BrassaiABAA
709 resultados
1952ref. 19075Paris: Editions Neuf 1952. First edition. Hardcover. Orig.gilt lettered red cloth with mounted front cover photograph of Brassai. Near fine. Unpaginated. Approx. 72 pages. 27 1/2 x 21 1/2 cm. Illustrated with a host of reproductions of Brassai photographs -- including drawings and sculptures. French text: by Henry Miller and an autobiographical essay by Brassai on his early years. Rubbing to back cover at center fore-edge otherwise a bright and fresh copy. Editions Neuf hardcover books
1968ref. 192251New York: The Museum of Modern Art 1968. First edition. Hardcover. First printing. 79 pages. Introductory essay by Lawrence Durrell. Includes 61 black and white photographs many of which are some of his more iconic images. A clean very near fine copy in blue cloth boards and in a very near fine dust jacket. A lovely copy of this terrific small book on one of the more important photographers of the 20th century. The Museum of Modern Art unknown books
1968ref. 179834New York: The Museum of Modern Art 1968. First edition. Softcover. 79 pages. Features an introductory essay by Lawrence Durrell. Includes 61 black and white photographs many of which are some of his more iconic images. Also includes a selected bibliography compiled by Bruce K. MacDonald. A clean near fine copy in wrappers with some very minute wear and a vintage price sticker to the verso of the front cover. A bright and clean copy. The Museum of Modern Art unknown books
1968ref. 20878Museum of Modern Art New York 1968. Cloth. Near Fine/Very Good . SIGNED AND DATED BY BRASSAI on the title page. A very sharp copy to boot of the 1968 1st edition. Clean and Near Fine in a bright price-clipped VG dustjacket with light creasing and one small closed tear along the spine crown. Octavo Introductory essay by the redoubtable Lawrence Durrell. 80 pgs. 61 crisp beautifully-reproduced black-and-white photos throughout. Museum of Modern Art, New York unknown
1968ref. 20878Museum of Modern Art New York 1968. Cloth. Near Fine/Very Good . SIGNED AND DATED BY BRASSAI on the title page. A very sharp copy to boot of the 1968 1st edition. Clean and Near Fine in a bright price-clipped VG dustjacket with light creasing and one small closed tear along the spine crown. Octavo Introductory essay by the redoubtable Lawrence Durrell. 80 pgs. 61 crisp beautifully-reproduced black-and-white photos throughout. Museum of Modern Art, New York unknown books
1952ref. 41827Paris: Editions Neuf 1952. First edition. Hardcover. vg. Quarto. Unpaginated. Original photograph affixed to red cloth with yellow lettering on cover and gilt on spine. Richly illustrated with fascinating b/w photographs of Brassai's art and environment including photographs of acquaintances and friends like Picasso Jean Genêt Dali Henry Miller Rouault and others. There are six b/w reproductions of Brassai nude drawings. Texts by Brassai autobiographical on his childhood and Henry Miller on Brassai. Text in French. Binding with light wear along edges. Slightly starting after fourth photograph at Henry Miller's Brassai's text and after nude drawings. Binding and interior in overall very good condition. Editions Neuf hardcover
1952ref. 41827Paris: Editions Neuf 1952. First edition. Hardcover. vg. Quarto. Unpaginated. Original photograph affixed to red cloth with yellow lettering on cover and gilt on spine. Richly illustrated with fascinating b/w photographs of Brassai's art and environment including photographs of acquaintances and friends like Picasso Jean Genêt Dali Henry Miller Rouault and others. There are six b/w reproductions of Brassai nude drawings. Texts by Brassai autobiographical on his childhood and Henry Miller on Brassai. Text in French. Binding with light wear along edges. Slightly starting after fourth photograph at Henry Miller's Brassai's text and after nude drawings. Binding and interior in overall very good condition. Editions Neuf hardcover books
1968ref. 24674new oversize hc expedited shipping not available The Museum Of Modern Art hardcover
1993ref. 2051199Fundació Antoni Tápies 1993. Soft cover. Good/No jacket. The cover is slightly scratched and shelf worn. The spine is cracked and creased but binding is secure. Pages are clean and unmarked. Fundació Antoni Tápies unknown
1952ref. 14028Paris: Editions Neuf 1952. Hardcover. First edition first printing. Very Good with a 1952 gift inscription to the first blank page a slight separation to one form and light handling indications. A nice copy. Red-cloth-bound hardcover with mounted plate to front gilt title to spine--no dj as issued--in a custom-made black-cloth slipcase and clear acetate jacket. BOOKS SHIP THE NEXT BUSINESS DAY WRAPPED IN PADDING IN A BOX. Photographs and text by Brassai; essay by Henry Miller; edited by Robert Delpire and Pierre Faucheux. Unpaginated 84 pages; b&w plates and reproductions throughout with letterset-printed text pages; 8.5 x 11 inches. Text in French. A very nice overview of Brassai's work including 44 photographic plates including street scenes of Paris portraits and landscapes 8 reproductions of nude drawings 8 photos of his sculpture and 11 images he's termed "snapshots." Also includes Miller's essay on Brassai "The Eye of Paris"; and by Brassai a poem "Merry Christmas Eve" an essay entitled "Memories of My Childhood" and notes on the photographs. Editions Neuf hardcover
2000ref. G2020398451I3N00Seuil 2000. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Seuil hardcover
1968ref. 82919Museum. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 79 pages 61 plates sq. 4to. -- with a bonus offer-- . 1968. 1399816284 . Museum hardcover
ref. ANAIS-2080107135Flammarion. hardcover. Good. 0x0x0. Buy with confidence. Excellent Customer Service & Return policy. Flammarion hardcover
2002ref. SONG2080107135FLAMMARION 2002-05-03. hardcover. Used: Good. 10.98x0.87x12.41. Buy with confidence. Excellent Customer Service & Return policy. FLAMMARION hardcover
1963ref. 011635Paris Bibliothèque Nationale 1963 Broché, couverture illustrée Edition originale
1964ref. _201801281Paris, Éditions des Deux Coqs d'Or (Hachette), 1964 ; in-4 (231 x 297 mm), 256 pp., reliure d'éditeur pleine toile, coloris gris bleu, sous jaquette illustrée. Recueil de diverses photographies noir et blanc et couleurs sur divers thèmes.
ref. L14368Grasset, 2010. In-8 br. Importante biographie consacrée à Brassaï. Photographies hors-texte. E.O. Envoi autographe de Serge Sanchez.
1988ref. 5413Paris Musées 1988 In-8 broché, 88 pp. photographies en noir et blanc, couverture légèrement gondolée.
1964ref. 54089Hachette 1964 In-4 relié. 255 pages. Bon état d’occasion.
1952ref. 143551952 P., Editions Neuf (Robert Delpire), 1952, 1 vol. in-4° (276 x 216 mm) relié pleine toile rouge éditeur, photographie en noir et blanc avec titre en jaune contrecollée au plat supérieur, non paginé.Très bel exemplaire.
1964ref. 202602083Paris, Hachette, 1964 ; in-4, 255 pp., reliure pleine toile d'éditeur, avec jaquette illustrée. Nombreuses photographies en noir et blanc et en couleurs.
ref. 9418Deux portraits en gros-plan de Brassaï, assis sur un sofa, vêtu d'un élégant gilet pied-de-poule. Photographies prise en mai 1975 par Marc Morceau (cachet au verso). Tirages argentiques d'époque 33 x 23 cm. Très bon état. /// Sur la première photo, Brassaï regarde l'objectif légèrement de biais ; sur la seconde, il cache ses yeux avec sa main gauche.
ref. 35364Antwerpen, Provincie Antwerpen/Museum voor Fotografie, 1987 originele uitgeversomslag, 29.5x21 cm., pagina's zonder nummering, 56 z/w foto illustraties.
ref. 6213"Cet ouvrage sert de catalogue à l'exposition éponyme qui se tient actuellement au Musée Picasso, jusqu'au 1er mai 2000. Anne Baldassari, conservateur au musée et commissaire de l'exposition, a longuement enquêté sur les relations entre le célèbre photographe (dont cette exposition célèbre le centenaire de la naissance) et le peintre espagnol. Dès leur rencontre (en 1932), les deux hommes engageront un dialogue qui durera toute leur vie, prenant comme objet, sujet ou prétexte, la photographie..."
ref. 35125Centre Pompidou, 2000. Format 21x27 cm, broche, 62 pages. Tres bon etat.
