NADAR (Felix)Biblio.com
Best.-Nr. 2209JS310Préface de Jean-François Bory. Introduction aux photographies et rédaction des notices par Philippe Néagu por les Arts et la Musique et Jean-Jacques Poulet-Allamagny pour les Lettres et les Activités diverses. Introductions notes et commentaires par Jean-François Bory. Bookking International. Paris. 1994. 2 Volumes de 215x15 cm. Com 1298 iii págs. com numeração contínua. Encadernações do editor com as pastas flexíveis e acondicionadas em pasta de cartão. Incluiem fitas marcadoras em tecido. Ilustrado a preto e branco. Exemplar apresenta desgaste na caixa de protecção. Contém antologia dos textos atinentes a fotografia glossário e índice onomástico. I-121-G-3 hardcover
1979Best.-Nr. 233660Milano: Electa 1979. Fogli sciolti in cartelletta custodia loose as issued in original portfolio and slip-case. Ottimo Fine. Portfolios Electa a cura di Daniela Palazzoli. 12 tavole fotografiche ritratti di Gustave Doré Théophile Gautier Honoré Daumier Eugène Delacroix Gioacchino Rossini Charles Baudelaire Jean-François Millet Hector Berlioz Sarah Bernhardt Filippo Palizzi Michaul Alèksandrovic - Cm 40x30. Un quartino con presentazione e nota biografica in italiano e inglese e didascalie. Cm 405x305. pp. 4 tavole. Ottimo Fine. Edizione originale di 1000 esemplari numerati Original edition of 1000 numbered copies. "Loro i rivoluzionari gli artisti i bohémiens i moschettieri i dandies i mangiatori di hascisc i vendicatori gli avventurieri sono di fronte a noi come veri identici a sè stessi. Da quelle fotografie ci guardano con gli occhi scintillanti di coraggio e ironia con le loro capigliature incredibili e le fantastiche cravatte. A noi rimangono i romanzi e queste immagini: ancora li confonderemo ancora giocheremo con le fotografie come un mazzo di tarocchi per generare infiniti romanzi infinite avventure." dal testo. Electa, unknown
1973Best.-Nr. 232325Torino: Einaudi Saggi 1973. Rilegato tela sovracoperta cloth dust jacket. Molto buono Very Good. Testi di Nadar Jean Prinet Antoinette Dilasser Lamberto Vitali. Con 100 fotografie e altri documenti. Appendice: Ernest Lacan La fotografia in Francia - Biografia - Bibliografia. Cm 215x21. pp. 404. Molto buono Very Good. Prima edizione italiana First Italian Edition. La più completa raccolta mondiale delle opere di Nadar geniale pioniere della fotografia. Capolavori di autenticità espressiva e di sapienza poetica i suoi ritratti appartengono alla grande stagione culturale di Corot e Baudelaire di Courbet e di Dumas dei fratelli Goncourt e di Sainte-Beuve. "Lo studio di Rue Saint-Lazare ha una luce laterale che cade sui soggetti come velata capace di passaggi di tono densi e insieme sottili senza contrsti così da rendere un senso di atmosfera quasi magica. Il successo è enorme: tutta la società parigina e non solo quella passa dallo studio di Nadar. Il quale irrequieto inizia una serie di esperimenti innovatori: l'impiego della luce artificiale e la fotografia aerea con un pallone arerostatico". Einaudi, Saggi hardcover
Best.-Nr. 17-5716Paris France: Bibliothèque Nationale 1965. 8vo. 82 pp. Soft Cover Wraps. Exhibition Catalogue. Black and White Plates. From the Collection of Jacques Laget. Very Good light foxing to covers. Paris, France: Bibliothèque Nationale, 1965. paperback
Best.-Nr. 105743165 x 11 cm Min gebräunt rückseitig kleiner Stemp. a. Fuss tadell. Unter Bild gedruckt: links: Nadar rechts: Atelieradresse: Rue d’Anjou St.Hré 51 Hòtel privé.Rückseitig: Medaille d’or Exposition universelle 1878. 010 unknown
Best.-Nr. 70-1508Paris: 19th Century French Publisher 1858. Original B&W gravure. 19 x 12 inches. Very Good. Light surface wear throughout. Stain in right margin not affecting image. Scarce. Paris: [19th Century French Publisher], [1858]. unknown
Best.-Nr. 41878Paris 1877. 2° 1 Doppelbl. m. montierter Orig.-Photogr. 12.5 x 8.5 cm a. erster Seite Im Falz tlw. durchgerieben etw. randrissig u. -knittrig die Photogr. tadellos. Mit der «Camée artistique» zu der Opernsängerin «Mlle. Sablairolles» - diese auch auf der Photographie bezeichnet mit «Cliché Nadar». Text frz. 010 Paris, 1877 unknown
Best.-Nr. 41879Paris 1877. 2° 1 Doppelbl. m. montierter Orig.-Photogr. 12.5 x 8.5 cm a. erster Seite Im Falz tlw. durchgerieben etw. randrissig u. -knittrig m. kleinen Verlusten die Photogr. tadellos. Mit der «Camée artistique» zur Theaterschauspielerin Jane Hading - diese auch auf der Photographie bezeichnet mit «Cliché Nadar». Text frz. 010 Paris, 1877 unknown
Best.-Nr. 105745165 x 11 cm Min gebräunt rückseitig kleiner Stemp. a. Fuss tadell. Rückseitig von der berühmten Schauspielerin 1844–1923 signiert.Unter Bild gedruckt: links: Nadar rechts: Atelieradresse: Rue d’Anjou St.Hré 51 Hòtel privé.Rückseitig: Medaille d’or Exposition universelle 1878. 010 unknown
Best.-Nr. 105744165 x 11 cm Min gebräunt rückseitig kleiner Stemp. a. Fuss tadell. Unter Bild gedruckt: links: Nadar rechts: Atelieradresse: Rue d’Anjou St.Hré 51 Hòtel privé.Rückseitig: Medaille d’or Exposition universelle 1878. 010 unknown
1866Best.-Nr. 38812Paris: E. Dentu 1866. First and only edition of this novel by Nadar. The frontispiece is A DELICATE MOUNTED ORIGINAL PHOTOGRAPH BY NADAR SIGNED WITH HIS BLINDSTAMP. 3 331 pp. Printed on good wove paper. 12mo. Bound in quarter contemporary calf and decorated boards. Binding somewhat worn but completely solid and joints not cracked. Occasional faint old internal staining in the margins. THE MOUNTED PHOTOGRAPH IS IN PERFECT CONDITION. EXTREMELY RARE: WorldCat cites only four copies. sxxi E. Dentu hardcover
1866First and only edition of this novel by Nadar. The frontispiece is A DELICATE MOUNTED ORIGINAL PHOTOGRAPH BY NADAR, SIGNED WITH HIS BLINDSTAMP. 3, 331 pp. Printed on good wove paper. 12mo. Bound in quarter contemporary calf and decorated boards. Binding somewhat worn, but completely solid, and joints not cracked. Occasional faint old internal staining in the margins. THE MOUNTED PHOTOGRAPH IS IN PERFECT CONDITION. EXTREMELY RARE: WorldCat cites only four copies. sxxi
1973Best.-Nr. 004033Torino: Giulio Einaudi Editore 1973. Book. Very Good - Fine. Hardcover. First Edition. Small 4to. Dust Jacket Condition: Very Good . xii i 403 pp Indice delle illustrazioni Lamberto Vitali: Il fotografo Nadar; Jean Prinet e Antoinette Dilasser: Nadar; Nadar: Antologia di scritti; 94 fotografie di Nadar: testi e traduzione a cura di Lamberto Vitali; Adrien Tournachon detto Nadar jeune; Adolphe Bertsch; Bertall; Étienne Carjat-Salomon; Adam-Salomon; Appendice: Ernest Lacan La fotografia in Francia; dati cronologici; bibliografia. Text in Italian. Prima edizion: Finito di stampare il 10 novembre 1973. Not Price Clipped. 1" closed tear near spine of bottom edge front panel dj with minute chips to top and bottom edge spine of same. Faintly bumped bottom fore-edge corner with lightly age-toned text block edges else Pristine no wear. Clean tight and strong binding with no underlining highlighting or marginalia. Orange cloth with black lettering to spine. Giulio Einaudi Editore Hardcover
1989In 8°, legatura in piena pelle nera con al dorso titoli, filetti ornati e fregio in oro, ricche impressioni a secco e fregio in oro ai piatti, taglio di testa dorato, guardie in carta decorata, segnalibro in tessuto nero, pp. (12),253,(3) su carta vergata, con una tavola in antiporta e più di 100 tavole fuori testo con immagini fotografiche di Nadar. Prefazione di Léon Daudet. Ottimo esemplare.
Best.-Nr. 53529Bibliotheque Nationale 1965 In-8 20 cm 84pp. illustr. photographies Nb-0240 Cataloque d'exposition - 410 references: Nadar et sa famille - Nadar et le journalisme - Nadar ecrivain - Le Pantheon Nadar - Nadar photographe - Nadar et l'Aeronautique la theorie du plus lourd que l'air le ballon le Siege de Paris unknown
1877Best.-Nr. 76745Paris: Georges Decaux 1877. Fine. Georges Decaux Paris s. d. 1877 11.50 x 18.50 cm relié First edition. Contemporary half bottle-green shagreen binding spine with five raised bands set with gilt fleurons some minor rubbing to spine without gravity marbled paper boards endpapers and pastedowns of pebbled paper contemporary binding. Some minor foxing without gravity a pencil library shelf mark on one endpaper. Autograph inscription dated and signed by Nadar: ""A M. Bertrand de main amie. Nadar. Nov"". Georges Decaux hardcover
1882Best.-Nr. 49432Paris: chés l'auctheur 1882. Fine. chés l'auctheur Paris s. d. 1882 14 x 19 cm relié first edition of this Rabelaisian style pamphlet directed against Gambetta one of 300 numbered copies on Holland paper. Binding to open bradel ivory wove smooth back red mesh coaching boards and boards painted in watercolor compositions centers: a bookplate and a monogram on the first front cover and Léon Gambetta embodying Christ crucified fragile parchment wrappers preserved and bound in contemporary binding signed Dodé. Nadar handwritten signature under the justification of the draw. In addition this copy is enriched with a handwritten correction Nadar pencil in The Passion p. 45 to orveitan sic. Book adorned the author of illustrations. Provenance: Library of Frederick Lachèvre bibliographer specialist in French poetry with its large bookplate engraved and painted emblem repeated in the first boardes. A book illustration is reproduced on the lower flat of each volume. Some light and light bites to bookbinding. chés l'auctheur hardcover
1910Best.-Nr. 31230Paris: Le Livre et l'Image 1910. Fine. Le Livre et l'Image Paris 1910 18 x 27.50 cm broché First edition. Illustrated cover printed in red and black spine with tears but no loss corners showing traces of wear. Collaborations by L. Millanvoy: ""Nadar"" Henry Eon: ""Maxime Maufra"" Clément-Janin Dubray. A brown stain appears in the upper part of page 96 not touching the text. Copy lacking the original embossing by Alexandre Charpentier. Minimal foxing. Le Livre et l'Image unknown
1882Best.-Nr. 49471Paris: chés l'auctheur 1882. Fine. chés l'auctheur Paris s. d. 1882 14 x 19 cm relié first edition of this Rabelaisian style pamphlet directed against Gambetta one of 300 numbered copies on paper of the Netherlands. Binding to open bradel ivory wove smooth back red mesh frame compositions painted boards and boards to centers: a bookplate and a monogram on the first front cover and Léon Gambetta dabbling in a bathtub on the second fragile parchment wrappers preserved and bound in contemporary binding signed Dodé. Nadar handwritten signature under the justification of the draw. Book adorned the author of illustrations. Provenance: Library of Frederick Lachèvre bibliographer specialist in French poetry with its large bookplate engraved and painted emblem repeated in the first boardes. A book illustration is reproduced on the lower flat of each volume. Some light and light bites to bookbinding. chés l'auctheur hardcover
1880Best.-Nr. 71647Paris: Goupil & Cie 1880. Fine. Goupil & Cie Paris 1880 24 x 33 cm une feuille Photoglypty from the Galerie contemporaine. Portrait of Edmond Goncourt. Mounted sheet on which a photoglypty of 19x24cm has been laid down. Caption at the bottom of the mount: Galerie Contemporaine 126 boulevard de Magenta. Phot. Goupil et Cie. Cliché Nadar 51 rue d'Anjou-St-Honoré. Superb condition. Handsome portrait of the writer seated with a fixed and fierce gaze a cigarette in his right hand his elbow resting on attributes that represent him. Close to a carbon print by its warm and deep tones photoglypty is a complex photomechanical process of photographic reproduction which the publishing industry used for about 20 years from 1875 to 1895. Seeking an ideal and aesthetic image of famous men the plates were always retouched and repainted to erase an unsightly wrinkle or too troublesome defect to polish the hair etc. Thus photography and printmaking converge in a new representation. The Galerie Contemporaine became a publishing house that sold images of contemporary men these images were assembled into 8 folio volumes by Paul de Lacroix but continued to be sold separately at the headquarters of the Galerie Contemporaine. Goupil & Cie unknown
1857Best.-Nr. 40580Paris: Michel Lévy 1857. Fine. Michel Lévy Paris 1857 11.50 x 18 cm relié Second edition published one year after the first edition. Half fir green shagreen binding with corners spine with five raised bands set with black fillets decorated with double black compartments embellished with gilt fleurons slight scratches without any gravity on one joint marbled paper boards marbled endpapers and pastedowns all edges gilt. Autograph inscription signed by Nadar to Madame Dufay. Handsome copy. Michel Lévy hardcover
1865Best.-Nr. 1025H39Paris: E. Dentu 1865 . Cloth. Good. 7" by 4.5". None Stated. The second edition of Nadar"s vivid memoir of "Le Geant" his colossal experimental balloon a presentation copy signed by the author. In a contemporary green quarter cloth binding with marbled paper boards with the original wraps bound in. Illustrated with a folding map and a folding engraved plate. Collated complete. The second edition following the 1864 first edition. Inscribed by Nadar to the half-title: "A Monsieur de La Chauffee souvenir cordial Nadar Xbre 64." Nadar recounts the construction and two Paris ascents of Le Géant culminating in its violent landing near Hanover in October 1863. Nadar the pseudonym of Gaspard-Felix Tournachon 1820-1910 was a French photographer journalist caricaturist and aeronaut. In 1858 he became the first person to take aerial photographs. An appealing presentation copy of this work of early aeronautical literature. In a contemporary green quarter cloth binding with marbled paper boards with the original wraps bound in. Externally sound. Slight rubbing and bumping to extremities resulting in minor loss to paper more so to corners. Slight fading to spine. Endpapers age toned with light scattered spotting. Internally the title page dedication and four pages of the introduction are full detached but present with strain and wear to the hinge. With this exception text block firmly bound. Pages characteristically age toned with one or two light spots. Author's ink presentation inscription to half-title. Good E. Dentu hardcover
Best.-Nr. 5007Nadar pens a brief letter with a drawing requesting his friend to give him "three places for the day." He signs "Nadar Tuesday Aug. 8 1892." He fills the bottom portion of the letter with a bust length sketch and descriptive note "made from memory of a young Nadar age 8." This is his second signature in the letter in French on an 8vo sheet n.p. Condition: Fine condition with several slight aging spots and light soiling at the corners. Letters with drawings by Nadar are rare. unknown
Best.-Nr. 5007Nadar pens a brief letter with a drawing requesting his friend to give him "three places for the day." He signs "Nadar Tuesday Aug. 8 1892." He fills the bottom portion of the letter with a bust length sketch and descriptive note "made from memory of a young Nadar age 8." This is his second signature in the letter in French on an 8vo sheet n.p. Condition: Fine condition with several slight aging spots and light soiling at the corners. Letters with drawings by Nadar are rare. unknown books
1982Best.-Nr. 52519Milano: Gruppo Editoriale Electa; Distributed in the USA and Canada by Rizzoli International Publications Inc. New York 1982. First edition. Nadar. Folio 3 pp. 12 full-page loose b&w plates from photographs with tissue guards. Slight scuffing to the publisher's four-point black card portfolio with printed label and white card slipcase which has an erased price on the upper corner. A near fine copy. The text includes a brief essay by Renato Giovannoli and a short chronology. Gruppo Editoriale Electa; Distributed in the USA and Canada by Rizzoli International Publications, Inc., New York unknown
