Bellmer, HansBiblio.com
388 resultados
ref. 105983Stuttgart DVA ca. 1970. 48 x 35 cm 30 x 24 cm Rechts unten minimal wasserrändig rückseitig kleine Montagespuren sonst tadell. Num. 18 von 100 Ex. Rechtes von Bellmer signiert.- Hans Bellmer Fotograf Bildhauer Maler und Autor 1902 – 1975 wird in Kattowitz Polen geboren. Auf Drängen seines Vaters arbeitet er einige Zeit in einem Stahlwerk und im Kohlebergbau. 1923 beginnt Bellmer ein Studium an der Technischen Hochschule in Berlin interessiert sich aber mehr für Kunst und Politik. Auf Anraten seines Zeichenlehrers George Grosz bricht Bellmer 1924 sein Ingenieurstudium ab und beginnt eine Typografenlehre beim Malik-Verlag in Berlin. Dort fertigt er u.a. Illustrationen für dadaistische Romane an. In den späten 1920er Jahren bereist Bellmer Länder wie Frankreich Italien und Tunesien. 1923 eröffnet er ein Atelier für Werbezeichnungen in Berlin das er 1933 aus politischen Gründen aufgibt. Ab den 1930er Jahren widmet sich Bellmer seiner künstlerischen Laufbahn. Er beschäftigt sich mit der erotischen Darstellung der weiblichen Anatomie die er jedoch meist auf entstellte Weise in Zeichnungen Skulpturen und Fotografien zeigt. So konstruiert er Puppen mit geschundenen Körpern die wirken als ob ihre Gliedmaßen abgetrennt und neu arrangiert worden wären. Sein Werk Doll von 1933 zerstört er später und fotografiert es in verschiedenen erotischen Posen. Bellmer veröffentlicht eine Sammlung von zehn dieser Bilder mit Begleittext 1934 in Die Puppe und reicht eine Kopie beim Pariser Surrealismus Magazin Le Minotaure ein. Die Veröffentlichung dieser Arbeit festigt Bellmers Ansehen in der Surrealimus-Bewegung. 1938 emigriert Bellmer nach Paris. Seine erste Soloausstellung findet 1943 in dem Buchladen „Librairie Trentin“ in Toulouse statt. Seitdem werden Bellmers Arbeiten in zahlreichen Museen und Galerien weltweit gezeigt beispielsweise in der Whitechapel Gallery in London der Neuen Nationalgalerie in Berlin und dem Museum of Modern Art in New York. Hans Bellmer stirbt am 24. Februar 1975 in Paris. 010 Stuttgart, DVA, ca. 1970 unknown
1936ref. 91033Paris: GLM 1936. Fine. GLM Paris mai 1936 à mars 1939 14.2 x 19.7 cm 9 volumes brochés sous étui First edition and complete run of the 9 G.L.M. cahiers issued between May 1936 and March 1939. A few spines slightly faded as is often the case; otherwise a pleasing copy complete with its original publishers slipcase in full grey boards with red printed title label pasted to the spine. With numerous contributions by most of the Surrealist poets writers and artists including: André Breton René Char Paul Éluard Philippe Soupault René Crevel Valentine Penrose Federico García Lorca Pablo Neruda Michel Leiris Max Ernst Man Ray and André Masson as well as several spiritual forebears of Surrealism such as Franz Kafka Lewis Carroll and Raymond Roussel. GLM hardcover
ref. 81475Paris Le Terrain Vague 1957. . Eines von 950 Exemplaren auf "Neige du Marais". Exemplar außerhalb der Numerierung GA 1016 Ex. - Monod 1308. Erste Ausgabe des kunsttheoretischen Textes über die Entstehung von Bildern als Ausdruck des Unbewussten mit stark erotischen oder sexuell bezogenen Assoziationen. - Hans Bellmer 1902-1975 deutscher Maler Fotograf Bildhauer u. Autor. - Umschlagkanten mit kl. Läsuren Paris, Le Terrain Vague, 1957. unknown
1962ref. 076780Berlin: Gerhardt Verlag 1962. Text in German. Wraps have some light wear and have a plastic protector over them. Tightly bound unmarked. 190pp. Tipped-in photos. Illustrations in b&w. -- Hans Bellmer 1902 - 1975 was a German artist best known for his drawings etchings that illustrate the 1940 edition of Histoire de loeil and the life-sized female dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. First Edition. Paperback. Very Good. 8vo - 8" - 9" Tall. Gerhardt Verlag Paperback
1970ref. 48000Paris.: Pierre Belfond. 1970. Loose as issued in original publisher's mulberry handmade paper wrappers the suite in an additional wrapper black cloth chemise and matching slipcase. Oblong 4to. 330 x 260 mm. Half-title justification title with copyright dedications and quotation by Ducasse and Ducasse's text illustrated with 10 original lithographs each signed and numbered by Bellmer in pencil together with the additional suite on Japon also signed and numbered by Bellmer in pencil. Hans Bellmer illustrating Isidore Ducasse's 'Poésies' with the additional suite.From the edition limited to 100 copies with this one of 10 from the édition de tête with the additional suite on Japon with each plate signed in pencil by Bellmer.Isidore Ducasse 1846 - 1870 was the author under the pseudonym Comte de Lautréamont of 'Les Chants de Maldoror' an extraordinary work of the imagination published in the late 1860s. Ducasse's only other publication 'Poésies' was issued in two separate parts in 1870 shortly before the author's death.'In the Anthologie de l'Humeur Noir Breton wrote: 'In the eyes of certain poets today Les Chants de Maldoror and Poésies shine with an incomparable brilliance. They are the expression of a total revelation which seems to exceed the possibilities of man . Language rather than style undergoes with Lautréamont a profound crisis; it begins again.' His imagery with its hallucinatory force his far-fetched analogies his use of art as a means of confronting life his rejection of conventional morality and modes of thinking were all qualities the surrealists found deeply sympathetic. He seemed to them to be the real progenitor of the surrealist spirit.' Dawn Ades - Dada and Surrealism Reviewed. Pierre Belfond. hardcover
1925ref. 47749Berlin.: Neuer Deutscher Verlag. 1925. Original publisher's paper-covered boards titles to front cover and spine in blue front cover with monochrome drawing by Hans Bellmer showing a train of refugees with his signature 'BELL / MER" at lower right some spotting to board edges. 8vo. 190 x 138 mm. Half-title printed title with publisher's vignette and copyright verso and Sserafimowitsch's text final leaves with advertisements. A very scarce example of Hans Bellmer's pre-Surrealist commercial artistic work.Long before Hans Bellmer fled to France in the 1930s and his association with Surrealism the artist undertook training at Berlin's Technische Hochschule in engineering. Bellmer abandoned those studies in 1924 and began to associate with sympathetic artists and political figures such as John Heartfield George Grosz and Otto Dix while working for Malik Verlag as a typographer and designing and illustrating book covers. Sserafimowitsch's 'Der Eiserne Strom' The Iron Flood a tale of the Red Army encircled by the Whites and breaking free was one of a small group of books illustrated by Bellmer - he is credited erroneously as 'A. Bellmer' - that also includes among others Walter Serner's 'Die Tigerin' and 'Der Pfiff und die Ecke' Henri Barbusse's 'Enchainements' and Walter von Hollander's 'Gegen Morgan'.The front cover of 'Der Eiserne Strom' shows Bellmer's drawing of a long train of laden refugees with wagons and children emerging through a narrow defile. The foremost character depicted appears to look back over his shoulder with some anxiety to a mêlée of shadowy figures horses and sabres or bayonets. Bellmer's signature written 'BELL / MER' is neat capitals is already recognisable and matches that of his later work.see Therese Lichtenstein's 'Behind Closed Doors: the Work of Hans Bellmer'. Neuer Deutscher Verlag. hardcover
1962ref. 46499Paris.: Au Cercle du Livre Précieux. 1962. Original publisher's full white vellum title and vignette in blind to front cover reduced matching title and vignette in gilt to spine grey endpapers white silk placemarker t.e.g. vellum-edged grey paper board slipcase; spine with wear and discolouration. 8vo. 252 x 168 mm. Half-title in red and black leaf with original engraving by Hans Bellmer verso as frontispiece printed title in red and black 5 leaves with Préface by André Pieyre de Mandiargues and text of 'Le Con d'Irène' leaf with justification and final leaf with achevé d'imprimer recto and publisher's credit verso. Louis Aragon's 'Le Con d'Irène' with Hans Bellmer's original engraving.From the edition limited to 700 numbered copies on vélin d'Arches pur Chiffon each with the frontispiece engraving by Hans Bellmer; several hors commerce copies were also issued.First published pseudonymously in 1928 with etchings by André Masson 'Le Con d'Irène' has been described as 'un essai sérieux de prose pornographique' Cramer. A second edition designed and illustrated by Hans Bellmer was published in 1952 after a facsimile of the first was issued in 1948 before the present edition also illustrated by Bellmer. Of considerable notoriety the novel's pseudonymous Albert de Routisie was identified as Louis Aragon adding to his oeuvre of erotic works that also included - with Benjamin Péret - the explicit '1929'.'Pendant trois mois l'auteur a parcouru notre grande colonie interrogeant administrateurs officiers colons. Pour la clarté de ses exposés comme par la valeur de sa documentation ce livre intéresse le spécialiste et le profane. Selon le mot d'un grand emmerdeur 'Le Con d'Irène' devrait être mis entre les mains de tous nos futurs administrateurs éducateurs et officiers coloniaux.' Aragon writing in André Breton's copy of the first edition. Au Cercle du Livre Précieux. hardcover
ref. 137604Broché. Etat moyen. unknown
1950ref. 84621Paris 1950. Fine. ""Bref je suis terrifié ne sachant pas que faire pour survivre"" ""In short I am terrified not knowing what to do to survive"" Paris 31 décembre 1950 20.80 x 27 cm deux pages sur deux feuillets enveloppe jointe Autograph letter by Hans Bellmer signed ""H.B"" addressed to Claude Richard dated by the author December 31 1950. Two pages in black ink on two sheets of fine pink paper with autograph envelope enclosed. Discrete fold marks inherent to the sending of the letter. Exceptional lament of a cursed artist sacrificing his life to his art. Endangering his health Bellmer carefully supervises the printing of the first retrospective catalogue of his works Vingt-cinq reproductions of which he had received the first copies ""le soir de la Noël"" ""on Christmas evening"". He addresses his Bordeaux collector-patron Claude Richard from his modest Latin Quarter studio which had seen the birth a year earlier of his masterpiece Les Jeux de la Poupée. Bellmer takes up his pen and transcribes his malaise onto these two old rose pages similar to the color covering some of his Doll photographs as well as to that of the band surrounding the collection of this famous suite of photographs. The words themselves finely chiseled with pen strokes disarticulate in the image of his works; the letters come undone and reveal the extreme distress of the artist at the end of his strength and resources: ""Excusez je vous prie cette lettre décousue mais je ne vais pas très bien"" ""Please excuse this rambling letter but I am not very well"" . ""ma vie est redevenue très très dure"" ""my life has become very very hard again"" . ""vous ai-je remercié des 16000 que vous avez eu l'amitié de m'envoyer il y a deux semaines environ - Cela m'a permis d'activer la fabrication du recueil une fois de plus"" ""did I thank you for the 16000 that you were kind enough to send me about two weeks ago - This allowed me to accelerate the production of the collection once again"" This concerns a work laid out by his own hand bringing together twenty-five of his works accompanied by texts by Nora Mitrani Gisèle Prassinos Jehan Mayoux Jean Brun André Pieyre de Mandiargues Jacques de Caso and Yves Bonnefoy. Bellmer had received the first copies a few days earlier: ""J'y avais mis un effort affreux ; depuis trois semaines je traîne une grippe qui par le froid glacial de la rue Mouffetard et de l'atelier d'impression chez Larrive a pris depuis 10 jours un tour dangereux. Pour l'instant je ne tiens plus debout mais pour ne pas me déclarer vaincu je suis obligé de courrir sans cesse pour trouver le minimum d'argent nécessaire pour ne pas mourir de faim"" ""I had put a terrible effort into it; for three weeks I have been dragging around the flu which due to the freezing cold of rue Mouffetard and the printing workshop at Larrive's has taken a dangerous turn for the past 10 days. At the moment I can no longer stand up but so as not to declare myself defeated I am obliged to run constantly to find the minimum amount of money necessary so as not to die of hunger"". The manuscript also contains a beautiful passage on the artist's relationship with his patron and also mentions Cocteau as well as his partnership with the Hugo Gallery in New York directed since 1944 by former dancer Alexandre Jolas: 1907-1987: ""Quant à l'encadrement de mon tableau c.à.d le vôtre je m'en occuperai avec plaisir car c'est très important pour la mise en valeur de la chose. Je connais bien un des meilleurs encadreurs il a encadré les choses que Cocteau et Morihien m'avaient achetées il y a quelques années que la Hugo-gallery m'a pris cette année. Il ne doit peut-être trop bien marché sic. Dès que je trouverai deux tickets de métro je vous dirai le prix qu'il demanderait. Ces jours-ci j'ai pu récupérer un expl. de tête de mon Album de Revel sous emboîtage avec un dessin original. Le prix est de 6000. Si vous le voulez je peux vous l'envoyer de unknown
1954ref. 84226Sceaux: Jean-Jacques Pauvert 1954. Fine. Masterpiece of Eroticism with a Capital O Jean-Jacques Pauvert Sceaux 1954 12 x 19 cm en feuilles sous chemise et étui First edition one of 20 copies on Arches paper most limited deluxe issue tirage de tête. Like all copies on Arches it is wrapped in a double dust jacket in yellow and white and bears the rare sanguine vignette drawn and engraved by Hans Bellmer. Preface by Jean Paulhan. Our copy is housed in a custom clamshell box featuring an original design signed by Julie Nadot. Beautiful first edition copy of this masterpiece of erotic literature in its most limited deluxe issue. Jean-Jacques Pauvert unknown
1948ref. 80768Paris: José Corti 1948. Fine. José Corti Paris 1948 12 x 19 cm broché First edition on ordinary paper only 20 Marais and 50 pur fil deluxe copies were printed. With frontispiece portrait of André Breton by Hans Bellmer. Two small angular lacks at head and foot of first cover two tears with lacks at head and foot of spine paper yellowed as usual. José Corti unknown
1954ref. 80495Sceaux: Jean-Jacques Pauvert 1954. Fine. Jean-Jacques Pauvert Sceaux 1954 12 x 19 cm broché Histoire d'O Story of O Jean-Jacques Pauvert Sceaux 1954 12 x 19 cm original wrappers First edition one of 480 numbered copies on Vergé paper ours being one of the few ""hors commerce"" advance copies the only deluxe paper after 20 copies on Arches and 100 others on Vergé for the press. Our copy is complete with the rare vignette drawn and engraved by Hans Bellmer in sanguine and present on about 200 copies only. Preface by Jean Paulhan. Beautiful copy of this masterpiece of erotic literature. Jean-Jacques Pauvert unknown
1958ref. 76753Paris: Ventadour 1958. Fine. Ventadour Paris 1958 13.50 x 18 cm broché First edition. Iconography. Light rubbing to spine without severity handsome copy. Autograph inscription signed by Georges Auric to Jean Laurent: "". l'auteur de Chemin de Lumière qui souhaite devenir un jour celui de Médée."" "". the author of Chemin de Lumière who hopes to become one day that of Médée."" expanded with an autograph inscription signed by Antoine Goléa. Ventadour unknown
1953ref. 66053Monaco: Editions du Rocher 1953. Fine. Editions du Rocher Monaco 1953 14.50 x 19 cm broché First edition one of 100 numbered copies on pur fil paper the tirage de tête. A nice copy despite tiny spots not serious on the first free endpaper. Illustrated as frontispiece a portrait of the author by Modigliani and a drawing hors-texte by Hans Bellmer. Editions du Rocher unknown
1963ref. 55997Saint-Maurice-d'Ételan: Pierre Bettencourt 1963. Fine. Pierre Bettencourt Saint-Maurice-d'Ételan 1963 13 x 21.50 cm broché First edition printed in 250 numbered copies on vergé. With a frontispiece by Hans Bellmer. A good copy. Pierre Bettencourt unknown
1983ref. 2013Paris: Galerie Francois Petit 1983. Original Wraps. Collectible; Fine. Uncommon 1983 catalogue of the exhibit at Galerie Andre-Francois Petit Boulevard Saint-Germain Paris. Bright and Near Fine in its stapled wrappers. Octavo 8 Bellmer photographs plus accompanying text taken from his own writings. Galerie Francois Petit unknown
2005ref. BELLMERH002427Christie's Paris. 2005. First edition. Small quarto. 62 pages. Fully illustrated. The catalogue of the sale by auction of the second of three parts of the collection this part comprising twenty-five lots entirely devoted to the works of Hans Bellmer.Loosely inserted is an undated Signed Autograph Letter in French from Bellmer to an unnamed man: about 150 words in red ink on Bellmer's usual pink paper. He says he has found a copy of one of his books which he will send and in return asks the recipient to procure for him a copy of the German edition of his book Die Puppe. He also asks ''ce que vous consid�rez comme surr�alisme a l��poque o� nous sommes''Letter: folded; very good. Book: fine. Christie's, Paris. unknown
1957ref. 296331957. S.l. Le Terrain vague / Eric Losfeld 1957. Un vol. au format pt in-4 228 x 192 mm non pagin broch sous couverture rabats remplis. Edition originale. Un des exemplaires dit de passe'' ou ''de chapelle'' du tirage sur papier neige. Il s'agrmente - ici en premier tirage - de dessins de Hans Bellmer. ''Je pense que les diffrents modes d'expression : pose geste acte son mot graphisme cration d'objet. rsultent tous d'un mÂme ensemble de mcanismes psycho-physiologiques''. Mors et coupes lims. Petit manque en tÂte du dos. Petit manque en marge infrieure du second plat. TrÂs belle condition intrieure. b42961 unknown
1953ref. 300171953. Monaco Editions du Rocher 1953. Un vol. au format gd in-12 194 x 147 mm de 106 pp. broch. Edition originale. Un des exemplaires numrots du tirage sur verg de Lana. Il s'ouvre sur un frontispice figurant Cocteau par Modigliani et est par ailleurs complet de l'illustration hors-texte d'Hans Bellmer. TrÂs lgÂres marques d'usage affectant les couvertures. Quelques rousseurs dans le corps d'ouvrage. Du reste bonne condition. b42961 unknown
1997ref. 291771997. S.l. Muse-Galerie de la Seita 1997. Un vol. au format pt in-4 carr 232 x 212 mm de 81 pp. broch. L'ouvrage s'agrmente d'une abondante iconographie en noir et couleurs. ''Les gravures ont fait beaucoup pour la renomme de Bellmer artiste longtemps secret. Art de la ligne comme le dessin elles entraient dans la continuit naturelle d'une oeuvre essentiellement graphique : elles en constituÂrent la caisse de rsonance''. TrÂs belle condition. b42961 unknown
1966ref. 264791966. S.l. Denol 1966. Un vol. au format in-4 318 x 247 mm de 109 pp. Reliure d'dition de pleine percaline satine vieux-rose sous jaquette illustre rhodod et coffret cartonn. Edition originale. Belle impression sur verg d'dition agrmente d'une abondante iconographie. ''Cette avant tout parce que cette oeuvre rotique retrace avec une incroyable perfection du trait non pas l'image fixe rhtorique ou complaisante de l'acte sexuel mais ce qui refoul honteusement rejet dans le domaine de l'interdit constitue le mcanisme mÂme de cette recherche d'une fusion avec l'autre - qui n'est pas seulement le fondement du libertinage mais aussi celui de l'amour''. Petites altrations affectant angles et coupes du coffret. Du reste trÂs belle condition. b42961 unknown
1967ref. 434868New York: Grove Press 1967. Hardcover. Fine/Fine. First edition. Preface by Jelenski. Translated by Helen R. Lane. Quarto. 109 1pp. Illustrated. Fine in fine dustwrapper and a chipped original unprinted acetate overjacket with very good publisher's cardboard slipcase with some wear and a modest stain. Designated as copy number 250 of a special limited edition of 1000 numbered copies. Scarce. Grove Press hardcover
1969ref. 13028Paris: Denoël 1969. First Edition. Hardcover. Fine in Near Fine DJ. First Edition. Hardcover. Text in French. Catalogue raisonne of the ever brilliant Hans Bellmer. Minimal shelf/edge wear else tight bright and unmarred; original acetate dj clean. Black cloth boards pink ink lettering in blind decorative elements grey endpapers pink index leaves. Square 8vo. 96pp plus Index. Illus. b/w plates. Denoël hardcover
ref. PJH54269Obliques Paris 1975. VG bright tight copy in ever so slightly rubbed publishers decorated wrappers. Large Paper copy being Number 13 of 99 copies. All these copies are accompanied by an original engraving by Bellmer on Lana Paper p194. Illustrated throughout. Contributors include Jean Brun Paul Buck Bernard Noel Yves Bonnefoy Michel Butor Paul Eluard Nora Mitrani Hans Bellmer Georges Hugnet Rene de Solier Michel Camus Jerome Peignot etc. Also Heinrich von Kleist's 'Sur la theatre de marionnettes' and Strindberg's play 'Le Mardi-Gras de Polichinelle. Text in French ISBN B00X637IRQ Obliques (Paris) 1975 unknown
ref. PJH54268Obliques Paris 1975. VG bright tight copy in ever so slightly rubbed publishers decorated wrappers. Illustrated throughout. Contributors include Jean Brun Paul Buck Bernard Noel Yves Bonnefoy Michel Butor Paul Eluard Nora Mitrani Hans Bellmer Georges Hugnet Rene de Solier Michel Camus Jerome Peignot etc. Also Heinrich von Kleist's 'Sur la theatre de marionnettes' and Strindberg's play 'Le Mardi-Gras de Polichinelle. Text in French ISBN B00X637IRQ Obliques (Paris) 1975 unknown
