912 résultats
2023réf. __0198870671OUP Oxford 2023. Paperback. New. 3rd edition. 252 pages. 8.25x5.50x0.50 inches. OUP Oxford paperback
2023réf. x-0198870671OUP Oxford 2023. Paperback. New. 3rd edition. 252 pages. 8.25x5.50x0.50 inches. OUP Oxford paperback
2015réf. 2-0198701977Oxford Univ Pr 2015. Paperback. New. 2nd edition. 190 pages. 7.75x5.25x0.50 inches. Oxford Univ Pr paperback
réf. LDM0015594We ship worldwide. 100% guarentee. BRAND NEW unknown
1994réf. 17520Paris: Editions de la Reunion des Musees Nationaux 1994. Hardcover. First French edition first printing. Near Fine cloth-bound hardcover with a touch of rubbing at the spine ends and lower tips and a small bit of white paper stuck to some sticker adhesive on the ffep in a Fine dust jacket with hints of soiling. A very nice copy. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY WRAPPED IN PADDING IN A BOX. The catalogue for an exhibition at the Musee d'Orsay Paris 1994 of portraits by Nadar 1820-1910 the French photographer caricaturist writer and balloonist. The exhibition was presented the following year at the Metropolitan Museum of Art NYC. Photographs by Nadar Felix Tournachon; curated with essays by Francoise Heilbrun Maria Morris Hambourg and Philippe Neagu; essays by Sylvie Aubenas Andre Jammes Ulrich Keller and Andre Rouille. 348 pages; 98 full-page tri-toned b&w plates 153 text illustrations; 9.25 x 12.25 inches. Chronology bibliography plate notes index. Text in French. LAID IN is a long illustrated article about Nadar from Art in America 1988. Due to size and weight international and expedited shipping will be more than quoted. Editions de la Reunion des Musees Nationaux hardcover
réf. 148780GONCOURT Edmond de. Portrait for La Galerie Contemporaine by Nadar. Woodburytype print with artist's information printed on mount matted and framed in polished dark wood. Paris: Nadar ND. A visually arresting portrait of Edmond de Goncourt by famed portrait photographer Nadar Gaspard-Felix Tournachon 1820-1910. "Nadar's notoriety in photography came after successful careers first in writing and publishing and then in caricature. Nadar's turn to portrait photography appears to be a natural progression from his work in caricature." "Galerie Contemporaine stands out due to its ambitious scope as well as for the quality of the photographic imagery it contained. Underpinned by a certain patriotic sentiment and a more sophisticated approach to celebrity the subtitle Litteraire Artistique declares the work's focus of interest to be high art. In fact Galerie Contemporaine evolved into the most impressive set of celebrity portraits published in nineteenth-century France forming a vital visual record of the leading figures who shaped public life in science and politics as well as the arts during the Second Empire and the emergent Third Republic." Hannavy John editor. Encyclopedia of Nineteenth-century Photography p. 971 and 567. unknown
réf. 148780GONCOURT Edmond de. Portrait for La Galerie Contemporaine by Nadar. Woodburytype print with artist's information printed on mount matted and framed in polished dark wood. Paris: Nadar ND. A visually arresting portrait of Edmond de Goncourt by famed portrait photographer Nadar Gaspard-Felix Tournachon 1820-1910. "Nadar's notoriety in photography came after successful careers first in writing and publishing and then in caricature. Nadar's turn to portrait photography appears to be a natural progression from his work in caricature." "Galerie Contemporaine stands out due to its ambitious scope as well as for the quality of the photographic imagery it contained. Underpinned by a certain patriotic sentiment and a more sophisticated approach to celebrity the subtitle Litteraire Artistique declares the work's focus of interest to be high art. In fact Galerie Contemporaine evolved into the most impressive set of celebrity portraits published in nineteenth-century France forming a vital visual record of the leading figures who shaped public life in science and politics as well as the arts during the Second Empire and the emergent Third Republic." Hannavy John editor. Encyclopedia of Nineteenth-century Photography p. 971 and 567. unknown books
réf. 17-3526Paris : Les Annales Politiques et Littéraires 1900-1940s. B&W postcard 5.5 x 3.5 inches. Very Good. Light toning and edge wear. Scarce. Paris : Les Annales Politiques et Littéraires, [1900-1940s?]. unknown
1887réf. 137010- Une page 24 x 32 cm.
1982réf. PHOT0783[Paris], Caisse nationale des monuments historiques et des sites 1982. Gr.-8°. 64 S. mit 96 s/w. Abb., OKart.
1849réf. 70986Paris Dumineray éditeur 1849 1 In quarto reliure d'époque en demi-percaline grise, pièce de titre en cuir marron 188 pp Histoire morale, philosophique , politique, critique, littéraire et artistique de l'année 1849
1900réf. 53210- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.
1900réf. 53212- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.
1976réf. Q-0394411064Alfred A. Knopf 1976-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Alfred A. Knopf hardcover
1977réf. 82159München, Schirmer/Mosel Verlag, 1977. Original Pappband mit Schutzumschlag im Schuber, 8°, 296 Seiten.
réf. 8924Inspection générale des musées classés et contrôlés, Paris, s.d. In-12, format allongé, broché sous couverture illustrée, 47 pp. Avant-propos de Philippe Néagu - Paul Nadar, par Anne-Marie Bernard et Agnès Blondel - Catalogue - Quelques dates - Principaux ouvrages consultés.
1985réf. ABE-1694178414044192 PAGES-FORMAT POCHE-COLLECTION ECRIVAINS DE TOUJOURS N°9-ETAT NEUF-(EM923)
réf. 25144<meta charset="utf-8">En 1890 Paul Nadar entreprend un voyage vers l'Asie centrale en suivant la Route de la soie. Il en rapporte une impressionnante série de photographies témoignant de la modernité soviétique en marche, réalisées avec les premiers films gélatine Kodak. Un siècle plus tard, Payram emprunte la même route. Photographiant à la chambre avec les ultimes films Kodak grand format, il capte le quotidien des ex-pays d'URSS en pleine réappropriation de leur histoire. Ce livre met en dialogue leurs images en interrogeant la place de la photographie dans le champ mémoriel et sa capacité à se saisir de l'histoire. L'originalité de sa forme - deux livres superposés assemblés et reliés - ajoute un écho supplémentaire à ces deux récits ambitieux qu'analyse l'historien de laphotographie Michel Poivert. Paris, 2021 Le bec en l'air éditions 120 p., Cartonnage éditeur. 20 x 32 cm
1891réf. 27452Office général de la photographie | Paris Octobre 1891 | 18.50 x 27 cm | broché
1894réf. 27456Office général de la photographie | Paris 30 Mai 1894 | 18.50 x 27 cm | broché
1894réf. 27458Office général de la photographie | Paris 30 Juillet 1894 | 18.50 x 27 cm | broché
1894réf. 27459Office général de la photographie | Paris 30 Août 1894 | 18.50 x 27 cm | broché
1894réf. 27460Office général de la photographie | Paris 30 Septembre 1894 | 18.50 x 27 cm | broché
1893réf. 27461Office général de la photographie | Paris 30 Septembre 1893 | 18.50 x 27 cm | broché
1893réf. 27464Office général de la photographie | Paris 30 Septembre 1893 | 18.50 x 27 cm | broché
