Nadar ZamaniBiblio.com
914 results
ref. A9781630571047Paperback / softback. New. paperback
1979ref. 233660Milano: Electa 1979. Fogli sciolti in cartelletta custodia loose as issued in original portfolio and slip-case. Ottimo Fine. Portfolios Electa a cura di Daniela Palazzoli. 12 tavole fotografiche ritratti di Gustave Doré Théophile Gautier Honoré Daumier Eugène Delacroix Gioacchino Rossini Charles Baudelaire Jean-François Millet Hector Berlioz Sarah Bernhardt Filippo Palizzi Michaul Alèksandrovic - Cm 40x30. Un quartino con presentazione e nota biografica in italiano e inglese e didascalie. Cm 405x305. pp. 4 tavole. Ottimo Fine. Edizione originale di 1000 esemplari numerati Original edition of 1000 numbered copies. "Loro i rivoluzionari gli artisti i bohémiens i moschettieri i dandies i mangiatori di hascisc i vendicatori gli avventurieri sono di fronte a noi come veri identici a sè stessi. Da quelle fotografie ci guardano con gli occhi scintillanti di coraggio e ironia con le loro capigliature incredibili e le fantastiche cravatte. A noi rimangono i romanzi e queste immagini: ancora li confonderemo ancora giocheremo con le fotografie come un mazzo di tarocchi per generare infiniti romanzi infinite avventure." dal testo. Electa, unknown
1973ref. 232325Torino: Einaudi Saggi 1973. Rilegato tela sovracoperta cloth dust jacket. Molto buono Very Good. Testi di Nadar Jean Prinet Antoinette Dilasser Lamberto Vitali. Con 100 fotografie e altri documenti. Appendice: Ernest Lacan La fotografia in Francia - Biografia - Bibliografia. Cm 215x21. pp. 404. Molto buono Very Good. Prima edizione italiana First Italian Edition. La più completa raccolta mondiale delle opere di Nadar geniale pioniere della fotografia. Capolavori di autenticità espressiva e di sapienza poetica i suoi ritratti appartengono alla grande stagione culturale di Corot e Baudelaire di Courbet e di Dumas dei fratelli Goncourt e di Sainte-Beuve. "Lo studio di Rue Saint-Lazare ha una luce laterale che cade sui soggetti come velata capace di passaggi di tono densi e insieme sottili senza contrsti così da rendere un senso di atmosfera quasi magica. Il successo è enorme: tutta la società parigina e non solo quella passa dallo studio di Nadar. Il quale irrequieto inizia una serie di esperimenti innovatori: l'impiego della luce artificiale e la fotografia aerea con un pallone arerostatico". Einaudi, Saggi hardcover
1995ref. 001587Harry N Abrams 1995. Soft cover. Near Fine/No Jacket issued. Minor shelf wear. Harry N Abrams paperback
ref. 29711445like new. unknown
1997ref. BN81354Trinckvel 1997. 1997. Paris Sens Dessus-Dessous. Marville et Nadar Photographies 1852-1870 Trinckvel unknown
2021ref. BN92059Regnum Books International 2021. 2021. Ecumenical Encounters with Desmond Mpilo Tutu Ecumenical Encounters with Desmond Mpilo Tutu Maluleke Nadar Werner Kgabe Hinz Sarojini Tinyiko Dietrich Vicentia Rudolf Regnum Books International unknown
1880ref. 47201Paris: E. Dentu Libraire de la Societe des Gens de Lettres 1880. Very Good-. Paris: E. Dentu Editeur Libraire de la Societe des Gens de Lettres 1880. First Edition. 12mo 18cm; publisher's pictorial wrappers; viii308pp. Moderate soil chipping and wear to wrapper margins spine cracked with evidence of glue repair interior clean and sound. About Very Good overall. Inscribed and signed on half title page "a mon brave et bon Schemborgh mon camarade De la Legion 1848 / mon excellent ami depuis 1880 / Nadar." A collection of impressionistic vignettes by the famed French photographer and air balloonist. The title references the fictitious and absurdist creature the Coquecigrue first coined by Rabelais in his novel "Pantagruel. E. Dentu, Libraire de la Societe des Gens de Lettres unknown
2008ref. BN24178Kerber Christof Verlag 2008. 2008. Hardcover. 288 x 244 x 32 cm. Die Kunstsammlungen Chemnitz besitzen eine der umfangreichsten grafischen Sammlungen des französischen Künstlers Honoré Daumier 18081879 außerhalb Frankreichs. Aus Anlass des 200jährigen Geburtstages Daumiers 2008 wird in diesem Katalog ein Teil dieses Sammlungsschatzes präsentiert. Die gezeigten Serien die im Zeitraum von 1837 bis 1850 für die Pariser Satirezeitschrift `Le Charivari´ entstanden bilden dabei einen besonderen und seltenen Höhepunkt. Daneben werden weitere Arbeiten Daumiers präsentiert darunter kolorierte Einzelblätter. Mit Arbeiten der zwei bedeutenden französischen Karikaturzeichner Jean Cabu und Philippe Mougey wird zudem der Ausblick in die zeitgenössische französische Karikaturszene eröffnet und der Verweis auf die ungebrochene Modernität Daumiers bekräftigt. Autor: Karin Sagner hat Kunstgeschichte und Germanistik in München sowie in Paris studiert und über Claude Monet promoviert. Zunächst war sie als wissenschaftliche Mitarbeiterin an den Bayerischen Staatsgemäldesammlungen in München tätig; heute arbeitet sie als freie Autorin und Kuratorin. Über ihr Spezialgebiet die französische und deutsche Kunst des 19. und 20. Jahrhunderts hat sie mehrere Bücher publiziert darunter den Bestseller "Claude Monet. Ein Fest für die Augen" sowie die 2009 erschienene erste deutsche Monografie über Gustave Caillebotte. Als freie Kuratorin arbeitet sie für diverse Museen und Kunsthäuser. Die Kunstsammlungen Chemnitz besitzen eine der umfangreichsten grafischen Sammlungen des französischen Künstlers Honoré Daumier 18081879 außerhalb Frankreichs. Aus Anlass des 200jährigen Geburtstages Daumiers 2008 wird in diesem Katalog ein Teil dieses Sammlungsschatzes präsentiert. Die gezeigten Serien die im Zeitraum von 1837 bis 1850 für die Pariser Satirezeitschrift `Le Charivari´ entstanden bilden dabei einen besonderen und seltenen Höhepunkt. Daneben werden weitere Arbeiten Daumiers präsentiert darunter kolorierte Einzelblätter. Mit Arbeiten der zwei bedeutenden französischen Karikaturzeichner Jean Cabu und Philippe Mougey wird zudem der Ausblick in die zeitgenössische französische Karikaturszene eröffnet und der Verweis auf die ungebrochene Modernität Daumiers bekräftigt. Autor: Karin Sagner hat Kunstgeschichte und Germanistik in München sowie in Paris studiert und über Claude Monet promoviert. Zunächst war sie als wissenschaftliche Mitarbeiterin an den Bayerischen Staatsgemäldesammlungen in München tätig; heute arbeitet sie als freie Autorin und Kuratorin. Über ihr Spezialgebiet die französische und deutsche Kunst des 19. und 20. Jahrhunderts hat sie mehrere Bücher publiziert darunter den Bestseller "Claude Monet. Ein Fest für die Augen" sowie die 2009 erschienene erste deutsche Monografie über Gustave Caillebotte. Als freie Kuratorin arbeitet sie für diverse Museen und Kunsthäuser. Kerber Christof Verlag hardcover
ref. 29711445-nnew. unknown
ref. 00236905Paris Plon Freres/Philipon Fils n.a. No binding. Good. Loose episodes as issued. Present are no 2 cover missing 3 4 5 6 7 8 9 13 14 16 17 18 20 21 22 23 24 26 27 28 29 30 31 32 33 34 35 36 38 39 40 43 44 45 47 50 51 52 53 54 55 56 57 63 64 66 69 71 72 73 74 75 76 77 78 80 82 back cover missing 83 84; All episodes worn some with loose cover. No 2. Cover missing; no. 82 back cover missing; no. 84 loose pages unclear how it should be. Paris, Plon Freres/Philipon Fils unknown
1880ref. 5862Goupil Paris 1880; Large woodburytype photograph by Nadar Gaspard Felix Tournachon of French painter Isidore Pils 1813-1875. Photo measures approximately 3 1/2" x 5" mounted on the first of four 11" x 14" pages of illustrated biographical and critical text in French. Additionally laid-in is a large 7 1/2" x 9" photo of the Pils painting "Rouget De Lisle Chantant Pour La Premiere Fois La Marseillaise Chez Dietrich Maire De Strasbourg" mounted on 11" x 14" card. From the 19th century "Galerie Contemporaine" photographic collection of distinguished figures from the arts and sciences published in Paris by Goupil and issued in parts from 1876 to 1884. Fine condition. Goupil unknown
1880ref. 5835Goupil Paris 1880; Large woodburytype photograph by Nadar Gaspard Felix Tournachon of French playwright and operatic librettist Edmond Gondinet 1828-1888 whose work includes the text for the Leo Delibes opera "Lakme." Photo measures 7 1/2" x 9 1/4" mounted on 11" x 14" card. Complete with the original two 11" x 14" leaves of background and analytical text by Gustave Goetschy. From the eminent French 19th century "Galerie Contemporaine" photographic collection of leading figures from the arts and sciences published by Goupil and issued in parts from 1876 to 1884. Fine condition. There is a miniscule 1/16" corner chip of the mounting card in the blank area at lower right and light to moderate foxing of the text pages. Text in French. Goupil unknown
1880ref. 5834Goupil Paris 1880; Woodburytype photograph by Nadar Gaspard Felix Tournachon of renowned French sculptor Albert Carrier-Belleuse 1824-1887 called the greatest sculptor of his age who was teacher to Auguste Rodin. Photo measures 3 1/4" x 4 3/4" and is accompanied by three separate large 7 1/2" x 9 1/4" photographs of Belleuse sculptures: "La Danse" "Le Fardeau" and "Monument to Lamartine" together with six 11" x 14" leaves of biographical and analytical text by Saint-Jurs in French. From the eminent 19th century "Galerie Contemporaine" photographic collection of leading French figures from the arts and sciences published by Goupil and issued in parts from 1876 to 1884. All photographs in Fine beautiful condition. Goupil unknown
1880ref. 5846Goupil Paris 1880; Woodburytype photograph by Nadar Gaspard Felix Tournachon of distinguished sculptor and painter Emile Francois Chatrousse 1829-1896. Photo measures 3 1/4" x 4 1/2" mounted on the first of two leaves of 11" x 14" biographical and analytical text by Felix Jayher in French. Additionally laid in is a large 7 1/4" x 9 1/2" photograph mounted on 11" x 14" card of the Chatrousse sculpture "Les Crimes De La Guerre." From the eminent French 19th century "Galerie Contemporaine" photographic collection of leading figures from the arts and sciences published in Paris by Goupil and issued in parts from 1876 to 1884. Fine condition. Goupil unknown
1880ref. 5864Goupil Paris 1880; Woodburytype photograph by Nadar Gaspard Felix Tournachon of French sculptor Anatole Marquet De Vasselot 1840-1904. Photo measures approximately 3 1/2" x 5" mounted on the second of four 11" x 14" pages of illustrated biographical and critical text in French by Paul Hippeau. Additionally laid-in is a large 7 1/2" x 9 1/2" photo of the Vasselot sculpture "Chloe" mounted on 11" x 14" card. From the 19th century "Galerie Contemporaine" photographic collection of distinguished figures from the arts and sciences published in Paris by Goupil and issued in parts from 1876 to 1884. Photographs in Fine condition. First page of text has a small 1/4" chip in the blank margin not affecting text or graphics. Goupil unknown
1856ref. 29403Paris : Aux Bureaux du Journal Amusant du Musée Français-Anglais et des Modes Parisiennes sans date vers 1856-1880. demi-basane. Philipon Ch. - Nadar. - Grévin A.Petit Journal pour Rire. 11 Volumes. Première série numéro 1 à 157 3 volumes. Deuxième série numéro 1 à 313 6 volumes. Troisème série numéro 1 à 104 2 volumes. Paris Aux Bureaux du Journal Amusant du Musée Français-Anglais et des Modes Parisiennes sans date vers 1856-1880 310x215mm reliure demi-basane. Titre et filets dorés au dos cuir par endroits frotté reliure de l’époque. Les numéros comportent 8 pages à partir du numéro 32 de la première série la première page est coloriée. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Aux Bureaux du Journal Amusant, du Musée Français-Anglais et des Modes Parisiennes unknown
1979ref. 68848Paris : Arthur Hubschmid 1979. reliure d'éditeur sous jaquette. NADAR.Nadar. Oeuvres. 2 Volumes. Tome 1: Photographies. Préface de Jean-François Bory. Introduction aux photographies choix des photographies et rédaction des notices par Philippe Néagu et Jean-Jacques Poulet-Allamagny. Tome 2: Dessins et écrits. Introductions notes et commentaires par Jean-François Bory. Paris Arthur Hubschmid1979 220x140mm 1298 pages reliure d'éditeur sous jaquette. Quelques déchirures sur les bords des jaquettes. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Arthur Hubschmid unknown
2007ref. SBBI-mon0000144046Thomas Nelson Inc 2007. hardcover. Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Thomas Nelson Inc hardcover
2012ref. DADAX3849144992TREDITION CLASSICS 2012-11-21. hardcover. New. 5.43x1.06x8.23. Buy with confidence. Excellent Customer Service & Return policy. TREDITION CLASSICS hardcover
ref. DADAX0274099349Wentworth Press 2018-07-30. hardcover. New. 6.14x1.00x9.21. Buy with confidence. Excellent Customer Service & Return policy. Wentworth Press hardcover
2013ref. 2-8415685041Astiberri Ediciones 2013. Perfect Paperback. New. Spanish language. 9.61x6.77x1.42 inches. Astiberri Ediciones paperback
ref. A9781955578028Hardback. New. hardcover
ref. 43283saying that "Vieusseux wants to put Villemessant's portrait in the Exhibition. I need not remind you that we agreed to the portrait in question being exhibited and Vieusseux expects that at least there he will have due satisfaction. As he wants to have the portrait back and touch it up a bit before sending it in let me know as soon as possible if we can take it directly from the owner." 1 side 8vo. 51 Rue d'Anjou St Honoré Paris with his red printed letterhead 25th February Nadar was a proponent of heavier-than-air flight. In 1858 he became the first person to take aerial photographs. Photographic portraits by Nadar are held by many of the great national collections of photographs. His son Paul Nadar 18561939 continued the studio after his death. The correspondent is possibly Philippe GILLE 1831-1901 who was a French dramatist and opera librettist who was born and died in Paris. He was photographed by Nadar in the 1870s. He is probably referring to Hippolyte de VILLEMESSANT 1810-1879 who was a Conservative French Journalist and was also photographed by him. Emile VIEUSSEUX 1824-1890 was a Florentine painter who worked in Nadar's studio in Paris. Transcription PHOTOGRAPHIE NADAR SPÉCIALITÉ D'AGRANDISSEMENTS NOIRS ET PEINTS 51 rue d'Anjou St. Honoré 51. Hôtel privé. Paris le 25 fevrier 1878 Mon cher Gille Vieusseux désire envoyer à l'Exposition le portrait de Villemessant. Je ne te rappelle pas que l'Exposition de ce portrait était convenue et Vieusseux compte qu'au moins là il aura satisfaction due. Comme il veut revoir et reprendre un peu ce portrait avant l'envoi au Salon réponds-nous le plus vite possible si nous pouvons le fair prendre chez le propriétaire. Respects affectueux à Madame Gilles et à Madame Massé. Ton. Nadar Translation NADAR PHOTOGRAPHY SPECIALISING IN BLACK AND WHITE COLOURED ENLARGEMENTS 51 rue d'Anjou St. Honoré 51. private residence. Paris 25th February 1878 Dear Gille Vieusseux wants to put Villemessant's portrait in the Exhibition. I need not remind you that we agreed to the portrait in question being exhibited and Vieusseux expects that at least there he will have due satisfaction. As he wants to have the portrait back and touch it up a bit before sending it in let me know as soon as possible if we can take it directly from the owner. Please remember me to your wife and Mrs Massé. Yours. Nadar. unknown
ref. 42285saying he "could not ask for work to go better or faster - and one day I shall endeavour to return your kindness which I have done nothing to deserve. I am enclosing a note for Perdiguier please could you put on the address if he was responsible for the very kind words on the heading. Try and avoid colliding with Villemessant here on Monday." 1 side 8vo. no place but with his red Monogram "N" with "Quand Meme" at the head no date circa Nadar was a proponent of heavier-than-air flight. In 1858 he became the first person to take aerial photographs. Photographic portraits by Nadar are held by many of the great national collections of photographs. His son Paul Nadar 18561939 continued the studio after his death. The correspondent is possibly Philippe GILLE 1831-1901 who was a French dramatist and opera librettist who was born and died in Paris. He was photographed by Nadar in the 1870s. He is probably referring to Hippolyte de VILLEMESSANT 1810-1879 who was a Conservative French Journalist and was also photographed by him. Transcription Il n'est réellement pas possible mon Gille de faire mieux et plus vite et je tâcherai de te rendre quelque jour cette si bonne amitié que je n'ai rien fait pour mériter. Ci-joint un mot pour Perdiguier tu mettras l'adresse si c'est lui qui a fait la petite note d'entête vraiment trop obligeante. Arrange-toi pour ne pas venir lundi avec Villemessant. Mardi bon ! Ton Nadar Tanslation Dear Gille I could not ask for work to go better or faster - and one day I shall endeavour to return your kindness which I have done nothing to deserve. I am enclosing a note for Perdiguier please could you put on the address if he was responsible for the very kind words on the heading. Try and avoid colliding with Villemessant here on Monday. Perhaps Tuesday would be possible. Yours Nadar unknown
