NADAR (Félix Tournachon, dit).Livre Rare Book
855 resultados
1877ref. 144661877 P., Michel Lévy Frères, 1858, 1 vol. in-12 (183 x 117 mm), reliure de l'époque en 1/2 chagrin rouge à coins, dos à 5 nerfs, caissons ornés, doubles filets dorés bordant les plats de papier marbré, gardes et contreplats de papier peigné, tête dorée, de (2) ff. (faux-titre et titre) 281 pp. (1) p. (table).Dos légèrement insolé, mors et coupes inférieures frottés, coins légèrement émoussés, très pâles rousseurs éparses, bon exemplaire par ailleurs.
1899ref. 28857Paris: Ernest Flammarion 1899. First edition. Nadar. Small 8vo. viii 276 pp. table des matières. Bound in contemporary linen gilt-titled morocco label on spine and marbled endpapers. Leaves age-toned throughout. A very good copy. This is the true first edition first issue released without the final chapter "1830 et environs"; this first issue ends on p. 276 followed by the table of chapters. In the later issue there are 4 lines of text on p. 277 blank p. 279 "1830 et environs. Ernest Flammarion unknown
1860ref. 251330Paris: Chez Les Marchands des Nouveautés Artistiques 1860. 52 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. Publisher's green pictorial paper over boards rebacked in tan buckram. 52 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. "Grévin employé au chemin de fer de Lyon il entra au Journal Amusant et au Petit Journal pour Rire en 1859. Son succès fut très grand. Grévin mettait au bas de ses dessins des legendes pleines d'esprit." Benezit. Chez Les Marchands des Nouveautés Artistiques unknown
1868ref. 251331Paris: Chez Les Marchands des Nouveautés Artistiques 1868. 47 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. Publisher's green pictorial paper over boards rebacked in tan buckram. 47 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. "Grévin employé au chemin de fer de Lyon il entra au Journal Amusant et au Petit Journal pour Rire en 1859. Son succès fut très grand. Grévin mettait au bas de ses dessins des legendes pleines d'esprit." Benezit. Chez Les Marchands des Nouveautés Artistiques unknown
1860ref. 251330Paris: Chez Les Marchands des Nouveautés Artistiques 1860. 52 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. Publisher's green pictorial paper over boards rebacked in tan buckram. 52 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. "Grévin employé au chemin de fer de Lyon il entra au Journal Amusant et au Petit Journal pour Rire en 1859. Son succès fut très grand. Grévin mettait au bas de ses dessins des legendes pleines d'esprit." Benezit. Chez Les Marchands des Nouveautés Artistiques unknown books
1868ref. 251331Paris: Chez Les Marchands des Nouveautés Artistiques 1868. 47 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. Publisher's green pictorial paper over boards rebacked in tan buckram. 47 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. "Grévin employé au chemin de fer de Lyon il entra au Journal Amusant et au Petit Journal pour Rire en 1859. Son succès fut très grand. Grévin mettait au bas de ses dessins des legendes pleines d'esprit." Benezit. Chez Les Marchands des Nouveautés Artistiques unknown books
ref. 41878Paris 1877. 2° 1 Doppelbl. m. montierter Orig.-Photogr. 12.5 x 8.5 cm a. erster Seite Im Falz tlw. durchgerieben etw. randrissig u. -knittrig die Photogr. tadellos. Mit der «Camée artistique» zu der Opernsängerin «Mlle. Sablairolles» - diese auch auf der Photographie bezeichnet mit «Cliché Nadar». Text frz. 010 Paris, 1877 unknown
ref. 41879Paris 1877. 2° 1 Doppelbl. m. montierter Orig.-Photogr. 12.5 x 8.5 cm a. erster Seite Im Falz tlw. durchgerieben etw. randrissig u. -knittrig m. kleinen Verlusten die Photogr. tadellos. Mit der «Camée artistique» zur Theaterschauspielerin Jane Hading - diese auch auf der Photographie bezeichnet mit «Cliché Nadar». Text frz. 010 Paris, 1877 unknown
1866First and only edition of this novel by Nadar. The frontispiece is A DELICATE MOUNTED ORIGINAL PHOTOGRAPH BY NADAR, SIGNED WITH HIS BLINDSTAMP. 3, 331 pp. Printed on good wove paper. 12mo. Bound in quarter contemporary calf and decorated boards. Binding somewhat worn, but completely solid, and joints not cracked. Occasional faint old internal staining in the margins. THE MOUNTED PHOTOGRAPH IS IN PERFECT CONDITION. EXTREMELY RARE: WorldCat cites only four copies. sxxi
1880ref. 5835Goupil Paris 1880; Large woodburytype photograph by Nadar Gaspard Felix Tournachon of French playwright and operatic librettist Edmond Gondinet 1828-1888 whose work includes the text for the Leo Delibes opera "Lakme." Photo measures 7 1/2" x 9 1/4" mounted on 11" x 14" card. Complete with the original two 11" x 14" leaves of background and analytical text by Gustave Goetschy. From the eminent French 19th century "Galerie Contemporaine" photographic collection of leading figures from the arts and sciences published by Goupil and issued in parts from 1876 to 1884. Fine condition. There is a miniscule 1/16" corner chip of the mounting card in the blank area at lower right and light to moderate foxing of the text pages. Text in French. Goupil unknown
ref. 12166portraits charge par André GILL. Première année. Chaque numéro In 4 broché, 4 pages, couverture illustrée en couleurs (au pochoir) d’André GILL, biographie de 3 pages, par Félicien CHAMPSAUR jusqu’au numéro 30 puis par Pierre et Paul. Première année, suite des 52 premiers numéros. Le n°1 portrait de Victor HUGO paraît le 13 septembre 1878.Un volume in 4 demi toile verte chagrinée, d’époque, titre doré, filets à froid. Page de faux-titre, page de titre, illustrée en couleurs, d’André GILL avec la liste 52 noms. N°1 Victor HUGO- n°2 Léon CLADEL- Sarah BERNHARDT- NADAR. Emile ZOLA, Etienne CARJAT- Louis BLANC- Léon BIENVENU (TOUCHATOUT) etc. un cahier légèrement décalé, sinon très bon état, coloris frais.
1864ref. R320164473E.Dentu. 1864. In-12. Broché. Etat d'usage, Couv. défraîchie, Coiffe en pied abîmée, Quelques rousseurs. 439 pages - quelques rousseurs à l'intérieur de l'ouvrage sans conséquence sur la lecture - 2ème plat tâchés - pliures sur les plats - coin en tête absent sur le 2ème plat - dos fané.. . . . Classification Dewey : 848-Ecrits divers, citations, journaux intimes, souvenirs, mémoires
ref. 0105280 En feuilles
ref. PHO100Nadar, Paris s. d. (c. 1852). Photo albumine originale, surface 5,5 X 8 cm
1882ref. 49432chés l'auctheur | Paris s. d. [1882] | 14 x 19 cm | relié
ref. 17012Paris, Michel Lévy Frères, 1859 ; in-12, chagrin prune, dos à nerfs décoré de caissons et hermines d'angles, plat décoré "à la Duseuil", roulette intérieure, tranches dorées (reliure de l'époque) ; (3) ff. (faux-titre, titre, "A Eugène Pereire"), 308 pp. et (1) ff. de table.
1882ref. 49471chés l'auctheur | Paris s. d. [1882] | 14 x 19 cm | relié
ref. 019292Electa Editrice Portfolios 0 Book. Fine. No Binding. 1st Edition. Original black card portfolio with label mounted to front housed within a white gloss-laminated sleeve titled in orange together with the original plain cardboard outer packaging. A fine copy. 12 loose monochrome photographic prints with tissue guards together with printed introductory essay. Folio. Uncommon. Electa Editrice Portfolios 0 unknown
1882ref. 49432Paris: chés l'auctheur 1882. Fine. chés l'auctheur Paris s. d. 1882 14 x 19 cm relié first edition of this Rabelaisian style pamphlet directed against Gambetta one of 300 numbered copies on Holland paper. Binding to open bradel ivory wove smooth back red mesh coaching boards and boards painted in watercolor compositions centers: a bookplate and a monogram on the first front cover and Léon Gambetta embodying Christ crucified fragile parchment wrappers preserved and bound in contemporary binding signed Dodé. Nadar handwritten signature under the justification of the draw. In addition this copy is enriched with a handwritten correction Nadar pencil in The Passion p. 45 to orveitan sic. Book adorned the author of illustrations. Provenance: Library of Frederick Lachèvre bibliographer specialist in French poetry with its large bookplate engraved and painted emblem repeated in the first boardes. A book illustration is reproduced on the lower flat of each volume. Some light and light bites to bookbinding. chés l'auctheur hardcover
1882ref. 49471Paris: chés l'auctheur 1882. Fine. chés l'auctheur Paris s. d. 1882 14 x 19 cm relié first edition of this Rabelaisian style pamphlet directed against Gambetta one of 300 numbered copies on paper of the Netherlands. Binding to open bradel ivory wove smooth back red mesh frame compositions painted boards and boards to centers: a bookplate and a monogram on the first front cover and Léon Gambetta dabbling in a bathtub on the second fragile parchment wrappers preserved and bound in contemporary binding signed Dodé. Nadar handwritten signature under the justification of the draw. Book adorned the author of illustrations. Provenance: Library of Frederick Lachèvre bibliographer specialist in French poetry with its large bookplate engraved and painted emblem repeated in the first boardes. A book illustration is reproduced on the lower flat of each volume. Some light and light bites to bookbinding. chés l'auctheur hardcover
1877ref. 15015Paris, Georges Decaux, sans date [1877]. In-12 de [4]-198-[2] pages, demi-chagrin aubergine, dos (passé) lisse orné de filets dorés.
ref. 148780GONCOURT Edmond de. Portrait for La Galerie Contemporaine by Nadar. Woodburytype print with artist's information printed on mount matted and framed in polished dark wood. Paris: Nadar ND. A visually arresting portrait of Edmond de Goncourt by famed portrait photographer Nadar Gaspard-Felix Tournachon 1820-1910. "Nadar's notoriety in photography came after successful careers first in writing and publishing and then in caricature. Nadar's turn to portrait photography appears to be a natural progression from his work in caricature." "Galerie Contemporaine stands out due to its ambitious scope as well as for the quality of the photographic imagery it contained. Underpinned by a certain patriotic sentiment and a more sophisticated approach to celebrity the subtitle Litteraire Artistique declares the work's focus of interest to be high art. In fact Galerie Contemporaine evolved into the most impressive set of celebrity portraits published in nineteenth-century France forming a vital visual record of the leading figures who shaped public life in science and politics as well as the arts during the Second Empire and the emergent Third Republic." Hannavy John editor. Encyclopedia of Nineteenth-century Photography p. 971 and 567. unknown
ref. 148780GONCOURT Edmond de. Portrait for La Galerie Contemporaine by Nadar. Woodburytype print with artist's information printed on mount matted and framed in polished dark wood. Paris: Nadar ND. A visually arresting portrait of Edmond de Goncourt by famed portrait photographer Nadar Gaspard-Felix Tournachon 1820-1910. "Nadar's notoriety in photography came after successful careers first in writing and publishing and then in caricature. Nadar's turn to portrait photography appears to be a natural progression from his work in caricature." "Galerie Contemporaine stands out due to its ambitious scope as well as for the quality of the photographic imagery it contained. Underpinned by a certain patriotic sentiment and a more sophisticated approach to celebrity the subtitle Litteraire Artistique declares the work's focus of interest to be high art. In fact Galerie Contemporaine evolved into the most impressive set of celebrity portraits published in nineteenth-century France forming a vital visual record of the leading figures who shaped public life in science and politics as well as the arts during the Second Empire and the emergent Third Republic." Hannavy John editor. Encyclopedia of Nineteenth-century Photography p. 971 and 567. unknown books
1848ref. 502911 vol. in-4 demi-chagrin rouge, dos à 4 nerfs, Dumineray, de Novembre 1848 à décembre 1849, 4 ff. n. ch. (dont couv. en couleur du second tome), 368-188 pp.
1880ref. 71647Goupil & Cie | Paris 1880 | 24 x 33 cm | une feuille
