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1893réf. 27470Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Janvier 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates including one plate of photographic prints by Nadar and one photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. ""We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a photograph by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. Handsome copy. Of exceptional rarity. Office général de la photographie unknown
1894réf. 27458Paris: Office général de la photographie 1894. Fine. Office général de la photographie Paris 30 Juillet 1894 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates including a sheet of photographic prints by Nadar and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie. » ""We believe we are advancing progress by further interesting the public in this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a print by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. A small trace of kraft paper that initially protected this issue handsome copy. Of exceptional rarity. Office général de la photographie unknown
1893réf. 27464Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Septembre 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy includes at least two plates including a plate of Nadar's photographic prints and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie. » ""We believe we are advancing progress by further interesting the public in this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a print by the famous photographer in each issue. Behind the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France in contrast to the magnificent foreign publications. Handsome copy. Of extraordinary rarity. Office général de la photographie unknown
réf. 1256P., La Découverte/Maspero, 1983. Grd in-16, br, couv. pelliculée ill. en couleurs.
2015réf. 123445Paris Futuropolis 2015 1 vol. relié grand in-8, cartonnage illustré, 389 pp., illustrations en noir. Premier tirage. Envoi autographe et dessin original de l'auteur sur la page de garde. Très bon état.
2015réf. 123445Paris Futuropolis 2015 1 vol. relié grand in-8, cartonnage illustré, 389 pp., illustrations en noir. Premier tirage. Envoi autographe et dessin original de l'auteur sur la page de garde. Très bon état.
2013réf. 2-8415685041Astiberri Ediciones 2013. Perfect Paperback. New. Spanish language. 9.61x6.77x1.42 inches. Astiberri Ediciones paperback
réf. 166271854. 80 x 100 cm, montée sur planche cartonnée.
1904réf. Pro4PROUST Jeanne WEIL 1849-1905 5th December 1904 original period film print. Round photography 159 cm diameter mounted on thick paper frame in the photographer's name.Tiny spot on lower margin of the mounting small stainStamp on verso from collection Suzy Mante-Proust collection One of Jeanne Weil Proust's last portraits less than a year before her death This portrait was taken on December 5th 1904. At this time aged 56 years old Proust's mother has been a widow for a year. The translation of his son's The Bible of Amiens was published that same year. She died of nephritis a year later on September 26 1905. Nadar did process her portrait and removed the shadows and various flaws on her face. Michel Schneider notes that the narrator's mother in the Search is obviously inspired by the mother of the author himself. Jeanne Proust was born Jeanne Weil in 1849 from a Jewish family of the enlightened bourgeoisie. Much has been said about the intellectual complicity that united her with elder son. Marcel Proust who during his mother's lifetime wrote only beautifulthings in the spirit of the time Pleasures and Days will not become the novelist of the Search until after the death his mother an event that has somehow freed his creation. In the novel the grief he felt at his death is shifted to that of the grandmother and that of Albertine. In the Search Mom doesn't die she is also mentioned more than 500 times. Provenance: -Proust Family -Suzy Mante-Proust only daughter of Robert Proust by descent -Patricia Mante-Proust granddaughter of Suzy Mante-Proust by descent References: Nadar repr. p. 32 in full. Cattaui n° 59 repr. Mauriac repr. p. 10.
1982IN 8°, pp.XLIV,210 + 15 c. f.t. CON 32 ILLUSTRAZIONI FOTOGRAFICHE. COPERTINA EDITORIALE ILLUSTRATA in b/n. CON TITOLO. NADAR, PSEUDONIMO DI GASPARD - FELIX TOUNACHON ( PARIGI 1820 - 1910 ), PIONIERE DELLA FOTOGRAFIA. REALIZZO' PER PRIMO LE FOTOGRAFIE AEREE SCATTATE DA UN AEROSTATO E SPERIMENTO' INOLTRE L'IMPIEGO DEL FLASH AL MAGNESIO NELLA FOTOGRAFIA. OPERA FACENTE PARTE DELLA COLLANA UNIVERSALE ARTE E SPETTACOLO, 56.PRIMA EDIZIONE ITALIANA. OTTIMA CONSERVAZIONE. ID 5944
1994réf. 17520Paris: Editions de la Reunion des Musees Nationaux 1994. Hardcover. First French edition first printing. Near Fine cloth-bound hardcover with a touch of rubbing at the spine ends and lower tips and a small bit of white paper stuck to some sticker adhesive on the ffep in a Fine dust jacket with hints of soiling. A very nice copy. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY WRAPPED IN PADDING IN A BOX. The catalogue for an exhibition at the Musee d'Orsay Paris 1994 of portraits by Nadar 1820-1910 the French photographer caricaturist writer and balloonist. The exhibition was presented the following year at the Metropolitan Museum of Art NYC. Photographs by Nadar Felix Tournachon; curated with essays by Francoise Heilbrun Maria Morris Hambourg and Philippe Neagu; essays by Sylvie Aubenas Andre Jammes Ulrich Keller and Andre Rouille. 348 pages; 98 full-page tri-toned b&w plates 153 text illustrations; 9.25 x 12.25 inches. Chronology bibliography plate notes index. Text in French. LAID IN is a long illustrated article about Nadar from Art in America 1988. Due to size and weight international and expedited shipping will be more than quoted. Editions de la Reunion des Musees Nationaux hardcover
2014L'eccentrico Baudelaire con l'estroso fiocco nero annodato sulla camicia immacolata, lo sguardo fiero e inflessibile di Victor Hugo da vecchio o il fascino magnetico di Sarah Bernhardt, ancora ventenne. Difficile non conoscere i ritratti fotografici di Felix Tournachon, in arte Nadar, abile come nessun altro nel cogliere la "sembianza intima" dei suoi contemporanei nella Parigi della seconda metà dell'Ottocento. Nato sotto la Restaurazione e uscito di scena alla vigilia della Grande Guerra, Nadar visse quasi un secolo da personaggio pubblico di primo piano. In questa biografia Stéphanie de Saint Marc ci svela gli altri volti del grande fotografo, incarnazione di un "paradosso vitale dalle mille sfumature": i turbolenti esordi che spiazzarono l'opinione pubblica con le prime, pioneristiche vignette, contribuendo alla nascita della petite presse, la futura stampa scandalistica; i "colpi di testa", come quel mattino di marzo del 1848 in cui mollò tutto e, a piedi, partì con l'esercito francese alla volta della Polonia per liberarla dall'invasore russo; l'insaziabile spirito d'avventura che lo portò prima in cielo, a fotografare le nuvole a bordo di un pallone aerostatico, e poi giù nelle viscere della terra, a immortalare le catacombe di Parigi utilizzando una sorta di flash ante litteram; il carattere goliardico di un artista chiacchierato "che in cinque minuti passava al tu e aveva ottomila amici", ma al contempo introverso... Autori: Stéphanie de Saint Marc. Traduttori: Ximena Rodriguez Bradford.
1979réf. 36179Paris, Arthur Hubschmid Editeur, 1979, in-8°., Relié-Jaquette éditeur, 1298 pages. Bon état.
réf. 58189P., Hubschmid, 1979, fort petit in 8° relié pleine toile brune de l'éditeur, jaquette illustrée, paginé 709 à 1299.
1979réf. 30234Arthur Hubschmid Éditeur Jaquette en très bon état Couverture rigide toile Paris 1979
1979réf. 49924Arthur Hubschmid Éditeur Jaquettes en très bon état Couvertures rigides toile Paris 1979
1973réf. 004033Torino: Giulio Einaudi Editore 1973. Book. Very Good - Fine. Hardcover. First Edition. Small 4to. Dust Jacket Condition: Very Good . xii i 403 pp Indice delle illustrazioni Lamberto Vitali: Il fotografo Nadar; Jean Prinet e Antoinette Dilasser: Nadar; Nadar: Antologia di scritti; 94 fotografie di Nadar: testi e traduzione a cura di Lamberto Vitali; Adrien Tournachon detto Nadar jeune; Adolphe Bertsch; Bertall; Étienne Carjat-Salomon; Adam-Salomon; Appendice: Ernest Lacan La fotografia in Francia; dati cronologici; bibliografia. Text in Italian. Prima edizion: Finito di stampare il 10 novembre 1973. Not Price Clipped. 1" closed tear near spine of bottom edge front panel dj with minute chips to top and bottom edge spine of same. Faintly bumped bottom fore-edge corner with lightly age-toned text block edges else Pristine no wear. Clean tight and strong binding with no underlining highlighting or marginalia. Orange cloth with black lettering to spine. Giulio Einaudi Editore Hardcover
1979réf. 4097Encre 1979 In-4 reliure éditeur, 77 pp. Illustrations en noir. Coiffe supérieure et cartonnage légèrement frotté.
1977réf. 82159München, Schirmer/Mosel Verlag, 1977. Original Pappband mit Schutzumschlag im Schuber, 8°, 296 Seiten.
réf. 2209JS310Préface de Jean-François Bory. Introduction aux photographies et rédaction des notices par Philippe Néagu por les Arts et la Musique et Jean-Jacques Poulet-Allamagny pour les Lettres et les Activités diverses. Introductions notes et commentaires par Jean-François Bory. Bookking International. Paris. 1994. 2 Volumes de 215x15 cm. Com 1298 iii págs. com numeração contínua. Encadernações do editor com as pastas flexíveis e acondicionadas em pasta de cartão. Incluiem fitas marcadoras em tecido. Ilustrado a preto e branco. Exemplar apresenta desgaste na caixa de protecção. Contém antologia dos textos atinentes a fotografia glossário e índice onomástico. I-121-G-3 hardcover
1994réf. 10601994 Couverture rigide Paris, Editions de la Réunion des Musées Nationaux, 1994. Fort in-4 (315x238mm), reliure entoilée de l'éditeur, sous jaquette à rabats illustrée. 348 pages, illustrées de nombreuses reproductions photographiques. Catalogue de l'exposition au Musée d'Orsay à Paris du 7 juin au 11 septembre 1994, et au Metropolitan Museum à New York du 3 avril au 9 juillet 1995. Bon exemplaire de ce catalogue de référence.
1979réf. 16778Arthur Hubschmid, 1979. 2 forts volumes in-8 de 1300 pages (pagination continue), pleine toile titrée. En belle condition.
1979réf. 128591979 Paris Arthur Hubschmid 1979, fort in-8, relié-jaquette éditeur, pagination continue Bon état. (qqs tres fines dechirures sans aucun manque de papier en haut jaquette
1979réf. 30039Paris, Arthur Hubschmid, 1979, fort in-8, relié-jaquette éditeur, pagination continue Bon état.
1973IN 8 CARRE' ( cm.22 X 21 ), pp.XII, 403, COPERTINA EDITORIALE IN TUTTA TELA RIGIDA ARANCIONE CON TITOLO AL DORSO + SOVRACOPERTINA ILLUSTRATA in b/n. CON TITOLO. VOLUME RICCAMENTE ILLUSTRATO CON RIPRODUZIONI FOTOGRAFICHE in b/n, a pp. TESTI DI NADAR, JEAN PRINET, ANTOINETTE DILASSER, LAMBERTO VITALI. " NADAR ", PSEUDONIMO CON CUI E' CONOSCIUTO GASPAR - FELIX TOURNACHON ( PARIGI 1820 - 1910 ),FOTOGRAFO, GIORNALISTA, CARICATURISTA E AERONAUTA FRANCESE. NOTO SOPRATTUTTO COME PIONIERE DELLA FOTOGRAFIA I CUI CAPOLAVORI ESPRIMONO AUTENTICITA' ESPRESSIVA E SAPIENZA POETICA. OPERA FACENTE PARTE DELLA COLLANA SAGGI, 518. OTTIMA CONSERVAZIONE. ALCUNE FIORITURE ALLA SOVRACOPERTINA, ALTRIMENTI OTTIMA CONSERVAZIOE GENERALE. ID 4137
