ref. 1682Formes et couleurs, Paris, 1944
1976ref. 3109London Paris New York: Petersburg Press 1976. FIRST EDITION. Original wrappers original box. Fine. AN EXTENSIVE ARCHIVE DOCUMENTING THE CREATION OF ONE OF THE MOST IMPORTANT PROJECTS OF JASPER JOHNS'S CAREER INCLUDING A FINE COPY WITH IMPORTANT PROVENANCE OF THE COMPLETED BOOK. Preserved by Véra Russell the editor who conceived and directed the project the archive documents the creation of Foirades / Fizzles Petersburg Press 1976 widely regarded as the most important artist's book of Johns's career and among the defining livres d'artiste of the postwar period. Through correspondence photographs proofs production records and Russell's own working papers the archive traces the project from conception to publication and beyond revealing how Johns transformed what began as a proposed literary collaboration into a monumental work shaped almost entirely by his own artistic concerns. Throughout Johns's career language most often appears as a public artifact: flags numbers alphabets maps newspaper fragments and other signs already circulating in the world. In Foirades / Fizzles however the attention shifts from language in public space to language in private space. The archive shows Johns becoming increasingly absorbed not simply by Beckett's texts but by the conditions under which those texts would be read: the reuse of certain plates between a piece's English and French text their placement on the page and their physical presentation in the book. Few surviving archives document so closely the making of a major Johns print project. CONTENTS SUMMARY: The book - Foirades / Fizzles Petersburg Press 1976 Véra Russell's own Artist's Proof XXIII/XXX signed by Beckett and Johns. Limited edition numbered XXIII/XXX this being one of only thirty Artist's Proofs from a full edition of two hundred fifty numbered copies and twenty Hors Commerce copies individually dedicated edited by Véra Lindsay Véra Russell illustrated with 33 etchings two of the double-page examples in colors 13 by 10 inches housed in its original linen-covered clamshell box with purple silk tassel the lining with color lithographs by Jasper Johns text in French & English the paper watermarked with the initials of Samuel Beckett and the signature of Jasper Johns handmade paper by Richard de Bas hand-printed by Fequet & Baudier in Paris the binding conceived and executed by Rudolf Rieser in Cologne protective tissue-guards throughout; IN FINE CONDITION. Petersburg Press 1976. Véra Russell correspondence - Her retained correspondence principally with Johns 13 letters and Beckett 8 letters and various others including Paul Cornwall-Jones Jim Knowlson James Cuno and Leo Castelli Jasper Johns correspondence - Eleven letters to Russell 1972-1981 tracing the project from inception through publication and exhibition Samuel Beckett correspondence - Twelve autograph notes 10 with envelopes and one autograph letter signed 1966-1984 together with a typed letter unsigned of 23 Nov 1973 on the choice of texts. A.J. "Con" Leventhal correspondence - Fourteen autograph notes and letters 1972-1976 further documenting Beckett's side of the collaboration. Editorial & production archive - Trial title-pages production notes and the six-part Outline of Project together with several working drafts of the book's Justification leaf in French and English annotated with autograph corrections and Cornwall-Jones/Petersburg Press correspondence on planning production and distribution Photographic archive - Eight photographs of Beckett and Johns together and twenty-five further photographs eighteen black-and-white seven in color of Johns producing the etchings together with fifteen color slides. Eleven of the photographs are by esteemed French photographer Robert Doisneau and stamped verso "Doisneau-Rapho"; the remainder carry a "Prudence Cuming Associates Ltd" stamp Miscellaneous materials - The Petersburg Press prospectus for the edition; an inscribed presentation copy of Beckett's Pour Finir Encore Les Éditions de Minuit 1976; two Hermathena offprints featuring Beckett one inscribed by Leventhal; a letter from the critic John Russell Véra Russell's former husband; and period newspaper and magazine cuttings. -------- A SINGULAR SURVIVAL: Few archives bring together a major artist's book the complete run of correspondence behind its making and the working papers of the editor who conceived it. Foirades / Fizzles marks a distinct turn in Jasper Johns's graphic career and the present archive is to our knowledge the most complete record of its creation. Johns's letters rarely appear at auction; a decade-spanning run of his correspondence alongside Beckett's own hand and Russell's retained papers as the project's originator is rarer still. In 1991-92 Russell herself offered her files for consideration by the Beckett Foundation; biographer James Knowlson corresponded with her warmly on the subject but the placement never went through and the material has remained together substantially as she kept it until now. Beneath the story told most visibly here - an unlikely convergence of two giants of late modernism yielding a new chapter in Johns's career and one of the most celebrated artist's books of the century uniquely documented in the present material - lies a quieter one: Russell's own. It is a story of perceived erasure a slight that this archive goes a long way toward redressing. Please click on the pdf link below the images for a more complete description. Petersburg Press unknown books
1976ref. 3109London Paris New York: Petersburg Press 1976. FIRST EDITION. Original wrappers original box. Fine. AN EXTENSIVE ARCHIVE DOCUMENTING THE CREATION OF ONE OF THE MOST IMPORTANT PROJECTS OF JASPER JOHNS'S CAREER INCLUDING A FINE COPY WITH IMPORTANT PROVENANCE OF THE COMPLETED BOOK. Preserved by Véra Russell the editor who conceived and directed the project the archive documents the creation of Foirades / Fizzles Petersburg Press 1976 widely regarded as the most important artist's book of Johns's career and among the defining livres d'artiste of the postwar period. Through correspondence photographs proofs production records and Russell's own working papers the archive traces the project from conception to publication and beyond revealing how Johns transformed what began as a proposed literary collaboration into a monumental work shaped almost entirely by his own artistic concerns. Throughout Johns's career language most often appears as a public artifact: flags numbers alphabets maps newspaper fragments and other signs already circulating in the world. In Foirades / Fizzles however the attention shifts from language in public space to language in private space. The archive shows Johns becoming increasingly absorbed not simply by Beckett's texts but by the conditions under which those texts would be read: the reuse of certain plates between a piece's English and French text their placement on the page and their physical presentation in the book. Few surviving archives document so closely the making of a major Johns print project. CONTENTS SUMMARY: The book - Foirades / Fizzles Petersburg Press 1976 Véra Russell's own Artist's Proof XXIII/XXX signed by Beckett and Johns. Limited edition numbered XXIII/XXX this being one of only thirty Artist's Proofs from a full edition of two hundred fifty numbered copies and twenty Hors Commerce copies individually dedicated edited by Véra Lindsay Véra Russell illustrated with 33 etchings two of the double-page examples in colors 13 by 10 inches housed in its original linen-covered clamshell box with purple silk tassel the lining with color lithographs by Jasper Johns text in French & English the paper watermarked with the initials of Samuel Beckett and the signature of Jasper Johns handmade paper by Richard de Bas hand-printed by Fequet & Baudier in Paris the binding conceived and executed by Rudolf Rieser in Cologne protective tissue-guards throughout; IN FINE CONDITION. Petersburg Press 1976. Véra Russell correspondence - Her retained correspondence principally with Johns 13 letters and Beckett 8 letters and various others including Paul Cornwall-Jones Jim Knowlson James Cuno and Leo Castelli Jasper Johns correspondence - Eleven letters to Russell 1972-1981 tracing the project from inception through publication and exhibition Samuel Beckett correspondence - Twelve autograph notes 10 with envelopes and one autograph letter signed 1966-1984 together with a typed letter unsigned of 23 Nov 1973 on the choice of texts. A.J. "Con" Leventhal correspondence - Fourteen autograph notes and letters 1972-1976 further documenting Beckett's side of the collaboration. Editorial & production archive - Trial title-pages production notes and the six-part Outline of Project together with several working drafts of the book's Justification leaf in French and English annotated with autograph corrections and Cornwall-Jones/Petersburg Press correspondence on planning production and distribution Photographic archive - Eight photographs of Beckett and Johns together and twenty-five further photographs eighteen black-and-white seven in color of Johns producing the etchings together with fifteen color slides. Eleven of the photographs are by esteemed French photographer Robert Doisneau and stamped verso "Doisneau-Rapho"; the remainder carry a "Prudence Cuming Associates Ltd" stamp Miscellaneous materials - The Petersburg Press prospectus for the edition; an inscribed presentation copy of Beckett's Pour Finir Encore Les Éditions de Minuit 1976; two Hermathena offprints featuring Beckett one inscribed by Leventhal; a letter from the critic John Russell Véra Russell's former husband; and period newspaper and magazine cuttings. -------- A SINGULAR SURVIVAL: Few archives bring together a major artist's book the complete run of correspondence behind its making and the working papers of the editor who conceived it. Foirades / Fizzles marks a distinct turn in Jasper Johns's graphic career and the present archive is to our knowledge the most complete record of its creation. Johns's letters rarely appear at auction; a decade-spanning run of his correspondence alongside Beckett's own hand and Russell's retained papers as the project's originator is rarer still. In 1991-92 Russell herself offered her files for consideration by the Beckett Foundation; biographer James Knowlson corresponded with her warmly on the subject but the placement never went through and the material has remained together substantially as she kept it until now. Beneath the story told most visibly here - an unlikely convergence of two giants of late modernism yielding a new chapter in Johns's career and one of the most celebrated artist's books of the century uniquely documented in the present material - lies a quieter one: Russell's own. It is a story of perceived erasure a slight that this archive goes a long way toward redressing. Please click on the pdf link below the images for a more complete description. Petersburg Press unknown
1956ref. 7328Genève, Editions René Kister, coll. Les grands peintres, 1956. Grand in-8 broché de 33 pages, couverture rempliée ornée d'un portait photographique de l'artiste, titre noir sur dos blanc. Coins légèrement frottés.
1980ref. 17Centre Alpin et Rhodanien d'Ethnologie 1980 247 pages Grenoble. 1vol. Grand in4. 1980. Broché couverture souple illustrée. 247 pages.
1986ref. 211951986 préface de Robert Doisneau - Paris, Le Cherche Midi (Coll. Points Fixes), 1986 - in-12 broché sous couverture illustrée par une photo de Doisneau, 221pp. - bon état -
1986ref. ABE-1696441423475COLLECTION POINTS FIXES-PHOTO DE COUVERTURE DE ROBERT DOISNEAU-PREFACE DE ROBERT DOISNEAU-PETIT IN 8-224 PAGES-TRES BEL ETAT-(9D)
1966ref. 47551966 Paris, Denoël, 1966. Un volume in-8 carré cartonnage d'éditeur sous jaquette illsutrée, 302pp., dessins et photographies de Doisneau. Jaquette défraîchie, bon état néanmoins, intérieur frais.
1957ref. 21341957 S.l. (Paris), Denoël, s.d. (1957). In-8°, cart. toilé Bradel d'éditeur, titre gaufré sur le premier plat et en long audos, sous jaquette ill. en noir, tranchefiles.
1957ref. R260157431DENOËL. 1957. In-12. Cartonné. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 269 pages. Quelques planches de photos en noir et blanc de Robert Doisneau et de dessins de l'auteur. Auréoles sur la couverture.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
1955ref. 64834Paris, Jeheber, 1955, in-12, broché, jaquette éditeur, 195 pages. Bel exemplaire. 12 illustrations dont 10 par Doisneau. Jaquette présentant des marques d'usage. Intérieur très frais.
1955ref. 11472Paris-Genève JEHEBER 1955 1 Paris-Genève, éditions Jeheber, 1955, in-12, broché, surcouverture illustrée d'une sculpture de la manufacture de sèvres intitulée Femme à la puce, 1830, 196 pages.
Paris-Genève, Jeheber, 1955 ; petit in-8, broché, jaquette illustrée, non coupé, 195 pp. Etat neuf. Edition originale. Photographies hors-texte de R. Doisneau. Amusant voyage au Pays des " Puces savantes ".
1955ref. 11471Paris-Genève JEHEBER 1955 1 Photographies de Robert DOISNEAU. Paris-Genève, éditions Jeheber, 1955, in-12, br., couv. ill. d'une sculpture de la manufacture de sèvres intitulée Femme à la puce, 1830, 196 pp.
ref. 313655Editions Jeheber Paris 1955 In-12 ( 195 X 130 mm ) de 195 pages, broché sous jaquette illustrée. 13 planches de photographies en noir dont certaines de Robert DOISNEAU. Edition originale. Très bel exemplaire.L'un des très rare opus sur la puce. La puce dans tout ses états : compagne opiniâtre des dessous de nos ancêtres pas si lointains ( les spectateurs des salles obscures des années 50 ressortaient souvent avec des démangeaisons ), mais aussi en littérature et dans l'art, artiste de cirque ou de théâtre, comment s'en débarrasser.
1984ref. 002593Paris Messidor 1984 In Quarto Collection " Temps actuels " . Avant-propos de Marie-Claude Vaillant-Couturier . Très belle iconographie en couleurs et noir et blanc , composée de photographies par les plus grands , de peintures et d'archives . Une vingtaine de témoignages par celles qui luttèrent contre l'envahisseur .- 190 p. , 900 gr.
2004Mm 295x310 Volume in copertina rigida con sovraccoperta, 367 pagine profusamente illustrate in nero. Testo in lingua tedesca - german text. Copia pari al nuovo; spedizione in 24 ore dalla conferma dell'ordine.
1997ref. BN658734Schirmer / Mosel. 1997. 1997. Softcover. Drei Sekunden Ewigkeit. 101 Photographien. Mit einem Essay des Photographen. Drei Sekunden Ewigkeit. 101 Photographien. Mit einem Essay des Photographen. Robert Doisneau Schirmer / Mosel. paperback
1980ref. 172068Munich: Schirmer / Mosel 1980. Hardcover. VG/VG- light wear and minor scuffing/soiling to dust jacket. Pale gray boards with black lettering. Glossy white and BW-photographic dust jacket with black lettering. 143 pp. Mainly illustrations in BW. Text in German. Selection of photos by the photojournalist Robert Doisneau. Schirmer / Mosel hardcover books
2008ref. 201050Paris: Flammarion 2008. Cloth 191 pages chiefly illustrations; 32 cm. English Edition. Translated from the French by Margo Bedingfield. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! No priority/international except by arrangement. A large-format coffee-table book. Profusely illustrated. "During the golden age when Montparnasse was teeming with artists Robert Doisneau gained remarkable access to the artists working in Paris from 1937 onwards and he visited their studios and caught them in various private moments: working reflecting and even playing with their children. This book which includes some previously unpublished photographs shares Doisneau's intimate view on the work and lives of these artists. Many remain famous--Picasso David Hockney Jasper Johns Giacometti Saul Steinberg Marcel Duchamp Le Corbusier Foujita--while others have fallen into obscurity perhaps one day to be rediscovered. Regardless of the artist's social status--whether major figure of the day or struggling newcomer--Doisneau approached each subject with the same humble eye. His signature black-and-white photographs capture the nostalgia of the period and bear witness to these artists in the act of creating some of the world's finest art. This book published in cooperation with Doisneau's daughters is a fascinating document of the daily lives of artists by one of the world's most famous and popular photographers." - Publisher. 1st. Hardcover. NEW/NEW. Folio. Collectible. Flammarion Hardcover
ref. 2080300644.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2008ref. DADAX2080300644FLAMMARION 2008-11-25. First Edition. hardcover. New. 9.80x1.03x12.60. Buy with confidence. Excellent Customer Service & Return policy. FLAMMARION hardcover
2005ref. 351254New York: Flammarion 2005. 1st. Hardcover. Very Good/Very Good. Hardcover 560 b&w photographs of Doisneau's beloved Paris many published for the first time accompanied by anecdotes from Doisneau's personal notebooks. Sections include Paris by Surprise: Parks and Gardens Pedestrian Ballet Urban Flirtation Bistros; Paris for Parisians: Les Halles Everyday Parisians A Home for Tenants A few Tenants More Paris-by-the-Seine; Paris at Play: Fairs Cabarets and Nightclubs; Society Fashion; and Paris in Concrete. As the photographer said "There are days when the technique of an aimless stroll - without timetable or destination - works like a charm flushing out pictures from the non-stop urban spectacle." Record # 351254 Flammarion hardcover
ref. 48920Paris Editions Hoëbeke / Paris Musées 1995 in 4 (24x20) 1 volume broché, 126 pages [1], avec de nombreuses photographies en noir et blanc de Robert Doisneau. Ouvrage publié à l'occasion de l'exposition "Le Paris de Doisneau" présentée au Musée Carnavalet-Histoire de Paris. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
ref. 16587Éditions Paris-Musées / Hoëbeke, 1995. Ouvrage publié à l'occasion de l'exposition "Le Paris de Doisneau", présentée au Musée Carnavalet-Histoire de Paris à l'automne 1995. Comprenant 107 photographies de Robert Doisneau dont 84 en pleine page, et un portrait photographique de Doisneau par Hamilton en frontispice. Grand in-8 broché, 20 x 24 cm., 128 pp. Très bon état.