[Hans Bellmer] Agnes de la BeaumelleBiblio.com
394 risultati
2006rif. 165714Paris: Gallimard 2006. First Edition. Softcover. First Edition. Published in conjunction with a traveling exhibition which ran from March 1 through November 19 2006. Near Fine with no dust jacket as issued. Gallimard unknown
1950rif. 84621Paris 1950. Fine. ""Bref je suis terrifié ne sachant pas que faire pour survivre"" ""In short I am terrified not knowing what to do to survive"" Paris 31 décembre 1950 20.80 x 27 cm deux pages sur deux feuillets enveloppe jointe Autograph letter by Hans Bellmer signed ""H.B"" addressed to Claude Richard dated by the author December 31 1950. Two pages in black ink on two sheets of fine pink paper with autograph envelope enclosed. Discrete fold marks inherent to the sending of the letter. Exceptional lament of a cursed artist sacrificing his life to his art. Endangering his health Bellmer carefully supervises the printing of the first retrospective catalogue of his works Vingt-cinq reproductions of which he had received the first copies ""le soir de la Noël"" ""on Christmas evening"". He addresses his Bordeaux collector-patron Claude Richard from his modest Latin Quarter studio which had seen the birth a year earlier of his masterpiece Les Jeux de la Poupée. Bellmer takes up his pen and transcribes his malaise onto these two old rose pages similar to the color covering some of his Doll photographs as well as to that of the band surrounding the collection of this famous suite of photographs. The words themselves finely chiseled with pen strokes disarticulate in the image of his works; the letters come undone and reveal the extreme distress of the artist at the end of his strength and resources: ""Excusez je vous prie cette lettre décousue mais je ne vais pas très bien"" ""Please excuse this rambling letter but I am not very well"" . ""ma vie est redevenue très très dure"" ""my life has become very very hard again"" . ""vous ai-je remercié des 16000 que vous avez eu l'amitié de m'envoyer il y a deux semaines environ - Cela m'a permis d'activer la fabrication du recueil une fois de plus"" ""did I thank you for the 16000 that you were kind enough to send me about two weeks ago - This allowed me to accelerate the production of the collection once again"" This concerns a work laid out by his own hand bringing together twenty-five of his works accompanied by texts by Nora Mitrani Gisèle Prassinos Jehan Mayoux Jean Brun André Pieyre de Mandiargues Jacques de Caso and Yves Bonnefoy. Bellmer had received the first copies a few days earlier: ""J'y avais mis un effort affreux ; depuis trois semaines je traîne une grippe qui par le froid glacial de la rue Mouffetard et de l'atelier d'impression chez Larrive a pris depuis 10 jours un tour dangereux. Pour l'instant je ne tiens plus debout mais pour ne pas me déclarer vaincu je suis obligé de courrir sans cesse pour trouver le minimum d'argent nécessaire pour ne pas mourir de faim"" ""I had put a terrible effort into it; for three weeks I have been dragging around the flu which due to the freezing cold of rue Mouffetard and the printing workshop at Larrive's has taken a dangerous turn for the past 10 days. At the moment I can no longer stand up but so as not to declare myself defeated I am obliged to run constantly to find the minimum amount of money necessary so as not to die of hunger"". The manuscript also contains a beautiful passage on the artist's relationship with his patron and also mentions Cocteau as well as his partnership with the Hugo Gallery in New York directed since 1944 by former dancer Alexandre Jolas: 1907-1987: ""Quant à l'encadrement de mon tableau c.à.d le vôtre je m'en occuperai avec plaisir car c'est très important pour la mise en valeur de la chose. Je connais bien un des meilleurs encadreurs il a encadré les choses que Cocteau et Morihien m'avaient achetées il y a quelques années que la Hugo-gallery m'a pris cette année. Il ne doit peut-être trop bien marché sic. Dès que je trouverai deux tickets de métro je vous dirai le prix qu'il demanderait. Ces jours-ci j'ai pu récupérer un expl. de tête de mon Album de Revel sous emboîtage avec un dessin original. Le prix est de 6000. Si vous le voulez je peux vous l'envoyer de unknown
1954rif. 84226Sceaux: Jean-Jacques Pauvert 1954. Fine. Masterpiece of Eroticism with a Capital O Jean-Jacques Pauvert Sceaux 1954 12 x 19 cm en feuilles sous chemise et étui First edition one of 20 copies on Arches paper most limited deluxe issue tirage de tête. Like all copies on Arches it is wrapped in a double dust jacket in yellow and white and bears the rare sanguine vignette drawn and engraved by Hans Bellmer. Preface by Jean Paulhan. Our copy is housed in a custom clamshell box featuring an original design signed by Julie Nadot. Beautiful first edition copy of this masterpiece of erotic literature in its most limited deluxe issue. Jean-Jacques Pauvert unknown
1948rif. 80768Paris: José Corti 1948. Fine. José Corti Paris 1948 12 x 19 cm broché First edition on ordinary paper only 20 Marais and 50 pur fil deluxe copies were printed. With frontispiece portrait of André Breton by Hans Bellmer. Two small angular lacks at head and foot of first cover two tears with lacks at head and foot of spine paper yellowed as usual. José Corti unknown
1954rif. 80495Sceaux: Jean-Jacques Pauvert 1954. Fine. Jean-Jacques Pauvert Sceaux 1954 12 x 19 cm broché Histoire d'O Story of O Jean-Jacques Pauvert Sceaux 1954 12 x 19 cm original wrappers First edition one of 480 numbered copies on Vergé paper ours being one of the few ""hors commerce"" advance copies the only deluxe paper after 20 copies on Arches and 100 others on Vergé for the press. Our copy is complete with the rare vignette drawn and engraved by Hans Bellmer in sanguine and present on about 200 copies only. Preface by Jean Paulhan. Beautiful copy of this masterpiece of erotic literature. Jean-Jacques Pauvert unknown
1958rif. 76753Paris: Ventadour 1958. Fine. Ventadour Paris 1958 13.50 x 18 cm broché First edition. Iconography. Light rubbing to spine without severity handsome copy. Autograph inscription signed by Georges Auric to Jean Laurent: "". l'auteur de Chemin de Lumière qui souhaite devenir un jour celui de Médée."" "". the author of Chemin de Lumière who hopes to become one day that of Médée."" expanded with an autograph inscription signed by Antoine Goléa. Ventadour unknown
1953rif. 66053Monaco: Editions du Rocher 1953. Fine. Editions du Rocher Monaco 1953 14.50 x 19 cm broché First edition one of 100 numbered copies on pur fil paper the tirage de tête. A nice copy despite tiny spots not serious on the first free endpaper. Illustrated as frontispiece a portrait of the author by Modigliani and a drawing hors-texte by Hans Bellmer. Editions du Rocher unknown
1963rif. 55997Saint-Maurice-d'Ételan: Pierre Bettencourt 1963. Fine. Pierre Bettencourt Saint-Maurice-d'Ételan 1963 13 x 21.50 cm broché First edition printed in 250 numbered copies on vergé. With a frontispiece by Hans Bellmer. A good copy. Pierre Bettencourt unknown
1983rif. 2013Paris: Galerie Francois Petit 1983. Original Wraps. Collectible; Fine. Uncommon 1983 catalogue of the exhibit at Galerie Andre-Francois Petit Boulevard Saint-Germain Paris. Bright and Near Fine in its stapled wrappers. Octavo 8 Bellmer photographs plus accompanying text taken from his own writings. Galerie Francois Petit unknown
2005rif. BELLMERH002427Christie's Paris. 2005. First edition. Small quarto. 62 pages. Fully illustrated. The catalogue of the sale by auction of the second of three parts of the collection this part comprising twenty-five lots entirely devoted to the works of Hans Bellmer.Loosely inserted is an undated Signed Autograph Letter in French from Bellmer to an unnamed man: about 150 words in red ink on Bellmer's usual pink paper. He says he has found a copy of one of his books which he will send and in return asks the recipient to procure for him a copy of the German edition of his book Die Puppe. He also asks ''ce que vous consid�rez comme surr�alisme a l��poque o� nous sommes''Letter: folded; very good. Book: fine. Christie's, Paris. unknown
rif. 105983Stuttgart DVA ca. 1970. 48 x 35 cm 30 x 24 cm Rechts unten minimal wasserrändig rückseitig kleine Montagespuren sonst tadell. Num. 18 von 100 Ex. Rechtes von Bellmer signiert.- Hans Bellmer Fotograf Bildhauer Maler und Autor 1902 – 1975 wird in Kattowitz Polen geboren. Auf Drängen seines Vaters arbeitet er einige Zeit in einem Stahlwerk und im Kohlebergbau. 1923 beginnt Bellmer ein Studium an der Technischen Hochschule in Berlin interessiert sich aber mehr für Kunst und Politik. Auf Anraten seines Zeichenlehrers George Grosz bricht Bellmer 1924 sein Ingenieurstudium ab und beginnt eine Typografenlehre beim Malik-Verlag in Berlin. Dort fertigt er u.a. Illustrationen für dadaistische Romane an. In den späten 1920er Jahren bereist Bellmer Länder wie Frankreich Italien und Tunesien. 1923 eröffnet er ein Atelier für Werbezeichnungen in Berlin das er 1933 aus politischen Gründen aufgibt. Ab den 1930er Jahren widmet sich Bellmer seiner künstlerischen Laufbahn. Er beschäftigt sich mit der erotischen Darstellung der weiblichen Anatomie die er jedoch meist auf entstellte Weise in Zeichnungen Skulpturen und Fotografien zeigt. So konstruiert er Puppen mit geschundenen Körpern die wirken als ob ihre Gliedmaßen abgetrennt und neu arrangiert worden wären. Sein Werk Doll von 1933 zerstört er später und fotografiert es in verschiedenen erotischen Posen. Bellmer veröffentlicht eine Sammlung von zehn dieser Bilder mit Begleittext 1934 in Die Puppe und reicht eine Kopie beim Pariser Surrealismus Magazin Le Minotaure ein. Die Veröffentlichung dieser Arbeit festigt Bellmers Ansehen in der Surrealimus-Bewegung. 1938 emigriert Bellmer nach Paris. Seine erste Soloausstellung findet 1943 in dem Buchladen „Librairie Trentin“ in Toulouse statt. Seitdem werden Bellmers Arbeiten in zahlreichen Museen und Galerien weltweit gezeigt beispielsweise in der Whitechapel Gallery in London der Neuen Nationalgalerie in Berlin und dem Museum of Modern Art in New York. Hans Bellmer stirbt am 24. Februar 1975 in Paris. 010 Stuttgart, DVA, ca. 1970 unknown
1957rif. 296331957. S.l. Le Terrain vague / Eric Losfeld 1957. Un vol. au format pt in-4 228 x 192 mm non pagin broch sous couverture rabats remplis. Edition originale. Un des exemplaires dit de passe'' ou ''de chapelle'' du tirage sur papier neige. Il s'agrmente - ici en premier tirage - de dessins de Hans Bellmer. ''Je pense que les diffrents modes d'expression : pose geste acte son mot graphisme cration d'objet. rsultent tous d'un mÂme ensemble de mcanismes psycho-physiologiques''. Mors et coupes lims. Petit manque en tÂte du dos. Petit manque en marge infrieure du second plat. TrÂs belle condition intrieure. b42961 unknown
1953rif. 300171953. Monaco Editions du Rocher 1953. Un vol. au format gd in-12 194 x 147 mm de 106 pp. broch. Edition originale. Un des exemplaires numrots du tirage sur verg de Lana. Il s'ouvre sur un frontispice figurant Cocteau par Modigliani et est par ailleurs complet de l'illustration hors-texte d'Hans Bellmer. TrÂs lgÂres marques d'usage affectant les couvertures. Quelques rousseurs dans le corps d'ouvrage. Du reste bonne condition. b42961 unknown
1997rif. 291771997. S.l. Muse-Galerie de la Seita 1997. Un vol. au format pt in-4 carr 232 x 212 mm de 81 pp. broch. L'ouvrage s'agrmente d'une abondante iconographie en noir et couleurs. ''Les gravures ont fait beaucoup pour la renomme de Bellmer artiste longtemps secret. Art de la ligne comme le dessin elles entraient dans la continuit naturelle d'une oeuvre essentiellement graphique : elles en constituÂrent la caisse de rsonance''. TrÂs belle condition. b42961 unknown
1966rif. 264791966. S.l. Denol 1966. Un vol. au format in-4 318 x 247 mm de 109 pp. Reliure d'dition de pleine percaline satine vieux-rose sous jaquette illustre rhodod et coffret cartonn. Edition originale. Belle impression sur verg d'dition agrmente d'une abondante iconographie. ''Cette avant tout parce que cette oeuvre rotique retrace avec une incroyable perfection du trait non pas l'image fixe rhtorique ou complaisante de l'acte sexuel mais ce qui refoul honteusement rejet dans le domaine de l'interdit constitue le mcanisme mÂme de cette recherche d'une fusion avec l'autre - qui n'est pas seulement le fondement du libertinage mais aussi celui de l'amour''. Petites altrations affectant angles et coupes du coffret. Du reste trÂs belle condition. b42961 unknown
1967rif. 434868New York: Grove Press 1967. Hardcover. Fine/Fine. First edition. Preface by Jelenski. Translated by Helen R. Lane. Quarto. 109 1pp. Illustrated. Fine in fine dustwrapper and a chipped original unprinted acetate overjacket with very good publisher's cardboard slipcase with some wear and a modest stain. Designated as copy number 250 of a special limited edition of 1000 numbered copies. Scarce. Grove Press hardcover
rif. 116837Paris GLM Guy Lévis-Mano 1st Juin 1936. . First edition number 76 of 100 copies with 5 hors commerce this being one of 80 copies on papier rose; 159 x 123 mm 6¼ x 4¾ in; 10 mounted gelatin silver photographs 116 x 77 mm 4½ x 3 in text translated by Robert Valençay; pink wrappers light wear peach printed folding cover with titles on upper side in black light wear to extremities and folds a near-fine copy in a custom box by Devauchelle; 44pp. First French edition one of 100 copies. La Poupée evolved out of a series of events in Hans Bellmer's personal life: his cousin Ursula Naguschewski moving from Kassel to Berlin in 1932; an encounter with renowned dollmaker Lotte Pritzel and his attendance of a performance of Jacques Offenbach's Tales of Hoffmann in which the protagonist falls in love with an automaton; and his mother shipping him his old toys. Bellmer constructed several dolls the first dating from 1933 which he assembled and photographed in strange and disquieting configurations. Ten of these photographs were published in Germany as Die Puppe 1934. It was Bellmer's cousin Ursula who while studying at the Sorbonne in 1934 apparently first brought Bellmer's photographs to the attention of André Breton in Paris. In 1934 the Surrealist journal Minotaure published a portfolio of these images and in 1936 one was published in an issue of Cahiers d'art devoted to the Surrealist object. Guy Levis Manos published this expanded French Edition with an introduction by Bellmer translated by Robert Valencay. In February 1938 Bellmer left Berlin for Paris. Les éditions GLM 1923-1974 no. 100; The Book of 101 Books: Seminal Photographic Books of the Twentieth Century pp88-89; The Photobook: A History I p106; The Open Book p120-121; Paris Les livres de photographies 1920-1950 p176-177. Paris, GLM [Guy Lévis-Mano], 1st Juin 1936. unknown
2011rif. BN110132Direkthilfe Schimmelpilz 2011. 2011. Hardcover. Das Luftfeuchtebuch Vom Luftfeuchte-Vergleich bis zur Kondensations-Bewertung in Gebäuden Das Luftfeuchtebuch Vom Luftfeuchte-Vergleich bis zur Kondensations-Bewertung in Gebäuden Direkthilfe Schimmelpilz hardcover
2011rif. BN206886Carlton Books 2011. 2011. Hardcover. Erotique: Masterpieces of Erotic Art Erotique: Masterpieces of Erotic Art Michelle Olley Author; Marco Almera; Andrew Bawidamann; Aubrey Beardsley; Hans Bellmer; Olivia De Berardinis; Luciano Castelli; Judy Chicago; Coop; Otto Dix; Gil Elvgren; Tracey Emin; H.R. Giger; Steven R. Gilmore; Susi Medvsa Gottardi Illustration Carlton Books hardcover
rif. BN376088Propyläen-Verlag. Hans Bellmer das graphische Werk Hardcover Jan 01 1973 Hans Bellmer das graphische Werk Hardcover Jan 01 1973 Hans Bellmer das graphische Werk Hardcover Jan 01 1973 Propyläen-Verlag hardcover
1983rif. BN393865Schirmer Mosel 1983. 1983. Hardcover. Photographien Photographien Bellmer Hans - Alain Sayag Mitarb. Schirmer Mosel hardcover
1976rif. BN669060Ullstein 1976. 1976. Die Puppe Die Puppe Hans Bellmer Ullstein unknown
1975rif. BN669883Rizzoli International Publications 1975. 1975. Hans Bellmer Hans Bellmer Hans Bellmer Rizzoli International Publications unknown
1983rif. BN95806Edition Filipacchi Centre Georges Pompidou. 1983. 1983. Hardcover. Photographe. Photographe. Edition Filipacchi Centre Georges Pompidou. hardcover
1969rif. 13028Paris: Denoël 1969. First Edition. Hardcover. Fine in Near Fine DJ. First Edition. Hardcover. Text in French. Catalogue raisonne of the ever brilliant Hans Bellmer. Minimal shelf/edge wear else tight bright and unmarred; original acetate dj clean. Black cloth boards pink ink lettering in blind decorative elements grey endpapers pink index leaves. Square 8vo. 96pp plus Index. Illus. b/w plates. Denoël hardcover
