917 résultats
1893réf. 27465Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Novembre 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie. » ""We believe we are advancing progress by further interesting the public in this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a print by the celebrated photographer in each issue. Regarding the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France in contrast to the magnificent foreign publications. Handsome copy subscription form pasted to first cover. Of exceptional rarity. Office général de la photographie unknown
1893réf. 27469Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Décembre 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates including one plate of photographic prints by Nadar and one photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. ""We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a photograph by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. Handsome copy publisher's notice slip pasted to first cover. Of exceptional rarity. Office général de la photographie unknown
1893réf. 27470Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Janvier 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates including one plate of photographic prints by Nadar and one photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. ""We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a photograph by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. Handsome copy. Of exceptional rarity. Office général de la photographie unknown
1894réf. 27458Paris: Office général de la photographie 1894. Fine. Office général de la photographie Paris 30 Juillet 1894 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates including a sheet of photographic prints by Nadar and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie. » ""We believe we are advancing progress by further interesting the public in this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a print by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. A small trace of kraft paper that initially protected this issue handsome copy. Of exceptional rarity. Office général de la photographie unknown
1893réf. 27464Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Septembre 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy includes at least two plates including a plate of Nadar's photographic prints and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie. » ""We believe we are advancing progress by further interesting the public in this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a print by the famous photographer in each issue. Behind the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France in contrast to the magnificent foreign publications. Handsome copy. Of extraordinary rarity. Office général de la photographie unknown
1880réf. 5834Goupil Paris 1880; Woodburytype photograph by Nadar Gaspard Felix Tournachon of renowned French sculptor Albert Carrier-Belleuse 1824-1887 called the greatest sculptor of his age who was teacher to Auguste Rodin. Photo measures 3 1/4" x 4 3/4" and is accompanied by three separate large 7 1/2" x 9 1/4" photographs of Belleuse sculptures: "La Danse" "Le Fardeau" and "Monument to Lamartine" together with six 11" x 14" leaves of biographical and analytical text by Saint-Jurs in French. From the eminent 19th century "Galerie Contemporaine" photographic collection of leading French figures from the arts and sciences published by Goupil and issued in parts from 1876 to 1884. All photographs in Fine beautiful condition. Goupil unknown
1880réf. 5864Goupil Paris 1880; Woodburytype photograph by Nadar Gaspard Felix Tournachon of French sculptor Anatole Marquet De Vasselot 1840-1904. Photo measures approximately 3 1/2" x 5" mounted on the second of four 11" x 14" pages of illustrated biographical and critical text in French by Paul Hippeau. Additionally laid-in is a large 7 1/2" x 9 1/2" photo of the Vasselot sculpture "Chloe" mounted on 11" x 14" card. From the 19th century "Galerie Contemporaine" photographic collection of distinguished figures from the arts and sciences published in Paris by Goupil and issued in parts from 1876 to 1884. Photographs in Fine condition. First page of text has a small 1/4" chip in the blank margin not affecting text or graphics. Goupil unknown
1932réf. 1089121932 2è année - 1931-32 - Grand In-8, relié - Demi basane marron, cartonnage marbré brun et vert d'eau - Filet à froid - Titre et année en doré sur le dos - Couverture du numéro de Noël (décembre 1931) conservée en début d'ouvrage - Nombreuses illustrations et reproductions photographiques en N&B
1933réf. 1089131933 3è année - 1933 - Grand In-8, relié - Demi basane marron, cartonnage marbré brun et vert d'eau - Filet à froid - Titre et année en doré sur le dos - Couverture du numéro de janvier 1933 conservée en début d'ouvrage - Nombreuses illustrations et reproductions photographiques en N&B
1934réf. 1089141934 1934 - Grand In-8, relié - Demi basane marron, cartonnage marbré brun et vert d'eau - Filet à froid - Titre et année en doré sur le dos - Couverture du numéro de janvier 1934 conservée en début d'ouvrage - Nombreuses illustrations et reproductions photographiques en N&B
1935réf. 1089151935 1935 - Grand In-8, relié - Demi basane marron, cartonnage marbré brun, beige et vert d'eau - Filet à froid - Titre et année en doré sur le dos - Couverture du numéro de janvier 1935 conservée en début d'ouvrage - Nombreuses illustrations et reproductions photographiques en N&B
1936réf. 1089161936 6e et 7e années - 1936 - Grand In-8, relié - Demi basane marron, cartonnage marbré brun, beige et vert d'eau - Filet à froid - Titre et année en doré sur le dos - Couverture du numéro de janvier 1936 conservée en début d'ouvrage - Nombreuses illustrations et reproductions photographiques en N&B
1864réf. 335E. Dentu 1864. Brochure with handmade cover. Pages yellowed by time. E. Dentu
2021réf. BN92059Regnum Books International 2021. 2021. Ecumenical Encounters with Desmond Mpilo Tutu Ecumenical Encounters with Desmond Mpilo Tutu Maluleke Nadar Werner Kgabe Hinz Sarojini Tinyiko Dietrich Vicentia Rudolf Regnum Books International unknown
réf. 815Histoire morale philosophique, politique,critique littéraire et artistique de la semaine;texte de MM A. Lireux,C.Caraguel,P.Vertot,E.de la Bédollière,G de Nerval etc.dessins de Bertall,Nadard (sic)Lorentz.Novembre 1848-Avril 1849.Dumineray éditeur.premier tirage.In 4 demi- toile lie de vin,titre,roulette dorés couverture de livraison,faux-titre,titre orné d’une vignette,1 page de couverture livraison n°1 et 368 pages.4 feuillets qui ont été donnés en supplément de la 25ème livraison avec les des-sins différents qui étaient au verso des couvertures de livraisons 1 à 10.Deuxièmeème partie:mai 1849 à décembre 1849,livraisons 26 à 38.au bureau de la Revue Comique:couverture de livraison,faux-titre,titre avec la même vignette.188pages.texte encadré d’un filet noir Très nombreuses illustrations dont La vie publique et privée de Môssieu Réac par NADAR fautes de pagination entre les pages 72 et 81,94 et 99,mais sans lacunes dans le texte
1880réf. 47201Paris: E. Dentu Libraire de la Societe des Gens de Lettres 1880. Very Good-. Paris: E. Dentu Editeur Libraire de la Societe des Gens de Lettres 1880. First Edition. 12mo 18cm; publisher's pictorial wrappers; viii308pp. Moderate soil chipping and wear to wrapper margins spine cracked with evidence of glue repair interior clean and sound. About Very Good overall. Inscribed and signed on half title page "a mon brave et bon Schemborgh mon camarade De la Legion 1848 / mon excellent ami depuis 1880 / Nadar." A collection of impressionistic vignettes by the famed French photographer and air balloonist. The title references the fictitious and absurdist creature the Coquecigrue first coined by Rabelais in his novel "Pantagruel. E. Dentu, Libraire de la Societe des Gens de Lettres unknown
1880réf. 5862Goupil Paris 1880; Large woodburytype photograph by Nadar Gaspard Felix Tournachon of French painter Isidore Pils 1813-1875. Photo measures approximately 3 1/2" x 5" mounted on the first of four 11" x 14" pages of illustrated biographical and critical text in French. Additionally laid-in is a large 7 1/2" x 9" photo of the Pils painting "Rouget De Lisle Chantant Pour La Premiere Fois La Marseillaise Chez Dietrich Maire De Strasbourg" mounted on 11" x 14" card. From the 19th century "Galerie Contemporaine" photographic collection of distinguished figures from the arts and sciences published in Paris by Goupil and issued in parts from 1876 to 1884. Fine condition. Goupil unknown
1864réf. 181176Paris.: Dentu. 1864. 1st Edition. 12mo. Contemporary quarter cloth over stippled boards gilt spine title marbled endpapers. Very good covers soiled light shelfwear contents tight and bright. 18x11x2.5 cm. French text. Scarce. Nadar was a pioneering photographer and balloonist who was the first to take photographs from a balloon. The “Geant” was a huge experimental balloon that crashed at the end of its second flight leading Nadar to become a proponent of heavier-than-air flight. weight: 1.0 lb. Introduction by Babinet. Dentu. hardcover
réf. 139948aafpar Nadar 35 Boulevard des Capucines, (vers 1870), 10x6 cm, 3 enfants / adultes, leur nom au crayon papier au dos 1) Raimbaud 2) Emmanuel Stephan 3) Salimata.
1866réf. 38812Paris: E. Dentu 1866. First and only edition of this novel by Nadar. The frontispiece is A DELICATE MOUNTED ORIGINAL PHOTOGRAPH BY NADAR SIGNED WITH HIS BLINDSTAMP. 3 331 pp. Printed on good wove paper. 12mo. Bound in quarter contemporary calf and decorated boards. Binding somewhat worn but completely solid and joints not cracked. Occasional faint old internal staining in the margins. THE MOUNTED PHOTOGRAPH IS IN PERFECT CONDITION. EXTREMELY RARE: WorldCat cites only four copies. sxxi E. Dentu hardcover
1860réf. 251330Paris: Chez Les Marchands des Nouveautés Artistiques 1860. 52 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. Publisher's green pictorial paper over boards rebacked in tan buckram. 52 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. "Grévin employé au chemin de fer de Lyon il entra au Journal Amusant et au Petit Journal pour Rire en 1859. Son succès fut très grand. Grévin mettait au bas de ses dessins des legendes pleines d'esprit." Benezit. Chez Les Marchands des Nouveautés Artistiques unknown books
1868réf. 251331Paris: Chez Les Marchands des Nouveautés Artistiques 1868. 47 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. Publisher's green pictorial paper over boards rebacked in tan buckram. 47 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. "Grévin employé au chemin de fer de Lyon il entra au Journal Amusant et au Petit Journal pour Rire en 1859. Son succès fut très grand. Grévin mettait au bas de ses dessins des legendes pleines d'esprit." Benezit. Chez Les Marchands des Nouveautés Artistiques unknown books
1864réf. 1323640Paris: E. Dentu 1864. Octavo xx 1 22-439 pages; VG; original paper wraps backed new paper spine with red label and black lettering; some rubbing and wear to wraps; Inscribed on half-title by Nadar dated in 1864; text in French; interior clean; MW consignment; shelved case 10. Gaspard-Félix Tournachon known by the mononymous pseudonym Nadar was a French photographer caricaturist journalist novelist balloonist and proponent of manned flight. In 1858 he became the first person to take aerial photographs. Le Géant The Giant inspired Jules Verne's Five Weeks in a Balloon. Nadar was the inspiration for the character of Michael Ardan in Verne's From the Earth to the Moon. wikipedia; He launched the world's largest gas balloon known as Le Géant Giant. The 196-foot-tall balloon had required more than 300 seamstresses to assemble its 22000 yards of silk and at the time was the most elaborate aerial vehicle ever devised. airspacemag. 1323640. Shelved Dupont Bookstore. E. Dentu unknown books
1848réf. 150DnParis Dumineray 1848 Grand In4 - demi chagrin rouge - dos à nerfs orné - titres dorés - Couvertures des livraisons conservées - coins émoussés - 188 pages + les couvertures . De la livraison 1 à 37 . La revue comique s'arrêta fin 1849 .
1848réf. 150DnParis Dumineray 1848 Grand In4 - demi chagrin rouge - dos à nerfs orné - titres dorés - Couvertures des livraisons conservées - coins émoussés - 188 pages + les couvertures . De la livraison 1 à 37 . La revue comique s'arrêta fin 1849 .
