914 resultados
Paris, Denoël, 1969. In-8, carré, cartonnage bordeau de l'éditeur, tire en lettres dorées sur le premier plat et le dos, 343 pp. Planches dans et hors-texte, documents et fac-similés. Table des matières : Françoise d'Aubigné et Paul Scarron. - Françoise Scarron et Louis de Villarceaux. - Delphine de Custine et Alexandre de Beauharnais. - Duchesse d'Orléans et Rouzet. - Julie Charles et Lamartine. Clotilde de Vaux et Auguste Comte. - Lucile Louvet et Henri Murger. - Blanche d'Antigny et Luce. - Marie et Pierre Curie.
Paris, Editions Planète, 1969. In-4, cartonnage noir de l'éditeur, 347 pp. La vie quotidienne. Le Milieu. L'amour. La prostitution. Les trafics. Les jeux. Les clochards. Les bistrots. La prison. etc. Photographies de Robert DOISNEAU.Très nombreuses illustrations dans et hors-texte (dessins). Nouvelle édition du volume paru en 1965 aux Editions Denoël. Bel exemplaire.
Paris, Pierre Bordas et Fils, 1994. In-4 (29 x 24,5 cm), broché, jaquette à rabats illustrée, 158 pp avec un plan des Halles en fin d'ouvrage. Bel exemplaire en parfait état.
2001pp. 120 con num. tav. in b/n. Bella antologia dell'opera del famoso fotografo francese.
1996
n.p., ill. hors texte N&B, agr., couverture illustree en couleurs (PEYNET). Photographies de (e.a.) : Seeberger, Bovis, Roubier, Doisneau, Tres bel exemplaire. [NV-12]
in-8°, 268 pages, portrait, broche, couv. Etat d'usage. [CL-6] Photo de CENDRARS par Robert DOISNEAU en hors texte.
petit in-4° 80 pp, photographies et pages de cahiers de M. Proust, broche, couverture rempliee. Tres bel exemplaire, très frais. [NV-19] Photographies originales de Robert DOISNEAU exécutées spécialement pour ce numéro.
200185 pages. A wonderful compilation of high quality black and white photographs depicting the school days of young boys decades ago. Text in French. Clean, bright and unmarked with minimal wear. Excellent copy. This book will make you smile! Book
1981ref. 212283New York: The Witkin Gallery 1981. Poster for an exhibition that ran April 22 through May 30 1981. Measures 24" wide by 18" high. A near fine copy with some very faint and scattered foxing to the margins. An attractive poster from this underappreciated French photographer. The Witkin Gallery unknown books
1955ref. 165683Paris: Robert Delpire 1955. First Edition. First Editions. Robert Delpire's "Collection Huit" complete in three volumes. Doisneau and Cartier-Bresson volumes with lightly faded jacket spine George Rodger volumes with some foxing at the bottom edge. All told an about Near Fine set. Robert Delpire unknown books
1955ref. 206883Philadelphia PA: J.B. Lippincott Company 1955. First U.S. edition. Hardcover. A charming children's book with verses by Arthur Gregor. Includes black and white photographs by Robert Doisneau. A very good copy in yellow cloth boards with some minor wear some internal soiling and some slight splitting to the rear internal hinge. No dust jacket. A nicely printed book that is fairly uncommon in any condition. J.B. Lippincott Company unknown books
1985ref. 203025London: Creative Camera 1985. First edition. Softcover. 38 pages. Features images by Robert Doisneau Holger Trulzsch Raymond Depardon and others. A near fine copy in stapled wrappers with some very minor wear. Internally a clean copy. Creative Camera unknown books
1972ref. 89204New York: Macmillan 1972. Hardcover. Very Good. First American edition. Quarto. Foreword by M. F. K. Fisher. Staining along the edge of the first several leaves affecting no images thus very good lacking the dust jacket. Macmillan hardcover books
1976ref. 3109London Paris New York: Petersburg Press 1976. FIRST EDITION. Original wrappers original box. Fine. AN EXTENSIVE ARCHIVE DOCUMENTING THE CREATION OF ONE OF THE MOST IMPORTANT PROJECTS OF JASPER JOHNS'S CAREER INCLUDING A FINE COPY WITH IMPORTANT PROVENANCE OF THE COMPLETED BOOK. Preserved by Véra Russell the editor who conceived and directed the project the archive documents the creation of Foirades / Fizzles Petersburg Press 1976 widely regarded as the most important artist's book of Johns's career and among the defining livres d'artiste of the postwar period. Through correspondence photographs proofs production records and Russell's own working papers the archive traces the project from conception to publication and beyond revealing how Johns transformed what began as a proposed literary collaboration into a monumental work shaped almost entirely by his own artistic concerns. Throughout Johns's career language most often appears as a public artifact: flags numbers alphabets maps newspaper fragments and other signs already circulating in the world. In Foirades / Fizzles however the attention shifts from language in public space to language in private space. The archive shows Johns becoming increasingly absorbed not simply by Beckett's texts but by the conditions under which those texts would be read: the reuse of certain plates between a piece's English and French text their placement on the page and their physical presentation in the book. Few surviving archives document so closely the making of a major Johns print project. CONTENTS SUMMARY: The book - Foirades / Fizzles Petersburg Press 1976 Véra Russell's own Artist's Proof XXIII/XXX signed by Beckett and Johns. Limited edition numbered XXIII/XXX this being one of only thirty Artist's Proofs from a full edition of two hundred fifty numbered copies and twenty Hors Commerce copies individually dedicated edited by Véra Lindsay Véra Russell illustrated with 33 etchings two of the double-page examples in colors 13 by 10 inches housed in its original linen-covered clamshell box with purple silk tassel the lining with color lithographs by Jasper Johns text in French & English the paper watermarked with the initials of Samuel Beckett and the signature of Jasper Johns handmade paper by Richard de Bas hand-printed by Fequet & Baudier in Paris the binding conceived and executed by Rudolf Rieser in Cologne protective tissue-guards throughout; IN FINE CONDITION. Petersburg Press 1976. Véra Russell correspondence - Her retained correspondence principally with Johns 13 letters and Beckett 8 letters and various others including Paul Cornwall-Jones Jim Knowlson James Cuno and Leo Castelli Jasper Johns correspondence - Eleven letters to Russell 1972-1981 tracing the project from inception through publication and exhibition Samuel Beckett correspondence - Twelve autograph notes 10 with envelopes and one autograph letter signed 1966-1984 together with a typed letter unsigned of 23 Nov 1973 on the choice of texts. A.J. "Con" Leventhal correspondence - Fourteen autograph notes and letters 1972-1976 further documenting Beckett's side of the collaboration. Editorial & production archive - Trial title-pages production notes and the six-part Outline of Project together with several working drafts of the book's Justification leaf in French and English annotated with autograph corrections and Cornwall-Jones/Petersburg Press correspondence on planning production and distribution Photographic archive - Eight photographs of Beckett and Johns together and twenty-five further photographs eighteen black-and-white seven in color of Johns producing the etchings together with fifteen color slides. Eleven of the photographs are by esteemed French photographer Robert Doisneau and stamped verso "Doisneau-Rapho"; the remainder carry a "Prudence Cuming Associates Ltd" stamp Miscellaneous materials - The Petersburg Press prospectus for the edition; an inscribed presentation copy of Beckett's Pour Finir Encore Les Éditions de Minuit 1976; two Hermathena offprints featuring Beckett one inscribed by Leventhal; a letter from the critic John Russell Véra Russell's former husband; and period newspaper and magazine cuttings. -------- A SINGULAR SURVIVAL: Few archives bring together a major artist's book the complete run of correspondence behind its making and the working papers of the editor who conceived it. Foirades / Fizzles marks a distinct turn in Jasper Johns's graphic career and the present archive is to our knowledge the most complete record of its creation. Johns's letters rarely appear at auction; a decade-spanning run of his correspondence alongside Beckett's own hand and Russell's retained papers as the project's originator is rarer still. In 1991-92 Russell herself offered her files for consideration by the Beckett Foundation; biographer James Knowlson corresponded with her warmly on the subject but the placement never went through and the material has remained together substantially as she kept it until now. Beneath the story told most visibly here - an unlikely convergence of two giants of late modernism yielding a new chapter in Johns's career and one of the most celebrated artist's books of the century uniquely documented in the present material - lies a quieter one: Russell's own. It is a story of perceived erasure a slight that this archive goes a long way toward redressing. Please click on the pdf link below the images for a more complete description. Petersburg Press unknown books
1956ref. 208428Paris and Geneve Switzerland: Jeheber 1956. First edition. Softcover. Features a preface by Jean Nohain along with text by Jean Dongues. Includes numerous black and white photographs by Doisneau. An about good copy in wrappers with a some wear to the top of the spine a small chip to the base of the spine some tanning to the top of the front panel and in an about fair acetate jacket that has large chips and tears. Internally a clean copy of a nicely printed book. Jeheber unknown books
1979ref. 203388Paris: Contrejour 1979. First edition. Hardcover. 143 pages. The French edition of "Three Second From Eternity." Features a brief essay by Doisneau. Includes many of Doisneau's best known images along with a checklist. A near fine copy in illustrated boards that have some minor wear and in a very good acetate dust jacket with some splitting and wear. One of the better books on this under appreciated photographer. Contrejour unknown books
2005ref. 199843Paris: Flammarion 2005. First edition and first printing. Hardcover. 393 pages. A comprehensive monograph on French photographer Robert Doisneau. Includes 560 black and white images many of which were previously unpublished. A clean very near fine copy with some very minute wear and in a near fine dust jacket that is lightly rubbed. One of the better books on Doisneau. This is a heavy and oversized book and will require extra shipping. Flammarion unknown books
1949ref. 81328Paris: Pierre Seghers Éditeur 1949. First Edition. First Impression. Small quarto 24cm; original pale yellow paper-covered boards with titles stamped in black on spine and front cover; photo-illustrated endpapers; 56-1355pp featuring 130 photogravure images by Doisneau. Spine ends bumped upper corners tapped with wear to lower corners gentle sunning to spine with some of the usual light dust-soil to covers and a hint of foxing to text edges; Very Good lacking the dustjacket. "When Doisneau began to photograph the suburbs of Gentilly and Montrouge they were still the tough but spirited working-class communities celebrated in the poetic-realist films of Julien Duvivier and Marcel Carné. But Doisneau caught them just as they were about to change and expand beyond recognition making this book a valuable document that looks unsentimentally yet affectionately at a popular idea of the French working class" PARR & BADGER Vol.1 p.201. Pierre Seghers, Éditeur unknown books
1981ref. 192390London: Creative Camera 1981. First edition. Softcover. Terrific issue of this long running photography magazine. Features two articles on Frederick Sommer by Mark Haworth-Booth and Dawn Ades and with 11 black and white images. Also includes articles on and images by Milton Rogovin and Robert Doisneau. A near fine copy in stapled wrappers. Creative Camera unknown books
1978ref. 188049New York: Workman Publishing Company 1978. First edition and first printing. Oblong hardcover. A charming children's story by James Sage accompanied by black and white photographs by French photographer Robert Doisneau with the artistic collaboration of Pierre Derlon. A clean and tight near fine copy in blue cloth boards in a very good plus dust jacket with a few edge tears tiny chips and a small slice to the front flap. Still a solid copy of the much less common hardcover format. Workman Publishing Company unknown books
1986ref. 160009Paris: Messidor 1986. Later printing. Hardcover. A collection of black and white images by Robert Doisneau with text by Max-Pol Fouchet in French. A clean very near fine copy in a near fine dust jacket with some very minute wear. Messidor unknown books
2003ref. 159752Paris: Editions du Chene 2003. First edition. Hardcover. First printing. Text in French by Jean-Claude Renard. A collection of Doisneau's black and white images of workers in a wide range of settings. A very near fine copy in a very near fine dust jacket. Editions du Chene unknown books
1960ref. 152067Paris: Editions Emile-Paul 1960. First edition. Softcover. Text in French. Includes black and white photographs by Denis Brihat Louis-Frederic Robert Doisneau Nora Dumas Paul Pougnet Lennart Nillsoon P. Belzeaux and numerous others. A very good plus copy in wrappers that are slightly soiled but internally a clean copy. A nicely printed book. Editions Emile-Paul unknown books
1978ref. 130942Paris: Chene 1978. First edition. Oblong softcover. Charming book that was an artistic collaboration of Pierre Derlon and features text in French by James Sage and black and white photographs of children by Doisneau. A very good plus copy in wrappers with some slight bumping to the top front corner of the pages. Seemingly uncommon. Chene unknown books
