Bellmer, HansBiblio.com
1957réf. 2542Losfeld 1957. One of the 950 copy. In original paper. In fine condition. Illustrated by Bellmer. Illustrated by Bellmer. One of the 950 copy. In original paper. 70 p. Important association copy. Inscribed to Alain Jouffroy with a letter . Jouffroy was close friend of Bellmer he wrote a book on Bellmer also/. Losfeld unknown
1962réf. 46499Paris.: Au Cercle du Livre Précieux. 1962. Original publisher's full white vellum title and vignette in blind to front cover reduced matching title and vignette in gilt to spine grey endpapers white silk placemarker t.e.g. vellum-edged grey paper board slipcase; spine with wear and discolouration. 8vo. 252 x 168 mm. Half-title in red and black leaf with original engraving by Hans Bellmer verso as frontispiece printed title in red and black 5 leaves with Préface by André Pieyre de Mandiargues and text of 'Le Con d'Irène' leaf with justification and final leaf with achevé d'imprimer recto and publisher's credit verso. Louis Aragon's 'Le Con d'Irène' with Hans Bellmer's original engraving.From the edition limited to 700 numbered copies on vélin d'Arches pur Chiffon each with the frontispiece engraving by Hans Bellmer; several hors commerce copies were also issued.First published pseudonymously in 1928 with etchings by André Masson 'Le Con d'Irène' has been described as 'un essai sérieux de prose pornographique' Cramer. A second edition designed and illustrated by Hans Bellmer was published in 1952 after a facsimile of the first was issued in 1948 before the present edition also illustrated by Bellmer. Of considerable notoriety the novel's pseudonymous Albert de Routisie was identified as Louis Aragon adding to his oeuvre of erotic works that also included - with Benjamin Péret - the explicit '1929'.'Pendant trois mois l'auteur a parcouru notre grande colonie interrogeant administrateurs officiers colons. Pour la clarté de ses exposés comme par la valeur de sa documentation ce livre intéresse le spécialiste et le profane. Selon le mot d'un grand emmerdeur 'Le Con d'Irène' devrait être mis entre les mains de tous nos futurs administrateurs éducateurs et officiers coloniaux.' Aragon writing in André Breton's copy of the first edition. Au Cercle du Livre Précieux. hardcover
réf. 2173Paris: Denoel 1966. 4to pp. 109. Original mauve boards blindstamped on spine. Slipcase with title label to front panel. A near fine copy in a like dustwrapper with a little light wear to spine ends. Slipcase split at top edge but intact. 84 pp. plates by the artist. First trade edition preceded by 130 numbered copies with a signed engraving laid in. Preface by Constantin Jelenski. Paris: Denoel, 1966 hardcover
réf. 105983Stuttgart DVA ca. 1970. 48 x 35 cm 30 x 24 cm Rechts unten minimal wasserrändig rückseitig kleine Montagespuren sonst tadell. Num. 18 von 100 Ex. Rechtes von Bellmer signiert.- Hans Bellmer Fotograf Bildhauer Maler und Autor 1902 – 1975 wird in Kattowitz Polen geboren. Auf Drängen seines Vaters arbeitet er einige Zeit in einem Stahlwerk und im Kohlebergbau. 1923 beginnt Bellmer ein Studium an der Technischen Hochschule in Berlin interessiert sich aber mehr für Kunst und Politik. Auf Anraten seines Zeichenlehrers George Grosz bricht Bellmer 1924 sein Ingenieurstudium ab und beginnt eine Typografenlehre beim Malik-Verlag in Berlin. Dort fertigt er u.a. Illustrationen für dadaistische Romane an. In den späten 1920er Jahren bereist Bellmer Länder wie Frankreich Italien und Tunesien. 1923 eröffnet er ein Atelier für Werbezeichnungen in Berlin das er 1933 aus politischen Gründen aufgibt. Ab den 1930er Jahren widmet sich Bellmer seiner künstlerischen Laufbahn. Er beschäftigt sich mit der erotischen Darstellung der weiblichen Anatomie die er jedoch meist auf entstellte Weise in Zeichnungen Skulpturen und Fotografien zeigt. So konstruiert er Puppen mit geschundenen Körpern die wirken als ob ihre Gliedmaßen abgetrennt und neu arrangiert worden wären. Sein Werk Doll von 1933 zerstört er später und fotografiert es in verschiedenen erotischen Posen. Bellmer veröffentlicht eine Sammlung von zehn dieser Bilder mit Begleittext 1934 in Die Puppe und reicht eine Kopie beim Pariser Surrealismus Magazin Le Minotaure ein. Die Veröffentlichung dieser Arbeit festigt Bellmers Ansehen in der Surrealimus-Bewegung. 1938 emigriert Bellmer nach Paris. Seine erste Soloausstellung findet 1943 in dem Buchladen „Librairie Trentin“ in Toulouse statt. Seitdem werden Bellmers Arbeiten in zahlreichen Museen und Galerien weltweit gezeigt beispielsweise in der Whitechapel Gallery in London der Neuen Nationalgalerie in Berlin und dem Museum of Modern Art in New York. Hans Bellmer stirbt am 24. Februar 1975 in Paris. 010 Stuttgart, DVA, ca. 1970 unknown
réf. 81475Paris Le Terrain Vague 1957. . Eines von 950 Exemplaren auf "Neige du Marais". Exemplar außerhalb der Numerierung GA 1016 Ex. - Monod 1308. Erste Ausgabe des kunsttheoretischen Textes über die Entstehung von Bildern als Ausdruck des Unbewussten mit stark erotischen oder sexuell bezogenen Assoziationen. - Hans Bellmer 1902-1975 deutscher Maler Fotograf Bildhauer u. Autor. - Umschlagkanten mit kl. Läsuren Paris, Le Terrain Vague, 1957. unknown
1983réf. BN393865Schirmer Mosel 1983. 1983. Hardcover. Photographien Photographien Bellmer Hans - Alain Sayag Mitarb. Schirmer Mosel hardcover
1970réf. 48000Paris.: Pierre Belfond. 1970. Loose as issued in original publisher's mulberry handmade paper wrappers the suite in an additional wrapper black cloth chemise and matching slipcase. Oblong 4to. 330 x 260 mm. Half-title justification title with copyright dedications and quotation by Ducasse and Ducasse's text illustrated with 10 original lithographs each signed and numbered by Bellmer in pencil together with the additional suite on Japon also signed and numbered by Bellmer in pencil. Hans Bellmer illustrating Isidore Ducasse's 'Poésies' with the additional suite.From the edition limited to 100 copies with this one of 10 from the édition de tête with the additional suite on Japon with each plate signed in pencil by Bellmer.Isidore Ducasse 1846 - 1870 was the author under the pseudonym Comte de Lautréamont of 'Les Chants de Maldoror' an extraordinary work of the imagination published in the late 1860s. Ducasse's only other publication 'Poésies' was issued in two separate parts in 1870 shortly before the author's death.'In the Anthologie de l'Humeur Noir Breton wrote: 'In the eyes of certain poets today Les Chants de Maldoror and Poésies shine with an incomparable brilliance. They are the expression of a total revelation which seems to exceed the possibilities of man . Language rather than style undergoes with Lautréamont a profound crisis; it begins again.' His imagery with its hallucinatory force his far-fetched analogies his use of art as a means of confronting life his rejection of conventional morality and modes of thinking were all qualities the surrealists found deeply sympathetic. He seemed to them to be the real progenitor of the surrealist spirit.' Dawn Ades - Dada and Surrealism Reviewed. Pierre Belfond. hardcover
réf. 97221. Ottimo Fine. Acquaforte originale a colori. Cm 345x28 Foglio cm 66x50. . Ottimo Fine. Tiratura 150. , unknown
2005réf. 192113London: Atlas Press 2005. First edition thus. Softcover. 154 pages. Bellmer's classic book translated from the German by Malcolm Green. Features some poems by Paul Eluard. Includes 15 color photographs 10 black and white images and a a few line drawings. A very near fine copy in wrappers and in a very near fine cardstock slipcase. Surprisingly uncommon. Atlas Press unknown
1967réf. 434868New York: Grove Press 1967. Hardcover. Fine/Fine. First edition. Preface by Jelenski. Translated by Helen R. Lane. Quarto. 109 1pp. Illustrated. Fine in fine dustwrapper and a chipped original unprinted acetate overjacket with very good publisher's cardboard slipcase with some wear and a modest stain. Designated as copy number 250 of a special limited edition of 1000 numbered copies. Scarce. Grove Press hardcover
1950réf. 144181Paris: printed by Pierre Larrive 1950. First and sole edition one of 300 copies printed on papier du Marais. This is the first book on Bellmer's work edited by Christian d'Orgeix comprising drawings and several examples of his famous poupées. The first of Bellmer's poupées "dates from a period in which repelled by National Socialism he gave up his work as a graphic artist and turned his back on his German homeland" Walter Schurian Fantastic Art 2005 p. 62. Bellmer finally settled in Paris in the spring of 1938 where his work was already recognized by the Surrealists. Small quarto. Self-portrait frontispiece 23 illustrations on 18 plates illustration to colophon leaf title page and headings printed in pale purple. Loose leaved as issued in white wrappers printed in pale purple and black. With the original glassine wrapper. Some nicks and chips to glassine wrapper with slight loss old tape repairs to head and tail of spine. A very good copy of a vulnerable publication. unknown
réf. B200199-1Berlin Gerhardt Verlag 1962. 190pp. Prof. illus. 25 tipped-in of which 15 color. Sm. 4to. Wraps. Berlin (Gerhardt Verlag), 1962. paperback books
1967réf. 15369(Paris), Editions Georges Visat, 1967. 21 S., 3 Bll. mit 7 (1 zweifarbige) ganzseitigen signierten Origninal-Radierungen von Hans Bellmer plus eine separate Suite dieser 7 signierten Original-Radierungen auf Japanpapier. Gr.-8°. Lose Bogen in OKart. mit Transparentpapierumschlag in einer OPp.-Mappe mit Rückenschild zusammen in OPp.-Schuber (kl. Gebrssprn.).
1957réf. 81475Paris, Le Terrain Vague, 1957. [61] S. Mit 10 Illustrationen von Hans Bellmer. (= Le Terrain Vague, 9). 23 cm. OBrosch.
1967réf. 434868New York: Grove Press 1967. Hardcover. Fine/Fine. First edition. Preface by Jelenski. Translated by Helen R. Lane. Quarto. 109 1pp. Illustrated. Fine in fine dustwrapper and a chipped original unprinted acetate overjacket with very good publisher's cardboard slipcase with some wear and a modest stain. Designated as copy number 250 of a special limited edition of 1000 numbered copies. Scarce. Grove Press hardcover books
1961réf. 63797Ohne Ort (Paris), ohne Verlag bzw. Drucker, 1961. Fol. Mit 10 jeweils in Doppelblatt eingelegte sign. Orig.-Radierungen u. 2 Doppelblättern Text (Titel u. Druckvermerk), lose in OUmschlag, OSeidendecke u. OSeidenschuber.
1969réf. 13028Paris: Denoël 1969. First Edition. Hardcover. Fine in Near Fine DJ. First Edition. Hardcover. Text in French. Catalogue raisonne of the ever brilliant Hans Bellmer. Minimal shelf/edge wear else tight bright and unmarred; original acetate dj clean. Black cloth boards pink ink lettering in blind decorative elements grey endpapers pink index leaves. Square 8vo. 96pp plus Index. Illus. b/w plates. Denoël hardcover books
1963réf. 151872Paris: Daniel Cordier 1963. First edition. Softcover. 14 pages. Exhibition catalog for a show that opened December 5 1963. Text in French by Patrick Waldberg. Includes 4 foldout plates. A very good copy in wrappers with some minor wear and some light creasing to the corners. Daniel Cordier unknown books
2005réf. 192113London: Atlas Press 2005. First edition thus. Softcover. 154 pages. Bellmer's classic book translated from the German by Malcolm Green. Features some poems by Paul Eluard. Includes 15 color photographs 10 black and white images and a a few line drawings. A very near fine copy in wrappers and in a very near fine cardstock slipcase. Surprisingly uncommon. Atlas Press unknown books
1975réf. 216575New York: Rizzoli 1975. First edition and first printing. Hardcover. 87 pages. A look at this important French surrealist. Features text by Sarane Alexandrian translated from the French by Jack Altman. Includes numerous color and black and white illustrations. A very near fine copy in cloth boards and in a near fine dust jacket that has some very slight wear and a very faint shallow stain to the top of the rear panel that is only visible from the verso. Rizzoli unknown books
2023réf. x-303138217XPalgrave Macmillan 2023. Hardcover. New. 243 pages. 8.75x6.25x1.00 inches. Palgrave Macmillan hardcover
réf. 303138220X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 12310Paris, Berggruen, 1978 ; plaquette brochée 22 x 11,5 cm. 4ff. (dont frontispice en couleurs par Georges Braque) et 75 ff. non chiffrés d'illustrations en noir sur papier couché brillant. Parfait état.
réf. 32803Hannover : Kestner-Gesellschaft, 1977- in-8 (20,5x20,5 cm) sous couverture illustrée, 243 pages - abondamment illustré de photos en noir et en pleine page - bon état -
réf. 26672Paris, Le Terrain Vague, 1960. 11 fascicules in-4 (24 x 31,5 cm), agraphés, double emboîtage (chemise cartonnée et étui (1 numéro double : 10/11).
