920 Ergebnisse
1860Best.-Nr. 251330Paris: Chez Les Marchands des Nouveautés Artistiques 1860. 52 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. Publisher's green pictorial paper over boards rebacked in tan buckram. 52 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. "Grévin employé au chemin de fer de Lyon il entra au Journal Amusant et au Petit Journal pour Rire en 1859. Son succès fut très grand. Grévin mettait au bas de ses dessins des legendes pleines d'esprit." Benezit. Chez Les Marchands des Nouveautés Artistiques unknown
1868Best.-Nr. 251331Paris: Chez Les Marchands des Nouveautés Artistiques 1868. 47 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. Publisher's green pictorial paper over boards rebacked in tan buckram. 47 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. "Grévin employé au chemin de fer de Lyon il entra au Journal Amusant et au Petit Journal pour Rire en 1859. Son succès fut très grand. Grévin mettait au bas de ses dessins des legendes pleines d'esprit." Benezit. Chez Les Marchands des Nouveautés Artistiques unknown
Best.-Nr. 10626-9353270227Paperback. New. Book Condition is in New Paperback Eastern Economy Edition/Indian Edition textbook with identical content as the US version. May have been Printed in India with cover stating Not for sale in US. Fast shipping through the DHL FedEx Aramex And Delivered In 8-12 Days to all worldwide. paperback
Best.-Nr. 10626-9353270200Paperback. New. Book Condition is in New Paperback Eastern Economy Edition/Indian Edition textbook with identical content as the US version. May have been Printed in India with cover stating Not for sale in US. Fast shipping through the DHL FedEx Aramex And Delivered In 8-12 Days to all worldwide. paperback
2023Best.-Nr. Bio-Green-97893532702092023. Hardcover. New. hardcover
2023Best.-Nr. Bio-Green-97893532702092023. Hardcover. New. hardcover
Best.-Nr. 287711192X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1994Best.-Nr. 39431Paris: Bookking International. Fine with no dust jacket. 1994. First Edition. Hardcover. Two volume set in slipcase. Text in French. Fine condition. Flexible covers. The slipcase is lightly rubbed. ; 8vo 8" - 9" tall . Bookking International hardcover
1899Best.-Nr. 28857Paris: Ernest Flammarion 1899. First edition. Nadar. Small 8vo. viii 276 pp. table des matières. Bound in contemporary linen gilt-titled morocco label on spine and marbled endpapers. Leaves age-toned throughout. A very good copy. This is the true first edition first issue released without the final chapter "1830 et environs"; this first issue ends on p. 276 followed by the table of chapters. In the later issue there are 4 lines of text on p. 277 blank p. 279 "1830 et environs. Ernest Flammarion unknown
Best.-Nr. A9781630570958Paperback / softback. New. paperback
Best.-Nr. 29520798like new. unknown
Best.-Nr. 29520798-nnew. unknown
Best.-Nr. A9781630571047Paperback / softback. New. paperback
Best.-Nr. 16-4703Paris: Librairie de France 1929-1931. 7 unbound gravures on Arches. 23.2 x 18.5cm. Likely from "Oeuvres complètes illustrées d'Alphonse Daudet." Paris: Librairie de France, 1929-1931. unknown
1995Best.-Nr. 213011New York: The Metropolitan Museum of Art 1995. Hardcover. 272 pages. Published in conjunction with a show that was held at the Musee d'Orsay in Paris that ran June 7 through September 11 1994 and then at The Metropolitan Museum of Art for a run of April 14 through July 9 1995. Text by Maria Morris Hambourg Francois Heilbrun and Philippe Neagu and with additional contributions by Sylvia Aubenas Andre Jammes Ulrich Keller Sophie Rochard and Andre Rouille. Includes 98 plates and 103 figures. A fine copy in a fine dust jacket. As new and still in the publisher's shrinkwrap. The Metropolitan Museum of Art unknown books
1995Best.-Nr. 213011New York: The Metropolitan Museum of Art 1995. Hardcover. 272 pages. Published in conjunction with a show that was held at the Musee d'Orsay in Paris that ran June 7 through September 11 1994 and then at The Metropolitan Museum of Art for a run of April 14 through July 9 1995. Text by Maria Morris Hambourg Francois Heilbrun and Philippe Neagu and with additional contributions by Sylvia Aubenas Andre Jammes Ulrich Keller Sophie Rochard and Andre Rouille. Includes 98 plates and 103 figures. A fine copy in a fine dust jacket. As new and still in the publisher's shrinkwrap. The Metropolitan Museum of Art unknown
1982Best.-Nr. 52519Milano: Gruppo Editoriale Electa; Distributed in the USA and Canada by Rizzoli International Publications Inc. New York 1982. First edition. Nadar. Folio 3 pp. 12 full-page loose b&w plates from photographs with tissue guards. Slight scuffing to the publisher's four-point black card portfolio with printed label and white card slipcase which has an erased price on the upper corner. A near fine copy. The text includes a brief essay by Renato Giovannoli and a short chronology. Gruppo Editoriale Electa; Distributed in the USA and Canada by Rizzoli International Publications, Inc., New York unknown
Best.-Nr. 5007Nadar pens a brief letter with a drawing requesting his friend to give him "three places for the day." He signs "Nadar Tuesday Aug. 8 1892." He fills the bottom portion of the letter with a bust length sketch and descriptive note "made from memory of a young Nadar age 8." This is his second signature in the letter in French on an 8vo sheet n.p. Condition: Fine condition with several slight aging spots and light soiling at the corners. Letters with drawings by Nadar are rare. unknown books
Best.-Nr. 5007Nadar pens a brief letter with a drawing requesting his friend to give him "three places for the day." He signs "Nadar Tuesday Aug. 8 1892." He fills the bottom portion of the letter with a bust length sketch and descriptive note "made from memory of a young Nadar age 8." This is his second signature in the letter in French on an 8vo sheet n.p. Condition: Fine condition with several slight aging spots and light soiling at the corners. Letters with drawings by Nadar are rare. unknown
1865Best.-Nr. 1025H39Paris: E. Dentu 1865 . Cloth. Good. 7" by 4.5". None Stated. The second edition of Nadar"s vivid memoir of "Le Geant" his colossal experimental balloon a presentation copy signed by the author. In a contemporary green quarter cloth binding with marbled paper boards with the original wraps bound in. Illustrated with a folding map and a folding engraved plate. Collated complete. The second edition following the 1864 first edition. Inscribed by Nadar to the half-title: "A Monsieur de La Chauffee souvenir cordial Nadar Xbre 64." Nadar recounts the construction and two Paris ascents of Le Géant culminating in its violent landing near Hanover in October 1863. Nadar the pseudonym of Gaspard-Felix Tournachon 1820-1910 was a French photographer journalist caricaturist and aeronaut. In 1858 he became the first person to take aerial photographs. An appealing presentation copy of this work of early aeronautical literature. In a contemporary green quarter cloth binding with marbled paper boards with the original wraps bound in. Externally sound. Slight rubbing and bumping to extremities resulting in minor loss to paper more so to corners. Slight fading to spine. Endpapers age toned with light scattered spotting. Internally the title page dedication and four pages of the introduction are full detached but present with strain and wear to the hinge. With this exception text block firmly bound. Pages characteristically age toned with one or two light spots. Author's ink presentation inscription to half-title. Good E. Dentu hardcover
1877Best.-Nr. 76745Paris: Georges Decaux 1877. Fine. Georges Decaux Paris s. d. 1877 11.50 x 18.50 cm relié First edition. Contemporary half bottle-green shagreen binding spine with five raised bands set with gilt fleurons some minor rubbing to spine without gravity marbled paper boards endpapers and pastedowns of pebbled paper contemporary binding. Some minor foxing without gravity a pencil library shelf mark on one endpaper. Autograph inscription dated and signed by Nadar: ""A M. Bertrand de main amie. Nadar. Nov"". Georges Decaux hardcover
1882Best.-Nr. 49432Paris: chés l'auctheur 1882. Fine. chés l'auctheur Paris s. d. 1882 14 x 19 cm relié first edition of this Rabelaisian style pamphlet directed against Gambetta one of 300 numbered copies on Holland paper. Binding to open bradel ivory wove smooth back red mesh coaching boards and boards painted in watercolor compositions centers: a bookplate and a monogram on the first front cover and Léon Gambetta embodying Christ crucified fragile parchment wrappers preserved and bound in contemporary binding signed Dodé. Nadar handwritten signature under the justification of the draw. In addition this copy is enriched with a handwritten correction Nadar pencil in The Passion p. 45 to orveitan sic. Book adorned the author of illustrations. Provenance: Library of Frederick Lachèvre bibliographer specialist in French poetry with its large bookplate engraved and painted emblem repeated in the first boardes. A book illustration is reproduced on the lower flat of each volume. Some light and light bites to bookbinding. chés l'auctheur hardcover
1910Best.-Nr. 31230Paris: Le Livre et l'Image 1910. Fine. Le Livre et l'Image Paris 1910 18 x 27.50 cm broché First edition. Illustrated cover printed in red and black spine with tears but no loss corners showing traces of wear. Collaborations by L. Millanvoy: ""Nadar"" Henry Eon: ""Maxime Maufra"" Clément-Janin Dubray. A brown stain appears in the upper part of page 96 not touching the text. Copy lacking the original embossing by Alexandre Charpentier. Minimal foxing. Le Livre et l'Image unknown
1882Best.-Nr. 49471Paris: chés l'auctheur 1882. Fine. chés l'auctheur Paris s. d. 1882 14 x 19 cm relié first edition of this Rabelaisian style pamphlet directed against Gambetta one of 300 numbered copies on paper of the Netherlands. Binding to open bradel ivory wove smooth back red mesh frame compositions painted boards and boards to centers: a bookplate and a monogram on the first front cover and Léon Gambetta dabbling in a bathtub on the second fragile parchment wrappers preserved and bound in contemporary binding signed Dodé. Nadar handwritten signature under the justification of the draw. Book adorned the author of illustrations. Provenance: Library of Frederick Lachèvre bibliographer specialist in French poetry with its large bookplate engraved and painted emblem repeated in the first boardes. A book illustration is reproduced on the lower flat of each volume. Some light and light bites to bookbinding. chés l'auctheur hardcover
1880Best.-Nr. 71647Paris: Goupil & Cie 1880. Fine. Goupil & Cie Paris 1880 24 x 33 cm une feuille Photoglypty from the Galerie contemporaine. Portrait of Edmond Goncourt. Mounted sheet on which a photoglypty of 19x24cm has been laid down. Caption at the bottom of the mount: Galerie Contemporaine 126 boulevard de Magenta. Phot. Goupil et Cie. Cliché Nadar 51 rue d'Anjou-St-Honoré. Superb condition. Handsome portrait of the writer seated with a fixed and fierce gaze a cigarette in his right hand his elbow resting on attributes that represent him. Close to a carbon print by its warm and deep tones photoglypty is a complex photomechanical process of photographic reproduction which the publishing industry used for about 20 years from 1875 to 1895. Seeking an ideal and aesthetic image of famous men the plates were always retouched and repainted to erase an unsightly wrinkle or too troublesome defect to polish the hair etc. Thus photography and printmaking converge in a new representation. The Galerie Contemporaine became a publishing house that sold images of contemporary men these images were assembled into 8 folio volumes by Paul de Lacroix but continued to be sold separately at the headquarters of the Galerie Contemporaine. Goupil & Cie unknown
