911 résultats
réf. 48913Lanzac : Le Point. Un volume 24,7x18cm sous couverture rempliée, 48 +16 pages sur papier rose avec des photographies hors texte en héliogravure dont 5 de Robert Doisneau, et deux reproductions en couleurs. Papier légèrement gondolé sinon bon état.
1996
1945réf. 139991945 cartonné souple éditeur grand in-octavo (flexible hard-back editor in-octavo), dos muet blanc (white spine without title), premier plat sur fond tricolore orné d'une illustration photographique en noir de (front cover on three-coloured bottom with a photographic illustration in black of) Jacques Maret, quatrième plat illustré (back cover illustrated), toutes tranches lisses (all smooth edges), sans page de garde (without endpaper), page de faux-titre (half title page), 150 illustrations photographiques en noir de (150 photographic illustrations in black of) Arthaud - Bertrand - Doisneau - Dubure - Gendre - Jac - Jahan - Lapi - Laroche - Le Cuziat - Gaston Paris - Prével - Rouché - Serge - Seeberger et Zuber, sans pagination (unpagnited) - 100 pages, 1945 à Paris O.L.B.,
1944réf. 136930Couverture rigide. Brochure de 24 pages. 15 x 23 cm. Légèrement défraîchie.
1976réf. 3109London Paris New York: Petersburg Press 1976. FIRST EDITION. Original wrappers original box. Fine. AN EXTENSIVE ARCHIVE DOCUMENTING THE CREATION OF ONE OF THE MOST IMPORTANT PROJECTS OF JASPER JOHNS'S CAREER INCLUDING A FINE COPY WITH IMPORTANT PROVENANCE OF THE COMPLETED BOOK. Preserved by Véra Russell the editor who conceived and directed the project the archive documents the creation of Foirades / Fizzles Petersburg Press 1976 widely regarded as the most important artist's book of Johns's career and among the defining livres d'artiste of the postwar period. Through correspondence photographs proofs production records and Russell's own working papers the archive traces the project from conception to publication and beyond revealing how Johns transformed what began as a proposed literary collaboration into a monumental work shaped almost entirely by his own artistic concerns. Throughout Johns's career language most often appears as a public artifact: flags numbers alphabets maps newspaper fragments and other signs already circulating in the world. In Foirades / Fizzles however the attention shifts from language in public space to language in private space. The archive shows Johns becoming increasingly absorbed not simply by Beckett's texts but by the conditions under which those texts would be read: the reuse of certain plates between a piece's English and French text their placement on the page and their physical presentation in the book. Few surviving archives document so closely the making of a major Johns print project. CONTENTS SUMMARY: The book - Foirades / Fizzles Petersburg Press 1976 Véra Russell's own Artist's Proof XXIII/XXX signed by Beckett and Johns. Limited edition numbered XXIII/XXX this being one of only thirty Artist's Proofs from a full edition of two hundred fifty numbered copies and twenty Hors Commerce copies individually dedicated edited by Véra Lindsay Véra Russell illustrated with 33 etchings two of the double-page examples in colors 13 by 10 inches housed in its original linen-covered clamshell box with purple silk tassel the lining with color lithographs by Jasper Johns text in French & English the paper watermarked with the initials of Samuel Beckett and the signature of Jasper Johns handmade paper by Richard de Bas hand-printed by Fequet & Baudier in Paris the binding conceived and executed by Rudolf Rieser in Cologne protective tissue-guards throughout; IN FINE CONDITION. Petersburg Press 1976. Véra Russell correspondence - Her retained correspondence principally with Johns 13 letters and Beckett 8 letters and various others including Paul Cornwall-Jones Jim Knowlson James Cuno and Leo Castelli Jasper Johns correspondence - Eleven letters to Russell 1972-1981 tracing the project from inception through publication and exhibition Samuel Beckett correspondence - Twelve autograph notes 10 with envelopes and one autograph letter signed 1966-1984 together with a typed letter unsigned of 23 Nov 1973 on the choice of texts. A.J. "Con" Leventhal correspondence - Fourteen autograph notes and letters 1972-1976 further documenting Beckett's side of the collaboration. Editorial & production archive - Trial title-pages production notes and the six-part Outline of Project together with several working drafts of the book's Justification leaf in French and English annotated with autograph corrections and Cornwall-Jones/Petersburg Press correspondence on planning production and distribution Photographic archive - Eight photographs of Beckett and Johns together and twenty-five further photographs eighteen black-and-white seven in color of Johns producing the etchings together with fifteen color slides. Eleven of the photographs are by esteemed French photographer Robert Doisneau and stamped verso "Doisneau-Rapho"; the remainder carry a "Prudence Cuming Associates Ltd" stamp Miscellaneous materials - The Petersburg Press prospectus for the edition; an inscribed presentation copy of Beckett's Pour Finir Encore Les Éditions de Minuit 1976; two Hermathena offprints featuring Beckett one inscribed by Leventhal; a letter from the critic John Russell Véra Russell's former husband; and period newspaper and magazine cuttings. -------- A SINGULAR SURVIVAL: Few archives bring together a major artist's book the complete run of correspondence behind its making and the working papers of the editor who conceived it. Foirades / Fizzles marks a distinct turn in Jasper Johns's graphic career and the present archive is to our knowledge the most complete record of its creation. Johns's letters rarely appear at auction; a decade-spanning run of his correspondence alongside Beckett's own hand and Russell's retained papers as the project's originator is rarer still. In 1991-92 Russell herself offered her files for consideration by the Beckett Foundation; biographer James Knowlson corresponded with her warmly on the subject but the placement never went through and the material has remained together substantially as she kept it until now. Beneath the story told most visibly here - an unlikely convergence of two giants of late modernism yielding a new chapter in Johns's career and one of the most celebrated artist's books of the century uniquely documented in the present material - lies a quieter one: Russell's own. It is a story of perceived erasure a slight that this archive goes a long way toward redressing. Please click on the pdf link below the images for a more complete description. Petersburg Press unknown books
1976réf. 3109London Paris New York: Petersburg Press 1976. FIRST EDITION. Original wrappers original box. Fine. AN EXTENSIVE ARCHIVE DOCUMENTING THE CREATION OF ONE OF THE MOST IMPORTANT PROJECTS OF JASPER JOHNS'S CAREER INCLUDING A FINE COPY WITH IMPORTANT PROVENANCE OF THE COMPLETED BOOK. Preserved by Véra Russell the editor who conceived and directed the project the archive documents the creation of Foirades / Fizzles Petersburg Press 1976 widely regarded as the most important artist's book of Johns's career and among the defining livres d'artiste of the postwar period. Through correspondence photographs proofs production records and Russell's own working papers the archive traces the project from conception to publication and beyond revealing how Johns transformed what began as a proposed literary collaboration into a monumental work shaped almost entirely by his own artistic concerns. Throughout Johns's career language most often appears as a public artifact: flags numbers alphabets maps newspaper fragments and other signs already circulating in the world. In Foirades / Fizzles however the attention shifts from language in public space to language in private space. The archive shows Johns becoming increasingly absorbed not simply by Beckett's texts but by the conditions under which those texts would be read: the reuse of certain plates between a piece's English and French text their placement on the page and their physical presentation in the book. Few surviving archives document so closely the making of a major Johns print project. CONTENTS SUMMARY: The book - Foirades / Fizzles Petersburg Press 1976 Véra Russell's own Artist's Proof XXIII/XXX signed by Beckett and Johns. Limited edition numbered XXIII/XXX this being one of only thirty Artist's Proofs from a full edition of two hundred fifty numbered copies and twenty Hors Commerce copies individually dedicated edited by Véra Lindsay Véra Russell illustrated with 33 etchings two of the double-page examples in colors 13 by 10 inches housed in its original linen-covered clamshell box with purple silk tassel the lining with color lithographs by Jasper Johns text in French & English the paper watermarked with the initials of Samuel Beckett and the signature of Jasper Johns handmade paper by Richard de Bas hand-printed by Fequet & Baudier in Paris the binding conceived and executed by Rudolf Rieser in Cologne protective tissue-guards throughout; IN FINE CONDITION. Petersburg Press 1976. Véra Russell correspondence - Her retained correspondence principally with Johns 13 letters and Beckett 8 letters and various others including Paul Cornwall-Jones Jim Knowlson James Cuno and Leo Castelli Jasper Johns correspondence - Eleven letters to Russell 1972-1981 tracing the project from inception through publication and exhibition Samuel Beckett correspondence - Twelve autograph notes 10 with envelopes and one autograph letter signed 1966-1984 together with a typed letter unsigned of 23 Nov 1973 on the choice of texts. A.J. "Con" Leventhal correspondence - Fourteen autograph notes and letters 1972-1976 further documenting Beckett's side of the collaboration. Editorial & production archive - Trial title-pages production notes and the six-part Outline of Project together with several working drafts of the book's Justification leaf in French and English annotated with autograph corrections and Cornwall-Jones/Petersburg Press correspondence on planning production and distribution Photographic archive - Eight photographs of Beckett and Johns together and twenty-five further photographs eighteen black-and-white seven in color of Johns producing the etchings together with fifteen color slides. Eleven of the photographs are by esteemed French photographer Robert Doisneau and stamped verso "Doisneau-Rapho"; the remainder carry a "Prudence Cuming Associates Ltd" stamp Miscellaneous materials - The Petersburg Press prospectus for the edition; an inscribed presentation copy of Beckett's Pour Finir Encore Les Éditions de Minuit 1976; two Hermathena offprints featuring Beckett one inscribed by Leventhal; a letter from the critic John Russell Véra Russell's former husband; and period newspaper and magazine cuttings. -------- A SINGULAR SURVIVAL: Few archives bring together a major artist's book the complete run of correspondence behind its making and the working papers of the editor who conceived it. Foirades / Fizzles marks a distinct turn in Jasper Johns's graphic career and the present archive is to our knowledge the most complete record of its creation. Johns's letters rarely appear at auction; a decade-spanning run of his correspondence alongside Beckett's own hand and Russell's retained papers as the project's originator is rarer still. In 1991-92 Russell herself offered her files for consideration by the Beckett Foundation; biographer James Knowlson corresponded with her warmly on the subject but the placement never went through and the material has remained together substantially as she kept it until now. Beneath the story told most visibly here - an unlikely convergence of two giants of late modernism yielding a new chapter in Johns's career and one of the most celebrated artist's books of the century uniquely documented in the present material - lies a quieter one: Russell's own. It is a story of perceived erasure a slight that this archive goes a long way toward redressing. Please click on the pdf link below the images for a more complete description. Petersburg Press unknown
1986réf. ABE-1696441423475COLLECTION POINTS FIXES-PHOTO DE COUVERTURE DE ROBERT DOISNEAU-PREFACE DE ROBERT DOISNEAU-PETIT IN 8-224 PAGES-TRES BEL ETAT-(9D)
réf. lc_25232Jeheber, Paris, 1956
réf. 59568Galerie La Demeure 1962 edition originale In-4 31 cm 30pp. illustr. portrait et planches hors-texte texte francais et anglais exemplaire numerote et signe par Jean Beaufret et de Michel Tourliere couverture cart. souple de l'editeur jaquette bon etat Nb-0320 unknown
1949réf. 187561949. Villefranche sur Saône Établiements Jacquemaire 1949 - Broché 21 5 cm x 29 cm 38 pages 32 pages de photographies noir 2 pages publicitaires pour les produits Jacquemaire - Bon état
1957réf. R260157431DENOËL. 1957. In-12. Cartonné. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 269 pages. Quelques planches de photos en noir et blanc de Robert Doisneau et de dessins de l'auteur. Auréoles sur la couverture.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
1955réf. 77442s. l. (Paris) s. d. [1955] | 18.70 x 27 cm | une photographie
1955réf. 77442s. l. Paris 1955. Fine. s. l. Paris s. d. 1955 18.70 x 27 cm une photographie Original collage produced on an original photograph portrait of Robert Doisneau enriched with a handwritten presentation signed by Jacques Prévert Paris 1955 18.7 x 27 cm one photographOriginal photograph in contemporary silver print showing Jacques Prévert in front of the pediment of a church on which the poet glued an old engraving depicting a bird and which he enriched with a signed handwritten presentation to his friend Jean Mattei. Prévert also using paint reddened the end of his cigarette. Stamp of the Doisneau studio in Montrouge on the back of the picture. One central fold. On this rare photograph reproduced in the book Rue Jacques Prévert by Robert Doisneau the poet poses in front of the Catéchismes chapel of the Église Saint-Jacques-Saint-Christophe de la Villette situated in the 19th arrondissement in Paris. Jean Mattei dedicatee of this work was Chagall and André Gide's doctor and lived in Saint-Paul-de-Vence. unknown
1992réf. Q-2905292385Hoebeke 1992-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Hoebeke hardcover
1950réf. 15095Paris: La Roulotte 1950. Hardcover. Very Good /Very Good. Wonderful study of the tattoos of the Paris underworld in particular the criminal underworld. Clean and VG in its beige boards with light wear to the front inner hinge. And in a crisp VG example of the pictorial dustjacket with light chipping and creasing --and several small closed tears-- along the panel edges. Still though attractive and very presentable. 80 crisp black-and-white photos of the men and their tattoos 11 of which were taken by the great French photographer Robert Doisneau. La Roulotte hardcover books
1950réf. 15095Paris: La Roulotte 1950. Hardcover. Very Good /Very Good. Wonderful study of the tattoos of the Paris underworld in particular the criminal underworld. Clean and VG in its beige boards with light wear to the front inner hinge. And in a crisp VG example of the pictorial dustjacket with light chipping and creasing --and several small closed tears-- along the panel edges. Still though attractive and very presentable. 80 crisp black-and-white photos of the men and their tattoos 11 of which were taken by the great French photographer Robert Doisneau. La Roulotte hardcover
1988réf. 55096Arles Actes Sud 1988 1 vol. broché in-12 étroit, broché, 226 pp. Édition originale posthume de ce roman de l'enfance qui se déroule dans les années 1930, à une époque où les jeunes tuberculeux de l'Assistance publique devaient porter un tablier rouge. Postface de François Billetdoux qui présenta le manuscrit à l'éditeur Hubert Nyssen. Exemplaire offert par l'éditeur avec une carte autographe et, contrecollée en tête d'ouvrage, une photographie originale par Robert Doisneau (9,4 x 19 cm) représentant l'autrice avec son fils.
1988réf. 55096Arles Actes Sud 1988 1 vol. broché in-12 étroit, broché, 226 pp. Édition originale posthume de ce roman de l'enfance qui se déroule dans les années 1930, à une époque où les jeunes tuberculeux de l'Assistance publique devaient porter un tablier rouge. Postface de François Billetdoux qui présenta le manuscrit à l'éditeur Hubert Nyssen. Exemplaire offert par l'éditeur avec une carte autographe et, contrecollée en tête d'ouvrage, une photographie originale par Robert Doisneau (9,4 x 19 cm) représentant l'autrice avec son fils.
réf. 76210Coll. "Les feuilles vives", éd., Plasma, 1979, EDITION ORIGINALE, in-8, cartonnage souple, couv. éd., 240 pp., nb. photos en noir dont de Robert Doisneau, bibliographie, table des matières, Un receuil de textes du grand "imaginaire" de la littérature française. Belles photographies de Robert Doisneau. Très bon état
réf. L16208Plasma, 1979. In-8 br. Coll. " Les feuilles vives ". Texte précédé d'une lettre d'André Vers et d'un hors-texte de Didier Gillet. Photos de R.P. Turine et R. Doisneau (dont le portrait de l'auteur en frontispice). E.O. il n'est pas annoncé de grand papier. Bel envoi autographe d'André Hardellet.
1995réf. 118457New York: Abbeville Press 1995. First edition. Hardcover. A comprehensive look at Doisneau's long career with over 450 photographs. A clean and tight very near fine copy in a very near fine dust jacket. This is a heavy and oversized book and will require extra shipping. Abbeville Press unknown books
1995réf. 118457New York: Abbeville Press 1995. First edition. Hardcover. A comprehensive look at Doisneau's long career with over 450 photographs. A clean and tight very near fine copy in a very near fine dust jacket. This is a heavy and oversized book and will require extra shipping. Abbeville Press unknown
réf. 48920Paris Editions Hoëbeke / Paris Musées 1995 in 4 (24x20) 1 volume broché, 126 pages [1], avec de nombreuses photographies en noir et blanc de Robert Doisneau. Ouvrage publié à l'occasion de l'exposition "Le Paris de Doisneau" présentée au Musée Carnavalet-Histoire de Paris. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
P., France-loisirs, 9997. In-4 cartonné avec jaquette, 381 pp. abondamment illustré. Réédition à l'identique de l'édition Hoëbeke 1995. Excellent état.
1964réf. 540301 vol. in-4 cartonnage éditeur, Fernand Nathan, Paris, 1964, 48 pp.
