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1976Best.-Nr. Q-0394411064Alfred A. Knopf 1976-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Alfred A. Knopf hardcover
1900Best.-Nr. 53210- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.
1900Best.-Nr. 53212- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.
1849Best.-Nr. 70986Paris Dumineray éditeur 1849 1 In quarto reliure d'époque en demi-percaline grise, pièce de titre en cuir marron 188 pp Histoire morale, philosophique , politique, critique, littéraire et artistique de l'année 1849
1982Best.-Nr. PHOT0783[Paris], Caisse nationale des monuments historiques et des sites 1982. Gr.-8°. 64 S. mit 96 s/w. Abb., OKart.
1887Best.-Nr. 137010- Une page 24 x 32 cm.
Best.-Nr. Juanpebooks038767WE ship worldwide. Brand new 100%guarentee unknown
Best.-Nr. 17-3526Paris : Les Annales Politiques et Littéraires 1900-1940s. B&W postcard 5.5 x 3.5 inches. Very Good. Light toning and edge wear. Scarce. Paris : Les Annales Politiques et Littéraires, [1900-1940s?]. unknown
Best.-Nr. 148780GONCOURT Edmond de. Portrait for La Galerie Contemporaine by Nadar. Woodburytype print with artist's information printed on mount matted and framed in polished dark wood. Paris: Nadar ND. A visually arresting portrait of Edmond de Goncourt by famed portrait photographer Nadar Gaspard-Felix Tournachon 1820-1910. "Nadar's notoriety in photography came after successful careers first in writing and publishing and then in caricature. Nadar's turn to portrait photography appears to be a natural progression from his work in caricature." "Galerie Contemporaine stands out due to its ambitious scope as well as for the quality of the photographic imagery it contained. Underpinned by a certain patriotic sentiment and a more sophisticated approach to celebrity the subtitle Litteraire Artistique declares the work's focus of interest to be high art. In fact Galerie Contemporaine evolved into the most impressive set of celebrity portraits published in nineteenth-century France forming a vital visual record of the leading figures who shaped public life in science and politics as well as the arts during the Second Empire and the emergent Third Republic." Hannavy John editor. Encyclopedia of Nineteenth-century Photography p. 971 and 567. unknown books
Best.-Nr. 148780GONCOURT Edmond de. Portrait for La Galerie Contemporaine by Nadar. Woodburytype print with artist's information printed on mount matted and framed in polished dark wood. Paris: Nadar ND. A visually arresting portrait of Edmond de Goncourt by famed portrait photographer Nadar Gaspard-Felix Tournachon 1820-1910. "Nadar's notoriety in photography came after successful careers first in writing and publishing and then in caricature. Nadar's turn to portrait photography appears to be a natural progression from his work in caricature." "Galerie Contemporaine stands out due to its ambitious scope as well as for the quality of the photographic imagery it contained. Underpinned by a certain patriotic sentiment and a more sophisticated approach to celebrity the subtitle Litteraire Artistique declares the work's focus of interest to be high art. In fact Galerie Contemporaine evolved into the most impressive set of celebrity portraits published in nineteenth-century France forming a vital visual record of the leading figures who shaped public life in science and politics as well as the arts during the Second Empire and the emergent Third Republic." Hannavy John editor. Encyclopedia of Nineteenth-century Photography p. 971 and 567. unknown
1994Best.-Nr. 17520Paris: Editions de la Reunion des Musees Nationaux 1994. Hardcover. First French edition first printing. Near Fine cloth-bound hardcover with a touch of rubbing at the spine ends and lower tips and a small bit of white paper stuck to some sticker adhesive on the ffep in a Fine dust jacket with hints of soiling. A very nice copy. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY WRAPPED IN PADDING IN A BOX. The catalogue for an exhibition at the Musee d'Orsay Paris 1994 of portraits by Nadar 1820-1910 the French photographer caricaturist writer and balloonist. The exhibition was presented the following year at the Metropolitan Museum of Art NYC. Photographs by Nadar Felix Tournachon; curated with essays by Francoise Heilbrun Maria Morris Hambourg and Philippe Neagu; essays by Sylvie Aubenas Andre Jammes Ulrich Keller and Andre Rouille. 348 pages; 98 full-page tri-toned b&w plates 153 text illustrations; 9.25 x 12.25 inches. Chronology bibliography plate notes index. Text in French. LAID IN is a long illustrated article about Nadar from Art in America 1988. Due to size and weight international and expedited shipping will be more than quoted. Editions de la Reunion des Musees Nationaux hardcover
Best.-Nr. LDM0015594We ship worldwide. 100% guarentee. BRAND NEW unknown
2023Best.-Nr. __0198870671OUP Oxford 2023. Paperback. New. 3rd edition. 252 pages. 8.25x5.50x0.50 inches. OUP Oxford paperback
2023Best.-Nr. x-0198870671OUP Oxford 2023. Paperback. New. 3rd edition. 252 pages. 8.25x5.50x0.50 inches. OUP Oxford paperback
2015Best.-Nr. 2-0198701977Oxford Univ Pr 2015. Paperback. New. 2nd edition. 190 pages. 7.75x5.25x0.50 inches. Oxford Univ Pr paperback
Best.-Nr. 0983908834.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2021Best.-Nr. 132306010026Tamilunltd 2021-01-25. Hardcover. New. 11x0x8. Hardcover. An unused unmarked and unblemished copy.; 100% Satisfaction Guaranteed! Ships same or next business day! Tamilunltd hardcover
Best.-Nr. 1032895535.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1032895497.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2025Best.-Nr. x-1032895497Routledge 2025. Hardcover. New. 140 pages. 8.50x5.43x8.74 inches. Routledge hardcover
Best.-Nr. 0983908796.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 68-6378Paris France: Eclair 1894. B&W Photograph on Blank Post Card. 14 x 9 cm. Very Good. En Francais.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Eclair, 1894. unknown
Best.-Nr. 68-6404Paris France: Eclair 1894. B&W Photograph on Blank Post Card. 14 x 9 cm. Very Good. En Francais.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Eclair, 1894. unknown
Best.-Nr. 68-6407Paris France: Nadar 1877. Print of B&W Photograph mounted on decorative paper. 19.2 x 24.2 cm. Overall dimensions 7 x 9 cm. Print measurements. Very Good. En Francais.Signed by A. Cleret on verso.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Nadar, 1877. unknown
Best.-Nr. 68-6405Paris France: Nadar 1877. Print of B&W Photograph mounted on decorative paper. 21 x 27 cm. Overall dimensions 10 x 14 cm. Print measurements. Very Good. En Francais.Signed by A. Cleret on verso.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Nadar, 1877. unknown
