rien à faire avec la sauvagerie. Textes de James Agee, Hans Arp, Paul Eluard, Eugene Jolas, Raymond Queneau, André de Richaud, James Joyce, Franz Kafka, Fernand Léger, André Lhote, L. Moholy-Nagy, Piet Mondrian, Erwin Panofsky, etc... Reproductions des oeuves de Man Ray, Brassaï, Edward Weston, Joseph Albers, Alberto Magnelli, Joan Miró, Jean Hélion, Hans Hartung, John Piper, Paalen, Kandinsky, Calder, Ben Nicholson, Henry Moore, Mondrian, etc... Bel et rare exemplaire de toute fraîcheur.
2000This is a fine softcover copy with no wear at all. Completely clean. This catalog was prepared to accompany the exhibition at the Museum of Contemporary Art in Los Angeles from June 4 to August 20, 2000. The exhibition was organized by Cornelia H. Butler. Catalog edited by Max Kozloff with contributions by Emily Apter, Cornelia H. Butler, A. D. Coleman, and Liz Kotz. The photographers in the exhibition included Diane Arbus, Brassai, Robert Frank, Lee Freidlander, Helen Levitt, Danny Lyon, Roger Mertin, John Pfahl, and Garry Winogrand. Illustrated mostly in black & white, some color. Checklist of the exhibition. Bibliography. 11" high X 9" wide, 167 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
