MANOHA, G (Robert Doisneau)Biblio.com
914 résultats
1947réf. 626807New York: Lumen Publishers 1947. Softcover. Near Fine. First edition. Octavo. Spiral bound photographic wrappers. Photographically illustrated. Light toning at the edges of the photographic wrappers else about fine. Many photos of Paris by Robert Doisneau Brassaï Ed Van der Elsken and others. This copy is Signed by Robert Doisneau on the title page. Scarce in this condition or signed. Lumen Publishers unknown
1947réf. 626807New York: Lumen Publishers 1947. Softcover. Near Fine. First edition. Octavo. Spiral bound photographic wrappers. Photographically illustrated. Light toning at the edges of the photographic wrappers else about fine. Many photos of Paris by Robert Doisneau Brassaï Ed Van der Elsken and others. This copy is Signed by Robert Doisneau on the title page. Scarce in this condition or signed. Lumen Publishers unknown books
réf. 29423o. O. o. Vlg. . Ex. Nr. 3/3. «Tirage en novembre 1976». Von Robert Doisneau vorne voll signiert. Auf der Rückseite betitelt nummeriert und monogrammiert. Bei Jacques Villon handelt es sich um den älteren Bruder von Marcel Duchamp. 010 o. O., o. Vlg., unknown
1944réf. 117209Montrouge Atelier Robert Doisneau 1944 1 vol. en feuilles Tirage argentique d’époque, 23,6 x 18,2 cm, tampon rouge du photographe au verso. Célèbre photo reproduite p. 52 de l'album "Paris libéré" préfacé par Mauriac (Flammarion, 1944). Titulaire d'une accréditation pour suivre l’insurrection parisienne et l’avancée des troupes alliées, le photographe est au plus près des événements pour en saisir toute la gravité. Epreuve originale, en parfaite condition.
1944réf. 117209Montrouge Atelier Robert Doisneau 1944 1 vol. en feuilles Tirage argentique d’époque, 23,6 x 18,2 cm, tampon rouge du photographe au verso. Célèbre photo reproduite p. 52 de l'album "Paris libéré" préfacé par Mauriac (Flammarion, 1944). Titulaire d'une accréditation pour suivre l’insurrection parisienne et l’avancée des troupes alliées, le photographe est au plus près des événements pour en saisir toute la gravité. Epreuve originale, en parfaite condition.
réf. 29422o. O. o. Vlg. . Ex. Nr. 1/3. «Tirage en novembre 1976». Von Robert Doisneau vorne voll signiert und von ihm auf der Rückseite betitelt nummeriert und monogrammiert. Bei Jacques Villon handelt es sich um den älteren Bruder von Marcel Duchamp. 010 o. O., o. Vlg., unknown
1944réf. 117208Montrouge Atelier Robert Doisneau 1944 1 vol. en feuilles Tirage argentique d’époque, 24,5 x 17,9 cm, tampon rouge du photographe au verso. Célèbre instantanée de la libération de Paris reproduit p. 41 de l'album "Paris libéré" préfacé par Mauriac (Flammarion, 1944). Titulaire d'une accréditation pour suivre l’insurrection parisienne et l’avancée des troupes alliées, le photographe est au plus près des événements pour en saisir toute la gravité. Epreuve originale, en parfaite condition.
1944réf. 117208Montrouge Atelier Robert Doisneau 1944 1 vol. en feuilles Tirage argentique d’époque, 24,5 x 17,9 cm, tampon rouge du photographe au verso. Célèbre instantanée de la libération de Paris reproduit p. 41 de l'album "Paris libéré" préfacé par Mauriac (Flammarion, 1944). Titulaire d'une accréditation pour suivre l’insurrection parisienne et l’avancée des troupes alliées, le photographe est au plus près des événements pour en saisir toute la gravité. Epreuve originale, en parfaite condition.
1955réf. 77442s. l. (Paris) s. d. [1955] | 18.70 x 27 cm | une photographie
1949réf. 83298Denoël | Paris 1949 | 11.50 x 19 cm | relié
1955réf. 77442s. l. Paris 1955. Fine. s. l. Paris s. d. 1955 18.70 x 27 cm une photographie Original collage produced on an original photograph portrait of Robert Doisneau enriched with a handwritten presentation signed by Jacques Prévert Paris 1955 18.7 x 27 cm one photographOriginal photograph in contemporary silver print showing Jacques Prévert in front of the pediment of a church on which the poet glued an old engraving depicting a bird and which he enriched with a signed handwritten presentation to his friend Jean Mattei. Prévert also using paint reddened the end of his cigarette. Stamp of the Doisneau studio in Montrouge on the back of the picture. One central fold. On this rare photograph reproduced in the book Rue Jacques Prévert by Robert Doisneau the poet poses in front of the Catéchismes chapel of the Église Saint-Jacques-Saint-Christophe de la Villette situated in the 19th arrondissement in Paris. Jean Mattei dedicatee of this work was Chagall and André Gide's doctor and lived in Saint-Paul-de-Vence. unknown
1949réf. 83298Paris: Denoël 1949. Fine. Denoël Paris 1949 11.50 x 19 cm relié First edition one of 50 numbered copies on pur fil paper deluxe issue. Bound in half fawn morocco with corners spine with five raised bands date at foot marbled paper boards combed paper endpapers and pastedowns original wrappers and spine preserved top edge gilt binding signed Devauchelle. Work illustrated with a frontispiece photograph of Blaise Cendrars by Robert Doisneau. Handsome copy handsomely bound. Denoël hardcover
1976réf. 3109London Paris New York: Petersburg Press 1976. FIRST EDITION. Original wrappers original box. Fine. AN EXTENSIVE ARCHIVE DOCUMENTING THE CREATION OF ONE OF THE MOST IMPORTANT PROJECTS OF JASPER JOHNS'S CAREER INCLUDING A FINE COPY WITH IMPORTANT PROVENANCE OF THE COMPLETED BOOK. Preserved by Véra Russell the editor who conceived and directed the project the archive documents the creation of Foirades / Fizzles Petersburg Press 1976 widely regarded as the most important artist's book of Johns's career and among the defining livres d'artiste of the postwar period. Through correspondence photographs proofs production records and Russell's own working papers the archive traces the project from conception to publication and beyond revealing how Johns transformed what began as a proposed literary collaboration into a monumental work shaped almost entirely by his own artistic concerns. Throughout Johns's career language most often appears as a public artifact: flags numbers alphabets maps newspaper fragments and other signs already circulating in the world. In Foirades / Fizzles however the attention shifts from language in public space to language in private space. The archive shows Johns becoming increasingly absorbed not simply by Beckett's texts but by the conditions under which those texts would be read: the reuse of certain plates between a piece's English and French text their placement on the page and their physical presentation in the book. Few surviving archives document so closely the making of a major Johns print project. CONTENTS SUMMARY: The book - Foirades / Fizzles Petersburg Press 1976 Véra Russell's own Artist's Proof XXIII/XXX signed by Beckett and Johns. Limited edition numbered XXIII/XXX this being one of only thirty Artist's Proofs from a full edition of two hundred fifty numbered copies and twenty Hors Commerce copies individually dedicated edited by Véra Lindsay Véra Russell illustrated with 33 etchings two of the double-page examples in colors 13 by 10 inches housed in its original linen-covered clamshell box with purple silk tassel the lining with color lithographs by Jasper Johns text in French & English the paper watermarked with the initials of Samuel Beckett and the signature of Jasper Johns handmade paper by Richard de Bas hand-printed by Fequet & Baudier in Paris the binding conceived and executed by Rudolf Rieser in Cologne protective tissue-guards throughout; IN FINE CONDITION. Petersburg Press 1976. Véra Russell correspondence - Her retained correspondence principally with Johns 13 letters and Beckett 8 letters and various others including Paul Cornwall-Jones Jim Knowlson James Cuno and Leo Castelli Jasper Johns correspondence - Eleven letters to Russell 1972-1981 tracing the project from inception through publication and exhibition Samuel Beckett correspondence - Twelve autograph notes 10 with envelopes and one autograph letter signed 1966-1984 together with a typed letter unsigned of 23 Nov 1973 on the choice of texts. A.J. "Con" Leventhal correspondence - Fourteen autograph notes and letters 1972-1976 further documenting Beckett's side of the collaboration. Editorial & production archive - Trial title-pages production notes and the six-part Outline of Project together with several working drafts of the book's Justification leaf in French and English annotated with autograph corrections and Cornwall-Jones/Petersburg Press correspondence on planning production and distribution Photographic archive - Eight photographs of Beckett and Johns together and twenty-five further photographs eighteen black-and-white seven in color of Johns producing the etchings together with fifteen color slides. Eleven of the photographs are by esteemed French photographer Robert Doisneau and stamped verso "Doisneau-Rapho"; the remainder carry a "Prudence Cuming Associates Ltd" stamp Miscellaneous materials - The Petersburg Press prospectus for the edition; an inscribed presentation copy of Beckett's Pour Finir Encore Les Éditions de Minuit 1976; two Hermathena offprints featuring Beckett one inscribed by Leventhal; a letter from the critic John Russell Véra Russell's former husband; and period newspaper and magazine cuttings. -------- A SINGULAR SURVIVAL: Few archives bring together a major artist's book the complete run of correspondence behind its making and the working papers of the editor who conceived it. Foirades / Fizzles marks a distinct turn in Jasper Johns's graphic career and the present archive is to our knowledge the most complete record of its creation. Johns's letters rarely appear at auction; a decade-spanning run of his correspondence alongside Beckett's own hand and Russell's retained papers as the project's originator is rarer still. In 1991-92 Russell herself offered her files for consideration by the Beckett Foundation; biographer James Knowlson corresponded with her warmly on the subject but the placement never went through and the material has remained together substantially as she kept it until now. Beneath the story told most visibly here - an unlikely convergence of two giants of late modernism yielding a new chapter in Johns's career and one of the most celebrated artist's books of the century uniquely documented in the present material - lies a quieter one: Russell's own. It is a story of perceived erasure a slight that this archive goes a long way toward redressing. Please click on the pdf link below the images for a more complete description. Petersburg Press unknown
1976réf. 3109London Paris New York: Petersburg Press 1976. FIRST EDITION. Original wrappers original box. Fine. AN EXTENSIVE ARCHIVE DOCUMENTING THE CREATION OF ONE OF THE MOST IMPORTANT PROJECTS OF JASPER JOHNS'S CAREER INCLUDING A FINE COPY WITH IMPORTANT PROVENANCE OF THE COMPLETED BOOK. Preserved by Véra Russell the editor who conceived and directed the project the archive documents the creation of Foirades / Fizzles Petersburg Press 1976 widely regarded as the most important artist's book of Johns's career and among the defining livres d'artiste of the postwar period. Through correspondence photographs proofs production records and Russell's own working papers the archive traces the project from conception to publication and beyond revealing how Johns transformed what began as a proposed literary collaboration into a monumental work shaped almost entirely by his own artistic concerns. Throughout Johns's career language most often appears as a public artifact: flags numbers alphabets maps newspaper fragments and other signs already circulating in the world. In Foirades / Fizzles however the attention shifts from language in public space to language in private space. The archive shows Johns becoming increasingly absorbed not simply by Beckett's texts but by the conditions under which those texts would be read: the reuse of certain plates between a piece's English and French text their placement on the page and their physical presentation in the book. Few surviving archives document so closely the making of a major Johns print project. CONTENTS SUMMARY: The book - Foirades / Fizzles Petersburg Press 1976 Véra Russell's own Artist's Proof XXIII/XXX signed by Beckett and Johns. Limited edition numbered XXIII/XXX this being one of only thirty Artist's Proofs from a full edition of two hundred fifty numbered copies and twenty Hors Commerce copies individually dedicated edited by Véra Lindsay Véra Russell illustrated with 33 etchings two of the double-page examples in colors 13 by 10 inches housed in its original linen-covered clamshell box with purple silk tassel the lining with color lithographs by Jasper Johns text in French & English the paper watermarked with the initials of Samuel Beckett and the signature of Jasper Johns handmade paper by Richard de Bas hand-printed by Fequet & Baudier in Paris the binding conceived and executed by Rudolf Rieser in Cologne protective tissue-guards throughout; IN FINE CONDITION. Petersburg Press 1976. Véra Russell correspondence - Her retained correspondence principally with Johns 13 letters and Beckett 8 letters and various others including Paul Cornwall-Jones Jim Knowlson James Cuno and Leo Castelli Jasper Johns correspondence - Eleven letters to Russell 1972-1981 tracing the project from inception through publication and exhibition Samuel Beckett correspondence - Twelve autograph notes 10 with envelopes and one autograph letter signed 1966-1984 together with a typed letter unsigned of 23 Nov 1973 on the choice of texts. A.J. "Con" Leventhal correspondence - Fourteen autograph notes and letters 1972-1976 further documenting Beckett's side of the collaboration. Editorial & production archive - Trial title-pages production notes and the six-part Outline of Project together with several working drafts of the book's Justification leaf in French and English annotated with autograph corrections and Cornwall-Jones/Petersburg Press correspondence on planning production and distribution Photographic archive - Eight photographs of Beckett and Johns together and twenty-five further photographs eighteen black-and-white seven in color of Johns producing the etchings together with fifteen color slides. Eleven of the photographs are by esteemed French photographer Robert Doisneau and stamped verso "Doisneau-Rapho"; the remainder carry a "Prudence Cuming Associates Ltd" stamp Miscellaneous materials - The Petersburg Press prospectus for the edition; an inscribed presentation copy of Beckett's Pour Finir Encore Les Éditions de Minuit 1976; two Hermathena offprints featuring Beckett one inscribed by Leventhal; a letter from the critic John Russell Véra Russell's former husband; and period newspaper and magazine cuttings. -------- A SINGULAR SURVIVAL: Few archives bring together a major artist's book the complete run of correspondence behind its making and the working papers of the editor who conceived it. Foirades / Fizzles marks a distinct turn in Jasper Johns's graphic career and the present archive is to our knowledge the most complete record of its creation. Johns's letters rarely appear at auction; a decade-spanning run of his correspondence alongside Beckett's own hand and Russell's retained papers as the project's originator is rarer still. In 1991-92 Russell herself offered her files for consideration by the Beckett Foundation; biographer James Knowlson corresponded with her warmly on the subject but the placement never went through and the material has remained together substantially as she kept it until now. Beneath the story told most visibly here - an unlikely convergence of two giants of late modernism yielding a new chapter in Johns's career and one of the most celebrated artist's books of the century uniquely documented in the present material - lies a quieter one: Russell's own. It is a story of perceived erasure a slight that this archive goes a long way toward redressing. Please click on the pdf link below the images for a more complete description. Petersburg Press unknown books
