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1893réf. 27469Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Décembre 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates including one plate of photographic prints by Nadar and one photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. ""We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a photograph by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. Handsome copy publisher's notice slip pasted to first cover. Of exceptional rarity. Office général de la photographie unknown
1893réf. 27470Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Janvier 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates including one plate of photographic prints by Nadar and one photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. ""We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a photograph by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. Handsome copy. Of exceptional rarity. Office général de la photographie unknown
1894réf. 27458Paris: Office général de la photographie 1894. Fine. Office général de la photographie Paris 30 Juillet 1894 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates including a sheet of photographic prints by Nadar and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie. » ""We believe we are advancing progress by further interesting the public in this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a print by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. A small trace of kraft paper that initially protected this issue handsome copy. Of exceptional rarity. Office général de la photographie unknown
1893réf. 27464Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Septembre 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy includes at least two plates including a plate of Nadar's photographic prints and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie. » ""We believe we are advancing progress by further interesting the public in this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a print by the famous photographer in each issue. Behind the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France in contrast to the magnificent foreign publications. Handsome copy. Of extraordinary rarity. Office général de la photographie unknown
1865réf. 1025H39Paris: E. Dentu 1865 . Cloth. Good. 7" by 4.5". None Stated. The second edition of Nadar"s vivid memoir of "Le Geant" his colossal experimental balloon a presentation copy signed by the author. In a contemporary green quarter cloth binding with marbled paper boards with the original wraps bound in. Illustrated with a folding map and a folding engraved plate. Collated complete. The second edition following the 1864 first edition. Inscribed by Nadar to the half-title: "A Monsieur de La Chauffee souvenir cordial Nadar Xbre 64." Nadar recounts the construction and two Paris ascents of Le Géant culminating in its violent landing near Hanover in October 1863. Nadar the pseudonym of Gaspard-Felix Tournachon 1820-1910 was a French photographer journalist caricaturist and aeronaut. In 1858 he became the first person to take aerial photographs. An appealing presentation copy of this work of early aeronautical literature. In a contemporary green quarter cloth binding with marbled paper boards with the original wraps bound in. Externally sound. Slight rubbing and bumping to extremities resulting in minor loss to paper more so to corners. Slight fading to spine. Endpapers age toned with light scattered spotting. Internally the title page dedication and four pages of the introduction are full detached but present with strain and wear to the hinge. With this exception text block firmly bound. Pages characteristically age toned with one or two light spots. Author's ink presentation inscription to half-title. Good E. Dentu hardcover
réf. ANAIS-1630570958SDC Publications. paperback. Good. 8.6x0.8x11. Buy with confidence. Excellent Customer Service & Return policy. SDC Publications paperback
1860réf. 251330Paris: Chez Les Marchands des Nouveautés Artistiques 1860. 52 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. Publisher's green pictorial paper over boards rebacked in tan buckram. 52 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. "Grévin employé au chemin de fer de Lyon il entra au Journal Amusant et au Petit Journal pour Rire en 1859. Son succès fut très grand. Grévin mettait au bas de ses dessins des legendes pleines d'esprit." Benezit. Chez Les Marchands des Nouveautés Artistiques unknown
1868réf. 251331Paris: Chez Les Marchands des Nouveautés Artistiques 1868. 47 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. Publisher's green pictorial paper over boards rebacked in tan buckram. 47 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. "Grévin employé au chemin de fer de Lyon il entra au Journal Amusant et au Petit Journal pour Rire en 1859. Son succès fut très grand. Grévin mettait au bas de ses dessins des legendes pleines d'esprit." Benezit. Chez Les Marchands des Nouveautés Artistiques unknown
1856réf. 29403Paris : Aux Bureaux du Journal Amusant du Musée Français-Anglais et des Modes Parisiennes sans date vers 1856-1880. demi-basane. Philipon Ch. - Nadar. - Grévin A.Petit Journal pour Rire. 11 Volumes. Première série numéro 1 à 157 3 volumes. Deuxième série numéro 1 à 313 6 volumes. Troisème série numéro 1 à 104 2 volumes. Paris Aux Bureaux du Journal Amusant du Musée Français-Anglais et des Modes Parisiennes sans date vers 1856-1880 310x215mm reliure demi-basane. Titre et filets dorés au dos cuir par endroits frotté reliure de l’époque. Les numéros comportent 8 pages à partir du numéro 32 de la première série la première page est coloriée. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Aux Bureaux du Journal Amusant, du Musée Français-Anglais et des Modes Parisiennes unknown
1979réf. 68848Paris : Arthur Hubschmid 1979. reliure d'éditeur sous jaquette. NADAR.Nadar. Oeuvres. 2 Volumes. Tome 1: Photographies. Préface de Jean-François Bory. Introduction aux photographies choix des photographies et rédaction des notices par Philippe Néagu et Jean-Jacques Poulet-Allamagny. Tome 2: Dessins et écrits. Introductions notes et commentaires par Jean-François Bory. Paris Arthur Hubschmid1979 220x140mm 1298 pages reliure d'éditeur sous jaquette. Quelques déchirures sur les bords des jaquettes. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Arthur Hubschmid unknown
2007réf. SBBI-mon0000144046Thomas Nelson Inc 2007. hardcover. Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Thomas Nelson Inc hardcover
2012réf. DADAX3849144992TREDITION CLASSICS 2012-11-21. hardcover. New. 5.43x1.06x8.23. Buy with confidence. Excellent Customer Service & Return policy. TREDITION CLASSICS hardcover
réf. 148780GONCOURT Edmond de. Portrait for La Galerie Contemporaine by Nadar. Woodburytype print with artist's information printed on mount matted and framed in polished dark wood. Paris: Nadar ND. A visually arresting portrait of Edmond de Goncourt by famed portrait photographer Nadar Gaspard-Felix Tournachon 1820-1910. "Nadar's notoriety in photography came after successful careers first in writing and publishing and then in caricature. Nadar's turn to portrait photography appears to be a natural progression from his work in caricature." "Galerie Contemporaine stands out due to its ambitious scope as well as for the quality of the photographic imagery it contained. Underpinned by a certain patriotic sentiment and a more sophisticated approach to celebrity the subtitle Litteraire Artistique declares the work's focus of interest to be high art. In fact Galerie Contemporaine evolved into the most impressive set of celebrity portraits published in nineteenth-century France forming a vital visual record of the leading figures who shaped public life in science and politics as well as the arts during the Second Empire and the emergent Third Republic." Hannavy John editor. Encyclopedia of Nineteenth-century Photography p. 971 and 567. unknown
réf. DADAX0274099349Wentworth Press 2018-07-30. hardcover. New. 6.14x1.00x9.21. Buy with confidence. Excellent Customer Service & Return policy. Wentworth Press hardcover
réf. 1555831141.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1555836062.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2013réf. 2-8415685041Astiberri Ediciones 2013. Perfect Paperback. New. Spanish language. 9.61x6.77x1.42 inches. Astiberri Ediciones paperback
réf. A9781955578028Hardback. New. hardcover
réf. 29520798like new. unknown
réf. 43283saying that "Vieusseux wants to put Villemessant's portrait in the Exhibition. I need not remind you that we agreed to the portrait in question being exhibited and Vieusseux expects that at least there he will have due satisfaction. As he wants to have the portrait back and touch it up a bit before sending it in let me know as soon as possible if we can take it directly from the owner." 1 side 8vo. 51 Rue d'Anjou St Honoré Paris with his red printed letterhead 25th February Nadar was a proponent of heavier-than-air flight. In 1858 he became the first person to take aerial photographs. Photographic portraits by Nadar are held by many of the great national collections of photographs. His son Paul Nadar 18561939 continued the studio after his death. The correspondent is possibly Philippe GILLE 1831-1901 who was a French dramatist and opera librettist who was born and died in Paris. He was photographed by Nadar in the 1870s. He is probably referring to Hippolyte de VILLEMESSANT 1810-1879 who was a Conservative French Journalist and was also photographed by him. Emile VIEUSSEUX 1824-1890 was a Florentine painter who worked in Nadar's studio in Paris. Transcription PHOTOGRAPHIE NADAR SPÉCIALITÉ D'AGRANDISSEMENTS NOIRS ET PEINTS 51 rue d'Anjou St. Honoré 51. Hôtel privé. Paris le 25 fevrier 1878 Mon cher Gille Vieusseux désire envoyer à l'Exposition le portrait de Villemessant. Je ne te rappelle pas que l'Exposition de ce portrait était convenue et Vieusseux compte qu'au moins là il aura satisfaction due. Comme il veut revoir et reprendre un peu ce portrait avant l'envoi au Salon réponds-nous le plus vite possible si nous pouvons le fair prendre chez le propriétaire. Respects affectueux à Madame Gilles et à Madame Massé. Ton. Nadar Translation NADAR PHOTOGRAPHY SPECIALISING IN BLACK AND WHITE COLOURED ENLARGEMENTS 51 rue d'Anjou St. Honoré 51. private residence. Paris 25th February 1878 Dear Gille Vieusseux wants to put Villemessant's portrait in the Exhibition. I need not remind you that we agreed to the portrait in question being exhibited and Vieusseux expects that at least there he will have due satisfaction. As he wants to have the portrait back and touch it up a bit before sending it in let me know as soon as possible if we can take it directly from the owner. Please remember me to your wife and Mrs Massé. Yours. Nadar. unknown
réf. 42285saying he "could not ask for work to go better or faster - and one day I shall endeavour to return your kindness which I have done nothing to deserve. I am enclosing a note for Perdiguier please could you put on the address if he was responsible for the very kind words on the heading. Try and avoid colliding with Villemessant here on Monday." 1 side 8vo. no place but with his red Monogram "N" with "Quand Meme" at the head no date circa Nadar was a proponent of heavier-than-air flight. In 1858 he became the first person to take aerial photographs. Photographic portraits by Nadar are held by many of the great national collections of photographs. His son Paul Nadar 18561939 continued the studio after his death. The correspondent is possibly Philippe GILLE 1831-1901 who was a French dramatist and opera librettist who was born and died in Paris. He was photographed by Nadar in the 1870s. He is probably referring to Hippolyte de VILLEMESSANT 1810-1879 who was a Conservative French Journalist and was also photographed by him. Transcription Il n'est réellement pas possible mon Gille de faire mieux et plus vite et je tâcherai de te rendre quelque jour cette si bonne amitié que je n'ai rien fait pour mériter. Ci-joint un mot pour Perdiguier tu mettras l'adresse si c'est lui qui a fait la petite note d'entête vraiment trop obligeante. Arrange-toi pour ne pas venir lundi avec Villemessant. Mardi bon ! Ton Nadar Tanslation Dear Gille I could not ask for work to go better or faster - and one day I shall endeavour to return your kindness which I have done nothing to deserve. I am enclosing a note for Perdiguier please could you put on the address if he was responsible for the very kind words on the heading. Try and avoid colliding with Villemessant here on Monday. Perhaps Tuesday would be possible. Yours Nadar unknown
réf. 10626-9353270200Paperback. New. Book Condition is in New Paperback Eastern Economy Edition/Indian Edition textbook with identical content as the US version. May have been Printed in India with cover stating Not for sale in US. Fast shipping through the DHL FedEx Aramex And Delivered In 8-12 Days to all worldwide. paperback
réf. 10626-9353270227Paperback. New. Book Condition is in New Paperback Eastern Economy Edition/Indian Edition textbook with identical content as the US version. May have been Printed in India with cover stating Not for sale in US. Fast shipping through the DHL FedEx Aramex And Delivered In 8-12 Days to all worldwide. paperback
réf. 1032895535.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 51548248like new. unknown
